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World Society in Literature and Film-Japan
Asian Studies 0868
Temple University
Fall Semester 2015
Dr. P.B. Reagan

Class meets Tuesday and Thursday 9:30.A.M.-10:50 P.M. in
Ritter Hall 107
Office: 830 Anderson Hall
Office Hours: TR 11:00-1:50 P.M. and by appointment
E-mail: paul.reagan@temple.edu

Course Description and Objective

“Learn about a particular national culture-Japanese-by taking a guided tour of its literature and film. Knowledge of Japanese language is not required to take this course. The student will gain the fresh, subtle understanding that comes from integrating across different forms of human expression. Some of the issues that will be illuminated by looking at culture through the lens of literature and film: family structures and how they are changing, national self-perceptions, pivotal moments in history,, economic issues,, social change and diversity…”

NOTE: This course fulfills the World Society (GG)requirement for students under GenEd and International Studies (IS)for students under Core.
Attributes: Gen ED Global World Society

GenEd World Society courses explore societies and cultures outside the United States. These courses take one of two approaches. Some concentrate on a single nation or region, examining in depth its political, social, historical, cultural, artistic, literary, geographic, and economic landscape. Another approach is to investigate globalization and its effects across nations and regions.

Goals and Expected learning Outcomes: • Understand the influences of political, social, historical, cultural, artistic, literary, geographic, and economic on world societies or processes, i.e. globalization linking world societies.

• Develop observations and conclusions about selected themes in world societies and cultures • Construct interpretations using evidence and critical analysis

http://www.temple.edu/provost/gened/courses/World_Society.html

All GenEd courses are designed to help the student: 1. Develop thinking, learning, and communication skills

2. Develop skills in identifying, assessing, and evaluating sources of information

3. Promote curiosity and life-long learning

4. Encourage ethical reflection, civic engagement, and awareness of current issues

http://temple.edu/provost/gened/

A primary goal of this course is to help the student develop a framework in which to understand aspects of Japanese culture and factors that have contributed to shaping it as portrayed in literature and film. By the end of the course, the student is expected to identify, critically analyze, and discuss major themes related to Japanese society and to offer and defend interpretations of social phenomena related to them

Course Requirements

The student is expected • To prepare for class by completing the reading assignments and preparing for selected discussion topics prior to attending class. • Four Interpretive essays on selected Literary works, film theory, and films. Please refer to Writing Guidelines for Critical Analyses and Reviews posted on Backboard. Also, consult the MLA Handbook for Writers of research papers for information on how to cite a source. Please be consistent in format. Please submit your Critical Reviews by uploading onto Blackboard. 90%

• Attendance Policy: Preparation and Participation are essential for the successful completion of this course. 10%

Excused Absences: The only excused absences are either those for which a student arranged for an absence three days or more in advance to observe a religious holiday or for those documented university-authorized absences.

Unexcused Absences: A student is allowed three unexcused absences. In the case of illness, family emergency, or a personal matter, such an absence will count toward the three allowed absences. More than three unexcused absences will result in the automatic lowering of the grade by half a grade; for example, a B+ under this policy would be lowered to a B.

Tardiness: class begins as scheduled. If the student is not present and seated by the beginning of class, the student will be counted as absent. There are no excuses for being late.

Academic Honesty and Classroom Etiquette

The University’s academic policy regarding academic integrity and honesty will be strictly upheld. Cheating, plagiarizing and failure to cite and properly document sources of information will be dealt with according to University Policy.

Statement on Academic Freedom

Freedom to teach and freedom to learn are inseparable facets of academic freedom. The University has adopted a policy on Student and Faculty Academic Rights and Responsibilities (Policy # 03.70.02) which can be accessed through the following link:

http://policies.temple.edu/getdoc.asp?policy_no=03.70.02

Cell phones, recording devices and other electronic equipment, food and beverages are forbidden in the classroom.

Academic Accommodations

In accordance with university policy:
“Students with disabilities who require academic accommodations should schedule an appointment to discuss specifics with me within the first two weeks of the semester. It is the policy of Villanova to make reasonable academic accommodations for qualified individuals with disabilities …”

Grading
94-100 = A 93. = A- 89. = B+ 86. = B 83. = B- 79. = C+ 76. = C 73. = C-
65-69 = D

Required Reading (All Readings are on Reserve in the Paley Library. Articles from the Routledge Companion to Philosophy and Film are on course reserve (ARES) accessible through Blackboard).

1. Contemporary Japanese Literature: An Anthology of Fiction, Film and other Writing Since 1945.

2. Readings from The Routledge Companion to Philosophy and Film. (RCPF).

3. From Book to Screen: Modern Japanese Literature in Film. Keiko McDonald. M.E. Sharpe. 2000. On Reserve in the Paley Library.

