...English author, feminist, essayist and critic, was born on January 25th, 1882 to Sir Leslie Stephen, the editor of Dictionary of National Biography, and Madam Julia Prinsep Stephen, a nurse who published a book on nursing. Virginia’s maiden name was Adeline Virginia Woolf. She grew up in an atmosphere conducive to her future career as a writer since her father, Leslie Stephen, was a respected and well-known intellectual and writer. Although she was not sent to a university as her brothers, she was able to educate herself thoroughly by delving into the volumes of her father's vast library. Woolf grew up during a period of intense feminist activity in London and was an active member of various women's organizations. By the time she came into her own as a writer, significant advances had been made in women's rights. By 1918, a limited franchise had been granted to women in England. During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her mother’s sudden death in 1885 and that of Stella, her sister whom she looked up to as a mother were the catalysts for Virginia’s mental breakdown. Modern scholars have suggested that her mental breakdown and subsequent recurring depression were as a result of the sexual abuse which she and her sister Vanessa were subjected to by their half brothers, George and Gerald Duckworth. Virginia married Leonard Woolf, a journalist, in 1912 and they collaborated professionally and founded...
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...The androgynous mind: Can two things become one? Marilyn R. Farwell writes “Virginia Woolf and Androgyny”, in which she claims, that Woolf uses the concept of androgyny, the concept that “the masculine and the feminine should be balanced but not fused” (4, 434, Farwell). But, Farwell wastes no time and tells her reader that “the sharpness of its definition is not kept in place” (4). Already, it is evident that Farwell believes that Virginia Woolf’s “A Room of One’s Own” is a poor attempt, by the author, to write with an androgynous mind. Farwell believes that Woolf does not balance the two different perspectives of male and female, rather, she fuses, or merges them into one dominating argument. Farwell not only uses her own ideas and opinions to make her argument, but she also uses the ideas and arguments of other known writers and authors such as Coleridge, Nancy Topping Bazin, Herbert Marder, and other authors who have been given much praise and credibility due to their intellectual writing. She uses the ideas and arguments of these writers to support her overall argument which states the following: “The irony is thick as the tone falters between objective and subjunctive. Her anger, [referring to Woo lf] is not suppressed.” Farwell is telling her reader that Woolf is writing in the state of androgyny, but in actuality, is expressing negative emotions that do not allow her to completely argue or state her opinions or thoughts within her book. Farwell makes...
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...Sam Schmidt 10/8/15 A Room of One’s Own Virginia Woolf’s essay A Room of One’s Own is based on a series of lectures she gave to a college audience back in the late 1920’s. The six chapters within the essay focus on three main concepts, women, fiction, and facts. Virginia Woolf argues financial freedom, independence, and original thoughts will not only allow women to write, but to live a lifestyle of their own. In Chapter three, on page 48, Virginia Woolf says, “Be that as it may, I could not help thinking, as I looked at the works of Shakespeare on the shelf, that the bishop was right at least in this; it would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare. Let me imagine, since facts are so hard to come by, what would have happened had Shakespeare had a wonderfully gifted sister, called Judith, let us say”. This statement emphasizes the theme that Virginia Woolf references throughout the essay; women were treated unequally in society (during this time in age) and thus didn’t have the freedom, time, or money to compose the type of writings men were capable of. After re-reading the first part of the phrase again, “Be that as it may, I could not help thinking, as I looked at the works of Shakespeare on the shelf, that the bishop was right at least in this; it would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare...
