sacrifice. Aristotle said that tragedy should purge our emotions by evoking pity and fear (or compassion and awe) in us, the spectators. The tragic pattern: 1. a theme of fatal passion (excluding love) as a primary motive 2. an outstanding personality as center of conflict (classical tragedy demanded a “noble” character) 3. a vital weakness within the hero’s character (his tragic flaw which precipitates the tragedy) 4. the conflict within the hero is the
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trust. Although he made mistakes, the town still saw John as a respectable man who cared immensely for his family. In the end, John did admit his sin of adultery and was hanged. Through “Aristotle’s Poetics” it is proved that John Proctor is the tragic hero of The Crucible because his true character comes out and he becomes a good man in the end by admitting to his wrong-doings, committing adultery, in order to save his reputation and family. John Proctor ruins his reputation within the change of
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Who was William Shakespeare? Shakespeare is William Shakespeare, one of the English-speaking world's greatest playwrights and poets, who possessed a great knowledge of human nature and transformed the English theatre. Yet many facts of his life remain a mystery. Some have been acquired from painstaking looks at the records of the time, so that this summary is based on generally agreed facts. It has been said that we only know three things about Shakespeare: that he was born, married and died
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“The Return of Native” as a tragic novel Aristotle’s concept of tragedy states that it is the enactment of an action that is complete in itself. It should sway the readers or audiences with pity or fear in the end. To keep it in mind, “The Return of Native” can be coined as a village tragic novel which brings us into contact with ordinary people. Hardy is able to create genuine tragedy out of the inter-relationships between characters and the background of Egdon Heath. The protagonist (Eustacia)
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tire of the intrigue. The paradox of Hamlet's nature draws people to the character. He is at once the consummate iconoclast, in self-imposed exile from Elsinore Society, while, at the same time, he is the adulated champion of Denmark — the people's hero. He has no friends left, but Horatio loves him unconditionally. He is angry, dejected, depressed, and brooding; he is manic, elated, enthusiastic, and energetic. He is dark and suicidal, a man who loathes himself and his fate. Yet, at the same time
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tire of the intrigue. The paradox of Hamlet's nature draws people to the character. He is at once the consummate iconoclast, in self-imposed exile from Elsinore Society, while, at the same time, he is the adulated champion of Denmark — the people's hero. He has no friends left, but Horatio loves him unconditionally. He is angry, dejected, depressed, and brooding; he is manic, elated, enthusiastic, and energetic. He is dark and suicidal, a man who loathes himself and his fate. Yet, at the same time
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own actions. Hence, he can be seen as responsible for causing his own suffering. According to A.C. Bradley 'The idea of the tragic hero as being destroyed simply and solely by external forces is quite alien to him (Shakespeare); and not less so is the idea of the hero as contributing to his destruction only by acts in which we see no flaw'. Bradley's emphasis on the tragic flaw implies that Shakespeare's character's bring their fates upon themselves and thus deserve to face the consequences. An
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Carlton Francis Professor Powley ENC1102 4 April 2012 Word Count: 362 An Ironic Tragedy Oedipus Rex by Sophocles is a drama in which King Oedipus suffers a tragic fate. He leaves his country in order to avoid killing his father and sleeping with his mother (Sophocles 1327). In his attempt to prevent his foretold fate from coming to pass, he unknowingly brings it to fulfillment. After speaking to a shepherd, he realizes that the woman he is married to is his mother and that her former husband
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2024 The Tragic King of Antigone Aristotle has a theory about a Tragic Hero, describing them as a character who is inherently good, but because of a serious mistake in judgment loses those they love, and usually their own life too. They have three major qualities: hamartia, peripeteia, and anagnosis. Pride, reversal of circumstances, and the recognition of the character’s flaw, usually too late to fix. In the play Antigone, King Creon displays all of these qualities, making him a tragic hero. In the
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Introduction to Masterpieces of the Drama (by Alexander W. Allison, Arthur J. Carr and Arthur M. Eastman) 1. “The implications of such natural playacting are vast, for good and for ill – for good, because individual and social happiness depends on right acting; for ill, because misrepresentations, deceit, mischief, and falsehood can also be learned by imitation.” "Much of what we know we learn by imitation, by acting parts, by practicing what we shall say or do." Language, for example
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