Free Essay

A Contemplation Upon Flowers Notes

In:

Submitted By Rhonz
Words 2179
Pages 9
A Contemplation Upon Flowers

A Contemplation Upon Flowers

Brave flowers that I could gallant it like you,
And be as little vain!
You come abroad, and make a harmless show,
And to your beds of earth again.
You are not proud: you know your birth:
For your embroider'd garments are from earth.

You do obey your months and times, but I
Would have it ever Spring:
My fate would know no Winter, never die,
Nor think of such a thing.
O that I could my bed of earth but view
And smile, and look as cheerfully as you!

O teach me to see Death and not to fear,
But rather to take truce!
How often have I seen you at a bier,
And there look fresh and spruce!
You fragrant flowers! then teach me, that my breath
Like yours may sweeten and perfume my death.

THE POET:
Henry King, English bishop and poet, baptized in January 1591. Henry King died at Christopher on the 30th of September 1669. His works include poems, Elegies, Paradoxes and sonnets (1657). This poem is an example of an ode, a formal way to address someone or something, it is a tribute. The poem is basically about a man wanting to accept death as it is. He watches the flowers accept death as nature. He then learns that the flowers are brave as they go back to the earth. He puts the flowers situation in his and which that they could teach him not to fear death and to be as brave when its time.
As a human, I fear death and the consequences of it. It always seems hard to accept that life must come to an end, and that one day we all must die. In this poem by Henry King he makes a connection to flowers, which are very much like us in the way that they bloom, grow, and they must die. Just as humans a flowers life is filled with beauty and work to please others, so in reality the life of a human is no different to the life of a flower. This poem has helped me understand that life is but a cycle, that everything must come to an end. So why fear death when it is just another step on our cycle called “life”.

LITERAL MEANING
The name was given to the poem because the poet shows that the speaker is studying the poem. This poem "A contemplation upon flowers by Henry King" is about a man who wants the flowers to teach him to become humble. The comparison of the life of a simple flower is made to the life of a human, in the sense that we both are born, we both live, and we both must die. Majority of people fear death, but the flowers accept death with open arms and a smile. This poem by Henry King praises flowers for not only their humble lifestyles but also for their acceptance of death.

Instead, the flowers taught him three lessons.

Stanza one centers on the characteristics of flowers. They are gallant, humble, etc., and they return to the earth (figuratively, they die every winter--but this isn't revealed until later) after putting on a show. His first lesson that he learnt was to become brave and to remember the place where the flower came from, as referred to line 1, 5-6 " Brave flowers that I could gallant it like you "The persona wishes that he could be as brave as the flowers, who are aware of their allegiance to the earth. "You are not proud you know your birth for your embroidered garments are from earth." They know their place and obey the order, or cycle, of life and death. The persona wishes that he could be this way because he is the opposite, he wants to live forever. The persona wants the flowers to teach him NOT to fear death, but to accept it. Line 1 can also be identified as a literary device known as personification because brave flowers cannot gallant which only living things such as animals or humans can do. Also in line 5 and 6 can be identified as Biblical allusion another literary device because the bible in the books of John and Mathew Jesus talked about the lilies in the field where they are created and their birth place.

Stanza two switches focus to the speaker: he would rather it be always spring, so he'd never have a winter (again, so he'd never die, but this doesn't become clear until later: winter is often used as a symbol of death). He wishes he could go to the earth (his grave), and look as cheerful, and smile, as the flowers do when they go to their earth. The second stanza the speaker learnt the second lesson which was to accept nature and their selves for today the flowers in the field may be beautiful and blooming but tomorrow the flowers know their beauty will not last forever where they may withered away and torn to pieces. In line 7 and 8 "You do obey your months and times, but i would have it ever spring;" metaphor can be found in the sentence.

In stanza three, the focus on the speaker in stanza two combines with the focus on the flowers in stanza one, as the speaker asks the flowers to teach him to not fear death; to teach him that his breath may sweeten and perfume his death, as the flowers' breath sweetens theirs. In the last stanza the poet learnt his last lesson which was to accept death as referred in line 13 and 14 " Oh teach me to see death and not to fear, but rather take truce." The only literary device that can be found is rhyme. In line 17 and line 18 " You fragrant flowers then teach me that my breath like yours may sweeten and perfumed my death."

