...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
Words: 4487 - Pages: 18
...Hamlet Essay Tragedies commonly involve disasters, horrible mishaps and death. The great Greek philosopher Aristotle believed that a tragedy must have action which is pushed along by the character flaw of a “great” man. This idea of a “great” man or a person of high ranking being the protagonist in a tragedy is perpetuated in all of Shakespeare’s work. This leaves to speculate on the average person. The average person is not completely safe from the misery of tragedy. A supporting character is just as likely as any main character to experience tragedy. According to Arthur Miller, the “common” person is just as suitable for tragedy as any “great” person. The ideas of Aristotle and Miller contrast each other however both elements are noticeable in the play Hamlet. When a “great person” or the main character goes through a tragedy, it is rather evident. Ophelia and her father Polonius are considered “common” characters in the play that also experience great tragedy. In Miller’s essay, he outlines three main aspects that a “common” person would exhibit in a tragedy which makes their circumstances tragic. Firstly is the presence of a character that is ready to lay down their life to secure their personal sense of dignity. Next is the fear of being displaced and torn away from ones chosen image of their self. Lastly is being capable of victory. Ophelia and Polonius have chosen images of themselves and what their lives should be like and are willing to lay down their lives for their...
Words: 353 - Pages: 2
...or sufferings or emotions that the hero experiences. He has a 'tragic flaw' - this could be a personality trait (like greed, lust, ambition, jealousy, etc.), OR an error in judgement (a bad decision). This 'tragic flaw' leads to his downfall - usually ruins his career, reputation, power, etc. He is enlightened at the end of the story, meaning he realizes where he went wrong, he is humble, and he accepts the consequences . A tragic hero is a character in a work of fiction (often the protagonist) who commits an action or makes a mistake which eventually leads to his or her defeat. The idea of the tragic hero was created in ancient Greek tragedy and defined by Aristotle (and others). Usually, this includes the realization of the error (anagnorisis), which results in catharsis or epiphany. Aristotelian tragic hero Characteristics Aristotle once said that "A man doesn't become a hero until he can see the root of his own downfall." An Aristotelian tragic hero must have four characteristics: Nobility (of a noble birth) or wisdom (by virtue of birth). Hamartia (translated as flaw, mistake, or error, not an Elizabethan tragic flaw). A reversal of fortune(peripetia) brought about because of the hero's Hamartia. The discovery or recognition that the reversal was brought about by the hero's own actions (anagnorisis). Other common traits Some other common traits characteristic of a tragic hero: Hero must suffer more than he deserves. Hero must be doomed from the start...
Words: 1753 - Pages: 8
...the theatres were always crowded during a play. Shakespeare wrote mainly tragedies by the end of the 16th century, including Hamlet, Othello and Macbeth. Aristotle's definition of a tragedy is that a tragedy is an imitation (mimesis) of an action that is morally admirable. Aristotle is a philosopher who wrote about poetry, poetry being epic, drama, and lyric for Aristotle, in his work “Poetics”. He said in his work that a tragedy should be composed by an introduction, a middle part and an ending. According to Aristotle the fable (mythos) is more important than the characters in the play. It is so because the purpose with the tragedy, according to Aristotle, is to make the audience feel pity (eleos) and fear (fobos) and as a result achieve an emotional cleansing(Catharsis). In order to bring those feelings to the audience the tragedy must be complex. The tragedy must involve a peripeteia, meaning that a great person experiences a turning point, a reversal of fortune. This turning point must be caused by a mistake, the tragic hero's mistake (hamartia). This reversal of fortune cannot be prevented but it is an unforeseen result of the mistake the tragic hero makes. The tragic hero must during the play achieve a revelation(anagnorisis) that means that the hero will go from not knowing to knowing, and that could be about anything. All these elements are what makes a tragedy a good tragedy according to Aristotle. In 1963 Gustav Freytag, a...