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...A ROOM OF ONES OWN [* This essay is based upon two papers read to the Arts Society at Newnharn and the Odtaa at Girton in October 1928. The papers were too long to be read in full, and have since been altered and expanded.] ONE But, you may say, we asked you to speak about women and fiction--what, has that got to do with a room of one's own? I will try to explain. When you asked me to speak about women and fiction I sat down on the banks of a river and began to wonder what the words meant. They might mean simply a few remarks about Fanny Burney; a few more about Jane Austen; a tribute to the Brontës and a sketch of Haworth Parsonage under snow; some witticisms if possible about Miss Mitford; a respectful allusion to George Eliot; a reference to Mrs Gaskell and one would have done. But at second sight the words seemed not so simple. The title women and fiction might mean, and you may have meant it to mean, women and what they are like, or it might mean women and the fiction that they write; or it might mean women and the fiction that is written about them, or it might mean that somehow all three are inextricably mixed together and you want me to consider them in that light. But when I began to consider the subject in this last way, which seemed the most interesting, I soon saw that it had one fatal drawback. I should never be able to come to a conclusion. I should never be able to fulfil what is, I understand, the first duty of a lecturer to hand you after an hour's discourse a...
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...did not just begin when women decided to take up their pitchforks and sticks in contest at some town square somewhere in an European village; the expression of desire for a society of androgynous minds began in much subtler forms such as writing. Simply putting down in ink how one felt or perceived the world in the old days was all a woman could do, at least, without prosecution, if she had any “money and a room of her own” (Woolf 21). Perhaps that was what Virginia Woolf had been thinking whilst writing her book, A Room of One’s Own (1929). Woolf wrote her books in a time where only men deserved to be scholars, have respectable jobs, titles and earn reasonable amounts of money, whereas women would take up meager jobs and earn little or no money; thus limiting the public voice they had to express themselves. She therefore tried to leave a legacy or sort of encouragement for women who despite these unfortunate circumstances, wished to express themselves in a scholarly manner such as writing. By stating that a woman needed money, “five hundred a year”, and a room of her own (Woolf 21&40), Woolf simply implied empowerment and privacy; as the former was that which women greatly lacked and the latter was an abode in which one could peacefully, without restrictions or disturbances, express the mind as well as the soul. Woolf kept from making a definite conclusion that would limit a reader’s mind to one direction of thought and this made clear when she states “No opinion has been...
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...In what ways does a comparative study accentuate the distinctive contexts of Who’s Afraid of Virginia Woolf? and A Room of One’s Own? A Room of One’s Own (1929) by Virginia Woolf and Who’s Afraid of Virginia Woolf? (1962) by Edward Albee, when compared, accentuate the difference in values and beliefs that pervaded the context in which they wrote. Woolf’s critical yet creative essay explores truth and gender equality in a period driven by progression and the first wave of feminism. Contrastingly, Albee attempts to confront his audience through satirical dialogue and bombastic characters. Although Albee also explores truth and gender equality, the difference in context allows him to examine the way in which these values have been discarded in the moral decline masked by the American Dream. When paralleled, it is evident that both texts reflect the differences of their context. Woolf’s A Room of One’s Own digs beneath the veneer of social progress to expose the patriarchal values entrenched in society. Woolf first establishes the subjectivity of truth, so that the readers draw their own conclusion as “they observe the limitations, the prejudices, the idiosyncrasies of the speaker.” By making them conscious on the subjectivity of truth, Woolf is forcing the reader to draw their own conclusions on what is logical, rather than accepting the patriarchal beliefs of their context. The anecdotal evidence of the fictitious Mary Seaton’s experience at the British Museum exposes the...
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...Locks Virginia Woolf and Man in a Cage Virginia Woolf, on realising her admittance to an Oxbridge chapel would be prohibited, delights in the building’s exterior. Her vantage point is from the outside of the established patriarchal institutions and from there her critical work interrogates the structures that lock her out. The narrative essay A Room of One’s Own begins at Oxbridge, a mythical institution based on Oxford and Cambridge. There, being a women means she is physically prohibited from entering the library and the chapel. Even the bounds of the university lawns are restricted to her when a flapping, irate beadle responds automatically to her presence by ushering her from the grass to the gravel path. These white haired old dons, men with “tufts of hair growing on their shoulders,” run when another whistles and unthinkingly defend their stronghold of learning against the presence of a woman. In a Room of One’s Own, Woolf progressively unfolds an allegory of two sexes, both trapped in cages, where being locked in or out is detrimental to the society. The thinking of the hairy old dons at Oxbridge is set in stone, like the foundations of the great buildings at the university. To them men and women have different and separate roles to play– men in the public sphere and women in the domestic. The skeleton of the meta narrative which informs their thinking continues thus: men create and build empires; women support and nurture men in the home, men are the bastions of...
