...Vanilla. The Young Actors Project will perform renditions of “The Secret of NIMH” and “Romeo and Juliet” June 6-June 9 at the Malibu Stage Company. Two different age groups will present the story of a widowed field mouse, Mrs. Frisby, and her ... Orlando Bloom talks dream destinations and favourite foodie cities29 MAY 2013 Hollywood actor Orlando Bloom lives life in the fast lane and his current schedule is no different. After a week at the Cannes Film Festival promoting his latest flick Zulu, he flew to New Zealand to finish filming The Hobbit ahead of a six-month stint on starring in Romeo and Juliet on Broadway. The Pirates of the Caribbean star juggles his hectic professional life with a young family. He is married to Victoria's Secret model Miranda Kerr and they have an adorable two-year-old son Flynn. "I would love to take Flynn to see the pandas in Chengdu," revealed the 36-year-old. In an interview with the airline, he talks his and Miranda's favourite foodie cities, tips for combating jet lag and his love for London. Paper Edition | Page: 2 I have borrowed some words from Romeo and Juliet’s theme song and Harold Laswell’s phrase on politics for the title of this essay. In my view, these terms fit the issue well as the need mounts to embark on a different stage of reform in Indonesia. And yet, given the nature of the problems that appear to have hit all spheres of public life and mutated to all state agencies and officers, this nation seems...
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...is doing the same thing over and over expecting different results every time. Regardless of how it is defined, one fact about insanity or madness remains true to this day and can be summed up by one quote from perhaps the most famous insane character of all time, the Joker: “Madness, as you know, is like gravity... All it takes is a little push!” This very idea of insanity and how susceptible to madness the mind can be is a central theme throughout Charles Brockden Brown's Wieland. In the novel, one of the primary forces behind everyone's growing paranoia and dementia are a series of voices that literally cause the protagonist's brother, Theodore Wieland, to murder his wife and children. Of course the voices not only affect Theodore, but rather the entire community as a whole, namely the protagonist herself. Clara Wieland is just as easily prone to the insanity that overcomes her circle of friends and family. Many times throughout the novel, Clara demonstrates various qualities of irrationality, such as contemplating suicide and struggling to maintain grasp onto reality. While these are prime examples of madness within the novel, one's sanity that often goes unchecked is that of the perpetrator himself: Francis Carwin. Of course Clara and Theodore as well as their grand uncle, exhibit common signs of madness: Hallucination, Delusion, elevated mood and emotional liability. At first, signs suggest that Carwin wasn't subject to the same madness symptoms as the Wielands, but if the...
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...should not only read for information or delight, but to read for wisdom. Kidder’s notions are correct because he states that if people continue to read only for pleasure, the society they live in will start to regress. For example, “Are we headed, then, backwards into the pre-print attitudes of the Middle Ages, when the literate few ruled the illiterate many?” (Kidder). The modern society Kidder depicts is being compared to back when only the brilliant people controlled the incoherent. This quote shows that as time goes on, the society is moving backwards, rather than forwards because people fail to read correctly. Subsequently, Kidder identifies why this problem is so common among citizens....
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...Page |1 Robert Hillis Dr. Clouser PHL-100 Introduction to Philosophy Tuesday, April 28, 2009 Miracles: How They Do Not Violate Nature For centuries, the validity of miracles has been debated on by countless philosophers. Of these philosophers, some are religious and others both materialist and atheist. Some materialists, who argue against the existence of miracles, believe that the world is purely physical and that nothing can possibly happen outside the laws of nature. The theistic philosophers reply with the statement that science cannot explain everything simply because the art was founded by us humans who are, by definition, imperfect. So the implication shows science to have inherited man’s imperfections. Science is completely logical, but it cannot explain the nature of everything since there are always undiscovered concepts and laws to be found. Among these phenomena are miracles. Contrary to materialist beliefs, miracles do not violate the real laws of science because the laws that we are referring to are the ones that man, in all his imperfections, compiled. God created all the laws of science of which many have never yet been discovered. So logic would tell us that we cannot be for certain that supernatural events violate any natural laws, but certainly these events do not have to violate any natural law to be miracles. First off, today’s use of the word miracle is inherently misused. It is commonly used by speakers to describe a wonderful event that he believes his...
