...Riggle Writer’s Workshop Q4 22 May 2015 A Comparative Analysis of the Demographics of Police Diversity in Los Angeles, Dallas, and New York City. In the early 40s in Los Angeles there were a lot of cultures, races, and people coming in and out of LA during WWII. many young Latino men were staring to get out and go to clubs, bars, and movies because they were not content to stay within their “barrios”, and started wearing big suites (zoot suits) and cutting their hair differently, to stand out. Around this time young army men were stationing in Los Angeles due to the war, and many times got into little fights with the zoot suitors because of racial differences. The local press had been saying that "zoot suitors" and "gangsters" were one and the same. On June 3, 1943, a few sailors claimed to have been beaten and robbed by some Mexican pachucos (zoot suitors). That night, a mob of about 200 sailors, drove into East Los Angeles to beat up and take the clothing off any young Latino male they could find. The authorities seemed to be ok with this chaos. “Gangs of American sailors and marines, armed with sticks, walked the streets during the zoot suit riots attacking any man wearing a zoot suit.” first lady, Eleanor Roosevelt wrote that the riots went “deeper than just suits. It is a racial protest. i have been worried for a long time about the Mexican racial situation.” a citizen committee formed to investigate the causes of the riots say, they were caused by racism in the city of Los...
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...Before the Zoot Suit Era emerged, in 1941, there were many Mexican’s that immigrated to California, Texas and Arizona but Los Angeles had the highest concentration of Mexican Americans. Whites and Mexican Americans soon enough separated into their own areas and with unfair employment between them, the tension between the two began to rise. The Los Angeles Times also helped in the tension, as they portrayed a negative messages about Mexican Americans and often times referred to them as “Pachucos” according to Wikipedia Article “Zoot Suit Riots”. Since the start of World War II, the nation decided to cut back on certain manufacturing products to help fund and support the war efforts, such as the 26% cut-back in fabrics, which in result, forbade the manufacturing of the Zoot Suit, since they required excessive fabrics. Servicemen, Military Personnel and White American’s saw the fashion of the Zoot Suiters as “unpatriotic” and “extravagant” and traditional Mexican families feared their children would...
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...these young men and understand the reasoning. The author puts forth the argument that the Zoot-Suit riots are not only historically relevant but the relevant to the racial tensions and more towards a psychological path. According the author, we have only looked at this event in the eyes of its historical significance and what the riots meant in that time period. However, there has never truly been a psychological analysis to the thoughts of these young men at the time and their thoughts...
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...|Department of Law and Criminal Justice Studies |[pic] | | | | |ASSIGNMENT COVER SHEET | | |STUDENT NAME |Nkiruka-Rebecca Elliott |STUDENT No |ELL11053447 | | | |PROGRAMME | |(highlight correct subjects) | |MODULE NAME: | | | |Victims and Victimology | |MARKER’S NAME: |Rashid Aziz...
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...CALIFORNIA CALIFORNIA An Interpretive History TENTH EDITION James J. Rawls Instructor of History Diablo Valley College Walton Bean Late Professor of History University of California, Berkeley TM TM CALIFORNIA: AN INTERPRETIVE HISTORY, TENTH EDITION Published by McGraw-Hill, a business unit of The McGraw-Hill Companies, Inc., 1221 Avenue of the Americas, New York, NY 10020. Copyright © 2012 by The McGraw-Hill Companies, Inc. All rights reserved. Previous editions © 2008, 2003, and 1998. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written consent of The McGraw-Hill Companies, Inc., including, but not limited to, in any network or other electronic storage or transmission, or broadcast for distance learning. Some ancillaries, including electronic and print components, may not be available to customers outside the United States. This book is printed on acid-free paper. 1234567890 QFR/QFR 10987654321 ISBN: 978-0-07-340696-1 MHID: 0-07-340696-1 Vice President & Editor-in-Chief: Michael Ryan Vice President EDP/Central Publishing Services: Kimberly Meriwether David Publisher: Christopher Freitag Sponsoring Editor: Matthew Busbridge Executive Marketing Manager: Pamela S. Cooper Editorial Coordinator: Nikki Weissman Project Manager: Erin Melloy Design Coordinator: Margarite Reynolds Cover Designer: Carole Lawson Cover Image: Albert Bierstadt, American (born...
