...lonely people because they had to move from place to place and tis meant that they could set up a stable life with a wife and children. Another reason that suggests to us that they are lonely is that at the end of each month they take their money and they go to “cat house”. The character of George and Lennie are very unusual and contrasting, this is because they have a strong relationship between them and they also have a dream, a dream of buying a house and some land to become independent and to life together for the rest of their lives. But the reader knows from the beginning that this will not happen and it will have a tragic end, and this is suggested in the title “Of Mice and Men” that comes from a from Robert Burns poem “The best laid schemes o’mice an’ men/ Gang aft agley” and it means: the best laid schemes of mice and men/ often go awry. As soon as the reader starts reading Chapter 1, he or she will immediately gain an understanding of the relationship between George and Lennie. In chapter 1, John Steinbeck includes a description of the appearances, the personalities and the relationship between the main characters. Steinbeck uses contrasting characterization in the description of their appearance when he says “The first man was small and...
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...Cummings’s poem “l(a” would be considered a very strange poem by many people. The form of this poem is not something that readers come by often. The first thing that one notices when they start to read is how difficult it is to even actually read the poem. Words are cut off abruptly and sentences are placed in the middle of words. The poem is written in a way that looks like the number one or a figure standing by itself. This adds to the meaning of the poem through the form. The poem is about loneliness and it is written in a way that shows that isolation. As noted by Iain Landles, the entire poem only consists of four words, “loneliness,” “a leaf falls”. Even though there are four words the form of the poem really propels the meaning to the reader. “(a leaf falls)” gives the reader the image of a single leaf falling from a tree. That shows a single one thing, isolated and by itself. The form also contributes to the seclusion by the location where the words are being cut off. The words cut off at such a point where it forces the reader to carefully look at each and every letter in order to make up the word. These sorts of line breaks portray the idea that all the letters need to be alone in order to make up a sentence which is a combination of single letters put together. This notion is contradicting yet...
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...communication and inadequate attention from their spouses, while staying in Tokyo. Bob Harris is away from his family on a business trip, as he’s going through a mid-life crisis. Charlotte, a woman in her early twenties struggles to find a place in the world. She hoped a trip to Tokyo, with her husband would help conflicted feelings about her two-year-old marriage, her spirit, discovering a purpose and finding a career. These individuals meet and are instantly attracted to one another, because of parallel doubts about their life in contrasting perspectives. Magnetically drawn to one another, they inevitably communicate their problems in marriage, their fears, and insecurities of current circumstances. Bob and Charlotte are scapegoats staying in another country, as well as a foreign society. Their feelings of displacement, isolation and alienation during their stay in Japan, provide an exploration of complex human emotions, such as boredom and loneliness. Bob Harris is an aging movie star beyond his peak years, who is still famous enough to be recognized, but not to be asked to do any more movies. Now in his fifties, he traded his fast-paced Hollywood lifestyle for a wife and family. Harris thinks that he’ll only be in Tokyo for a few days, but his stay is extended, when his agent explains that he couldn’t pass on a deal a prestigious photographer offered. Mr. Harris is making two million dollars from a Japanese whiskey company; working with a director and a production crew,...
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...relationship between two Americans who are married, but lack communication and e attention from their spouses, while staying in Tokyo. Bob Harris is away from his family on a business trip as he is going through a mid-life crisis. Charlotte, a woman in her early twenties struggles to find a place in the world. She hoped a trip to Tokyo, with her husband would help conflicted feelings about her two-year-old marriage, her spirit, discovering a purpose and finding a career. These individuals meet and are instantly attracted to one another, because of parallel doubts about their life in contrasting perspectives. Magnetically drawn to one another, they inevitably communicate their problems in marriage, their fears, and insecurities of current circumstances. Their feelings of displacement, isolation and alienation during their stay in Japan, provide an exploration of complex human emotions, such as boredom and loneliness. Bob Harris is an aging movie star beyond his peak years, who is still famous enough to be recognized, but not to be asked to do any more movies. Now in his fifties, he traded his fast-paced Hollywood lifestyle for a wife and family. Harris thinks that he’ll only be in Tokyo for a few days, but his stay is extended when his agent explains that he couldn’t pass on a deal a prestigious photographer offered. Mr. Harris is making two million dollars from a Japanese whiskey company working with a director and a production crew whose instructions he doesn’t understand at all...
