...Analysis of Twyla Tharp’s Eight Jelly Rolls Twyla Tharp has influenced the field of American postmodern dance for over four decades. Her work and philosophy has had a continuing impact on the growth and development of dance by consistently delivering a unique approach, independent of the traditional techniques of modern and the antitechnical works of the avant-garde. She used the strong technique gained by ballet training to bring forth broken pirouettes and contorted bodies. She used rhythmic music to create movement that disagreed with the natural flow of the music. This paper surveys the creative process behind Twyla Tharp’s piece Eight Jelly Rolls. It explores some of the activities used to mentally and physically prepare Tharp dancers for her work. Most importantly, it aims to not only bring light to the significance and importance of the process, but to identify how the authenticity of a choreographer’s piece can be lost if the creative development of the piece is somehow altered or entirely disregarded. As her first piece choreographed and married to music, Eight Jelly Rolls is a masterpiece, full of energy, laughter, and excitement. This paper will bring some light on how these elements were brought to the stage. A Brief Introduction To understand Tharp’s work, you must first understand her dance and musical background paired with her choreographic experience prior to the conception of Eight Jelly Rolls. Tharp pulls ideas from a plethora of places. She...
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...Persuasive Research Paper Langston Hughes was a forerunner of rap music. He writes with a finesse that is a lot similar to a modern day rapper. Growing up during the Harlem Renaissance really set the stage for Langston Hughes writing. He also lived in a time where he African Americans were proud of their roots. Being around all the arts made him more inclined to write the way he did, with a rhythm. From Langston Hughes attitudes towards women, to writing about the streets he grew up on and his struggles, it is very evident that Langston Hughes was a forerunner of rap. Langston Hughes was lucky his hit his peak during the Harlem Renaissance because that gave him the opportunity to perform and publish his work in Black magazines. Langston Hughes mirrors rappers because he wrote his poetry simplistically, so people with no education could read and understand it. Langston Hughes wasn’t just a writer he was also a performer, he would regularly perform in nightclubs to gain exposure. I’m sure that if Langston Hughes were alive today he would be performing spoken word poetry in New York night clubs, or writing lyrics for today’s rappers. Langston Hughes was so drawn to the nightlife that he dropped out of school to travel and perform his poetry, just like a lot of modern rappers chasing their dreams. In the 1923 poem, “Jazzonia”, Langston Hughes sets the poem, “In a Harlem nightclub” (1140) , and is describing the jazz players inside it. Three years later, in “Lenox avenue: midnight”...
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...Research Paper While traditional Native American dance and the Polynesian dance are both unique to their cultures, a developed comparison reveals they share many similarities in technique and meaning. In this essay, I will evaluate these similarities along with the differences that make each dance unique to its people and their culture. “Dance is a poem in which each movement is a word and is the most hidden language of the soul” this was found searching the web for what others felt the meaning of dance meant to them. An interesting fact about cultures and dance is that dance was used to express how they felt and emit their own expression of themselves. One thing that both Native American and Polynesian both have in common are they both believe in the spirits of their ancestors. When the Polynesian's danced the Hula they thought that if done incorrectly that something would happen and may turn disastrous while Native American dance specifically for a reason and believed if they asked for thanks for necessities they would acquire it. Both dances were created for one reason and one reason only to ask for help spiritually. Native American culture and the way they danced were entirely for their Gods, basically as an offering to show how important they were and how much their Gods were believed in. As the Polynesians too were spiritual and wouldn’t dance until an elder blessed the area in which would be danced upon, they also danced to perform for their people as entertainment...
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...Furthermore, DMT has been found to improve a patients’ mood, body image, and self-esteem. Research has shown that dance therapy is just as effective to other psychotherapeutic treatment methods (Strassel et al.). The physical benefits of dance includes increased balance, muscular tone and strength, flexibility, spatial awareness, and endurance. Socially, dance has the ability to nurture the development of relationships, and is a universal form of non-verbal communication. Additionally, through a cognitive perspective, dance aids in the integration of sensory motor skills and vocabulary development. Overall, dance movement therapy has the ability to actively engage in the brain via the body, through a process that influences both physical and psychological functions. Thus, by connecting physical and cognitive abilities through the kinesthetic form of dance, DMT becomes a highly effective form of treatment for those with psychological disorders. This paper will specifically examine the effectiveness of dance movement therapy as a form of psychotherapeutic treatment, through its distinctive kinesthetic abilities to increase social integration, emotional, cognitive, and physical functions in those with...