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...narrator. The woman’s role is established even before the poem begins as Donne describes her as “His Mistress”. The use of the possessive “His” implies ownership and foreshadows the domination that the narrator will lord over her throughout the poem. The term “mistress”, because it is not clearly defined who the woman is in relation to Donne, forces readers to make assumptions about the connotations behind the word and how it reflects upon the unknown woman. To a contemporary audience the word would most likely be interpreted as her having a sexual role in the play and as she is not his wife she is simply there for the narrator’s entertainment. This ambiguity about her identity leads to her being reduced to a stereotype with a set role to play rather than an individual that the narrator must interact with. One could even argue that it dehumanises her and allows the narrator to act this way with little to no remorse or empathy. This lack of identity is...
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...A new narcissism “There are several versions of the story of Narcissus, but they all have one thing in common: A young man falls hopelessly in love with his own reflection in a pool of water.” – “Me, me, me, line 31” This quote from the first text I read, sums up the term “New Narcissism” pretty well. A narcissist is a person who is excessively self-centered, and believes that he (or she for that matter) is the definition of a perfect human being. The term “a new narcissist” is of course based on the same principles but instead of being completely in love with oneself, a new narcissist believes that others are utterly intrigued or fascinated by the person himself. If we for an instance look at this quote from “Me, me, me, Line 63; More than 150.000 people, for instance, were prepared to suffer absolute humiliation to achieve instant stardom, or at least the tabloid version of it, for the current series of The X Factor. For the main part, those auditioning were classic narcissist: convinced that they deserve success despite their transparent lack of talent.” Narcissists flocks these auditions, because they have the belief that it will make people appreciate them, or find them fascinating. They are convinced that their underdeveloped talent will provide the world with a great value within the entertainment spectrum. An example of this is “Psykopaten” who starred in “Talent 2008”, who was just a seemingly normal kid, who went on stage and mumbled some crazy words, while...
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...figurehead, the King, and is soon followed by a whole range of murder, suicide, revenge and accidental deaths. Hamlet is above all a story of individuality – and the search for it. This is why Yorick’s skull is so pivotal to the whole story. Previously, Hamlet has been appalled and revolted by the moral corruption of the living. Seeing Yorick's skull (someone Hamlet clearly loved and respected ‘I knew him, Horatio’ ‘fellow of infinite jest’ ‘how abhorred in my imagination it is! my gorge rises’) propels Hamlet's realisation that death eliminates the differences between people. His questioning of ‘Where be your gibes now? Your gambols? your songs? your flashes of merriment’ are a manifestation of his realisation. This, once hilarious, loving person is a conglomeration of bones. It is also difficult to not notice the sudden shift in age as important. When the play begins, Hamlet is a university student, and therefore presumable 18 to 25. By the time Hamlet makes it to the graveyard in Act V, he's apparently thirty years old (much older than the average university student). The First Clown says he's been a gravedigger in Elsinore since "the very day that young Hamlet was born" and a few lines later he reveals that he's been a "sexton" in Denmark for "thirty years" (i.e. working at the church and graveyard). Whilst Shakespeare is often incredibly incoherent with...
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...something else; some decisions will be the best ones we ever made, others we will live to regret for the rest of our lives. One thing is for sure though, you can’t change the past, and you can’t just go back and redo the important decisions, that’s just life. However, sometimes, if you’re lucky, life gives you a second chance. Gerard, the main character of the short story Save as many as you ruin by Simon Van Booy, has been given a second chance with love. He’s a single father, living on Manhattan. His daughter, Lucy, means everything to him, but except for her, his life seems meaningless and sad, and he seems to be frustrated with this empty and trivial living. He’s only ever loved one women, and it wasn’t Lucy’s mother Issy, it was a woman called Laurel, whom he thought he’d lost forever – but life grants him a second chance. On his way home, walking the cold, snowy big city-streets of New York: “he sees Laurel through the falling snow. Eight years has passed”. The famous “one that got away”. Gerard is a middle-aged, good looking man (“Gerard is handsome. He has slept with many women”). His relationship with women is rather superficial, he has slept with a lot of women, many of which he had no intention of loving. The women then keep a safe distance, to avoid “the grief of an ancient pain”, but all this meaningless sex and shallow relations makes him lonely and leaves him with a feeling of existential meaninglessness, which is observable several places in the text (“Gerard thinks...
