...Often humans live life without many apprehensions. Sure we worry about our bills and due dates but we pay pintsized attention to what is truly important. Within the thought provoking essay Walking, by Linda Hogan, Hogan sheds light into the dark areas in which humanity often disregard. Hogan conveys her overall theme of how things often grow selfish through the use of many rhetorical devices such as personification, chronological structure, and symbolism to explain the beauty of people’s creations throughout the years exemplifying how the previous ancestors are a big contribution to the development of any society. Being a part of society, everyone develops their personal world in which they only understand what they believe and remain ignorant...
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...In the summer of 1990, a young man named Christopher McCandless graduated from Emory, donated all of his savings, and embarked on a two year journey, which eventually resulted in his death in the wilderness of Alaska. Prior to his expedition, Chris uncovered the secret of his father's infidelity and of his second family. This cause Chris to separate himself from his parents, and fueled his desire to escape the greedy, complicated nature of society. On his travels across the western United States, Chris befriended many and kept in a distant touch with few, one of those select few being Wayne Westerberg, the owner of a grain elevator in South Dakota. After two years of hike-hiking as far south as Mexico, McCandless reached his final most northern...
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...Figures of Speech (Stylistic Devices) What are stylistic devices? In literature and writing, a figure of speech (also called stylistic device or rhetorical device) is the use of any of a variety of techniques to give an auxiliary meaning, idea, or feeling. Sometimes a word diverges from its normal meaning, or a phrase has a specialized meaning not based on the literal meaning of the words in it. Examples are metaphor, simile, or personification. Stylistic devices often provide emphasis, freshness of expression, or clarity. A simile is a figure of speech comparing two unlike things, often introduced with the word "like" or "as". It takes the form of: * X is (not) like Y * X is (not) as Y * X is (not) similar to Y Examples of simile: * He fights like a lion. * He swims as fast as a fish. * He slithers like a snake. * "My dad was a mechanic by trade when he was in the Army, When he got the tools out, he was like a surgeon." What is a metaphor? Unlike simile, metaphor (from the Greek language: meaning "transfer") is language that directly compares seemingly unrelated subjects. It is a figure of speech that compares two or more things not using like or as. In the simplest case, this takes the form: X - is - Y Examples of metaphor: All the world's a stage, And all the men and women merely players; They have their exits and their entrances; (William Shakespeare, As You Like It, 2/7) Example: “Henry was a lion on the battlefield”. This...
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...Moore−Parker: Critical Thinking, Ninth Edition 5. Persuasion Through Rhetoric: Common Devices and Techniques Text © The McGraw−Hill Companies, 2009 Chapter Persuasion Through Rhetoric 5 It’s just the way things are: Images and impressions tend to sell more products than good arguments do. At least some of the images are fun. Common Devices and Techniques W hen the military uses the phrase “self-injurious behavior incidents” regarding detainees at Guantánamo Bay, it means what most of us call “attempted suicides.” In fact, when the word “detainees” is used, it means what most of us call “prisoners.” “Waterboarding” sounds at first like something you’d expect to see young people doing on a California beach, not a torture technique that involves forced simulated drowning. Less remarkable, perhaps, but possibly more relevant for most of us, we’ve heard the term “downsized” used when someone is fired or laid off. “Ethnic cleansing” covers everything from deportation to genocide. What we have to say may be important, but the words we choose to say it with can be equally important. The examples just given are cases of a certain type of linguistic coercion—an attempt to get us to adopt a particular attitude toward a subject that, if described differently, would seem less attractive to us. Words have tremendous persuasive power, or what we have called their rhetorical force or emotive meaning—their power to express and elicit images, feelings, and emotional...
