...Stephanie Newman English 41 Midterm Essay Beowulf: Man and Monstrosity After winning his fight against the monster Grendel, Beowulf stands on rooftop and holds up the demon’s torn-off arm, displaying the mangled limb for all to see. Our hero has just defeated this monster whose attacks on the mead-hall Heorot lasted for years, thereby relieving the Danes of “no small affliction” (832). This victory scene can easily be read as a rally of hope against the grim threat of monstrosity in Beowulf—but that would be to ignore the monstrous nature of the scene itself. There is a certain horror in watching Beowulf revel unabashedly in his slaughter of another creature. As he exhibits Grendel’s “shoulder and arm, his awesome grasp” we are invited to question what “awesome” signifies in this context (835). Are we repulsed by Grendel’s destructive force? And are we impressed by Beowulf’s equally grotesque power? If monstrosity is the insolvable problem in Beowulf, then the question at hand is where it becomes manifest: in monster, or in man. One clear fact about Beowulf’s monsters is that they are pitilessly committed to human destruction. The damage they cause to the Danes and the Geats is immeasurable, and their acts of terror afford impressive description in the text. Whole sections of the epic are dedicated to the monsters’ assaults on humans. From Grendel’s first attack on Heorot, the monster gruesomely kills men by the fistful; he is depicted, in a brutely alliterative line...
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...James Walker English 240 Professor Johnson 24 November 2008 The Associated Importance of Grendel’s Mother “In revenge and in love, woman is more barbarous than man” --Friedrich Nietzsche Among the phratry of characters descended from the lines of the epic poem Beowulf, none capture the reader’s attention as “the son of Ecgtheow,” Beowulf himself, and perhaps few others as the three prominent monsters he finds himself grappling with. In the Norton Anthology of English Literature, Volume A, the editor’s introduction to Beowulf notes the inclination towards the three monsters in the poem center[ing] around Beowulf’s three great fights against preternatural evil, which inhabit the dangerous and demonic space surrounding human society” (31). However, despite the critical importance of Grendel’s mother, both as an overwhelming presence in the fight with Beowulf and as a symbol of reflection, the climax and resolution in the first half of the poem, it is easy to miss her prominence due to the limited number of poetic lines she’s given. Thus, the essay attempts to provide credit where credit is due in analyzing how the physical description and Grendel’s mother’s presence is significant or enhances a reader’s understanding of the poem, in emphasizing Beowulf’s increasing aptitude as hero, as well as to the overall poem. Grendel’s mother, unknown to the reader until well after her son’s detached arm is returned to him, is overshadowed by the poem’s abundant reference...
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...ENGLISH LITERATURE ITS HISTORY AND ITS SIGNIFICANCE FOR THE LIFE OF THE ENGLISH-SPEAKING WORLD A TEXT-BOOK FOR SCHOOLS BY WILLIAM J. LONG, PH.D. (Heidelberg) TO MY FRIEND C H T IN GRATITUDE FOR HIS CONTINUED HELP IN THE PREPARATION OF THIS BOOK CANTERBURY PILGRIMS From Royal MS., 18 D.ii, in the British Museum PREFACE This book, which presents the whole splendid history of English literature from Anglo-Saxon times to the close of the Victorian Era, has three specific aims. The first is to create or to encourage in every student the desire to read the best books, and to know literature itself rather than what has been written about literature. The second is to interpret literature both personally and historically, that is, to show how a great book generally reflects not only the author's life and thought but also the spirit of the age and the ideals of the nation's history. The third aim is to show, by a study of each successive period, how our literature has steadily developed from its first simple songs and stories to its present complexity in prose and poetry. To carry out these aims we have introduced the following features: (1) A brief, accurate summary of historical events and social conditions in each period, and a consideration of the ideals which stirred the whole nation, as in the days of Elizabeth, before they found expression in literature. (2) A study of the various literary epochs in turn, showing what each gained from...
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...VOLUME EDITOR S. WALLER is an Associate Professor of Philosophy at Montana State University Bozeman. Her areas of research are philosophy of neurology, philosophy of cognitive ethology (especially dolphins, wolves, and coyotes), and philosophy of mind, specifically the parts of the mind we disavow. SERIES EDITOR FRITZ ALLHOFF is an Assistant Professor in the Philosophy Department at Western Michigan University, as well as a Senior Research Fellow at the Australian National University’s Centre for Applied Philosophy and Public Ethics. In addition to editing the Philosophy for Everyone series, Allhoff is the volume editor or co-editor for several titles, including Wine & Philosophy (Wiley-Blackwell, 2007), Whiskey & Philosophy (with Marcus P. Adams, Wiley, 2009), and Food & Philosophy (with Dave Monroe,Wiley-Blackwell, 2007). P H I L O S O P H Y F O R E V E RYO N E Series editor: Fritz Allhoff Not so much a subject matter, philosophy is a way of thinking.Thinking not just about the Big Questions, but about little ones too.This series invites everyone to ponder things they care about, big or small, significant, serious … or just curious. Running & Philosophy: A Marathon for the Mind Edited by Michael W. Austin Wine & Philosophy: A Symposium on Thinking and Drinking Edited by Fritz Allhoff Food & Philosophy: Eat,Think and Be Merry Edited by Fritz Allhoff and Dave Monroe Beer & Philosophy: The Unexamined Beer Isn’t Worth Drinking Edited by Steven D. Hales Whiskey & Philosophy:...
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...THE ORIGINS AND DEVELOPMENT OF THE ENGLISH LANGUAGE This page intentionally left blank THE ORIGINS AND DEVELOPMENT OF THE ENGLISH LANGUAGE SIXTH EDITION ± ± John Algeo ± ± ± ± ± Based on the original work of ± ± ± ± ± Thomas Pyles Australia • Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States The Origins and Development of the English Language: Sixth Edition John Algeo Publisher: Michael Rosenberg Development Editor: Joan Flaherty Assistant Editor: Megan Garvey Editorial Assistant: Rebekah Matthews Senior Media Editor: Cara Douglass-Graff Marketing Manager: Christina Shea Marketing Communications Manager: Beth Rodio Content Project Manager: Corinna Dibble Senior Art Director: Cate Rickard Barr Production Technology Analyst: Jamie MacLachlan Senior Print Buyer: Betsy Donaghey Rights Acquisitions Manager Text: Tim Sisler Production Service: Pre-Press PMG Rights Acquisitions Manager Image: Mandy Groszko Cover Designer: Susan Shapiro Cover Image: Kobal Collection Art Archive collection Dagli Orti Prayer with illuminated border, from c. 1480 Flemish manuscript Book of Hours of Philippe de Conrault, The Art Archive/ Bodleian Library Oxford © 2010, 2005 Wadsworth, Cengage Learning ALL RIGHTS RESERVED. No part of this work covered by the copyright herein may be reproduced, transmitted, stored, or used in any form or by any means graphic, electronic, or mechanical, including...
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