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...“Dream Time” by Randall E. Auxier Christopher Nolan’s films, Memento and Inception, both approach the question of how humans experience time. What is known as the “pathologies of temporal experience”, is exemplified in Memento, where Leonard’s head injury breaks his main connection between the present and the past, also by causing him the inability to make new long-term memories. In the movie Inception, this same idea is presented to us but in a different form. Auxier describes it as “ a lasagna of ideas about time and dreams” (Auxier, 280) and begins with firstly explaining the idea of mementoes and totems. A “totem” is an object that the characters in this film keep with them in real life and in the dream world. It is identified as something unique, heavy and that only the owner is allowed to handle. Its purpose is to provide the dream-invaders a way of knowing whether they are in the dream world or in reality. If a totem is expected to fall, or operate in a certain way, then any change in this indicates that you are in a dream. Most importantly, Auxier says that this serves as “a point of connection between what you’re experiencing within yourself (beliefs, perceptions, assumptions) and the way the world really is.” (Auxier, 282) The idea of a “totem” allows for continuity of time in the narrative, it acts as a guide when discontinuities are found. Furthermore, both films attempt to explore the same problem, the continuity and discontinuity in our experience, and...
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...short story written by Robin Black in 2010. It deals with the theme death and specifically engages in how death affects close relatives. It contains mental and social issues connected to losses and the generational repetition of these. The story presents how a women's life was changed because of her brother's death and how she is still influenced as an adult. The main themes are depression and passiveness caused by bereavement. The following essay focuses on the narrator's mind and the themes through an analysis of the symbols, the language and the narrative technique. The story is about a 40-year-old-women, from whose point of view the story is told. She looks back upon an essential episode of her childhood when she lost her older brother. The story is significantly structured as it contains two stories from the same person's life. The narrator has lost her brother at the age of 10 and her son loses a friend at the age of 16. The likeness of the misfortunes and their undesirable consequences is apparent through the deliberate composition of the story. The main character, who is also the narrator, alternates between adult life and childhood in her narration. For instance she abruptly swaps to her own childhood when talking about her son: "His face was still sleepy, unwashed, his brown hair a little messy." "I don't know. Maybe Jeff Mandelbaum's mother saw a [...]". These two quotes are in succession but have no logical connection. This results in a somewhat incoherent time...
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...this, we are now eight movies in with all of this. Vin Diesel and Dwayne Johnson reportedly hate each other so much that they never actually appear on screen together. About an hour in, we realize that Morgan, writing his sixth consecutive Furious movie, is regurgitating ideas, and Vin Diesel, as Executive Producer, is squarely focused on making this all about Dom. So, is there enough nitrous left in the tank for two...more...movies? What is apparent here is that the tread is showing on the tires, the dents are more pronounced and paint is chipping off under close inspection. Even storylines are repeating themselves. Maybe for Furious 9, we just get a 45 minute barrage of action sequences, Vin Diesel mugging for the camera, and no actual story. Truth be told, that's kind of where The Fate of the Furious has taken...
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...A. Organization An organization is a consciously coordinated social entity with distinct boundaries which functions to achieve goals. It has an activity system linked to the external environment (it does not exist alone). An organization consists of people, things, knowledge and technologies. Modernists’ assumption of reality is objectivism and view organizations are real entities which exist in the objective world. Organizations are viewed as real entities driven by rationality to achieve efficiency and organizational objectives/goals. When organizations are well-managed, they are systems of decision and action driven by norms of rationality, efficiency and effectiveness for stated purposes. Similar to modernists, critical theorists’ ontology is also objectivism, and organizations are real entities which exist in the objective world. However, critical theorists view organizations as objects used by capitalists for the exploitation and alienation of workers and the environment. Symbolic interpretivists believe that reality is subjective, and only exists if we give meaning to it. As such, organizations are socially constructed realities which are constructed and reconstructed by their members through symbolically mediated interaction. Without its members giving meaning to it, an organization does not exist. Postmodernists suggest that reality is constructed through language and discourse. Organizations are ‘imagined’ entities whereby power and social arrangements are reinforced...