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...considering this is the very same character who is supposedly on the verge of death the entire novel. His appearance is so shocking that Pearl barely identifies him as the man in the forest. Hawthorne’s diction in this chapter is used to present Dimmesdale of remarkable strength and power at first, however this strength is solely coming from his planned revelation. Hawthorne writes, “Yet, if the clergyman were rightly viewed, his strength seemed not of the body. It might be spiritual, and imparted to him by angelic ministrations” (Hawthorne, 213-4) The way Hawthorne constructs this sentence and the use of bold diction emphasizes the strength that Dimmesdale supposedly has gained, shaping him as powerful and almost superior character. He continues to fuel the idea of strength in Dimmesdale until the plot takes a sudden twist, foreshadowing his sudden death: “Men of uncommon intellect, who have grown morbid, possess this occasional power of mighty effort, into which they throw the life of many days, and then are lifeless for as many more” (Hawthorne, 214). This sentence dramatically alters the tone of the chapter. At first Hawthorne depicts Dimmesdale as someone of power and superiority and then to misjudged and ill-fated. Hester too has a change of tone towards Dimmesdale, she comes to realize that moving away with him isn't the most logical idea. Perhaps the most exceptional use of rhetorical devices in all of chapter 22 is the irony of Dimmesdale’s speech. Dimmesdale’s audience...
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...The Scarlet Letter Critical Reading Journal This novel is written in Historical context and is under the genre of fiction. It is written by Nathaniel Hawthorne and was published in 1896. It is intended for an audience of readers who are quick to critique a person for a mistake they have made, and consider it “unforgiveable”, or grand enough of a cause to consider them an outcast, when in reality the people they look up to the most can be guilty of mistakes as severe as theirs. The message the story conveys is that when people are disapproving and judgmental of a person right away, they can easily influence others to join them in their criticism and they become ignorant to consider how their actions and words might affect their victim. At an early point, the neglect and feelings of shame Hester Prynne received from the town caused her to go as far as wanting to end her own life, had it not been for her baby being the only thing stopping her from doing so. For all of her life Hester is rejected and looked upon as an example of sin and temptation to evil by ministers and society for her commitment of adultery. The scarlet letter she has to wear as a part of the Puritan government’s punishment comes to be a part of her that she never removes, and even when she can remove it she continues to wear it because the guilt she holds within makes her feel that she should live that way for the rest of her life for what she did. After a while, a previous beautiful Hester Prynne becomes a...
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...In A Midsummer Night’s Dream, by William Shakespeare, the rhetorical device of dramatic irony is used to begin our decent into the long tale of that night in the forest. Puck proves to be quite accurate characterizing the four main characters when he states, "O what fools these mortals be” (III, ii, 119). The four main characters believe this is reality, but is it? Helena and Demetrius, Hermia and Lysander, and Theseus and Hippolyta are the main lovers throughout the story. Each with different roots of love. Shakespeare wants to open our eyes to the ways we become fools for love. These characters are a true definition of lovesick. They appear to be in love with love, more than in love with each other. Demetrius is a fool because he is unaware that his love changes throughout the play. At the start of the play Demetrius does not love Helena. Demetrius says, "I love thee not, therefore pursue me not." (II, ii, 188) "Hence, get thee gone, and follow me no more."(II, ii, 194) In III ii, Demetrius after being juiced begins to love Helena. Demetrius says, "Lysander, keep thy Hermia; I will none. If ever I loved her, all that love is gone. My heart to her but as guest- wise sojourned, And now to Helen is it home returned, There to remain." (III, ii, 169-173) This proves he is a fool, because he is not aware of his changing love for Helena. Helena is a fool because Demetrius does not love her but she still persists in chasing him. Demetrius says, "I'll run from thee, and hide me in...
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...Area of Study: Belonging * ‘As You Like It’ written by William Shakespeare * ‘Towelhead’ directed by Alan Ball in * ‘The Surfer’ written by Judith Wright | As You Like It | Towelhead | The Surfer | Language Form and Structure | * ‘As You Like It’ is a stage play in the form of a comedy * It also qualifies as a pastoral romance * Shakespeare wrote the lines of the play in both verse and prose | * ‘Towelhead’ is a film | * Poem * 3 stanzas * Free verse | Personal, cultural, historical and social context | * Written during the reign of Elizabeth I and ironically, both Rosalind and Celia would have been played by men * Appealing nature to both lower and higher classes * Used as a model of social critique | * Set in Houston, Texas during the 1990s * Occurred during the Gulf War * Follows the sexual awakening of Jasira (an American-Lebanese girl) | * Set in Australia | Identity One’s sense of belonging is built upon their exploration of self and the confidence they establish through their own identity. | Identity is explored most obviously with Rosalind’s disguise as Ganymede. This concealment of her true identity allows Rosalind to discover whether Orlando truly loves her. It also allows Rosalind to gain a deeper understanding of herself. This is seen through the use of dramatic irony, this enhances the audience’s connection with the characters and adds to the humour of the play. “Nay, you must call me Rosalind”. Ultimately, it...
