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Construction Of Memory

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Memory works in an odd way. We try to deconstruct and reconstruct memories all of the time in our heads, but it doesn’t often work the way we want it to. Fragments are often missing, things are rearranged or out of place. Time erodes, leaving the memories in a very fragile state. When one goes to recall a specific memory or event, time and time again things and elements are changed whether that be the setting, time, or people involved in the event. There are many different avenues for trying to capture significant events and in turn preserve that moment of time. Whether that be an audio recording or images; such as a drawing, video, or photography. All of these mediums capture the event in their own way but none of them can capture the true …show more content…
Often these places have some historical and cultural significance to them. For example the New York City hotel room in which L. Ron Hubbard wrote Dianetics and more recently the control room of the Fukushima power plant, the same power plant that had a meltdown during the tsunami on March 11, 2011. These models are constructed mostly of cardboard and construction paper. They are then photographed with a large format camera. The models are then destroyed and his audience is presented with a photographic image. The use of colored construction paper and cardboard leads the scenes to have certain level of flatness yet dimension that renders the work as off putting yet inviting. Demand is stripping this loaded place of all its signifiers and in turn making the audience question what happens to all of these places once we forget about the events that have occurred there. Does the structure carry any of the weight from the events that have occurred there or like in Demand’s models is all of that weight stripped away to make way for the …show more content…
What happens when you bring new technologies into that conversation. More specifically computer simulation. Just as with Demand and Kelley, artists who recreate a space digitally are making a model of a pre-existing space. These models are often stripped down and by that I mean the computer simulation is seen without people or with very few. I am sure this is done for a practical sense in that I would imagine it would make the model run a lot slower if it was full of artificial intelligence but the lack of people is also a nice aesthetic choice. It allows the artist to show the viewer what they have painstakingly created without what some might consider a distraction. I shouldn’t say all simulations are free of all human artificial intelligence, I am more so speaking about two artists particularly, John Gerrard and David

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