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...Brian Smith Dr.Harmen English 101 April 15, 2014 A Room of One’s Own Virginia Woolf once spoke of famous words saying that (you cannot find peace by avoiding life) words such on these is what exemplifies the vision Woolf had of A Room of One’s Own. She talks in a great detail about certain topics that she’s most fixated with during the time of the twentieth century, topics such as feminism, inequality, gender, independency, freedom, lack of privacy and money. All things that you would expect to be a giving for women living now in our world. But then women didn’t have as many rights as women do now, making it a lot harder for women to strive and live a prosperous equal life as men did during their time. We are all human beings and I believe even back then, regardless of the circumstances that was giving for women, that we should always have equal rights for everyone including women. To begin with understanding where Virginia Woolf is coming from, it’s important to first look to her most seemingly innocuous statement that comes off deeply radical. Virginia Woolf once said that “A woman must have money and a room of her own if she to write fiction” during the time people saw this harmless statement deeply radical to the point that it drew lots controversy and attention to it. Because back then for women writers they were routinely denied the time and space to produce creative works. During the time when women had little rights to work with, they were look down-upon by...
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...1882. Virginia Woolf born (25 Jan) Adeline Virginia Stephen, third child of Leslie Stephen (Victorian man of letters – first editor of theDictionary of National Biography) – and Julia Duckworth (of the Duckworth publishing family). Comfortable upper middle class family background. Her father had previously been married to the daughter of the novelist William Makepeace Thackery. Brothers Thoby and Adrian went to Cambridge, and her sister Vanessa became a painter. Virginia was educated by private tutors and by extensive reading of literary classics in her father’s library. 1895. Death of her mother. VW has the first of many nervous breakdowns. 1896. Travels in France with her sister Vanessa. 1897. Death of half-sister, Stella. VW learning Greek and History at King’s College London. 1899. Brother Thoby enters Trinity College, Cambridge and subsequently meets Lytton Strachey, Leonard Woolf, and Clive Bell. These Cambridge friends subsequently become known as the Bloomsbury Group, of which VW was an important and influential member. 1904. Death of father. Beginning of second serious breakdown. VW’s first publication is an unsigned review in The Guardian. Travels in France and Italy with her sister Vanessa and her friend Violet Dickinson. VW moves to Gordon Square in Bloomsbury. Other residents of this Square include Lady Jane Strachey, Charlotte Mew, and Dora Carrington. 1905. Travels in Spain and Portugal.Writes book reviews and teaches once a week at Morley College, London...
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...life believe that these events could have caused part or most of her mental illnesses throughout life (“Virginia Woolf”- Biography). Today she would have diagnosed with bi-polar disorder. Even with mental illness, she continued to write incredible works, in and out of being hospitalized. In her work “A Room of One's Own,” she says “All I call do was to offer you an opinion upon one minor point- a woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the nature of woman and the nature of fiction unsolved” (“A Room of One's Own,” 1). This statement was quite a large statement in the time period. The women then went from their parent's home to her husband's home, sometimes with college in between. To be a single lady in an apartment was not common at all. Or maybe she was talking about having a room in her house, to herself. This was also just as shocking because women didn't have their own space. Having this idea of being independent was a new and exciting idea for a lot of women. To have a Waggoner 2 room of your own meant that you were safe, secure, had protection and privacy. It meant you had your own belongings and belong to society as a person. Being sexual abused in her early life, she would have needed to feel these things in order to be stable within herself. The World Wars would have had a large impact in her life but World War II would have been the larger of the two. When the men left for war...
