...of imagination with the purpose of gaining happiness or life’s true meaning. Imagination is something which is unique to ever individual on earth past or present, because like the world we live in, imagination is in constant change, adaption and always learning. When unlocked and encompassed with the power of the mind, imagination can achieve endless means in theory. For an artist this may be a chance to create something new, something colourful or perhaps even dark. For a scholar it creates a chance of expression through words. Right to expression however, is key to any successful contemporary or classical work most importantly. Whether for good or bad intentions it creates the basis for which to explore and perhaps even indulge. A blank canvas creates a new beginning. Like a second chance in life, an empty sheet can give an individual a new beginning and allows him/her to forget the past, it is no longer relevant, unless the artist depicts it that way. If it were not for blank canvases nothing new would ever be imagined just simply copied, tweaked and regurgitated in another...
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...Description: FERNANDO ZOBEL (The Philippines 1924-1984) Noche Clara signed and dated 'Zobel/Marzo 16/60' (lower left); signed, dated again and inscribed 'Noche Clara/Abril 16/60 no. #345' (on the reverse) oil on canvas 36 x 24 in. (91.5 x 61 cm.) Artist or Maker: Zobel, Fernando (1924-1984) “Erenos” Description: FERNANDO ZOBEL (The Philippines 1924-1984) Erenos signed, dated, titled and inscribed '#308/ERENOS/Julio 3 1959/Zobel' (on the reverse) oil on canvas Provenance: A certificate of authenticity from Galleria Duemila, Inc., of reference number: 02608-07, accompanies this painting. Artist or Maker: FERNANDO ZOBEL (The Philippines 1924-1984) 28 3/8 x 23 3/8 in. (72 x 59.5 cm.) “Moviento Sobre Claro” Description: signed lower right; signed, titled Movimiento Sobre Claro and dated 20 Agusto 1966 on the reverse oil on canvas Notes: The painting was acquired in Manila in 1967 Provenance: Private Collection, Japan Dimensions: 96 by 96cm.; 37¾ by 37¾in. “Aranda” Description: FERNANDO ZÓBEL (The Philippines 1924-1984) Aranda (Saeta #266); Saeta #83 signed 'Zóbel' (lower left) and signed again, titled and inscribed 'Aranda/#266/Zóbel' (on the reverse); signed, titled and dated ' Zóbel/S-83/Die 17, 1958 ' (on the reverse) oil on canvas; oil on canvas 29 x 21 1/3 in. (74 x 54 cm.); 27 1/2 x 40 in. (70 x 102 cm.) This lot is accompanied by a set of correspondence between Fernando Zbel and the Nims from 1959 to 1983. 2 (2) Provenance: Gift of artist...
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...form of the fruit. However, this painting is nothing less than sophisticated demonstrating Manet’s true command of color and touch with his brush. The painting is encompassed by dull, dark colors with sporadic brightness. Manet uses different forms of yellow to capture the color, shape, and texture of the lemon. The sudden brightness in the painting can be seen as the natural reflection that the lemon and the plate give off. He also utilizes dark browns mixed with green to reflect the depth and texture of the plate. His brush strokes are different throughout the painting. At times the brush strokes are hard and streaky, and at other times very clean. The painting is open composition, with the plate that the lemon is resting on going off the canvas. The lemon is horizontally depicted, with a strong shallow sense of...
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...Title: Mu Nu (Mother and Daughter) Artist: Hung Lui Medium: Oil on Canvas Description I chose to write about Hung Liu, Mu Nu (Mother and Daughter). The painting by Hung Lui in 1997; Liu used oil on canvas as her medium. The result is a timeless 80 x 140 inch by inch painting that is currently housed in Kemper Museum of Contemporary Art, Museum. The roughly 7 by 11 foot painting shows two women hunched over, ropes tied around their waist, strain on hands and knees to pull a heavy load. The point of this searing image, which calls to mind slavery and extreme poverty, is that they’re performing the labor of oxen or machines. The lack of shoes, tools, and simple cloths reinforce the depiction of poverty. The negative space is filled with a large, ghostly looking, shallow body of water and a crowd of earthy colored rocks. Analysis From experiences in China, starting at the age of five, Hung Liu used memories, sketches, and photos to create this figurative oil painting. Painted from a photo, the two women are depicted in washed-out grays; she uses shades of gray for the mother and darker more predominant colors for the clothing and skin of the daughter. While the background landscape contains more vibrant colors. She uses horizontal lines to create a pattern of continuation or beginning to end of a rock path. Rocks, water, as well as the mother to daughter stretching left to right on the canvas. There is also a rhythm of moving forward created by the raise of...