4. Anime From Akira to Howl’s Moving Castle. Susan Napier. Palgrave. 2005. Readings available on Blackboard.

5. FILMS: ➢ Kurosawa Akira: Seven Samurai Throne of Blood ➢ Mizoguchi Ken: Oyu-sama Streets of Shame ➢ Ozu Yasujiro: Tokyo Story ➢ Kurosawa Kiyoshi: Tokyo Sonata ➢ Kore-eda Kirokazu: Nobody knows Still Walking (Aruite mo Aruite mo) Maboroshi Like Father Lie Son Wonderful Life ➢ Mishima Yukio: Patriotism A Life in Four Chapters ➢ Tanizaki Junichiro The Makioka Sisters ➢ Takahata Isao: Grave of the Fireflies ➢ Documentary: Jiro Dreams of Sushi ➢ Documentary: Hafu Being Myself: Bilingualism and Identity

Class Schedule and Assignments

Please note that the student is expected to have read and studied the assigned reading and prepared for discussions prior to each class.

Week One (January 13-15) The Films of Kurosawa Akira.
Films: Seven Samurai and Throne of Blood
Readings: Tradition, History, Kurosawa and John Ford. “Definition of Cinema”.l Trevor Ponech. RCPF “Film as Art”. Robert Stecker. RCPF

Week Two (January 20-22) The Films of Kurosawa Akira-II.
Films: Seven Samurai and Kagemusha
Readings: Tradition, History, Kurosawa and John Ford.

Week Three: (January 27-29). The Status of Women and the Demands of Society in Traditional and Contemporary Japan. Two films by Mizoguchi Ken.
Films: Oyu-sama (original story written by Tanizaki Junichiro) Akasen Chitai (Streets of Shame)
Readings: “Authorship”. Aaron Meskin, “Censorship”. Susan Dwyer. RCPF “Gender”. Angela Curran and Carol Donelan. RCPF “Interpretation”. George Wilson. RCPF

Week Four (February 3-5) The Status of Women and the Demands of Society in Traditional and Contemporary Japan. Two films by Mizoguchi Ken (II).
Film:
Akasen Chitai (Streets of Shame)
Readings: “Authorship”. Aaron Meskin, “Censorship”. Susan Dwyer. RCPF “Gender”. Angela Curran and Carol Donelan. RCPF “Interpretation”. George Wilson. RCPF

Week Five (February 10-12) Family, Filial Piety, Love, and Duty

Films: Ozu Yasujiro’s Tokyo Story.

Kurosawa Kiyoshi’s Tokyo Sonata
Readings: “Empathy and character Engagement.” Carl Platinga. RCPF. “Ethics”. Folke Tersman. RCPF “Walter Benjamin”. Stephan Symons. RCPF

CRITICAL REVIEW I DUE FEBRUARY 5

Week Six (February 17-19) Economic Crisis and the Contemporary Family.

Film: Tokyo Sonata

Week Seven (February 24-26) The Life and Writing of Yukio Mishima.
Reading: The Boy who Wrote Poetry (BB Reserves)
Films: Patriotism A life in Four Chapters

Week Eight(March 10-12) The Life and Writing of Yukio Mishima.
Reading: The Boy who Wrote Poetry (BB Reserves)
Films: Patriotism A life in Four Chapters

Week Nine(March 17-19) The Films of Kore-eda Hirokazu and the challenges of Contemporary Life in Japan.
Films: Nobody Knows Still Walking (Aruite mo, Aruite mo) Maboroshi Wonderful Life Like Father, Like Son
Readings: “Bertolt Brecht”. Angela Curran. RCPF “Ingmar Bergman”. Paisley Livingston. RCPF

Week Ten(March 24-26) The Films of Kore-eda Hirokazu and the challenges of Contemporary Life in Japan.
Films: Nobody Knows Still Walking (Aruite mo, Aruite mo) Maboroshi Wonderful Life Like Father, Like Son
Readings: “Bertolt Brecht”. Angela Curran. RCPF “Ingmar Bergman”. Paisley Livingston. RCPF

Week Eleven(March 31- April 2) The Films of Kore-eda Hirokazu and the challenges of Contemporary Life in Japan.
Films: Nobody Knows Still Walking (Aruite mo, Aruite mo) Maboroshi Wonderful Life Like Father, Like Son
Readings: “Bertolt Brecht”. Angela Curran. RCPF “Ingmar Bergman”. Paisley Livingston. RCPF

CRITICAL REVIEW II DUE March 31

Week Twelve( April 7-9) TANIZAKI JUNICHIRO
FILM: THE MAKIOKA SISTERS
READING: THE BRIDGE OF DREAMS (BB RESERVES)

Week Thirteen(April 21-23)
Films: Tanizaki Junichiro’s OYu-sama
DOCUMENTARY II HAFU. A STUDY IN MIXED RACE
Readings: P.B. REAGAN. INTERNATIONALIZATION THROUGH International MARRIAGE: A STUDY IN MIXED RACE IN JAPAN

CRITICAL REVIEW III DUE April 23

Week Fourteen(April ) Anime: The question of Legitimacy as a Genre.
Film: Takahata Isao. Grave of the Fireflies.
Readings: Napier,”Why Anime”, “The Anime Machine-A Media Theory of Animation”. “Film as Art”. Robert Stecker. RCPF BB Reserves)

CRITICAL REVIEW IV Due 30 April

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