Words: 1243 - Pages: 5
...example of a tragedy. The primary reason it is considered a tragedy is because he dies in the end and is unable to see the full outcome of his actions. However, the reason for his death was his tragic flaw of error in judgment. According to Aristotle a tragic hero must have certain characteristics that make him a tragic hero. For example the definition of a tragic hero is, “A character of noble stature and has greatness. They must occupy a high status position but must also embody nobility and virtue as part of his innate character.” (Litonline) This is exactly the type of person that hamlet portrays to be. Another characteristic of a tragic hero that Hamlet has is his downfall that is his own fault. This is a result of his free choice, which in fact was triggered by some error of judgment or some character flaw that contributed to his lack of perfection. Although Hamlet is depicted as being predominantly great, it is clearly evident at the end that he is not perfect. Although his fall is considered tragic because it resulted in death, his fall is not pure loss. Since there was some increase in awareness, gain in self-knowledge, and discovery on his part, his reason for doing what he did was not a waste of time because it had meaning that other people were able to learn from his errors. Although Hamlet arouses solemn emotion because of his death, tragedy is not meant to leave its audience in a state of depression. Aristotle argues that one function of tragedy is to arouse...
Words: 443 - Pages: 2
...Date: Arthur, Miller, “Tragedy and Common man” & Aristotle Poetics A tragic hero according Aristotle’s Poetics, is an ideal noble man with a flaw. Oedipus fits into the context of a flawed man, a man with given stature, and catharsis that propel him into a tragic hero. Oedipus as a tragic hero is caring concerned king whom the people trusted and loved. However, his impulsive temper caused him to make mistakes. On, the other, hand, Willie Lowman was a tragic hero as he was ready to lay down his love for the love of his family. Miller gives the flawed sense of a tragic hero in the sense of personal dignity that Lowman is willing to fulfill even in his death. The characteristics that Miller offers in terms catharsis and stature fits Lowman, he involved himself in a car accident so that his son Biff could use the insurance money to start a business and become a successful person in the society. This paper will discuss Willie Lowman, and Oedipus, as tragic heroes based on the stature, tragic flaw, and catharsis in their respective stories. A tragic hero according to Miller is a common person as opposed to the belief that a tragic hero must be a form of a king. He says, “we are often held to be below tragedy or tragedy below us……… that tragedy fits only for the highly placed… where this admission is not made in so many words it is often implied.” A tragic hero, therefore, is a common and both a highly placed person in the society. The belief that tragedy does not affect a common...
Words: 995 - Pages: 4
...From 550 BC to 220 BC, the theatre of Ancient Greece blossomed. The god Dionysus was honored in a festival called Dionysia – from which the dramatic genres of tragedy, comedy and satyr were born. In this essay I will focus on Greek tragedy, with reference to Antigone, by outlining the basic use of dramatic style, staging including the use of masks in costume; as these features are typical of Greek theatre, but in particular I have chosen to illustrate the developments and changes in the genre of ancient Greek Tragedy, principally through the Aristotle’s commentary on the matter. Sophocles’ tragedy Antigone is an important and influential aspect of Greek theatre as he was one of the most celebrated dramatists in Athens. Antigone was written...
Words: 1562 - Pages: 7
...he worked at a shipyard for two years. He heard stories form his Italian friends he works alongside about how some men coming over to work illegally and being betrayed. This is where ‘A View from the Bridge’ was first inspired. Tragedy: it is a dramatic event where the main character is tested in certain circumstances in which the characters real form becomes unmasked. Aristotle was a famous Greek philosopher and writer, who defined the word tragedy. He said it should represent ‘terrible and piteous’ and lead the audience to experience ‘catharsis’ or feel sorrow. Miller used this technique to create a modern equivalent of a Greek tragedy. In addition, Aristotle also said that every tragedy must have a tragic hero; the protagonist of the play. Aristotle also talks about how a “Tragic Hero” This essay will be exploring how Eddie could be the “Tragic Hero” of the play – “A View from the Bridge”. Aristotle’s definition of a “Tragic Hero” should be good at the beginning but not entirely as this unrealistic. The character should be “appropriate” – meaning men should be manly and women to be feminine. The characters should be believable and lifelike which results to having a “Tragic Flaw”. This “Tragic Flaw” will lead to the “Hero’s” destruction. Aristotle also says that the play should move from happiness to a state of misery and die at the end of the play which is similar to “A View from the Bridge”. There are many examples of Eddie as a good man. For instance...