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...Ancient Art AIU Online: HUMA205 Abstract This is an essay that will analyze two important works of ancient art. They will be analyzed in terms of their form, subject matter and content. It will explain how these two art works fit into the time period they were made. Using the terminology and concepts of evaluating art, this paper will compare the two pieces of art in consideration with their style, symbolism and meaning of them. The first work of ancient art chosen for this assignment is The House with the Cracked Walls by Paul Cézanne (1839–1906). It was painted between the years of 1892 and 1894 with oil on a canvas. It is a painting of a house scenario surrounded by trees, rocks and grass. The house looks abandoned or not lived in. Some will say that it is a romantic scenery of solitude and intensity. It is a painting of deep imagination and creativity: the sky is intense and empty, the ground is unstable and steep, the horizon is irregular, and the trees seem agitated as well as the rising appearance of the ground. The balance of the painting starts with the cracked house because this effect leads down to the rocks, the ground and the lines and cracks on the trees. The shadows and dark colors create balance as well: earthly colors of greens, greys, tans, blues and browns. The vertical shape of the entire painting gives it a pressed together look with the ground rising up to the house and trees that are rising up to the sky. Symbolism, in my opinion, is greatly used...
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...The Application of FRICTO Analysis to Making Financing Decisions in Practice: Two Case Examples in Australia George W. Kester, Washington and Lee University Jamie Mckellar, Thiess Pty Ltd Jeremiah Mulcahy, BHP Billiton Ltd This paper describes the use of the FRICTO analytical framework for comparing financing alternatives and making financing decisions. Two case examples in Australia are presented to illustrate how two former investment bankers have used the FRICTO framework to help clients make financing decisions that take into account flexibility, risk, income, control, timing and other considerations. They have found the analytical framework prompts decision-makers to consider other important issues beyond risk and the effect on earnings per share that reflect a company’s unique and often complicated circumstances. INTRODUCTION Modigliani and Miller (1958) advanced the proposition that based upon several simplifying assumptions, capital structure has no effect on the value of a firm. However, recognizing the impact of taxes, bankruptcy, agency costs, and asymmetric information, capital structure theory has evolved to acknowledge that the use of debt does affect the value of a firm. Modern theories of capital structure can be classified into two categories: “static tradeoff models” and the “pecking order hypothesis.” Static tradeoff models imply an optimal debtequity mix which is determined by a tradeoff between the benefits and costs of debt (i.e., balancing the tax...
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...Business Model Canvas Alexander Osterwalder Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) ACTIVITIES VALUE Finance Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander...
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...Entrepreneurship Business Canvas: Online Store Divided by Country Key Partners 8 | Key Activities 7 | Value Propositions 2 | Customer Relationships 4 | Customers Segments 1 | * Foreign companies * Postal service companies | * Platform/Network * Intermediate sales | * Accessibility * Convenience | * Personal assistance * Automated services | * Niche market * Multi-sided platforms | | Key Resources 6 | | Channels 3 | | | * Physical * People | | * Website | | Cost Structure 9 | Revenue Streams 5 | * People * Marketing | * Brokerage fees | Activities Description 1. Customers Segments There are two kinds of customers segments in this business. The first one is Niche Market because this is a new business that is focused in a specialized customer segment that is foreign people. The second customers segment is Multi-Sided Platform. This business needs both sides of the market, the customers and the suppliers, so it will help the customers offering them their needs as well as the suppliers making them go to sell their products abroad. 2. Value Propositions This new service will make some products more accessible around the world. People that need to buy something from their country will have it easy available online. Also, it will make the act of buying products that are difficult to find much more convenient. Therefore, the two value propositions of this business are Accessibility and Convenience. ...