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...Critical Reading 1. Preview. Look “around” the text before you start reading. ... 2. Annotate. Annotating puts you actively and immediately in a "dialogue” with an author and the issues and ideas you encounter in a written text. ... 3. Outline, Summarize, and Analyze. ... 4. Look for repetitions and patterns. ... 5. Contextualize. ... 6. Compare and Contrast. When you write about literature . . . Some Tips for Academic Writers Sentence Style 1. Use simple sentences as rubrics (pointers). 2. Use compound sentences to suggest balance and to present pairs of ideas of equal value. 3. Use complex sentence to emphasize the most important ideas and to subordinate less important ideas. 4. Avoid "empty" sentence frames that say little or restate the obvious. 5. Use present tense when referencing details in a literary work except for passages written in the past tense. 6. Incorporate short, key quoted phrases into analytical sentences. 7. Avoid the use of such words and phrases as "you" and "the reader" that often lead to wordiness. 8. Avoid the phrase, "In conclusion," when opening the concluding paragraph. 9. Avoid gratuitous complements and superlatives. Paragraph Development 1. Use Pattern 1 paragraph frames for most paragraphs in the body of academic essays. 2. Begin body paragraphs with claims as topic sentences that repeat key concepts from the thesis sentence. 3. Always introduce the speaker, context, and/or significance of block quotations. 4. Always...
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...A Preface of Quotations Whoever desires for his writings or himself, what none can reasonably condemn,the favor of mankind, must add grace to strength, and make his thoughts agreeable as well as useful. Many complain of neglect who never tried to attract regard. It cannot be expected that the patrons of science or virtue should be solicitous to discover excellencies which they who possess them shade and disguise. Few have abilities so much needed by the rest of the world as to be caressed on their own terms; and he that will not condescend to recommend himself by external embellishments must submit to the fate of just sentiments meanly expressed, and be ridiculed and forgotten before he is understood. --Samuel Johnson Men must be taught as if you taught them not; And things unknown propos'd as things forgot. --Alexander Pope Style in painting is the same as in writing, a power over materials, whether words or colors, by which conceptions or sentiments are conveyed. --Sir Joshua Reynolds Whereas, if after some preparatory grounds of speech by their certain forms got into memory, they were led to the praxis thereof in some chosen short book lessoned thoroughly to them, they might then forthwith proceed to learn the substance of good things, and arts in due order, which would bring the whole language quickly into their power. --John Milton Introduction Good writing depends upon more than making a collection of statements worthy of belief, because writing is intended to...
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...The fictional short story, “A Good Man Is Hard To Find” was published from author Flannery O’Connor in 1955. This cynical tale is about a family deciding to take a trip to Florida but the Grandmother is opposed on where exactly she’d rather be, and suggests that the family go to east Tennessee so she can visit some of her old friends. She aims to convince the family to agree to change direction by using reasoning to that is would be dangerous traveling to the same location that a bandit had just escaped from prison from. Throughout the story, the narrative uses several rhetorical techniques such as: Imagery, foreshadowing, comparison and contradictions to produce a mentally intriguing story following the tragic ending of this family vacation. The family to set off early on morning on their scheduled trip. There is Bailey, the Grandmother and her cat, Pitty Sing, The Mother and infant child and the two younger siblings, June Star and John Wesley. Although the family had already planned to take the trip to Florida, the Grandmother frequently tries to impose her ideas of rerouting to east Tennessee to visit some of her old friends. She used the reasoning of “Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida.” O’Connor moves along to use a bit of imagery when she goes to describe the funeral-like attire that the Grandmother dressed in, “White-cotton gloves, a navy blue straw sailor hat with a bunch of white violets on the...
