...Macbeth – Compare and Contrast Essay (Death of Banquo/Act 3 Scene 3) Directors, from James Stuart Blackton’s 1908 silent adaptation to last year’s Justin Kurzel film, have attempted to interpret William Shakespeare’s Macbeth in their own unique styles. The films are based on the original text but differences appear in the way each director decides to recreate the classic play to their audience. From the traditional style of Roman Polanski to the modern interpretation by Rupert Goold, no film is alike. In Macbeth, Shakespeare frequently uses the theme of death to portray the limits and emotions behind the main character’s thirst for ambition. The death of Banquo marks a significant moment in Macbeth’s continuing downfall as it reveals the increasing brutal nature of Macbeth’s greed for power. In Banquo’s death scene, the Goold’s version satisfies Shakespeare’s intended tension while Polanski’s version is flawed for being inaccurate....
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...to find as many light and dark images as you can. In each case, identify the context; who is speaking? When and where? What kind of effects do these images have? Light and dark imagery: Act 1 scene 1- scene 4 Montague says: Away from light steals home my heavy son Shut up his windows, locks fair daylight out And makes himself an artificial night He talks about Romeo as he is depressed and locked himself in a room. Capulet says: At my poor house look to behold this night Earth treading stars that make heaven light He means there will be a lot of beautiful ladies at the party and their beauties will light up the night sky. Romeo says: Give me a torch: I am not for this ambling Being but heavy, I will bear the light Romeo said this to Benvolio at Capulet party. He doesn’t want to wear a mask because he is in the bad mood, heavy and he will stand still and carry the light. Romeo says: But, soft! What light through yonder window breaks? It is the east, and Juliet is the sun Romeo said this to Juliet. He is saying that her beauty is like the sun. Shining beauty, pure, shiny. Romeo says: Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she Romeo said this to Juliet at the balcony. He is saying that he does not want the sun to arise because that means he will have to go home and there are chances that he will see Juliet again. Act 1 scene 5 Romeo says: O, she doth...
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...The Dark Knight- English ESSAY The Dark Knight, released in 2008 and written, directed and produced by Christopher Nolan is set within a year after the events of Batman Begins. Batman, Lieutenant James Gordon, and new district attorney Harvey Dent successfully begin to round up the criminals that plague Gotham City until a mysterious criminal mastermind known as the Joker appears in Gotham, creating a new wave of chaos. Through the use of various visual codes and conventions the central ideas of Chaos vs Order, Heroes vs Villains and Light vs Dark are reinforced during the final scenes of the film. Viewers of The Dark Knight are challenged to respond to the central themes and ideas and explore the in depth characterization within the film. The idea of order within Gotham collapses when Harvey Dent, once seen a symbol of order as Gotham’s elected DA declines rapidly and becomes a representation of chaos or anarchy. This is revealed through Harvey Dent’s dialogue at the ending scene in the film, saying “the only morality in a cruel world is chance”. This dialogue is paired with the symbolic action of flipping a scorched 2 headed coin, signifying Harvey’s change from a symbol of order or Gotham’s “white knight” to his decline into chaos. The Joker is known throughout the film as a agent of chaos as he said during this dialogue with Harvey Dent in the hospital “Introduce a little anarchy, upset the established order and everything becomes chaos. I am an agent of chaos. Oh, and...
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...Huynh Thieu Dinh (Felix) Eng4U Mr. Burton October 31th, 2013 Hamlet Act 1 Scene 5: Pirate of the Caribbean Curse of the Black Pearl Hamlet is a story take place around the 14th to 15th century in the land of Denmark. The ghost scene from act 1 scene 5 is a crucial scene since it is the beginning of Hamlet’s plot for revenge. It is also one of Shakespeare “signature” scenes because most of his plays always include a supernatural figure manipulates and affects the plot. Then how could anything make the scene any better than it is now? The answer is changes the scene to an adaptation of the movie “Pirate of the Caribbean: Curse of the Black Pearl”. The adaptation would change the setting, costumes and makeups, dialogue, lighting, and figure placement. Setting: In the adaptation, I want to add in an ominous atmosphere for the setting of the scene because it would fit the supernatural event. First the time setting is at a starless night along with a crescent moon. Hamlet runs through a dark forest toward the ghost voice beyond the luminous light. Then, Hamlet reaches a sea shore covered in thick layers of mists. The dark forest, luminous light and misty sea shore are the factors that contribute to the mysterious setting. The reason I create this part of the setting is to enhance the meeting between Hamlet and the ghost. When Hamlet reaches the seashore, the voice stops and he then sees a ghost ship floats into a cave. Again, the cave also acts as a factor generates the haunting...