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...LACAN AND CONTEMPORARY FILM EDITED BY TODD McGOWAN and SHEILA KUNKLE OTHER Other Press New York Copyright © 2004 Todd McGowan and Sheila Kunkle Production Editor: Robert D. Hack This book was set in 11 pt. Berkeley by Alpha Graphics, Pittsfield, N.H. 10 9 8 7 6 5 4 3 2 1 Allrightsreserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from Other Press LLC, except in the case of brief quotations in reviews for inclusion in a magazine, newspaper, or broadcast. Printed in the United States of America on acid-free paper. For information write to Other Press LLC, 307 Seventh Avenue, Suite 1807, New York, NY 10001. Or visit our website: www.otherpress.com. Library of Congress Cataloging-in-Publication Data McGowan, Todd. Lacan and contemporary film / by Todd McGowan & Sheila Kunkle. p. cm. Includes bibliographical references and index. ISBN 1-59051-084-4 (pbk : alk. paper) 1. Motion pictures-Psychological aspects. 2. Psychoanalysis and motion pictures. 3. Lacan, Jacques, 1901- I. Kunkle, Sheila. II. Title. PN1995 .M379 2004 791.43'01 '9-dc22 2003020952 Contributors Paul Eisenstein teaches literature and film in the English department at Otterbein College, Columbus, Ohio, and is the author of Traumatic Encounters: Holocaust Representation and the Hegelian Subject (SUNY Press, 2003). Anna Kornbluh...
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...Cultural Moves AMERICAN CROSSROADS Edited by Earl Lewis, George Lipsitz, Peggy Pascoe, George Sánchez, and Dana Takagi 1. Border Matters: Remapping American Cultural Studies, by José David Saldívar 2. The White Scourge: Mexicans, Blacks, and Poor Whites in Texas Cotton Culture, by Neil Foley 3. Indians in the Making: Ethnic Relations and Indian Identities around Puget Sound, by Alexandra Harmon 4. Aztlán and Viet Nam: Chicano and Chicana Experiences of the War, edited by George Mariscal 5. Immigration and the Political Economy of Home: West Indian Brooklyn and American Indian Minneapolis, by Rachel Buff 6. Epic Encounters: Culture, Media, and U.S. Interests in the Middle East,1945–2000, by Melani McAlister 7. Contagious Divides: Epidemics and Race in San Francisco’s Chinatown, by Nayan Shah 8. Japanese American Celebration and Conflict: A History of Ethnic Identity and Festival, 1934–1990, by Lon Kurashige 9. American Sensations: Class, Empire, and the Production of Popular Culture, by Shelley Streeby 10. Colored White: Transcending the Racial Past, by David R. Roediger 11. Reproducing Empire: Race, Sex, Science, and U.S. Imperialism in Puerto Rico, by Laura Briggs 12. meXicana Encounters: The Making of Social Identities on the Borderlands, by Rosa Linda Fregoso 13. Popular Culture in the Age of White Flight, by Eric Avila 14. Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and Freedom, by Tiya Miles 15. Cultural Moves: African Americans and the Politics of...
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...English-Russian Idioms Last updated: March 3, 2003 Please take a look at the important information about the copyright. Do not remove it. © 2000-2003 Natalya Belinsky All Rights Reserved This copy of the document was provided by the author for Educational Project FluentEnglish ( http://www.fluent-english.ru ) You have the royalty–free right to use this document as you wish. You are free to quote, copy, distribute or publish this document, but please DO NOT REMOVE this copyright information. No warranties of any kind are made to you as to this document or any medium it may be on. No liability is assumed by the author or Fluent English project for anything including but not limited to indirect, consequential, punitive or incidental damages; incomplete, inaccurate or corrupt data; transcription errors; a computer virus; computer codes that damage or cannot be read by your equipment. Please send your comments, corrections and contributions to the author: natalya.belinskaya@fluent-english.ru IDIOMS Natalya Belinsky 2 ИДИОМ Ы Наталья Белинская От составителя Думаю, любому человеку, сталкивавшемуся с необходимостью освоения иностранного языка в пределах, чуть превосходящий уровень школьной «тройки», приходилось иметь дело с выражениями, представляющими на первый взгляд полную абракадабру, хотя все слова вроде бы известны. Это кажущееся несоответствие значений слов смыслу фразы обуславливается, скорее всего, одной из двух причин: либо в данном выражении имеется какой-то...
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