In short, the speaker envys the flowers their ability to face death without the fact of death negatively influencing their existence.

The poem depicts the ways that flowers handle their existence, inspite of impending doom; the failure of the speaker to handle the same situation as well as the flowers do; and a wishing for the flowers to teach the speaker.

The speaker in this poem begins by complimenting the subject, flowers. So great is his admiration, that he uses the word 'gallant', which is both an adjective and a noun as a verb. In this way, he gives the word, strength and force in order to emphasise his appreciation. In addition, he remarks that flowers are not conceited; they do not think too highly of themselves. He declares that he wishes that he could be like them on both counts, that is, courageous and yet not stuck-up!He then explains further when he says that when flowers emerge and attract attention (with their beauty) they make no problems; rather they quietly return to the earth, from which they came, after they are seen. There is the suggestion at this point that the flowers do not feel important for they know that the earth is the source of their beauty (embroidered garments) and so growing, blooming, fading, withering and then becoming a part of the earth once again is taken as natural and create no cause for concern.
The speaker now comes to a point that seems very important to him as he continues to contrast the flowers' attitude, this time to death. For him, the flowers follow life's cyclical pattern cheerfully, without any regret, while he yearns to remain youthful, never to grow old, never to die, and not even to contemplate the fact that death exists.And, so he next appeals for a lesson.
He wants to learn how not to fear death because he realises that he cannot escape from death; he calls it 'my bed of earth'. His desire is to get to a position where he can smile at death, where he can make an agreement with death. Do you see the significance of that statement? In order to do so you must know the meaning of the word 'truce'.Look it up and you will find that it means 'a temporary agreement to cease hostilities'. This, therefore, tells us that he feels that he is at war with death and is uncomfortable about it. Why do you think I say that? I do so because if he were not, he would not sound so anxious to be like the flowers and would not be talking about a truce.
In the last four lines, our speaker brings the flowers which he respects face to face with death, which he fears. The influence of the flowers is great, for here he sees them as displaying no fear. They look good; they brighten up the funereal atmosphere and make the place smell fragrant. We, Jamaicans would say, 'sweet'. The flowers are dying, but they do fulfil their purpose anyway, and this is the attitude the speaker wants to achieve. He wants to be able to approach death as if he were approaching a friend, sweetly and with confidence.
Take a close look at the poet's style. Consider, the rhyming pattern, the run-on lines, the use of the colon, the conversational tone, the couplet with which the poem ends and the fact that there is only one full stop used in the whole poem. Please notice, too, how the seasons are used as symbols. Is there any personification? Has this lesson assisted in your understanding of this work? I would really like to think that it has. By the way, does it surprise you that a bishop wrote this?

ANOTHER LOOK
LITERAL MEANING
The persona wishes that he could be as brave as the flowers, who know who they owe their life to - the earth. They know their place and obey the order, or cycle, of life and death. The persona wishes that he could be this way because he is the opposite, he wants to live forever. The persona wants the flowers to teach him NOT to fear death, but to accept it.

LITERARY DEVICES 1. SIMILE * Stanza 1, line: The persona is wishing that he could be as brave as the flower. This implies that the persona does not think that he is brave, but a coward in the face of death. * Stanza 2, line 14: This is another comparison between the persona and the plant. The persona wishes that he could look death in the face and be cheerful, like the plant. Again, this emphasizes that he fears death.

2. EUPHEMISM
This phrase is a replacement for the word death. It softens death and makes it appear welcoming and pleasant.

3. IRONY
It is ironic that the flowers look so fresh and alive, when they are facing their very mortality, on the top of a casket. Death is a sad affair, yet the flowers are at their best when ushering people back to the earth.

