a Tasnima Bhuiyan Ancient History HSC notes Core study; Cities of Vesuvius- Pompeii & Herculaneum 1. Geographical context Physical environment: geographical setting, natural features and resources of Pompeii and Herculaneum Geographical setting Pompeii and Herculaneum were located in Campania, southwest Italy near Bay of Naples. Herculaneum was a waterfront town situated on the coast of Bay of Naples 7km west of Mt Vesuvius, while Pompeii was slightly inland on the Sarno
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encyclopedia "Roman architecture" redirects here. For the architecture of the city, see Architecture of Rome. The Colosseum in Rome, Italy Ancient Roman architecture adopted certain aspects of Ancient Greek architecture, creating a new architectural style. The Romans were indebted to their Etruscan neighbors and forefathers who supplied them with a wealth of knowledge essential for future architectural solutions, such as hydraulics in the construction of arches. Later they absorbed Greek and Phoenician
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blocks fixed vertically at regular intervals along the lower edge of a roof to cover end tiles. a. ancones c. acroteria b. Antifixae 2. A continuous base or structure in which a colonnade is placed. a. stereobate c. stylobate b. Torus 3. The market in Greek architecture. a. Megaron c. agora b. Pylon 4. The smallest among the famous pyramids at Gizeh. a. Pyramid of Cheops c. Pyramid of Chephren b. Pyramid of Mykerinos 5. The largest outer court, open to the sky, in Egyptian temple. a. Sanctuary c. Irypaetral
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Ancient Greek Theater Architecture Many aspects of ancient Greek theaters have long been studied and debated. Much of the information about these theaters is based on speculation due to the fact that so little of them still exist today. This lack of remnants especially applies to the architecture of the early Greek Theaters. However, through archeological finds and years of studying the people, the plays, and the architecture of the time, we are able to make many conclusions about these early structures
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Ancient Greek Architecture Ancient Greek Theater Architecture Many aspects of ancient Greek theaters have long been studied and debated. Much of the information about these theaters is based on speculation due to the fact that so little of them still exist today. This lack of remnants especially applies to the architecture of the early Greek Theaters. However, through archeological finds and years of studying the people, the plays, and the architecture of the time, we are able to make many
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ARTS TEACHERS’ GUIDE Grade 9 ARTS Teacher’s Guide Unit I WESTERN CLASSICAL ART TRADITIONS GRADE 9 Unit 1 ARTS TEACHERS’ GUIDE GRADE 9 Unit 1 WESTERN CLASSICAL ART TRADITIONS LEARNING AREA STANDARD The learner demonstrates an understanding of basic concepts and processes in music and art through appreciation, analysis and performance for his/her self-development, celebration of his/her Filipino cultural identity and diversity, and expansion of his/her world vision. key
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Max Reinhardt, a very influential Austrian director, could arguably be called the father of modern theatre. His innovations facilitate the direction and management of both plays and movies. Starting with a brief look at his early life and touching on the big moments in Reinhardt’s life, we will see that many of his beliefs and practices are still widely used today. Max Reinhardt, was born an Austrian Jew in 1873. Reinhardt was born under with the name Max Goldmann. Goldmann did not change his name
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plays, but in many modern plays (and some not so modern) it is difficult to make. Is Gregers Werle in The Wild Duck, for example, a hero or a villain? Another common term in drama is protagonist. Etymologically, it means the first contestant. In the Greek drama, where the term arose, all the parts were played by one, two, or three actors (the more actors, the later the play), and the best actor, who got the principal part(s), was the protagonist. The second best actor was called the euteragonist. Ideally
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Modern Performance and Adaptation of Greek Tragedy Helene P. Foley Barnard College, Columbia University “Leave it to a playwright who has been dead for 2,400 years to jolt Broadway out of its dramatic doldrums” begins a recent New York Times review (December 4, 1998) of a British Electra by Sophocles starring Zoe Wanamaker and Claire Bloom. This fall the Times has repeatedly remarked on the “deluge” of Greek tragedy in the 1998-99 theater season: the National Theater of Greece’s Medea, Joanne Akalaitis’
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progress in the decorative and visual arts, exploration, literature, sculpture, theatre, architecture, music, mathematics, and science. The Hellenistic era experienced an age of eclecticism, a new awakening of the diverse knowledge and theories present in Greek culture. Instead of contemplating and debating ideals, logic, extinguished emotion, or consummate beauty, people would explore and analyze reality. 3)The Romans painted directly on the walls of their rooms, and also on portable panels. In
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