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...their own strength and popularity’ and the second category consists of ‘dances being consciously cultivated, taught and sustained by a desire to preserve, nurture or utilize’ (60) In the first category there are the dances common in Norwegian rural areas and he states that there aren’t any systematic teaching and efforts to keep these dances alive. The dances in the second category are the ones which are subjected to the revival or ‘organised folk dance movement’ Bakka states that the revival process requires to move the dances into new contexts and these are defined by him as below: -Presentations at contests -Organized teaching activities -Cultivation and training in specialized clubs -Themes in research and education (61) The presentations at the contests contained impressive, stylistic and popular elements. Organized teaching activities tended to systematize the...
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............................................................................... 6 Networking art connections in museums ....................................................................................... 8 Dhari a Krar ..................................................................................................................................... 9 Strategy for translation ................................................................................................................. 11 Conclusion ..................................................................................................................................... 13 2 Abstract This paper will attempt to highlight in what manner western museums curate contemporary indigenous art in this modern setting. The main focus of this paper is how current means of understanding of non-western indigenous art does not completely allow to translate the culture successfully in order for museums to represent other cultures not just to appreciate art but also translate it accurately. Ruth B. Phillips took a personal interest into this matter after travelling to West Africa and documenting the practices and the culture of the Sande society. After her journey Phillips felt that non-western indigenous art such as the Sowei mask which was not represented precisely when displayed in North American and...
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...Alexander Francis ENG 200 November 4, 2013 Prof. Hamann, Erika Thesis: WWII was critical to the degree at which swing influenced the development of American identity; not only through recognition of social inequalities, but furthering the development of a musical identity that still influences the modern sounds of our ever-changing culture. Why Swing Swung What separates you from others can appropriately be deemed as a series of conflict’s, conflict is critical to the development of identity; without conflict the unconscious perception of us, them, we or they would not exist. Humans being naturally prone to argument create a cultural identity designed around the conflicts in which a number of people are affected, in turn allowing people to identify with each other through common grounds; unintentionally creating a communication barrier between them and us. This model although small demonstrates how groups are formed, and can be projected upon the development of a musical identity within America during the Second World War. Possibly seen as the largest conflict in recorded history, World War II set the boundaries for numerous identities; creating a conscious affiliation of differences, people now identified themselves through stereotypes that otherwise would not have developed. Most of these conflicts or stereotypes would happen to be woven inside the United States due to propaganda: a necessary war tool developed to instill a feeling of pride and ensure a feeling of...
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...The Navajo Indian Cultural Anthropology The Navajo Indians of the Southwestern United states have a distinct social organization, kinship, and a both traditional and biomedical way that they approach sickness and healing. Their social organization revolves around their community and the Earth. Kinship for the Navajo is matriarchal and they are a pastoral society. The traditional Navajo have medicine men that the tribe goes to for any sickness and healing that needs to be done. The modern Navajo has established the Indian Health Service as their standard medical facility and agency. I will go into more detail on all three areas of the tribe’s society of the Navajo people throughout this paper. The tribes of the Navajo Indians are located in Southwest region of the United States. They range from Southwestern Colorado, Northwestern New Mexico, and Northeastern Arizona. Most of the Navajo Indians live on reservations in northeastern Arizona and northwestern New Mexico. The Navajo are the second largest of the Native American tribes and have a population of 7.2% of the Native Americans. They are second to Native Alaskans ((U.S. Census Bureau, 2008).. The marriage rate in the Navajo nation is forty five percent. Only seven percent have a college degree. They have the lowest income level out of all of the Native American tribes. They have a large poverty rate at thirty seven percent. The La Plata Mountain of Southwest Colorado are considered a sacred place for the Navajo...
