...person, just like: NATURE acts a perfect teacher to us. The trees, the skies, the stars, the oceans & the animals, all teach us something in some way. The knowledge given by nature is just like any lesson given by a teacher. But the lessons give us an idea about the morals & mechanism of life. Nature being a teacher & a mother to us teaches us these various paths through both her beauty & fury. Mother Nature’s widespread beauty has different horizons through which she manages to give us basic values of life just like a teacher & a mother. Whenever the seasons change from the withering leaves in autumn, chilling & lifeless winter, colourful flowers blooming in spring to the bright sun shining in summer, she teaches us how we all will have varied phrases of life and how these changes are inevitable. Also by the constant change of day & night, she tells us that we should not lose hope during the dark times because happier times are bound to come back as nothing in life stays forever. Also after every gloomy rain shower, there will be a rainbow to show us the forthcoming sunny days. She teaches us that after every bad experience, a ray of hope will appear to beautify things. The ever flowing rivers and oceans teach us how life keeps on going regardless of the various obstacles which can be overcome with strength & courage of heart. The way little creature like ant & bees work teaches us the importance of team work and co-operation. There is also an old...
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...is not bound to the mountain top but to the earth itself. With regard to the playwright, Cole draws the titan with his belly up in an effort to show how venerable he is especially to the prey birds that are sent by Zeus to tear away his flesh (Noble). In the same AuthorLastName4 painting, Cole uses a rough texture particularly on the mountain and later makes it smooth towards the horizons. This makes his work not only interesting but also creative. Using a rough texture to draw the mountain makes his painting look real and moving. Moreover, his choice of color cannot be underestimated. The rocks are drawn in a brown color while the ice is drawn in a white color. Therefore, he is able to achieve meaning in his work. The shapes are drawn in a crooked manner especially on the mountain. Below the mountains, there are some trees to show the existence of life. His painting is an explicit description of the mountain environment. The shrubs are drawn in a green yet bright color. The masses of mountains as indicated by the volume of paint used helps to show how a real mountain could look like. To the horizon the viewer can clearly see some light. The use of light in such a way helps to explain the time of the day that the painting was drawn. The sun is seen to be appearing, thus it is likely to be morning. Thomas Cole has been able to manipulate his painting throughout history, and his effort is not fruitless. In his work, Cole was able to show an analogy of color and sound (Junker, pg...
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...have been my first eagle ever. On the bright side, I still got a birdie. I was on my way to hole number three, which was a par three, and I started feeling kind of gloomy. I picked a club out of my bag and got ready to hit the ball. My mindset and attitude had definitely changed. I hit the ball, and it turned out surprisingly well. It landed about 10 feet from the hole, but this would make a decently hard putt. When I started walking down this hill, there was a slight breeze starting to rush through the trees. There is nothing better than being in nature, and listening to all of the sounds. My favorite sounds are the wind blowing through the tall trees, and the birds chirping all around you. I came upon the green and got ready to hit my oddly positioned ball. It gave the ball a nice, and easy tap since it was on a little hill. The next thing I saw was the ball disappearing in the small abyss. I had a roar of emotions gathered inside of me. I was so astonished by the thought of me being two under par after three holes. I thought to myself, “I really hope that I can continue hit the ball this well.” By the end of the round, I had five pars and two bogeys. This put me right at even par, which is three strokes lower than I had ever shot before. I had finally finished the best round of my life, and I hope to make it even better one day. I was so excited, I just wanted to play even more. By this time, the sun had started to disappear over the horizon. The sky was painted with majestic...
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...The same scenery, hot and bright sunlight, high-pitched birds’ tweets, and pink azaleas mosaicked lake. When I felt excited and happy, the sunlight would streak the water with gold and set lit the rosy clouds. The grass would be soft and mellow, with the fragrant azaleas. The petals of azaleas with the intricate arrangement, expand themselves under the sun. The birds’ chirpings would sound like graceful songs by harp, with the dances of crickets. However, when I felt upset and experienced failure, I would hear the annoying noise, which made by the never stopped birds. The high- pitched chirpings would sound like mussy chorus without rhythm. The sunlight would be strong. It would be uncomfortable to open eyes under the sun. The azaleas would be listless in the hot sunny...