Words: 826 - Pages: 4
...Drama Essay “Othello, the Moor of Venice” Jami Bruno Liberty University In the drama “Othello, the Moor of Venice”, written by Shakespeare around 1604, we find Othello in a downfall that was fed by a villain named Iago. Othello soon becomes the tragic hero of this story. Aristotle’s definition of a tragic hero is “someone who is a noble soul, from high estates, and has a downfall in the result of his hamartia or tragic flaw” (Kennedy, & Gioia, 2007). Othello is easily persuaded with bad advice, that his wife is being unfaithful and is in love with another man. Othello being insecure, is crushed when he is fooled into believing that his wife Desdemona has been unfaithful. With anger and jealousy in his heart he finds himself causing a downfall in the result of his own tragic flaw. Desdemona continues to stay faithful to her husband even as her husband accuses her of being in love with another man. She is a sweet, kind and intelligent woman who is truly devoted to loving Othello. Heartbroken to find her husband has turned against her and plans to kill her, she tries to defend herself with the truth. She is unable to dismiss the lies told to her husband by the villainous Iago. Iago’s hate for the Moor stems from several different directions. He plays the main reason Othello has a tragic flaw. Fueled by his own jealousy, Iago has started a rumor about Othello’s wife and Cassio, Othello’s honorable lieutenant. Emilia is the wife of Iago and Desdemona’s maid. She is submissive...
Words: 1590 - Pages: 7
...29.09.2012 ‘Tragedy is an imitation of an action’ is what Aristotle said about the theater genre, tragedy. I have been curious about the ‘imitation of an action’ part and asked myself question such as what could the’ imitation of an action’ as a phrase in this context of tragedy mean so, under the light of the emphasis our instructor put on the chapter ‘the definiton of tragedy’ in ‘Aristotle’s Poetics’ reading that we were assigned to read and since I wanted my question to be cleared and I also wanted to understand the foundation of tragedy and prepare myself, base knowledge wise, for readings that were to come, I started my reading with that particular chapter. Through the chapter I partially understood, through my own reading without anyone’s help, the combination of artistic beauty of changing the places of the words, harmonious rhythms of songs that provide an emballishment to the ongoing play on the stage and the crucial components such as ‘the soul of tragedy’ and another component as important as the plot that I am not too confident about whether I absorbed its meaning and relation with other parts of a tragedy, that element is thought. I think through the chapter I found an answer to my question of what is imitation of an action, let me expand my question for beter understanding and my own answer through the information I gained through my reading . I think my question of what imitation of an action is pretty straightforward to understand, in literal base I know...
Words: 4388 - Pages: 18
...Willy and Oedipus Tragedy Essay Oedipus is a play by Sophocles about a man who saves a town from a sphinx, becomes king,weds with his mother, and kills his father. His whole path is driven by fate. Death of a Salesman is a drama by Arthur Miller about a salesman named Willy Loman who has this big dream to be successful. He ends up failing and commits suicide. Both Oedipus and Willy are exquisite tragic figures, but Willy is superior because he has a higher relation to the audience, had a chance to make it, and Oedipus had no control over what happened to him. Aristotle and Arthur Miller had very different views on what a tragedy entaled. Aristotle thought that a tragedy must start out great, but end in a tragedy. It must have magnitude and...
Words: 840 - Pages: 4
...the exam will be worth 100 points. The out-of-class essay will be worth an additional 100 points. See below for the out-of-class essay questions. Ancient Near Eastern & Greek Culture Terms: Trojan War, anthropomorphism, polytheism, monotheism, Archaic Age, Classical Age, Hellenistic Age Art & Artworks: Sculpture: relief sculpture, free-standing sculpture, idealism, naturalism; characteristics of Archaic sculpture, kouros, kore; characteristics of Classical sculpture, Myron, Discus Thrower, Polycleitus, Spear-Bearer, Canon, unknown sculptors, Zeus, Three Goddesses,, Praxiteles, Aphrodite of Knidos; characteristics of Hellenistic sculpture, Laocoon and his Sons, Old Shepherdess ; Architecture, frieze, pediment, entablature, capital, metope, triglyph,; Characteristics of Doric, Ionic, and Corinthian styles, Parthenon, Temple of Athena Nike, Erectheion (with Porch of the Maidens), Propylaia Literature & Drama: epic poetry, Epic of Gilgamesh, Homer, Iliad, Odyssey; Hesiod, Theogony; Theater of Dionysus, tragedy, comedy, Oresteia of Aeschylus, Antigone & Oedipus the King by Sophocles, Medea by Euripides, Lysistrata by Aristophanes, characteristics of tragedy, hubris, hamartia, catharsis Thought: Pre-Socratic Philosophers, Thales, water, Xenophanes, Democritus, atoms; Socrates, Plato & theory of forms, Allegory of the Cave, Republic, Aristotle, criticisms of Plato, soma, psuche, excerpt from Aristotle Roman Culture Terms: Octavian=Augustus, Roman...