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...REL/134 1 Course Syllabus College Of Humanities REL/134 World Religious Traditions Il Copyright © 2010, 2006 by University of Phoenix. All rights reserved. Course Description This course provides a survey of the major historical developments, structural cosmolo gy, symbolic interpretation, and values of the Judaic, Christian, and Islamic religious traditions. Policies Faculty and students/learners will be held responsible for understanding and adhering to all policies contained within the following two documents: University policies: You must be logged into the student website to view this document. Instructor policies: This document is posted in the Course Materials forum. University policies are subject to change. Be sure to read the policies at the beginning of each class. Policies may be slightly different depending on the modality in which you attend class. If you have recently changed modalities, read the policies governing your current class modality. Course Materials Molloy, M. (2010). Experiencing the world’s religions: Tradition, challenge, and change (5th ed.). New York, NY: McGraw-Hill. All electronic materials are available on the student website. Week One: The Nature of Religion Details Objectives 1.1 Describe the common elements of religion. 1.2 Identify issues in the study of religion. 1.3 Describe the sacred in indigenous traditions. Reading Read Ch. 1 of Experiencing the World’s Religions. Reading Read...
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...Brand Choice Pizza Hut Lecturer Chris Smith Submit Day 18 April 2014 Pages Count 19 Brand Choice Pizza Hut Lecturer Chris Smith Submit Day 18 April 2014 Pages Count 19 Mai Thi Kim Anh s3410200 Dang Ngoc Bao s3445804 Truong Thi Phuong Duyen s3446035 Le Ngoc Giang s3446610 Le Phuong Nghi s3445860 To Thi Thanh Trang s3446628 Mai Thi Kim Anh s3410200 Dang Ngoc Bao s3445804 Truong Thi Phuong Duyen s3446035 Le Ngoc Giang s3446610 Le Phuong Nghi s3445860 To Thi Thanh Trang s3446628 MARKETING COMMUNICATION IMC PLAN MARKETING COMMUNICATION IMC PLAN Table of Contents Stage 1 I. Situation Analysis 1 1. 4Ps Overview: 1 2. Target Audience: 2 3. SWOT Analysis: 3 4. Competitive Frame: 4 II. Communication Objectives 5 III. Communication Budget 6 Stage 2 I. IMC Program 6 1. Advertising: 6 2. Consumer-Oriented Promotion: 11 3. Event Marketing and Sponsorships: 12 4. Marketing-Oriented Public Relations and Publicity: 13 II. Evaluation and Control 15 1. Evaluation: 15 2. Control: 16 Executive Summary Since 2007, Pizza Hut has made a name for itself in Vietnam's booming market for fast food despite the industry’s increasingly competitive tendencies. With 40 locations scattered in cities across the country, Pizza Hut aims to reach the active and young urbanites, who are looking for more value and are attracted to the brand because of its proposition “Pizza...
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...Sami LEARN ENGLISH WITH STORIES Aditi loves to dance Gill Winn Illustrations by: Genji Contents Page Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Aditi meets Pradeep Aditi and Pradeep do not want to marry Isha does not want to meet Aditi Aditi goes to University Tony likes Aditi Aditi goes to the dance The first year at University is over The long summer holiday Aditi dances in the Community Centre Everyone is happy 1 5 8 11 16 19 22 25 29 33 Chapter 1 Aditi meets Pradeep ‘Aditi. Go upstairs and change your clothes.’ ‘I don’t want to change. I like my jeans and tee shirt Aunty Yasmin.’ Aditi is sitting on the sofa reading a book. ‘Aditi! You cannot wear jeans and t-shirt for visitors! Put your new sari on. Pradeep and his parents are coming soon.’ ‘Mmm…’ ‘Aditi, you are not listening!’ Aunty is angry now. She turns to Aditi’s father. Ravi is watching the Saturday sport on the television. ‘Ravi, tell Aditi to wear her sari. I want her to look pretty.’ Aditi’s father winks at his daughter. ‘Aditi looks very pretty to me,’ he smiles. Aunty is upset. ‘I try to help Aditi to meet nice young men but she’s not the same as her sisters,’ she sighs. ‘You help us all,’ Ravi told her firmly. ‘You are the mother to my four girls Yasmin.’ Ravi looks sad. He remembers the death of his dear wife Aruna. ‘We are grateful to you Aunty Yasmin.’ He pats her on the arm. Aditi puts her...