4. PERSONIFICATION
The persona is speaking directly to the flowers and giving them human qualities, therefore, the whole poem is an example of the use of personification at its best. He even goes as far as to ask the flowers to teach him things that will allow him to acquire their qualities.

IMPORTANT WORDS/ PHRASES
5. 'galant'
This word literally means brave or heroic. The word, however, also brings to mind adjectives such as charming and attentive, like a knight would be in olden days. So the plants are not simply brave in their acceptance of death, but they are also gracious.
6. 'harmless show'
The word harmless sticks out in this phrase because it implies that the flowers are demure and quiet in their beauty.
7. 'bier'
This is a movable frame on which a coffin or a corpse is placed before a burial or cremation, or on which they are carried to the grave.
8. 'teach me that my breath like yours may sweeten and perfume my death'
This implies that if death is not feared, then the person will go into death's arms joyfully, without any sorrow, remorse or bitterness.

TONE
The tone of the poem is admiration, because the persona literally admires the flowers for its accepting attitude towards death.

MOOD/ ATMOSPHERE
The mood, or atmosphere of the poem is a pensive one. The persona is thinking about death, how he relates to it versus how others relate to it.

CONTRAST
A contrast in this poem is the persona's fear of death, versus the flowers' acceptance of it.

THEMATIC CATEGORY
Death, nature,

THEMES
Death is the overwhelming theme in this poem. The persona admires the way in which the flowers deal with death and wish to emulate it. Death is a very scary prospect for the persona.

Nature is his willingness to accept nature as a worthy contrast to human’s personality and approach to life. He uses the natural to highlight the failings and weaknesses of man.

Similar Documents

Premium Essay

Cover

...I Wandered Lonely as a Cloud NEW CRITICISM Introduction Shortly after Poems in Two Volumes (1807) appeared, Wordsworth worried about readers misinterpreting "I Wandered Lonely as a Cloud" (Letters 174, 194-95). Still concerned in 1815, he attached a note to the poem in his first Collected Works. "The subject of these stanzas," he asserted, "is rather an elementary feeling and simple impression [...] upon the imaginative faculty, than an exertion of it" (qtd. in Stillinger 539). Some critics have basically followed Wordsworth's lead: To Jack Stillinger the mental experience embodied by the poem is simple and ordinary (544), and to John Milstead the first three stanzas exemplify merely "a physical stimulus-and-response mechanism" through which the poet remains "passive" . Nevertheless, in the preface to the 1815 collection Wordsworth not only argues that the imagination is ruled by "sublime consciousness" (Stillinger 486), but he also places "I Wandered" among poems categorized by "Imagination." Indeed, many critics ignore Wordsworth's comments on the poem and instead read it as representing a moment in nature of spiritual insight that recurs during a later imaginative re-creation (Joplin 68-69, Stallknecht 81-82, Hartman 5). More precisely, though, "I Wandered Lonely as a Cloud" dramatizes an experience of the sublime in its first three stanzas, which the poet recollects and re-experiences as a "spot of time" in the last stanza. Like other sublime...

Words: 1159 - Pages: 5

Premium Essay

Lonley as a Cloud

...Being compared to a cloud is like being compared to the air, a whole bundle of nothing. He makes readers understand that he is more of a serious writer “his style tends more toward an Arnoldian “High Seriousness” than toward a playful tour de force of language” (Joplin 1). Personification is used once more in the first stanza he writes of floating over hills and valleys and looking down and seeing “A host of daffodils...fluttering and dancing in the breeze”.(line 4-6 ) It starts to show that daffodils have significance to him it makes the reader wonder “why?”. When Wordsworth talks of the host or crowd of daffodils the readers begin to think “to understand how Wordsworth carries “host” beyond a mere “crowd” through wordplay, one must first note how the crowd affects the poet”.(Joplin 1) Wordsworth uses personification to make the audience jump into his poetry and compare themselves to a cloud floating aimlessly across the sky gazing down on the mountains and the daffodils it is not only a poem but...