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...that come only when the weather has been settled for some time. The sky is clear from earliest morning; the sunrise does not blaze like a fire but spreads a gentle blush. The sun is not ignescent or scorching hot as it is during a sultry drought, nor is it a murky crimson as before a storm, but it is bright and affably radiant-peacefully arising beneath a long narrow cloud, freshly gleaming through it and submerged in its lilac mist. The delicate upper border of the long line of clouds gleams like a serpent; the gleam is like the gleam of forged silver ... But then again the playful beams pour forth-cheerfully and majestically, as if flying up, radiating a more powerful light. Toward midday a mass of round high clouds usually appears, golden-gray, with delicate white borders. They are almost motionless, like islands washed by an endlessly flowing river that spills over them in deeply transparent streams of flat blue; further toward the horizon, they begin to merge and cluster and the blue between them can no longer be seen, while they are themselves just like the azure of the sky: they are all imbued through and through with light and warmth. The color of the horizon is light, a pale lilac; in a whole day it does not change and is the same all around; it does not darken anywhere, there is no thickening thunderstorm; perhaps here and there a barely noticeable rain drizzles from pale blue columns that stretch downward. Toward evening these clouds disappear; the last...
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...Changing Channels: The Impact of the Internet on Distribution Strategy Leyland Pitt, Pierre Berthon, and Jean-Paul Berthon I n simple markets of old, producers of goods or services dealt directly with the consumers of those offerings. In some modern businessto-business markets, suppliers also interact on a face-to-face basis with their customers. In most contemporary markets, however, mass production and consumption have lured intermediaries into the junction between buyer and seller. These intermediaries have either taken title to the goods or services during the flow from producer to customer, or in some way facilitated this by specializing in one or more of the functions that must be performed for such movement to occur. These flows of title and functions, and the intermediaries w h o have facilitated them, have generally come to be known as distribution channels. For most marketing decision makers, dealing with the channel for a product or service ranks as one of the key marketing quandaries. In many cases, despite what the textbooks suggest, there is frequently no real decision as to "who" should constitute the channel; rather, the question is how best to deal with the incumbent channel. Marketing channel decisions are critical also because they intimately affect all other marketing and overall strategic decisions, Distribution channels generally involve relatively long-term commitments, but if managed effectively over time, they create a key external resource. Small...
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...Challenges and Strategies – Enhancing Competitiveness of Indian Tourism Industry Anurag Dugar* Competitiveness is a comparative concept, primarily applicable at the company or firm level (McFetridge, 1995) and indicates towards its willingness and ability to compete in a given market, but the contemporary usage of this term has extended its traditional meaning to new dimensions. However, for one school of thought, competitiveness is equally applicable to all business enterprises, levels of government and nonprofit agencies and workers of the postmodern nation state. (Hillman C. H. 1992), but for another the underlying premise for competitiveness is - ‘firms compete, and not nations’, for example, according to Krugman - "The world's leading nations are not, to any important degree, in economic competition with each other" (Wikipedia). Similarly, Porter holds that - diversified corporate do not compete; only their business units do. Thus, according to the second school of thought competition occurs at the business unit level and hence the ‘corporate strategy’ must reinforce and focus on nurturing the competitiveness of each (business) unit. From this perspective, Nations can be visualized as diversified conglomerates and its sectors, industries and firms as its diverse business units, and then the role, relevance, importance and impact of “Government Policies” (Corporate Strategy), on the competitiveness of its sectors, industries and firms (business units) is clearly elaborated...
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...THE FRANKLIN'S PROLOGUE These ancient gentle Bretons, in their days, Of divers high adventures made great lays And rhymed them in their primal Breton tongue, The which lays to their instruments they sung, Or else recited them where joy might be; And one of them have I in memory, Which I shall gladly tell you, as I can. But, sirs, because I am an ignorant man, At my beginning must I first beseech You will excuse me for my vulgar speech; I never studied rhetoric, that's certain; That which I say, it must be bare and plain. I never slept on Mount Parnassus, no, Nor studied Marcus Tullius Cicero. Colours I know not, there's no doubt indeed, Save colours such as grow within the mead, Or such as men achieve with dye or paint. Colours of rhetoric I find but quaint; My spirit doesn't feel the beauty there. But if you wish, my story you shall hear." THE FRANKLIN'S TALE In old Armorica, now Brittany, There was a knight that loved and strove, did he To serve a lady in the highest wise; And many a labour, many a great emprise He wrought for her, or ever she was won. For she was of the fairest under sun, And therewithal come of so high kindred That scarcely could this noble knight, for dread, Tell her his woe, his pain, and his distress. But at the last she, for his worthiness, And specially for his meek obedience, Had so much pity that, in consequence, She secretly was come to his accord To take him for her husband and her...