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...canvas ® PayForMe ™ Mobile Collect Call Application Calling collect has been one of the key services in the wireline networks. It has allowed operators to generate additional revenues and has enabled subscribers to connect to friends and family from public locations, especially in an emergency. Canvas® PayForMe™, Mobile Collect Call Application, brings the same functionality to wireless operators. The Canvas® brand covers multiple solutions with key components that are optimal for future growth in the evolving next generation networks. Each Canvas product offers not only a point solution, but also reusable building blocks that seamlessly integrate with other Canvas products as well as with Telenity partner solutions. Canvas PayForMe is a member of the Canvas Value Added Services portfolio. It is a network based value added service solution that enables wireless carriers to target end-users like the youth market, low budget and prepaid subscribers and enterprises. It allows mobile subscribers to make collect calls without the involvement of an operator through a simple USSD message or a voice call. The benefits of Canvas PayForMe include the following: Convenience of Placing a Call Without Available Credits Canvas PayForMe application offers pre-paid subscribers a peace of mind that, in case of a personal emergency, they can reverse the charges even if the pre-paid account is depleted. Similarly, parents can feel safe about setting spending limits on their teenagers' mobile...
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...Canvas: Para el análisis del Canvas, se debe comenzar identificando a los principales clientes. En el caso particular de aíslate, hemos decidido considerar a nuestros intermediarios como clientes además de los clientes finales. Por lo tanto, por un lado tenemos a los intermediarios compuesto por Easy y Sodimac Constructor y por el otro lado, tenemos a nuestros clientes finales compuesto principalmente por familias y trabajadores. Para cada uno de los clientes, tenemos una propuesta de valor similar pero que difiere en algunos puntos. En el caso de los intermediarios, buscamos otorgarles valor ofreciéndoles un producto de calidad, que cumpla con estándares internacionales y sea seguro para el cliente final, dándoles una posibilidad de diversificar y tener productos innovadores dentro de aquellos que ofrece. Por otro lado, procuraremos darle un razonable tiempo de respuesta para así poder lograr una mayor fidelización. Para el caso de los clientes finales, también procuraremos otorgarles un buen servicio asegurando que existan incentivos que motiven a promocionar nuestro producto y dar una atención de calidad. También agregaremos valor ofreciéndole un producto seguro, que reducirá las enfermedades derivadas de la mala aislación asegurando una buena calidad de producto debido a su certificación. ¿Cómo llegaremos a nuestros clientes? A los distribuidores llegaremos a través de la página web, oficinas propias y revistas relacionadas con el rubro o la industria de la...
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...3Doodler – Alexander Weiss (RedID: 816410953) Lean Canvas and Criticism Problem When people are drawing, they often can’t help feeling limited, because they can’t touch or feel their paintings. In short, drawings don’t feel real! This is really sad, since people try to be creative when they are drawing and being creative is easier the more flexible you are and the better you can capture your imagination, your thoughts and feelings. Hence many people don’t feel comfortable, but limited by drawing in just two dimensions. Besides the restrictions of 2D drawing many creative women would rather develop a new, individual piece of jewelry on their own than just to buy a finished product. Wearing their own creations women could express themselves in a better way. Currently alternatives for 3d printing require a high level of technical knowhow and they are very expensive and therefore not accessible to many people. Solutions Possible Solutions could be provided for instance by 3D Printers. In the past they used to be very expensive, but prices have decreased very quickly and technology has made good advances in this research area. Due to these developments experts expect a creativity revolution through 3D printing in the very near future. 3D printing is also very fast and accurate. But one possible disadvantage of 3D printing could be the somehow distanced relationship to the printings. Artists often want to connect with their art in a special way and this is not always ensured working...
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...Business Model Canvas Alexander Osterwalder Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander Osterwalder: Business Models Reloaded (SKOLKOVO open lecture) ACTIVITIES VALUE Finance Maxim Arzumanyan, 3rd ISS Student school 2013 Slide from Alexander...
