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Arabic Art

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Представление мусульман о мире как о едином целом, созданном богом, имело большое значение для развития эстетических идей в средние века. Под влиянием такого единства сформировались характерные черты мусульманского искусства: * Имперсональность: отсутствие образа личности * Бессюжетность * Абстрактность: отвлеченность художественного образа * Начертательность: геометрическая организованность художественного пространства * Функциональность: целесообразность художественного действия
1) Коран запрещает изображать людей, животных и других живых существ. Как утверждают имамы, пророком Мухаммедом был наложен запрет на изображение людей и животных для того, чтобы не было возможности возродить идолопоклонство.

Однако запрет на изображение животных и людей, как показывает история, имел силу только в определенные временные периоды и не во всех странах. Во времена расцвета иранской миниатюры тексты восточных поэтов изобилуют изображениями жанровых сценок из жизни повелителей, вельмож и красивейших женщин.

2) Любая точка в орнаменте может быть рассмотрена как самостоятельный сегмент и центр композиции. Каждый элемент самостоятелен, автономен, обладает собственной ценностью, уравновешен с другими элементами композиции. Таким образом, стремящийся в бесконечность орнамент говорит о бесконечности самого мира.

3) Узор, состоящий как из растительных, так и из геометрических фрагментов, сплошным ковром покрывает предметы искусства. Создается впечатление, что исламские художники "боятся" пустого пространства. Понятия пустоты в исамском искусстве не существует так же, как его не существует в исламском миропонимании, согласно которому каждая вещь и каждое действие занимает свое место в структурной сетке мироздания и имеют свою причину и назначение. В понимании исламского художника заполнение пустоты есть необхожимое действие, осуществляющее его стремление к совершенствованию на пути к истине. Орнамент есть идеальная форма исполнения этого действия.

Структура узора в любом произведении декоративного исламского искусства обычно очень проста, но повторение элементов создает впечатление неограниченной фантазии и необычайной роскоши.
Эта особенность исламского орнаментального искусства получила название “арабески”. Этот термин включает в себя какгеометрический, так и растительный или эпиграфический орнамент. Либо орнамент смешанных форм.
Геометрический орнамент
Геометрические орнаменты принято называть гирих. Геометрические композиции приобрели ведущее значение в исламском искусстве (план ссада, книжний переплет, оформление фасада, ковер, ювелирное украшение). В основе создания геометрического узора лежат простейшие фигуры: круг, квадрат и треугольник. Однако рисовальщик должен разбираться в геометри и владеть искусством черчния (Аль-Фараби подчеркива в “Науке искусных приемов”). Геометричесий орнамент наиболее в чистом виде представляет воплощение религиозной идеи закономерного развития сложного из простого.
Круг- это абсолют, знак небес, символ сферы
Овал-символ жизни
Треугольники/Квадраты- основывается на значении числа “4”. Ибн Араби считал, что “4” это корень всех чисел. Придается космографическое значение (4стихии, в планировке зданий 4 входа)
Квадрат- сакральное значение (Кааба), точка пересечения осей квадрата символизирует центр земли и вселенной.
Шести лучевая звезда- символ могущества и мудрости

Замечео, что геометрический орнамент получил наибольшее развитие и распространение в сиро-палестинском регионе, а также в Египте(эпоха мамлюков) и в Мароко.

Растительный орнамент
Растительный узор- ислими.
Растительный орнамент, в противовес геометрическому, более свободен (растительные формы всегда более произвольны, чем математически построенные геометрические). В нем прослеживается центр композиции, боковые связки, симметричные расхождения в разные стороны.

Арабские орнаменты- отражение глубокого мифологического представления об окружающем мире, о его добрых и злых началах.В декоративном убранстве предметов многие исследователи находят отзвуки древнеиранских верований. Изображения, относящиеся к языческой культуре, встречаются как на отдельных предметах прикладного характера, так и в монументальном искусстве. Мифологические представления древних арабских племен различались: одно и то же божество в разных регионах могло приобрести разное имя, выполнять разные функции и обладать разным обликом.
В древнем Иране художники использовали образы грифонов и львов, изображения орла, собаки и прочих живых существ. Арабы украшали предметы изображениями фантастических деревьев, водных источников и колодцев, камней, символизирующих духов и местных богов.
Грифоны представляли собой существо, в котором удивительным образом сочетались голова, крылья и когти орла с телом льва. Это животное символизировало власть над воздухом и землей , а также обладало демонической сущностью. Наравне с грифоном арабами почитался образ льва. Это был символ божественной власти и мощи: солнца и огня. Со львом арабы отождествляют уничтожение зла в исламе.
Изображение птицы считалось благоприятным знаком. В древние времена орлы отождествлялись с такими чертами характера, как отвага, вдохновение, победа, власть, величие, господство.
Образ птицы симурга означал вещую птицу. Считалось, что эта птица посланница небесных божеств.
Противоречивым отношением пользовались изображения собаки. С одной стороны собака воспринималась как существо, взгляд которого отгоняет злых духов; с другой стороны, позднее по исламским поверьям собака- это нечистое животное.
Нередко в орнаментальную композицию помещались и аллегорические изображения знаков зодиака, семи планет и луны. Именно образ луны (в виде полумесяца), соединенный со звездой является сомволом ислама, означая как господство и могущество аллаха, так развитие и процветание арабских народов.

Эпиграфический орнамент
Сильное развитое на Ближнем Востоке каллиграфического искусство привело к естественной трансформации арабской вязи в подобие орнамента. В орнаментальную композицию художники свободно вплетали целые фразы из арабских текстов. Как правило, содержание подобных надписей было следующим: владельцу высказывалось пожелание счастья, благословение его дома и домочадцев. В мечетях надписи воспроизводили суры из Корана.

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Morrcan Culture

...Portfolio Student Name: Ida N Johnson Course Code and Description: GS210 W14 6WKB / Midstart Section 2 Term: 2014-03-03 Winter 6 Week B/ Midstart [pic] How has this course benefited me in my career? The class benefited me in my career because it will help me predict the behavior of the masses. People behave a certain way and how the behavior is determined by science. Also by studying sociology, it provided me with the educational background needed for managers to understand their employees and customers. [pic] What specific skills have I learned in this class? The specific skills that I have learned in this class is communication, interpersonal, leadership, analytical, statistics and research design, computer literacy, cross cultural understanding and business sense. [pic] Instructor Comments regarding my performance: Excellent job Ida! Terrific topic, Ida! Well done Ida! Good start to your paper, but no reference are listed. Be sure all information used from sources is paraphrased and given citation in text and on a reference page. Nicely done Ida! Well done Ida! [pic] Course Paper/Project: Ida Nesbeth Johnson GS210 Sociology Course Project 6 April 9, 2014 11:55 pm Miller-Motte College Online Chapter 2 Culture Moroccan Culture The Moroccan culture is much different from the American culture. There are things that Americans do that would disrespect the culture of Moroccans. Moroccans are extremely hospitable...

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