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...[Transcriber's Notes] Original "misspellings" such as "fulness" are unchanged. Unfamiliar (to me) words are defined on the right side of the page in square brackets. For example: abstemious diet [abstemious = Eating and drinking in moderation.] The blandness of contemporary (2006) speech would be relieved by the injection of some of these gems: "phraseological quagmire" "Windy speech which hits all around the mark like a drunken carpenter." [End Transcriber's Notes] BY GRENVILLE KLEISER HOW TO BUILD MENTAL POWER A book of thorough training for all the faculties of the mind. Octa cloth, $3.00, net; by mail, $3.16. HOW TO SPEAK IN PUBLIC A practical self-instructor for lawyers, clergymen, teachers, businessmen, and others. Cloth, 543 pages, $1.50. net; by mail, $1.615. HOW TO DEVELOP SELF-CONFIDENCE IN SPEECH AND MANNER A book of practical inspiration: trains men to rise above mediocrity and fearthought to their great possibilities. Commended to ambitious men. Cloth. 320 pages, $1.50. net; by mail, $1.65. HOW TO DEVELOP POWER AND PERSONALITY IN SPEAKING Practical suggestions in English, word-building, imagination, memory conversation, and extemporaneous speaking. Cloth, 422 pages, $1.50 net; by mail, $1.65. HOW TO READ AND DECLAIM A course of instruction in reading and declamation which will develop graceful carriage, correct standing, and accurate enunciation; and will furnish abundant exercise in the use of the best examples...
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...Home Page Title Page LORD OF THE FLIES Contents Page 1 of 290 Go Back Full Screen Close Quit Home Page Title Page LORD OF THE FLIES Contents a novel by WILIAM GOLDING Page 2 of 290 Go Back G LOBAL V ILLAGE C ONTEMPORARY C LASSICS Full Screen Close Quit This e-book was set with the help of KOMAScript and LaTeX Home Page Title Page Contents Page 3 of 290 Go Back Full Screen Close Quit Home Page Title Page Contents Contents 1 The Sound of the Shell 5 2 Fire on the Mountain 42 3 Huts on the Beach 65 4 Painted Faces and Long Hair 80 5 Beast from Water Page 4 of 290 106 Go Back 6 Beast from Air 134 7 Shadows and Tall Trees 155 8 Gift for the Darkness 177 9 A View to a Death 207 Full Screen Close Quit 10 The Shell and the Glasses 221 Home Page 11 Castle Rock 242 12 Cry of the Hunters 262 Title Page Contents Page 5 of 290 Go Back Full Screen Close Quit Home Page 1 The Sound of the Shell Title Page Contents The boy with fair hair lowered himself down the last few feet of rock and began to pick his way toward the lagoon. Though he had taken off his school sweater and trailed it now from one hand, his grey shirt stuck to him and his hair was plastered to his forehead. All round him the long scar smashed into the jungle was a bath of heat. He was clambering ...
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...Home Page Title Page LORD OF THE FLIES Contents Page 1 of 290 Go Back Full Screen Close Quit Home Page Title Page LORD OF THE FLIES Contents a novel by WILIAM GOLDING Page 2 of 290 Go Back G LOBAL V ILLAGE C ONTEMPORARY C LASSICS Full Screen Close Quit This e-book was set with the help of KOMAScript and LaTeX Home Page Title Page Contents Page 3 of 290 Go Back Full Screen Close Quit Home Page Contents 1 2 3 4 5 6 7 8 9 The Sound of the Shell Fire on the Mountain Huts on the Beach Painted Faces and Long Hair Beast from Water Beast from Air Shadows and Tall Trees Gift for the Darkness A View to a Death 5 42 65 80 106 Title Page Contents Page 4 of 290 Go Back 134 155 177 207 Quit Full Screen Close 10 The Shell and the Glasses 11 Castle Rock 12 Cry of the Hunters 221 Home Page 242 262 Title Page Contents Page 5 of 290 Go Back Full Screen Close Quit Home Page 1 The Sound of the Shell The boy with fair hair lowered himself down the last few feet of rock and began to pick his way toward the lagoon. Though he had taken off his school sweater and trailed it now from one hand, his grey shirt stuck to him and his hair was plastered to his forehead. All round him the long scar smashed into the jungle was a bath of heat. He was clambering heavily among the creepers and broken trunks when a bird, a vision of red and yellow, flashed upwards with a witch-like...