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...grasp and flees leaving behind his arm. The people had seen the battle because they were awoken by Grendel's screams, but they felt helpless in the situation. Although they did not participate they were still able to praise Beowulf on his victory. Beowulf and the people rejoice over the arm in the light of day. This story symbolizes light and darkness very clearly. Grendel is this dark monster coming to Heorot in the darkest time of the day, while Beowulf is awaiting his arrival in the light, and he is heroic person and the light is always shining upon him. The dark and gruesome battle is happening in the dark, and they rejoice the victory in the light of day. 3 ) Grendel the scary monster went to Heorot in the dark of the night to attack. When he arrived he believed everyone would be in a dark sleep. "Then he stopped, seeing the hall Crowded with sleeping warriors" (line 409-10). He first ate one warrior. "Ripped him apart, cut his body to bits with powerful jaws, drank the blood from his veins, and bolted him down, hands and feet; death" (line 422-25). Then he reached for Beowulf who he thought was in a deep sleep but Beowulf surprised him and grabbed his arm so tightly. All Grendel wanted was to go home. "Grendel's one thought was to run from Beowulf, flee back...
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...In the scene I chose to present Hamlet is holding Yorick’s skull with a sword on his back in a graveyard. This scene is a turning point in the story when Hamlet truly won’t let anything get in his way from claiming his revenge. It also portrays Hamlet leaving behind his past and moving forward and not letting past experiences get in his way of claiming victory at last. The way Hamlet is shown represents his transformation from being innocent and pure to being dark and spiteful in his actions and attitude towards his pears and superiors. The sword that Hamlet holds in the scene represents his determination in killing Claudius and avenging the death of his father. Before his transformation Hamlet would have been too afraid to act on an opportunity....
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...the end of the play before it even begins is intentional—this creates a tension between what we as the audience know must happen, and what could have happened if the characters had acted differently. Thus the theme of fate versus free will emerges: do Romeo and Juliet die because it was their destiny, or do they die because of their actions and the actions of those around them? The third major point that surfaces in the opening prologue is one of extremes. There is extreme hatred between the Capulet and Montague families. The only solution to this situation is, according to line 11, the "end" of Romeo and Juliet. Thus we see a situation in which one extreme, hatred, is ended by its opposite: love. Scene i: This scene is really a compilation of three mini-scenes. The first mini-scene begins with the fighting between the servants, after some brief comic relief through the jokes of Sampson and Gregory. The fact that the servants from...
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...Gothic Horror is a term used to depict fictitious work that has incorporated a lot of horror scenes as well as elements of the unreal world, exploring the conflict between good and evil and dealing with the supernatural in some sort of way. The episodic novel Dracula written by Bram Stoker in 1897 and the movie Blade by Stephen Norrington created in 1998 bring to the fore many conventions relating to the Gothic Horror genre despite their vastly different contexts. Gothic elements of imprisonment, death and blood are clearly represented through each of the texts. Stoker and Norrington present these conventions through a variety of literary and film techniques, paying particular attention to character and setting to explore the elements of the genre. Through these interactions, the audience can feel a sense of Gothic Horror in which the composers of the two texts aim to convey. The setting is a prominent aspect of Stoker’s novel, as it creates the mood and atmosphere and affects the characters of the novel. The castle in Dracula is the main setting that the reader is introduced to and sets the journey on a mysterious, evil and suspenseful road. Jonathan believes that “the castle is a veritable prison” and he is the prisoner. Dracula’s castle is situated in a rural location, said to be the superstitious west were all the mythical creatures from vampires, ghosts, witches and wolves are found. To reinforce the concept of imprisonment, all the doors in the castle are locked and Jonathan...
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...Macbeth is a play written for James I after the death of Queen Elizabeth. James was intrigued with witchcraft and the love of Scotland. In order to understand Shakespeare's Macbeth you have to understand the time and historical period which it is set. This is the Elizabethan period which is the late sixteenth and early seventeenth century when there was an authoritarian government. In this era the monarchy ruled the governments, they needed to raise strong and loyal armies to protect and rule their counties. Shakespeare chose legends and events in Scottish history to dramatise Macbeth, which he uses from the "Holinshed's chronicles around 1050 AD", that he alters and manipulates these freely to portray Macbeth's loyalty and then his destruction...
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...film has distinct qualities it means that it cannot include definable traits from other genres. A film with clustered traits has a bunch of associated things that would go on in the same genre. Transferable traits in a film mean that the traits can interchange between film varieties and styles. Neo-noir is a type of movie in which critics often argue whether it is more of a style than a genre because as Paul Schrader says it is, “not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood” (Schrader). Neo-noir movies are known for their dream/nightmare like worlds in which authority is chasing crime. In these dark, unknowing worlds the complex characters endure violence and eroticism in life or death situation (Silver). In Ridley Scott’s Blade Runner (1982) he has shown that neo-noir can be translated through any genre. He did this by proving it is more of a style because it is limited to technical elements. The aesthetic, economic and cultural elements of Blade Runner all express to the viewer that it not only has a Neo-noir style but it also falls in the genre of Sci-Fi. A film style is when a cluster of films have the same recognizable traits but it can be used together with any other genre because it can include too many traits from other genres. Scott was able to use shady lighting and...