Words: 1024 - Pages: 5

Premium Essay

Csec Eng B

...yMacmillan Study Companions Sharon R. Wilson-Strann POETRY FOR THE CSEC® ENGLISH B EXAMINATION Second edition Prescribed list for 2012–2017 CSEC® is a registered trademark of the Caribbean Examinations Council (CXC) POETRY FOR THE CSEC® ENGLISH B EXAMINATION is an independent publication and has not been authorised, sponsored, or otherwise approved by CXC. CSEC Study Comp Poetry 2nd Ed_2011.indd i 9/6/11 4:31 PM Macmillan Education Between Towns Road, Oxford OX4 3PP A division of Macmillan Publishers Limited Companies and representatives throughout the world www.macmillan-caribbean.com ISBN: 978-0-230-41802-8 Text © Sharon R. Wilson-Strann 2011 Design and illustration © Macmillan Publishers Limited 2011 First published 2008 This edition published 2011 All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publishers. These materials may contain links for third party websites. We have no control over, and are not responsible for, the contents of such third party websites. Please use care when accessing them. Designed by Mike Brain Graphic Design Ltd Typeset by E Clicks Enterprise, Malaysia Cover design by Clare Webber Cover photo by Jenny Palmer The author and publishers are grateful for permission to reprint the following copyright material: Bloodaxe Books for the poem...

Words: 3558 - Pages: 15

Free Essay

The Book of Tea

...THE BOOK OF TEA by Kakuzo Okakura Originally published  Dreamsmyth edition First printing  Typography, book design and binding by William Adams Printed in the U.S.A.  The Book of Tea . . . . . . . The Cup of Humanity The Schools of Tea Taoism and Zennism The Tea-Room Art Appreciation Flowers Tea-Masters        Colophon       The Book of Tea . The Cup of Humanity T     and grew into a beverage. In China, in the eighth century, it entered the realm of poetry as one of the polite amusements. The fifteenth century saw Japan ennoble it into a religion of æstheticism—Teaism. Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life. The Philosophy of Tea is not mere æstheticism in the ordinary acceptance of the term, for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is economics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe....

Words: 3784 - Pages: 16

Free Essay

Syncretism

...^ISDOM OF THE EAST THE PERSIAN MYSTICS JALALU'D-DIN RUM! BY F. HADLAND DAVIS " AUTHOR OF IN THE VALLEY OF STARS " THERE IS A TOWER OP SILENCE "! LONDON STREET JOHN MURRAY, ALBEMARLE 1912 ALL RIGHTS TO A. T. K. THIS LITTLE BOOK OF EASTERN WISDOM IS LOVINGLY INSCRIBED " OUR JOURNEY is TO THE ROSE-GARDEN OF UNION jALA"LU'D-DfN PREFACE to thank Mr. R. A. Nicholson for kind and generous permission to use selections from his Dwani Shamsi Tabriz, and I DESIRE his also his publishers, the Cambridge Press. I am deeply indebted to Mr. E. H. Whinfield for allowing me to use quotations from his rendering I of the Masnavi (Triibner's Oriental Series). also cordially thank Mr. John Hastie for giving permission to quote a few passages from the " " Festival of Spring late Rev. Professor Hastie's (James Maclehose and Sons, Glasgow). The poems quoted from this volume are entitled : "Thy Rose," "I saw the Winter weaving," " " Love sounds the Music of the Spheres," The " The Beloved All in Souls Love-moved," and All the other translations from the lyrical All." poetry of Jalalu'd-Din Rumi are by Mr. R. A. me Nicholson. To these gentlemen, 7 and to those 8 I have left PREFACE unnamed, I tender my warmest thanks my for their help, sympathy, and interest in " attempt to popularise the wisest of the Persian Stiffs." F. LONDON, January 22, 1907. HADLANB DAVIS. CONTENTS INTRODUCTION ...

Words: 4057 - Pages: 17

Free Essay

Symbol of Road

...all about. He is notably a poet of metaphors more than anything else. This is so important, we should hear directly from the poet. Frost said," Poetry begins in trivial metaphors, pretty metaphors, 'grace metaphors,' and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, 'Why don't you say what you mean?' We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections - whether from diffidence or from some other instinct". ... Excerpt from an essay entitled "Education by Poetry" by Robert Frost. Examples: The Silken Tent. A woman is admired for her strength and beauty, like a silken tent. Note the strength of the silk and cedar. Putting in the Seed. The planting of seed in the garden, in...