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...Grandma! I remember her birth. Wait, you say, no man remembers his own grandma's birth. But, yes, we remember the day that she was born. For we, her grandchildren, slapped her to life. Timothy, Agatha, and I, Tom, raised up our hands and brought them down in a huge crack! We shook together the bits and pieces, parts and samples, textures and tastes, humors and distillations that would move her compass needle north to cool us, south to warm and comfort us, east and west to travel round the endless world, glide her eyes to know us, mouth to sing us asleep by night, hands to touch us awake at dawn. Grandma, O dear and wondrous electric dream ... When storm lightnings rove the sky making circuitries amidst the clouds, her name flashes on my inner lid. Sometimes still I hear her ticking, humming above our beds in the gentle dark. She passes like a clock-ghost in the long halls of memory, like a hive of intellectual bees swarming after the Spirit of Summers Lost. Sometimes still I feel the smile I learned from her, printed on my cheek at three in the deep morn ... All right, all right! you cry, what was it like the day your damned and wondrous-dreadful-loving Grandma was born? It was the week the world ended ... Our mother was dead. One late afternoon a black car left Father and the three of us stranded on our own front drive staring at the grass, thinking: That's not our grass. There are the croquet mallets, balls, hoops, yes, just as they fell and lay three days ago when Dad stumbled...
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...Fifteen Thousand Useful Phrases 1 Fifteen Thousand Useful Phrases Fifteen Thousand Useful Phrases Project Gutenberg's Fifteen Thousand Useful Phrases, by Greenville Kleiser This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Fifteen Thousand Useful Phrases A Practical Handbook Of Pertinent Expressions, Striking Similes, Literary, Commercial, Conversational, And Oratorical Terms, For The Embellishment Of Speech And Literature, And The Improvement Of The Vocabulary Of Those Persons Who Read, Write, And Speak English Author: Greenville Kleiser Release Date: May 10, 2006 [EBook #18362] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FIFTEEN THOUSAND USEFUL PHRASES *** Produced by Don Kostuch [Transcriber's Notes] Original "misspellings" such as "fulness" are unchanged. Fifteen Thousand Useful Phrases Unfamiliar (to me) words are defined on the right side of the page in square brackets. For example: abstemious diet [abstemious = Eating and drinking in moderation.] The blandness of contemporary (2006) speech would be relieved by the injection of some of these gems: "phraseological quagmire" "Windy speech which hits all around the mark like a drunken carpenter." [End Transcriber's Notes] BY GRENVILLE KLEISER HOW TO BUILD MENTAL POWER...
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...TERM PAPER THE SIGNIFICANCE AND DEPTH OF THE MEDIA ON THE TEXTUAL INTERROGATION OF LITERATURE IN ‘MY FATHER’S BLOOD’ NAME: OJEBODE, AYOKUNMI OLADELE DEPARTMENT OF ENGLISH POSTGRADUATE STUDIES IN LITERATURE REDEEMER’S UNIVERSITY, EDE COURSE CODE/TITLE: ENG 871/ LITERATURE AND MEDIA LECTURER: DR. OFURE AITO THE STILL PHOTOGRAPHY AS LITERATURE IN THE 21ST CENTURY USING TY BELLO’S WORKS Introduction “Art is about collecting experiences and expressing them. For me music and photography are similar art forms. I collect experiences, stir them in myself and express it in my own language. Just like my photography, music is my language.” Ty Bello Today people live in a visually intensive society and a world of spectacular and exciting images. They are bombarded with an orderly and continuously stream of visual stimulation from all manner of media every day. They see mediated images more often than they read words. Images sell everything. This paper offers an analytical framework for understanding how still photography is Literature in the 21st Century, using TY Bello’s still pictures. According to Aristotle, “There can be no words without images”. The world is surrounded with mediated images in such a way that has never been witnessed in the history of mass communication. Every era has expressed itself in its own way since the beginning. Antiquity was the time of legends, epics and mythical narratives. During the sovereignty of this era, meaning was constructed...
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...of Chopin PREFACE To a people, always prompt in its recognition of genius, and ready to sympathize in the joys and woes of a truly great artist, this work will be one of exceeding interest. It is a short, glowing, and generous sketch, from the hand of Franz Liszt, (who, considered in the double light of composer and performer, has no living equal,) of the original and romantic Chopin; the most ethereal, subtle, and delicate among our modern tone-poets. It is a rare thing for a great artist to write on art, to leave the passionate worlds of sounds or colors for the colder realm of words; rarer still for him to abdicate, even temporarily, his own throne, to stand patiently and hold aloft the blazing torch of his own genius, to illume the gloomy grave of another: yet this has Liszt done through love for Chopin. It is a matter of considerable interest to note how the nervous and agile fingers, accustomed to sovereign rule over the keys, handle the pen; how the musician feels as a man; how he estimates art and artists. Liszt is a man of extensive culture, vivid imagination, and great knowledge of the world; and, in addition to their high artistic value, his lines glow with poetic fervor, with impassioned eloquence. His musical criticisms are refined and acute, but without repulsive technicalities or scientific terms, ever sparkling with the poetic ardor of the generous soul through which the discriminating, yet appreciative awards were poured. Ah! in these days of degenerate rivalries...
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