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...INTRODUCTION Oral literature of folk literature refers to the heritage of imaginative verbal creations, stories, folk believes and songs of pre-literate societies have been evolved and passed on through the spoken word from one generation to the other. As a relatively new field of study. The African literature is a produce within an environment in the predominant of mode of communication is oral. African writers have also been falling back on the rich oral tradition of their people. The extent to see a writer uses the oral tradition is always often determined by his closeness to the Africa oral tradition. The influence of African oral tradition on African poetry helps to authenticate or establish the authencity of Africa literary tradition Orality in Modern African poetry manifest itself in a number of ways. It has to do with both the content as well as the form of African poetry. The most obvious prove that contemporary African poets are indebted to the indigenous poetic tradition of their people is in their interest in rehabilitating and excavating traditional poetic forms. For instance Wole Soyinka ‘IDANRE’ is best understood within the Ijala poetic traditions among the Yoruba culture. The poem in a sense is a form of Ijala as it celebrates Ogun- the god of Iron Kofi Awoonor also models his poem on the traditional poems of abuse among the Ewe of Ghana. Niyi Osundare has also admitted at many of his poems are written in form of ‘oriki’. Each of these poets has been...
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...Copyright © 2013 by McGraw-Hill Education. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. ISBN: 978-0-07-180360-1 MHID: 0-07-180360-2 The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-180359-5, MHID: 0-07180359-9. E-book conversion by Codemantra Version 1.0 All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. McGraw-Hill Education eBooks are available at special quantity discounts to use as premiums and sales promotions or for use in corporate training programs. To contact a representative please visit the Contact Us page at www.mhprofessional.com. Trademarks: McGraw-Hill Education, the McGraw-Hill Education logo, 5 Steps to a 5 and related trade dress are trademarks or registered trademarks of McGraw-Hill Education and/or its affiliates in the United States and other countries and may not be used without written permission. All other trademarks are the property...
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...the use of deminuative suffixes, such as -y (frequently used). On the lexical level we distinguish neutral vocabulary and exressive vocabulary. [to die - to go West, to work - to labour, fear - horror]. Proverbs also belong to the expressive vocabulary. On the syntactical level we distinguish between the inversion and repetition. A stylistic device is a conscious and intentional intencification of some typical structural or semantic property of a language unit (word, word combination or sentence) promoted to a generalised stater and thus become a generative model. stylistic devices are built according to a fixed model [a nice table, a tasty table, an angry table; a tasty table - a case of metonomy, an angry table - a transfered epithet]. Expressive means are trite and frequently employed. Stylistic devices are geniune to a certain extent. Stylistic devices belong to the language in use. Expressive means belong to the language as a system. Expressive means are fixed in the dictionaries. According to their structure expressive means and stylistic devices can be the same [a cold day - expressive means, a sparkling day - a stylistic device]. Exits own features and qualitiespressive means have...
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...Journal of Postcolonial Writing ISSN: 1744-9855 (Print) 1744-9863 (Online) Journal homepage: http://www.tandfonline.com/loi/rjpw20 “He does not understand our customs”: Narrating orality and empire in Chinua Achebe’s Things Fall Apart Jarica Linn Watts To cite this article: Jarica Linn Watts (2010) “He does not understand our customs”: Narrating orality and empire in Chinua Achebe’s Things Fall Apart , Journal of Postcolonial Writing, 46:1, 65-75, DOI: 10.1080/17449850903478189 To link to this article: http://dx.doi.org/10.1080/17449850903478189 Published online: 27 Jan 2010. Submit your article to this journal Article views: 501 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjpw20 Download by: [Indiana University Libraries] Date: 24 February 2016, At: 16:43 Journal of Postcolonial Writing Vol. 46, No. 1, February 2010, 65–75 “He does not understand our customs”: Narrating orality and empire in Chinua Achebe’s Things Fall Apart Jarica Linn Watts* University of Utah, Salt Lake City, USA Downloaded by [Indiana University Libraries] at 16:43 24 February 2016 jarica.watts@utah.edu Jarica 0 100000February 46 2010 &Article OriginalofFrancis 1744-9855 (print)/1744-9863 JournalandPostcolonial 10.1080/17449850903478189(online) RJPW_A_448194.sgm TaylorLinnWatts 2010 Writing Francis This article delineates different strains of...
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