Words: 12982 - Pages: 52

Free Essay

Qwerty

...The Little Prince, by Antoine de Saint−Exupery The Little Prince, by Antoine de Saint−Exupery Table of Contents The Little Prince...................................................................................................................................1 Chapter 1 ..............................................................................................................................................2 Chapter 2 ..............................................................................................................................................4 Chapter 3 ..............................................................................................................................................7 Chapter 4 ..............................................................................................................................................9 Chapter 5 ............................................................................................................................................12 Chapter 6 ............................................................................................................................................15 Chapter 7 ............................................................................................................................................16 Chapter 8 ............................................................................................................................................19 Chapter...

Words: 17455 - Pages: 70

Premium Essay

Larkin as Poet

...Larkin has been regarded as one of the most pessimistic poets. Larkin surely takes a very dark view of human life. The main emphasis in his poems is on failure and frustration in human life.  And then there is his preoccupation with death. In a number of poems he emphasizes the sombre and grim aspects of human life and in many poems he speaks of the cert of death. We are all aware of the facts of failure and frustration in human life and we are all aware of the faith of death. But what makes Larkin a pessimist, and a confirmed pessimist at that, is his repeated emphasis, and over-emphasis, on these aspects of human life. On explanation of his repeated reminders to us of the certain of death, he has been regarded as “a graveyard poet”; and the general and brooding atmosphere of melancholy and despondency in his poems justifies the label “pessimist” for him. A number of poems come to our minds in this connection. The poem Ambulances paints a gloomy picture of human life because of the fact that every street is visited by an ambulance at one time or the other. An ambulance is a symbol of disease and death. Dockery and Son contains the following pessimistic line: “Life is first boredom, then fear”. And this poem concludes with the pessimistic view that there is old age, and that the end of old age is death. Aubade is a poem in which Larkin’s fear of death reaches its climax. Larkin himself described it his “in-a-funk-about-death poem.” The Positive Features of His Pessimistic...

Words: 5367 - Pages: 22

Free Essay

A Short Voyage Out

...S A Y VIRGINIA WOOLF IN IRELAND: A SHORT VOYAGE OUT by Kathryn Laing o, it wouldnt do living in Ireland, in spite of the rocks & the desolate bays. It would lower the pulse of the heart: & all one’s mind wd. run out in talk” (Diary 4: 216)–so Woolf declared in her diary during her one and only journey around Ireland in May 1934. For her descriptions of the landscape and the people she met (mainly the Anglo-Irish gentry) are as ambivalent as her now infamous reading of James Joyce’s Ulysses. But Woolf’s response to Ireland, and more particularly to Irish writing is only part of the story. As a contemporary, how was Woolf read in Ireland, if she was read at all, and what, if any, impact has she had on Irish writing? For the contemplation of “Virginia Woolf in Ireland,” both as a traveler and a reader of Irish culture, politics and literature, and as someone to be read through her various publications, provokes a proliferation of research possibilities about both writer and country. In this essay I wish to sketch out a preliminary map of these possibilities, showing some of the potentially complex and intriguing routes that require further exploration, in relation to Woolf studies, in particular the European Reception of Woolf, and in relation to Ireland and its own literary history. So the paper is divided into three sections: briefly, Virginia Woolf literally in Ireland, reading Virginia Woolf in Ireland from the 1920s on, and three Irish women reading Woolf–Elizabeth...