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...Realism is a 20th century art movement which took a diverse approach to representing the figure, yet has being ongoing from around the 18th century. It depicted what was happening in a contemporary way, an attempt to define what was real with no bias or personal preference from the artist. Only portraying what they saw. The movement originated in france in the 1850’s after the 1848 revolution. These Realists positioned themselves against Romanticism, a genre dominating French literature and artwork in the late 18th and early 19th centuries. Seeking to be undistorted by personal bias, Realism believed in the ideology of objective reality and revolted against the exaggerated emotionalism of the Romantic movement. Truth and accuracy became the goals of many Realists. Many paintings depicted people at work, underscoring the changes wrought by the Industrial and Commercial Revolutions. The popularity of such 'realistic' works grew with the introduction of photography, a new visual source that created a desire for people to produce representations which look “objectively real.” Thereafter this new approach to representing the figure grew and new forms such as American realism and social realism where introduced to the art world. Therefore in view of this i will be looking at the American realist Edward Hopper and the realist painter Lucian Freud. Both these artists where at the forefront of modern art and both took different approaches to representing...
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...Sketches by Boz “The Streets - Morning” The Victorian London streets is a familiar setting of Dicken's works with “Oliver Twist” and “A Christmas Carol” being some his most memorable works. In this passage Dickens offers the reader an alternative London, one without the energetic crowds but instead a much more disquieting place where the streets are dull and lifeless. We are met with a silent neighbourhood before the sun has risen and through the use of characters, setting and comparisons the reader receives a rich picture of the sunless streets. The passage begins with the introduction of the Victorian London scene on a summer morning. The reader is taken by surprise by the opening sentence where “The streets of London on a summer's morning” are described to be “most striking”. Dickens' interesting choice of words places the pre-dawn London scene in the summer, a time of warmth and sun, however we are offered a nineteenth century London that is typically portrayed with a bleak, grey backdrop. Few people roam this neighbourhood apart from those “whose unfortunate pursuits of pleasure, or scarcely less unfortunate pursuits of business, cause them to be well acquainted with the scene.” This leads to the belief that each summer's morning starts off like this, colourless and melancholy; the people who happen to be awake at this dreary hour are the rogues who remain. Each just as depressed as the other, and both's search for something more than the blind acceptance of a morose...
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...apparent that decay can only be subverted for so long. Growing tired of the never-ending parties, the perpetually heated pools, the necessity to assert identity only through outward expression paired with the unreliable perspectives of those around her, Maria begins to withdrawal from the game. Play It As It Lays explores the variance between external and internal truth. This examination calls into question the validity of these contrasting “truths.” Through deeper inspection, Didion reveals the artificial nature required to participate in Hollywood culture. Furthermore, it becomes apparent that the projection of a false truth cannot alter what is internal. The attention focused on surface level understanding indicates a majority definition of truth as being based on what is seen externally—stated explicitly instead of implicitly. Truth is based on objects; it is found in presentation. As Maria clearly knows, an individual’s truth can be exposed through outer projection even if this is involuntary. While at the supermarket, Maria discloses “the signs” of solitude that women reveal with their purchases. Telltale signs of the “idle lonely” include a single lamb chop, a couple cans of cat food, and the Sunday paper (122). Maria does not want anyone to assume the emptiness of her home; therefore, “Maria shopped always for a household.” In contrast with the women at the supermarket, Maria’s outer presentation does not indicate an accurate truth. The objects purchased directly contradict...
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...Reality Eclipsing Romance The American Cowboy, by reason of his picturesqueness, was a prime subject for entertainments like the Wild West show. However, the limitations of popular entertainment caused William Cody to stress the cowboy’s attractive charm to the exclusion of other qualities. Buffalo Bill’s Wild West Show, formed in 1883 and lasting until 1913, romanticized versions of a time and place, and shaped the myth of the Wild West, including the glamorized image of the cowboy. When the world spun into the twentieth century, millions of people believed they recalled the American Wild West because “they had seen it, full of life and color, smoking guns and galloping horses, presided over by the most recognizable celebrity of his day: William F. Cody, or Buffalo Bill.” Spectators accepted the vivid personal memories that the Wild West show generated as historical truth. Although William F. Cody claimed that the motive behind Buffalo Bill’s Wild West Show was to preserve “The Great West that Was,” his dramatized and inaccurate portrayals belied the true portrait of the American Cowboy to the public. At one time or another, William Cody performed the duties of a U.S. Army Scout, Indian Fighter, rancher, businessman, and world-renowned entertainer, but still, Cody never actually worked as a cowboy. Cody claimed that he staged his memories, “in the hope of giving permanent form to the history of the Plains” However, he contradicts this claim with his account of the obsession...