Words: 794 - Pages: 4
...Thesis Statement II. Brief overview of Othello III. Aristotle and Othello A. Peripeteia B. Hamartia C. Anagnorsis D. Catharsis IV. Othello a tragic hero? A. Evidence supporting B. Not supporting V. Brief overview of “O” A. Comparison to original VI. Conclusion THESIS STATEMENT: Othello is a tragic hero because he mostly satisfies Aristotle’s four requirements for a tragic hero: peripeteia, hamartia, anagnorsis, and catharsis. Othello: Tragic Hero? The tragic play Othello, written by William Shakespeare has caused constant dispute on whether the main character Othello can be considered as a tragic hero or not. Othello is a tragic hero because he mostly satisfies Aristotle’s four requirements for a tragic hero: peripeteia, hamartia, anagnorsis, and catharsis. The exploration of different aspects of the Othello character will give the readers of this essay insight regarding whether Othello is a tragic hero. Also the recent remake of the story, O, gives a more modern insight into how the character can be classified as a tragic hero. Othello, one of many tragedies of William Shakespeare, was written in the 1600s and based on an Italian short story...
Words: 2018 - Pages: 9
...I believe that this statement ‘Tragedy shows us the unspeakable to prepare us for the worst’ is very true especially in relation to the films we have watched in the module course; Old boy, Far North and The Grizzly Man. In this essay I will discuss what is meant by the word tragedy, its origins, and what are the characteristics of this genre. I will also examine how the statement ‘tragedy shows us the unspeakable to prepare us for the worst’ is a true statement especially in relation to the module ‘Tragic Contexts’ and the films we have studied in this module. Though the origins of Tragedy are somewhat obscure it apparently started with the singing of a choral lyric in honour of Dionysus. This choral lyric was performed in a circular stage by a group of men who many have impersonated satyrs by wearing masks and dressing in goat-skins. This is why tragedy is derived from the Greek word tragoedia meaning ‘goat-song’. Scholars suspect that at that time a goat was either the prize in a competition of choral dancing, or the chorus danced around the goat before using it for a ritual sacrifice to the God Dionysus. As Dionysus was the Greek God of the grape harvest, winemaking, ritual madness and ecstasy. This is believed by Athenaeus of Naucratis who claims that the original form of the word tragedy was trygodia from trygos meaning grape harvest, as these events were first introduced during the grape harvest. In 335 BCE Aristotle provides us with the earliest surviving explanation...
Words: 1233 - Pages: 5
...Introduction In my essay I am going to be discussing ‘Tragic Ballets ‘and ‘Heroines’. As a child I spent a brief period studying ballet and on a visit to Prague, in February 2013, I enjoyed watching the Russian Ballet perform 'Giselle' at the Prague State Opera House. I have often wondered why so many ballets and the female heroines in them end in tragedy. My essay will discuss the issues that female heroines face and the events that eventually bring them to their fate. I will also discuss the origins and definitions of ‘heroine’ and ‘tragedy’. In order to examine my chosen themes I started my investigation by watching, analysing and comparing the films ‘Black Swan’, ‘The Red Shoes’ and the ballet ‘Giselle’. I read the feminist writings of Marina Warner on the portrayal of women, the Catholic Church and also her book on ‘Joan of Arc. In my essay I will be discussing the themes of love, conquest, devotion, deception, spirituality and how they play a role in altering the lives of the female protagonists in various different situations and offer my own opinions on how the tragedies are formed. I will begin my comparison of the female heroines that I will be discussing, with Giselle. Figure 1'Giselle and Count Albrecht' The Russian Ballet Giselle is a poor peasant’s daughter who falls in love with Count Albrecht. Count Albrecht’s character plays the main part in the protagonist Giselle’s downfall during the ballet, as he breaks her heart when she learns that he is betrothed...
Words: 3377 - Pages: 14