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...There are numerous things that are thought to stifle creativity. Some think that this is more so for women. This is seen in the works The Yellow Wallpaper and A Room of One’s Own. Charlotte Perkins Gilman wrote The Yellow Wallpaper about her experience with the rest cure. The rest cure was used for women with depression or female hysteria in the past. It consisted of bed rest all day. The woman was not able to have visitors, go out to visit, or even write from time to time. For Gilman, the rest cure, stifled her creativity and ability to write. She kept a secret journal because her husband and the doctor did not want her to write anything. They believed that it was too stressful on her. On the other hand Gilman believed the rest cure was making...
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...greeting when somebody steps through the front door. For the handmaids, Offred, in particular, it is not to her own insight that the Commander’s home can become her own. However, she does have a role in this household that doesn’t make it completely unfamiliar to her. Each handmaid that stays with this superior figure must obey the objective to help bear children in order for the wife to have a child. The only and allowed relationships under this household are between the Commander and his wife. Even though each individual under his power realize they have to abide him in these interactions, they do not enjoy or completely accept it. It makes them realize that there isn’t more to the house rather than being there for sexual...
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...individual exists and is a result of choices being made due an obligation of superior morals resulting in how that individual behaves (Johnson & Cureton, 2017). Essentially this can be thought of as, an individual is good and presents good will if it is based one’s commitment of good morals. Furthermore, Kant also offers the reasoning that good will is something that does not need any qualifications. Kant’s reasoning is that regardless of a situation an individual finds themselves in, good will is still be present because it is embodied in the individual and not the circumstance (Van Camp, 2014). Opposite of this perspective is the actual actions that cannot be consistently good in all situations if an individual means them bad and has ill...
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...BURUBURU INSTITUTE OF FINE ARTS NAME: CAROLYNE NYOKABI COURSE: FASHION DESIGN SUBJECT: FASHION ACCESSORY: PROJECT 1 THE LIVING ROOM The living room is a general room in a house that is meant for relaxing as well as socializing. It’s also known as a sitting room. The designs picked out for a living room speak of one’s personality. The design for a living room may be mixed and matched to give the living room a functional and fashionable style. The living room furniture choice will depend to one’s own unique taste. The furniture and décor added to a room gives it a beautiful, cozy and homely look. Cushion Also referred to as a headrest, hassock, bolster or a sham, is a soft object or part that is used to make something e.g. a seat more comfortable or to protect a surface from damage. Its made of multiple types of material and in multiple shapes that provide comfort when sitting or lying down. Most cushions are filled with foam or some poly material thus depending on how much comfort one is looking for. Cushions are used for kneeling upon, for sitting, to soften hardness or angularity of a chair or a couch thus making resting more soothing. Cushion Types Cushions were quickly seen as a way to add comfort for long hours of sitting. So as years went by more pillow types were made. These are; * Chair cushions, a separate cushion placed on a chair to add comfort and style. * Bench cushions, a type of cushion that’s used to provide comfort and style to an indoor...
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...Chelsea Ferrell Ms. Dolzycki PSY 3200 November 28, 2012 Naturalistic Observation Upon observing the toddlers as well as the preschool room, I was able to observe the aspect of psychosocial development between the stages autonomy versus shame and initiative versus guilt. As defined and described in our text, Development Through Life, Erikson defines psychosocial development into eight different stages for each period of life. Within each stage presents a conflict between one’s individual ability and societal expectations or requirements. The first stage I observed was toddler aged children or autonomy versus shame and doubt. Autonomy being the positive pole within this stage of development; it is defined in the text as, the ability to behave independently, the ability to do actions on one’s own. Establishment for autonomy requires immense effort by the child as well as by the parent although the task may be rather exasperating. As a result of the establishment of autonomy, a child should have a strong sense of self-confidence as well as delight in the prospects of independence. Shame and doubt on the other hand is quite the opposite. It is the failure of mastering toddlerhood. Continuous discouragement and harsh and repetitive criticism can cause a staggering sense of shame and self-doubt thus creating the negative aspect of psychosocial development in toddlerhood. In order to avoid shame, children may choose to not participate in new activities because they automatically...
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