Words: 4743 - Pages: 19

Premium Essay

Useful Phrases

...[Transcriber's Notes] Original "misspellings" such as "fulness" are unchanged. Unfamiliar (to me) words are defined on the right side of the page in square brackets. For example: abstemious diet [abstemious = Eating and drinking in moderation.] The blandness of contemporary (2006) speech would be relieved by the injection of some of these gems: "phraseological quagmire" "Windy speech which hits all around the mark like a drunken carpenter." [End Transcriber's Notes] BY GRENVILLE KLEISER HOW TO BUILD MENTAL POWER A book of thorough training for all the faculties of the mind. Octa cloth, $3.00, net; by mail, $3.16. HOW TO SPEAK IN PUBLIC A practical self-instructor for lawyers, clergymen, teachers, businessmen, and others. Cloth, 543 pages, $1.50. net; by mail, $1.615. HOW TO DEVELOP SELF-CONFIDENCE IN SPEECH AND MANNER A book of practical inspiration: trains men to rise above mediocrity and fearthought to their great possibilities. Commended to ambitious men. Cloth. 320 pages, $1.50. net; by mail, $1.65. HOW TO DEVELOP POWER AND PERSONALITY IN SPEAKING Practical suggestions in English, word-building, imagination, memory conversation, and extemporaneous speaking. Cloth, 422 pages, $1.50 net; by mail, $1.65. HOW TO READ AND DECLAIM A course of instruction in reading and declamation which will develop graceful carriage, correct standing, and accurate enunciation; and will furnish abundant exercise in the use of the best examples...

Words: 82081 - Pages: 329

Premium Essay

El Perfume

...1 Film Essay: “Perfume: The Story of a Murderer” as an Illustration of ADHESIVE PSEUDO-OBJECT-RELATIONS Like the novel by Patrick Süskind, Tom Tykwer’s film adaptation of Perfume: the story of a murderer (1986) is a gripping horror tale of a fictional eighteenth-century French serial killer. I believe it is also a grotesque version of those cases of trauma and consequence that analysts observe in the privacy of their consulting rooms. Perhaps if, as Freud (1933) suggests, extraordinary pathology can draw our attention to normal neurotic conditions, it may also be true that extraordinary fantasy may provide insight into those more ordinary pathological states. It may also be that certain artists, having “turned away from external reality... know more about internal, psychical reality and can reveal a number of things to us that would otherwise be inaccessible to us” (Freud 1933,p. 58-59). Tykwer’s visually sumptuous film version of Süskind’s story is a masterpiece, to be sure. However, as one intimately acquainted with the book, I cannot help but regret the necessary abbreviation of the details of each character’s experience, the reduction in the number of events in the life of the protagonist and the condensation of the passage of years leading to the development of the murderer that the translation of Süskind’s story into a commercially viable film unfortunately demands. However, I believe that, in spite of Tykwer’s considerable abridgement, Perfume (the...

Words: 7954 - Pages: 32

Free Essay

The Pit and the Pendulum

...mill-wheel. This only for a brief period, for presently I heard no more. Yet, for a while, I saw—but with how terrible an exaggeration! I saw the lips of the black- robed judges. They appeared to me white—whiter than the sheet upon which I trace these words—and thin even to grotesqueness; thin with the intensity of their expression of firmness—of immovable resolution—of stern contempt of human torture. I saw that the decrees of what to me was Fate were still issuing from those lips. I saw them writhe with a deadly locution. I saw them fashion the syllables of my name; and I shuddered because no sound succeeded. I saw, too, for a few moments of delirious horror, the soft and nearly imperceptible waving of the sable draperies which enwrapped the walls of the apartment. And then my vision fell upon the seven tall candles upon the table. At first they wore the aspect of charity, and seemed white slender angels who would save me; but then, all at once, there came a most deadly nausea over my spirit, and I felt every fibre in my frame thrill as if I had touched the wire of a galvanic battery, while the angel forms became meaningless spectres, with heads of flame, and I saw that from them there would be no help. And then there stole into my fancy, like a rich musical note, the thought of what sweet rest there must be in the grave. The thought came gently and stealthily, and it 2...