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...Rubric Element | Strictly Ballroom | Tea with Milk | Personal Context | * Perceptions of belonging and not belonging are shaped through an individuals personal context and they way they were brought up * Familial relationships significantly influence an individual’s sense of belonging * Belonging to a family does not necessarily always have positive impacts / provide a sense of belonging * Belonging is enriched by a positive interaction with others and the surrounding world but can also be limited in the sense that the wider community/world can provide barriers to limit the connection individuals need to develop their sense of belonging | | * Doug subjugated and represses his own sense of individuality in order to keep his and Shirley’s marriage steady despite the fact that he always feels isolate and alone * Due to Scott’s lack of inclusion and self-expression within his family, he yearns for cultural group that will accept him. His personal context restricted his feeling of acceptance. This is shown through the strict conformist rules that Shirley and Lez impose on Scott when he dances | * Generational difference – May’s parents have a different view of belonging to American culture. They feels as if they belong more strongly to the Japanese culture which is why they decided to move back to Japan and teach may about Japanese culture. * May and her parents have different perceptions of belonging due to generational difference. This is shown in the image...
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...An Introductory Note by V.V. Raman We are multi-dimensional creatures. Even as biological entities we have several layers of existence: physical, intellectual, psychological, emotional, and yes, spiritual too. By the last I mean an inner experience and longing to be connected with the Cosmos. This longing expresses itself in a variety of ways, in most instances as a religious call. Evolutionary biologists and cultural psychologists may explain this away in the paradigms that are satisfactory for understanding the observed world. For practitioners, however, religious yearning derives from an external intangible source that is not directly amenable to empirical verification. If there can be neutrinos and dark energy that defy easy detection even through powerful and sophisticated instruments, one could argue, why can’t there be other intangibles whose existence is beyond meters and scopes? The matter continues to be debated, but this is not our concern here. No matter what the source, this heart-felt beckoning and fulfilling framework almost defines the religious person’s existence. There are many in our group who are religious persons. Religion informs and inspires the values and visions that are part of one’s existence. It provides a backdrop for one’s life, present and future, terrestrial and beyond, real and visualized. The spiritual yearning has taken concrete forms in human history as different religions with deep historical, geographical cultural links. Though...
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...Frankenstein by Mary Shelley Key facts full title · Frankenstein: or, The Modern Prometheus author · Mary Wollstonecraft Shelley type of work · Novel genre · Gothic science fiction language · English time and place written · Switzerland, 1816, and London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout...
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...MORE ADVANCE NOISE FOR QUIET “An intriguing and potentially lifealtering examination of the human psyche that is sure to benefit both introverts and extroverts alike.” —Kirkus Reviews (starred review) “Gentle is powerful … Solitude is socially productive … These important counterintuitive ideas are among the many reasons to take Quiet to a quiet corner and absorb its brilliant, thought-provoking message.” —ROSABETH MOSS KANTER, professor at Harvard Business School, author of Confidence and SuperCorp “An informative, well-researched book on the power of quietness and the 3/929 virtues of having a rich inner life. It dispels the myth that you have to be extroverted to be happy and successful.” —JUDITH ORLOFF, M.D., author of Emotional Freedom “In this engaging and beautifully written book, Susan Cain makes a powerful case for the wisdom of introspection. She also warns us ably about the downside to our culture’s noisiness, including all that it risks drowning out. Above the din, Susan’s own voice remains a compelling presence—thoughtful, generous, calm, and eloquent. Quiet deserves a very large readership.” —CHRISTOPHER LANE, author of Shyness: How Normal Behavior Became a Sickness 4/929 “Susan Cain’s quest to understand introversion, a beautifully wrought journey from the lab bench to the motivational speaker’s hall, offers convincing evidence for valuing substance over style, steak over sizzle, and qualities that are, in America, often derided. This book is brilliant...
