Martha Graham was an American dancer and choreographer. Her style, the Graham technique, reshaped American dance and is still taught worldwide. She was the first dancer to perform at the White House, travel abroad essential Medal of Freedom as a cultural ambassador. She receive the highest civilian award of the US. Martha Graham was recognized as one of the greatest artists of the 20th century. She created a movement language based upon the expressive capacity of the human body. It all began in
Words: 649 - Pages: 3
On the Alvin Ailey Dance, I saw that ballet movements in the choreography because their movement is the same to the ballet dance. For example, the way they are expression of their face, classical ballet walk, and first position feet/arms, second position feet/arms, third position arms, fourth position feet/arms, fifth position feet/arms. I do not see that this dance is like the jazz dance because it is more serious of that. For instance, this magnificent work, created by Alvin Ailey in 1960, is a
Words: 292 - Pages: 2
America at the emergence of the 20th Century had differing conventional values to what they are today; both in society and through the means of dance. Isadora Duncan challenged these conventional values to become one of the greatest pioneers of movement, and is still labelled today as the ‘Mother of Modern Dance’. Not only did her personal life show an alternative to what society considered to be normal, her style and philosophy of dance was completely different to what was assumed in the early 1900s
Words: 752 - Pages: 4
Misty Copeland is a California raised American ballet dancer for the American Ballet Theatre, which is one of the three top ballet companies. Born the fourth out of six siblings, life was not easy. Her mother had several marriages and boyfriends causing the family to pack up and move under harried conditions at times. Her tumultuous home life led her to develop a love for movement, she began her studies in ballet at the age of 13, which is considered a late age to begin learning ballet. She studied
Words: 454 - Pages: 2
This semester of modern has been extremely beneficial to me as a whole. I have made discoveries about myself and ways to keep exploring them as well. When I think of what kind of modern dancer I am, I really struggle with a specific answer. I truly believe I am still trying to figure out what my style is and how I am able to know that is actually the right answer. I have certain aspects of dance that I enjoy exploring and working with, but I am unsure if that is what identifies what kind of modern
Words: 1455 - Pages: 6
Modern Dance was born in America during the turn of the 20th century when a number of choreographers and dancers rebelled against the two forms of dance that were prevalent at the time, ballet and vaudeville. They rejected what they interpreted as the rigid and imperialistic nature of ballet, and they wanted to be taken seriously as artists rather than be seen simply as entertainers. Loie Fuller, Isadora Duncan, Ruth St. Denis, and Ted Shawn are considered to be the pioneers of modern dance in America
Words: 339 - Pages: 2
Aaron Copland and the American Sound Aaron Copland searched far and wide to find a sound he could call American. He wanted to break away from European traditions and create a sort of nationalistic music that really felt like the American spirit was within it. To understand his want and persistent need to find this sound, the elements that should be examined are his upbringing, formal training, connections in networking, and his outside influences of different musical styles. Copland was born the
Words: 1219 - Pages: 5
FOR TREATING NONHUMAN ANIMALS ETHICALLY APPLIED TO CARL SAFINA’S DISCUSSION ON VARIOUS NONHUMAN ANIMALS In this paper, I intend to explain Martha Nussbaum’s capabilities theory for treating nonhuman animals ethically, then apply this theory to Carl Safina’s discussion of various nonhuman animals in his book Beyond Words, How Animals Think and Feel. Martha Nussbaum is an American Philosopher, who focused on philosophy in the field of moral theories. She is a distinguished Professor of Law and Ethics
Words: 1463 - Pages: 6
Martha Graham, whom is recognised as one of the utmost and greatest artists of the 20th century, revolutionised the art form of contemporary dance through movements which were established on the expressive dimensions of the human figure. The mother of contemporary dance achieved this by using her body in certain ways which were classified as athletic and dramatic, although raised controversy regarding every principle taught to ballet dancers. Outlined in this presentation will be a thorough analysis
Words: 1769 - Pages: 8
experience I have that makes me uniquely who I am and defined me as an artist is from my connection to the Martha Graham Dance Program. Dancing there has taught me that dance is not just a physical movement or something captivating for people to see it's something that can really change both you and the people who witness your dance. I learned one of my biggest lessons from performing in Panorama by Martha Graham at the Joyce Center. When we started learning the dance our teachers urged us to not just think
Words: 769 - Pages: 4