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...Metaphors: Analysis and Interpretation ADÉSOLÁ OLÁTÉJÚ University of Ibadan, Nigeria ABSTRACT The paper undertakes a study of animal metaphors in the Yorùbá language with a view to highlighting the stylistic and communicative potentials of these metaphors. To achieve the set objective, the animals – domestic and wild – involved in metaphors and their individual distinctive characteristic features that motivate their metaphorical interpretations are highlighted. The paper also discusses the sources of animal metaphors, which are said to be located in three areas, namely: the Yorùbá naming culture, animal characteristic habits and behaviour, and the Yorùbá poetry. In discussing the metaphorical processes involved in the interpretation of animal-related metaphors, a two-dimensional approach is adopted: stylistic and cultural. In the first, the semantic features of animals involved in metaphors are decomposed into semantic markers that are of two types. The first is the High Priority Semantic Markers (HPSM), which determine the cognitive/conceptual meaning of the metaphors, and the second is the Low Priority Semantic Markers (LPSM), which determine the secondary metaphorical interpretation. Animal metaphors involve transference of meanings, and whatever meanings or interpretations are assigned to a particular animal metaphor, are culture and context dependent. The paper concludes with stylistic and communicative functions of animal metaphors, with the submission that stylistically...
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...Valerie Hernandez 12/5/14 Prof. Scott Brown Research Paper The Hollywood entertainment industry has typically treated as well as portrayed homosexuals as subject of negative stereotypes. When Gay representation was introduced to popular culture, the gay, lesbian, bisexual, and transgender community was oppressed from the start. Later, film and television attempted to create well-rounded homosexual characters but focused in depicting gay stereotypes and how they shaped the public's impression of the gay community. These stereotypes created a non-threatening sissy gay and a warrior lesbian. Throughout history, heterosexual men are seen to be strong and proud of their masculinity and homosexuals have been perceived as lacking masculinity and feminine. Gay characters started to emerge in the 1990’s in both television and movies. Ellen DeGeneres and her character Ellen Morgan coming out under much scrutiny on the TV show ‘Ellen,’ which eventually led to her own talk show. The movie The Birdcage, with Robin Williams was about a gay cabaret owner and his drag queen companion. Gays and lesbians have been around for a long time, especially in Hollywood, but more people started to come out in the 90’s. With the popularity of shows like Will and Grace, which feature leading gay characters, as well as the show Friends, Ross Gellar’s lesbian ex-wife Carol, marries her partner and happily co-parents her son with Ross. Over a period of time we are slowly seeing gay, lesbian, and bi-sexual...
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...Japanese. When we think of geisha’s what comes to mind are women dressed in bright clothing culture clothing, white painted faces and a dainty walk. What we don’t consider is the lack of emotion, strict code of silence and secrecy. Geisha, just like prostitutes are trained to have a strict code of silence and protectiveness toward their clients. Elderly geisha could be considered Madams, who provided training to new recruits. Over the centuries, elderly geisha have also developed a deeply routed tradition of secrecy. Elderly women behind the mask have fulfilled a destiny rooted in Japanese history. Although associated with prostitution, many modern day women continue to seek this tradition. My research however, revealed contradictory information on whether or not geisha were actually prostitutes. The majority of my research material stated geisha actually started as men jesters and musicians who entertained in brothels. This continued until 1751 when the first document record of female geisha appeared. Most documented material on geisha treated them as images of lovely passive girls whose purpose was solely in male entertainment and pleasure or as prostitutes or courtesans. During the time period of 1751 it was not uncommon for actors to double as prostitutes. It was also not uncommon for Meiji government officials to select geisha for their wives. It is still said that geisha inhabit a separate reality which they call the karyūkai or "the flower and willow world...
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...Mao's Last Dancer Li Cunxin Dedication To the two special women in my life—my mother and my wife Mao’s Last Dancer A Wedding Qingdao, 1946 On the day of her marriage, a young girl sits alone in her village home. It is autumn, a beautiful October morning. The country air is cool but fresh. The young girl hears happy music approaching her house. She is only eighteen, and she is nervous, frightened. She knows that many marriage introducers simply take money and tell lies. Some women from her village marry men who don't have all their functional body parts. Those women have to spend the rest of their lives looking after their husbands. Wife beating is common. Divorce is out of the question. Divorced women are humiliated, despised, suffering worse than an animals fate. She knows some women hang themselves instead and she prays this is not going to be her fate. She prays to a kind and merciful god that her future husband will have two legs, two arms, two eyes and two ears. She prays that his body parts are normal and functional. She worries that he will not be kind-hearted and will not like her. But most of all she &+x worries about her unbound feet. Bound feet are still in fashion. Little girls as young as five or six have to tuck four toes under the big toe and squeeze them hard to stop the growth. It is extremely painful, and the girls have to change the cloth bandages and wash their feet daily to avoid infection. The tighter the feet are bound the smaller the feet will...
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