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...[Transcriber's Notes] Original "misspellings" such as "fulness" are unchanged. Unfamiliar (to me) words are defined on the right side of the page in square brackets. For example: abstemious diet [abstemious = Eating and drinking in moderation.] The blandness of contemporary (2006) speech would be relieved by the injection of some of these gems: "phraseological quagmire" "Windy speech which hits all around the mark like a drunken carpenter." [End Transcriber's Notes] BY GRENVILLE KLEISER HOW TO BUILD MENTAL POWER A book of thorough training for all the faculties of the mind. Octa cloth, $3.00, net; by mail, $3.16. HOW TO SPEAK IN PUBLIC A practical self-instructor for lawyers, clergymen, teachers, businessmen, and others. Cloth, 543 pages, $1.50. net; by mail, $1.615. HOW TO DEVELOP SELF-CONFIDENCE IN SPEECH AND MANNER A book of practical inspiration: trains men to rise above mediocrity and fearthought to their great possibilities. Commended to ambitious men. Cloth. 320 pages, $1.50. net; by mail, $1.65. HOW TO DEVELOP POWER AND PERSONALITY IN SPEAKING Practical suggestions in English, word-building, imagination, memory conversation, and extemporaneous speaking. Cloth, 422 pages, $1.50 net; by mail, $1.65. HOW TO READ AND DECLAIM A course of instruction in reading and declamation which will develop graceful carriage, correct standing, and accurate enunciation; and will furnish abundant exercise in the use of the best examples...
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...英文荟萃网 http://www.ywhc.net 友情提供 The Lily of the Valley by Honore de Balzac Translated by Katharine Prescott Wormeley DEDICATION To Monsieur J. B. Nacquart, Member of the Royal Academy of Medicine. Dear Doctor--Here is one of the most carefully hewn stones in the second course of the foundation of a literary edifice which I have slowly and laboriously constructed. I wish to inscribe your name upon it, as much to thank the man whose science once saved me as to honor the friend of my daily life. De Balzac. THE LILY OF THE VALLEY ENVOI Felix de Vandenesse to Madame la Comtesse Natalie de Manerville: whom we ignore their I yield to your wishes. It is the privilege of the women love more than they love us to make the men who love them the ordinary rules of common-sense. To smooth the frown upon brow, to soften the pout upon their lips, what obstacles we miraculously overcome! We shed our blood, we risk our future! exact the history of my past life; here it is. But remember in obeying you I crush under foot a reluctance Why are you jealous of the sudden reveries midst of our happiness? Why show the when silence grasps me? Could you of my character without inquiring You this, Natalie; hitherto unconquerable. which overtake me in the pretty anger of a petted woman not play upon the contradictions into the causes of them? Are there secrets in your heart which seek absolution through a knowledge of mine? Ah! Natalie,...
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...Fifteen Thousand Useful Phrases 1 Fifteen Thousand Useful Phrases Fifteen Thousand Useful Phrases Project Gutenberg's Fifteen Thousand Useful Phrases, by Greenville Kleiser This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Fifteen Thousand Useful Phrases A Practical Handbook Of Pertinent Expressions, Striking Similes, Literary, Commercial, Conversational, And Oratorical Terms, For The Embellishment Of Speech And Literature, And The Improvement Of The Vocabulary Of Those Persons Who Read, Write, And Speak English Author: Greenville Kleiser Release Date: May 10, 2006 [EBook #18362] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FIFTEEN THOUSAND USEFUL PHRASES *** Produced by Don Kostuch [Transcriber's Notes] Original "misspellings" such as "fulness" are unchanged. Fifteen Thousand Useful Phrases Unfamiliar (to me) words are defined on the right side of the page in square brackets. For example: abstemious diet [abstemious = Eating and drinking in moderation.] The blandness of contemporary (2006) speech would be relieved by the injection of some of these gems: "phraseological quagmire" "Windy speech which hits all around the mark like a drunken carpenter." [End Transcriber's Notes] BY GRENVILLE KLEISER HOW TO BUILD MENTAL POWER...
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