4. WHAT LITERARY DEVICES ARE USED BY SHAKESPEARE TO PUT FORTH HIS IDEAS IN SONNET-130? IS HE COMPLETELY ANTI-PETRARCHAN? [16] 1st part The language spoken and written of great romances is often poetic, passionate, and filled with metaphors of beauty and devotion. In short, the language of love is the language of exaggeration. William Shakespeare ‘s most powerful description of love is when he satirizes this method of writing and in so doing instead claims that honesty and sincerity
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A Biracial Perspective Initially published in 1932, Kathleen Tamagawa’s developing memoir is a delicate and reflective look into personal and social complications of growing up as a biracial person in the early twentieth century. She was born in 1893 to a Japanese father and an American mother with Irish origin and raised in Chicago as well as Japan. Kathleen contemplates on the struggle she experienced blending into either parent’s native culture. She recounts how in America her idiosyncrasies
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Art with an intended reaction A German artist wants to install a terminally ill patient in a gallery as an exhibit. In Nicaragua last year, an artist displayed a starving dog, tethered just out of reach of food, as conceptual art. In New Haven, Conn., an artist claims to have made multiple attempts to impregnate herself and then induce miscarriages as a work of art. All these artists say their projects are intended to start conversations. But apart from all the shouting about indecency and insensitivity
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scenes differ greatly from men’s. In her first signed painting, Susanna and the Elders depicts the story of a young woman being sexually harassed by the elders in her community. While, many of the male artists at this time depicted the woman as being coy
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[justin lewis, journalism, media and cultural studies, cardiff university] “When you have that kind of power, when you’re essentially becoming a dominant storyteller for children globally, we have to begin to ask very serious questions about what kind of stories are being told here. Are these the stories we really want our children to hear? Do we want our children to hear other kinds of stories? And if we don’t ask those kinds of questions, then, essentially, we are allowing disney to shape our
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wonder if he is going to care that I am not very thin/ … c’mon girl suck in ya gut stick out ya butt/ praying he doesn’t notice the girdle line through my jeans./ I smile just ever so slightly pretending to be uninterested trying my best to look coy and sweet,/ feeling my heart swell in my chest as he gets closer then deflate in sadness and fall down deep/ as he strolls right past my top notch hills glittering proudly on my feet/ I turn my head to watch him go directly past me to some random
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The Office is a mockumentary of a paper selling company that is home to a range of different egos that clash, especially to the main characters Michael Scott (the boss) and Dwight Schrute. The show usually includes the daily life of working at this company, with no work getting done and the most of the day pertaining to inappropriate humor and behavior. Normally, the premise of the show is based off of a conflict or occurring event, and then the scenes of various employees and their different personalities
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Cariñosa This flirtatious dance called Cariñosa is known throughout the Philippines. Cariñosa ('kah-reehn-YOH-sah') means affectionate, lovable, or amiable. With a fan or handkerchief, the dancers go through hide-and-seek movements and other flirting acts expressing tender feelings for one another. There are many versions of this dance, but the hide-and-seek movements are common in all. The first ever published notation of the Cariñosa dance steps was from the book Philippine Folk Dances and
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The parable of the Sadhu Facts Bowen Mc .Coy , MD of Morgan Stanley, on a sabbatical trip to the Himalayas along with his Anthropologist friend Stephen, met with several nationals- NewZealanders. Swiss and Japanese. One of the Swiss found a Sadhu almost naked and shivering, suffering from hypothermia. All of them contributed to reviving the man, but nobody was willing to take full responsibility of the well-being of the Sadhu. As per Mc.Coy ,each did their bit as long it was convenient and
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Charles John Noke Throughout Charles Vyse’s apprenticeship, Charles John Noke (1860-1941) was Art Director of Doulton & Co, Burslem. Born in Worcester, Noke was the son of a connoisseur, collector, and dealer in antiques. Through his father’s friends in the nearby Worcester factory, he became familiar with pottery making from direct experience. At the age of fifteen he convinced his father that his future lay as a modeller in the pottery industry. In 1875, he gained an apprenticeship at the Worcester
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