Words: 6143 - Pages: 25

Premium Essay

Fifteen Thousand Useful Phrases

...Phrases A Practical Handbook Of Pertinent Expressions, Striking Similes, Literary, Commercial, Conversational, And Oratorical Terms, For The Embellishment Of Speech And Literature, And The Improvement Of The Vocabulary Of Those Persons Who Read, Write, And Speak English Author: Greenville Kleiser Release Date: May 10, 2006 [EBook #18362] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FIFTEEN THOUSAND USEFUL PHRASES *** Produced by Don Kostuch [Transcriber's Notes] Original "misspellings" such as "fulness" are unchanged. Fifteen Thousand Useful Phrases Unfamiliar (to me) words are defined on the right side of the page in square brackets. For example: abstemious diet [abstemious = Eating and drinking in moderation.] The blandness of contemporary (2006) speech would be relieved by the injection of some of these gems: "phraseological quagmire" "Windy speech which hits all around the mark like a drunken carpenter." [End Transcriber's Notes] BY GRENVILLE KLEISER HOW TO BUILD MENTAL POWER A book of thorough training for all the faculties of the mind. Octa cloth, $3.00, net; by mail, $3.16. 2 HOW TO SPEAK IN PUBLIC A practical self-instructor for lawyers, clergymen, teachers, businessmen, and others. Cloth, 543 pages, $1.50. net; by mail, $1.615. HOW TO DEVELOP SELF-CONFIDENCE IN SPEECH AND MANNER A book of practical inspiration: trains men to rise above mediocrity and...

Words: 88663 - Pages: 355

Free Essay

The Pit and the Pendulum by Edgar Allan Poe

...a summary of copyright durations for many other countries, as well as links to more official sources. This PDF ebook was created by José Menéndez. Impia tortorum longas hic turba furores Sanguinis innocui, non satiata, aluit. Sospite nunc patria, fracto nunc funeris antro, Mors ubi dira fuit vita salusque patent. [Quatrain composed for the gates of a market to be erected upon the site of the Jacobin Club House at Paris.] I WAS sick—sick unto death with that long agony; and when they at length unbound me, and I was permitted to sit, I felt that my senses were leaving me. The sentence—the dread sentence of death—was the last of distinct accentuation which reached my ears. After that, the sound of the inquisitorial voices seemed merged in one dreamy indeterminate hum. It conveyed to my soul the idea of revolution—perhaps from its association in fancy with the burr of a mill-wheel. This only for a brief period, for presently I heard no more. Yet, for a while, I saw—but with how terrible an exaggeration! I saw the lips of the blackrobed judges. They appeared to me white—whiter than the sheet upon which I trace these words—and thin even to grotesqueness; thin with the intensity of their expression of firmness—of immovable resolution—of stern contempt of human torture. I saw that the decrees of what to me was Fate were still issuing from those lips. I saw them writhe with a...

Words: 6360 - Pages: 26

Premium Essay

Human Reason

...ARISTOTLE TRANSFIGURED Dante and the Structure of the Inferno and the Purgatorio by Donald J. Hambrick Submitted in partial fulfillment of the requirements for the degree of Doctor of Phüosophy Dalhousie University Halifax, Nova Scotia August, 1997 Q copyright by Donald J. Harnbrick, 1997 N l*lofational Library Canada Bibliothèque.nationale du Canada Acquisitions and Bibliogaphic Services Acquisitions et seMces bibliographiques 395 Wdingtoci Street OttawaON K 1 A W 395, rua Wellington Ottawa ON K I A O N 4 canada Canada The author has granted a nonexclusive licence allowing the National Library of Canada to reproduce, loan, distribute or sell copies of this thesis in microfonn, paper or electronic formats. L'auteur a accorde une licence non exclusive permettant à la Bibliothèque nationale du Canada de reproduire, prêter' distribuer ou vendre des copies de cette thèse sous la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la proprieté du droit d'auteur q ui protège cette thèse. Ni la thèse ni des extraits substantiels de celle-ci ne doivent être imprimés ou autrement reproduits sans son autorisation. copyright i this thesis. Neither the n thesis nor substantid extracts fkom it may be printed or otherwise reproduced without the author's permission. To Those Who Teach. .. TABLE OF CONTEWS INTRODUCTION...

Words: 39283 - Pages: 158