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...Seminar in Leadership – Andre Jaundoo Reading Assignment #6 – Persuasion and Influence By Andre Jaundoo 1. Summarize the advice given by Chris Anderson. (1 point) a. In summary the advice that Chris Anderson provides on how to give a Killer presentation. Is broken up into several categories. The first is being able to “Frame your Story”. Within any preparation is it vital to conceptualize and frame what the presenter wants to say. More importantly being able to take the audience on a journey where they feel engaged. And be able to share real life stories with value that the audience can relate to. Point number two was to “Plan your delivery”; which is broken into three main approaches to include reading it off a scripts or a teleprompter, develop a set of bullets to speak from, or to be really good. You can always memorize your presentation verbatim. Chris emphasized that it would behoove a person not to read the presentation or even read off a teleprompter. Or else you will lose the audience. Nevertheless, memorizing the talk will ultimately be your best option. However, as mentioned it to can prove quite the challenge in memorizing your talk, just for the fact that at times most people go “Through That Valley of Awkwardness”, where they have yet to memorize there talk to a tee, and at times the audience are able to recognize when the lecture presented now all of a sudden comes across as recited. Bottomline it will behoove you if given the right amount of...
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...Name: Instructor: Course: Date: Movie Review: Abraham Lincoln: Vampire Hunter Abraham Lincoln: Vampire Hunter by Timur Bekmambetov is based on the novel by Seth Grahame-Smith, which offers a vivid description of the untold story and secret life of the 16th president of America, Lincoln Benjamin Walker from his days as a boy to his presidency, which apparently shaped America as a nation. It often construed that many movie adaptions do not necessarily do justice to the well-written books that they are based on; however, in the case of Abraham Lincoln: Vampire Hunter by Timur Bekmambetov, it does quite well. The narrative of the movie takes the form of secret journal entries, in which Lincoln as a young boy reports witnessing the death of his mother at the hands a plantation owner who he claims was vampiric. As a result, he swears vengeance; and with the guidance and help of another hunter, Henry Sturgess, a role played by Dominic Cooper, Lincoln starts a life-long mission to find and destroy all the vampires lurking amongst humans, and they hold on the mortal society. After several years, Lincoln’s attraction towards politics, mostly fuelled and motivated by his belief that he had the opportunity and ability to make a difference in the mankind war, not as an assassin, but as a leader. We also witness Lincoln’s election, we see him signing the Emancipation Proclamation, and the outburst of the American Civil War. In addition, we also get to see how these abrupt changes in...
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...According to the Paperback Canadian Oxford Dictionary, to be mad is to be "insane" and to have "a disordered mind." Throughout King Lear, there are several different characters who one would question if they are in an orderly state of mind. The Earl of Kent, Edgar, the Fool, and King Lear all portray varying degrees of madness. Some have alternative motives behind their madness while others are simply losing touch with reality around them. The Earl of Kent is a close advisor to King Lear. Lear decides to split up his kingdom between his two daughters, Regan and Goneril, and to banish his youngest daughter, Cordelia, from the kingdom. Kent strongly advises Lear to keep reign over his own kingdom and insists that Cordelia should not be renounced. With these displeasing remarks to Lear, Kent is banished from the kingdom as well. Instead of leaving the kingdom, Kent returns under a disguise to continue to watch over Lear. While trying to gain a place in the king's company, Kent plays the role of a somewhat senile old man who has extreme loyalty to his king. Take, for instance, Kent physically and verbally attacking the servant, Oswald, for no more reason than to gain a laugh from the king and reinforce his loyalty to the king. These acts, while they do have good reason behind them, lead to Kent being put in the stocks. Some will say that to risk being caught while banished from the kingdom is mad. It is an even madder deed to take company with the one who has banished you in the...
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