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...BlackBerry Bold 9700 Inhoudsopgave • Productvoorstelling • Osterwalder canvas 1 Productvoorstelling • BlackBerry = smartphone • RIM = Research In Motion (1984, Canada) • Introductie BlackBerry Bold 9700: 2009 • Opvolger van BlackBerry Bold 9000 • Voorloper van BlackBerry Bold 9780 (reeds beschikbaar) en Bold 9900 en 9930 (beschikbaar in zomer ’11) 2 • ‘Bold’ (stoutmoedig/’vet’) verwijst naar scherm dat zo omschreven werd tijdens de testfase • BlackBerry Bold familie = één van de langst lopende productlijn van RIM • Kenmerken: BlackBerry 6 OS (recenste model) QWERTY/AZERTY toetsenbord Ingebouwde GPS & Wi-Fi Digitale camera Hoge-resolutie scherm Ondersteuning voor hoge snelheidsnetwerk • Prijs BBB 9700 zonder abonnement: ca. €400 3 Osterwalder canvas 4 Customer segments • Enterprise markt: IT oplossingen • Prosumer markt: zakelijk & persoonlijk gebruik • Consumer markt: persoonlijk gebruik 5 Value Proposition • Innovatie: business integratie • Performantie: productiviteit , orderverwerking , etc. • Personalisering: business en persoonlijke aanpassing • Risicoreductie: hoge beveiliging van bedrijfsgegevens • Kostenreductie: factuurcyclus , etc. • Toegankelijkheid: directe verbinding & toegang • Gebruiksgemak: eenvoudige bediening Blackberry wireless solutions • Merk: Blackberry = business 6 Customer Relationships • • • • Persoonlijke assistentie Zelfservice via website ondersteuning Communities: BlackBerry forum Co-creatie...
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...MH SINAR RESOURCES SDN. BHD. PT 2167 taman seri desa pahLAwan, kota bharu, kelantan. ------------------------------------------------- BUSINESS PLAN mh sinar resources sdn. bhd. MH SINAR RESOURCES SDN. BHD. PT 2167 taman seri desa pahLAwan, kota bharu, kelantan. ------------------------------------------------- BUSINESS PLAN mh sinar resources sdn. bhd. Prepared by: AinFazlinMohdPodzi (KBA 14012) Nuruljannah Mohammad (KBA 14028) NurSyamimiRamli (KBA 14027) Siti Khadijah Abdul Halim (KBA 14020) Prepared by: AinFazlinMohdPodzi (KBA 14012) Nuruljannah Mohammad (KBA 14028) NurSyamimiRamli (KBA 14027) Siti Khadijah Abdul Halim (KBA 14020) Contents 1.0 EXECUTIVE SUMMARY 2 2.0 INTRODUCTION 3 3.0 THE VISION AND MISSION 5 4.0 THE OPPORTUNITY 6 4.1 PESTLEANALYSIS…………………………………………………………………….…..6 4.2 SWOT ANALYSIS 123 5.0 MARKET RESEARCH 17 5.1 FEASIBILITY ANALYSIS…………………………………………………………………. 5.2 MARKET ANALYSIS………………………………………………………………………. 5.3 COMPETITORS ANALYSIS………………………………………………………………. 6.0 BRANDING 35 7.0 RESOURCES AND FINANCE 37 8.0 RECOMMENDATION 38 9.0 REFERENCES 43 10.0 APPENDIX 45 1.0 EXECUTIVE SUMMARY The purpose of this business plan is to create the image of business potential growth of MH Sinar Resources if they are given the opportunity for expanding it. MH Sinar Resources is a small medium enterprise (SME) business and had operated from 13th of March 2013. Since that, they are practicing a poor performance due to lack of experience, knowledge and expertise...
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...gallery posed a new challenge to the participating artists and itself. A turning point for Wei-Ling Gallery is its initiative to orchestrate and curate shows based on its own direction, heartening the artists to widen their tangential perspectives with conceptualized shows. As the gallery is taking the road less travelled in more experimental and cutting edge shows, so do the artists. This vehicle (18@8) presents the artists with an avenue to work beyond the boundaries of individualistic concerns, transgressing beyond the norm of what we expect. With an exploratory ardour, Wei-Ling Gallery conceptualized and challenged the artists to partake in thematic investigations that result in art works that move beyond the constraints of the canvas. The encouragement to deviate from the propensity of the artists in conventional formats ostensibly creates invigorating impulses to re-think and re-shape their artistic practices to fulfil the prerequisites of the show. It is indeed deranging for many a local art aficionado to ponder and envision the shift of artistic presentation we...
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