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...and film movements that were happening post war, in the early 1920’s. They are associated with themes of death, depression, darkness, insanity and distortion, which depict the state of the country and its civilians following the devastation of the war. German Expressionist films are significant to the history of the film industry as they have been filmed using distinctive methods and style techniques, which have influenced modern day film makers such as Tim Burton. One of the most significant stylistic variations that can be found within German Expressionist films is the considerable use of mise-en-scene. ‘The Cabinet of Dr. Caligari’, directed by Robert Wiene, was filmed against painted sets and backdrops. Due to the lack of funding in the film industry at the time, some films were shot entirely on backdrops like the ones seen in this film. The importance of this is that the sharp angles and distorted buildings look highly unrealistic, which reflects upon the madness and insanity of the main character Francis. As he is the narrator of the film, we are being told and shown the story through his mind, therefore the unfocused and uneven backdrops of the landscape and other features; lead the audience to believe Francis’s narration is untrustworthy. However, it is not until the end of the film, that this becomes clear. The settings or location is an aspect of mise-en-scene that becomes more evolved in the film, ‘Nosferatu’. Unlike in ‘The Cabinet of Dr. Caligari’, ‘Nosferatu’...
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...Edgar Allan Poe uses diction in his poem “The Raven” to create an eerie, chilling, and dark mood. To start, in the first stanza when Poe is setting the scene, he says: “Once upon a midnight dreary, while I pondered, weak and weary” (st. 1). He uses “midnight dreary” and “weak and weary” specifically to create a dark, foreboding mood throughout the poem. The second example of Poe using diction to create a chilling mood comes after the narrator hears a knock at his door: “Ah, distinctly I remember it was in the bleak December, / And each separate dying ember wrought its ghost upon the floor” (st. 2). Poe is using examples of death to create his dark mood here, using “bleak December” and a “ghost”, to relate to dead trees and dark skies. Next,...
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...together because of the hatred between the families,and Juliet’s parents said Paris can marry her on her fifteenth birthday but she is falling in love with Romeo.Read the rest to find out the ending. Act one Scene two is about the Capulet (Juliet’s father) talking with Paris to see if he could marry Juliet, but her father say’s she is too young to marry considering she is fourteen years old.Capulet asks him if he could wait till she was fifteen but not only that he needs to get her to love him.After they talk he invites Paris to a masquerade feast so he could get Juliet to love him.But Romeo...
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...suffering that many women endured at the hands of their Japanese captors after the fall of Singapore had been forgotten. Both army nurses and civilians were the victims of terrible mistreatment and cruelty during the war, yet their stories were not widely known, nor had successive Australian governments acknowledged them. The play serves as a tribute to those victims of the atrocities of war, and looks at the effects such horrendous experiences can have on those who experience them. By the use of distinctively visual elements, Misto has created a compelling play. Whilst projected images of the celebrations at Martin Place are projected behind the actors, the women struggling to live at Belalau are still fighting through the war. During this scene, the women struggle to ascend up a hill thinking it will be the last moment of their lives. Dialogue used to reveal the weakness is quoted “The sick and the dying were left behind” and “the old and frail began to die”. As the lucky women succeeded to ascend the hill, an orchestra performing the beautiful piece “The Blue Danube” is set out for the prisoners. The music creates the effect of the audience realising that the women are going to survive creating and symbolising triumph and life. This image of the realisation that the women will live is seen when Joe Simpon in Touching the Void comes out...
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... the themes of captivity and entrapment will be used to try and unravel these dark aspects of human nature. Their will be looked ate the extremes of cruelty one human can inflict on another by examine the Duchess’ relationship with her brothers, Ferdinand and the Cardinal. Additionally Bosola also plays a vital role when looks cruelty since he is the one that does the actual deed. In addition the abuse of basic human rights, choices and freedom by looking at her living situation. Lastly the victimisation of the Duchess and the fact that her brother s are corrupt and dictate her every move will furthermore provide more insight into the objectification of the Duchess and the wickedness that does exist in humans. In the play The Duchess of Malfi dark areas of human nature are explored and examined with themes such as captivity and entrapment. The the play Webster not only looks at not only the physical caging the Duchess as to endure that her brothers exert on her but also the trapping of the soul and psyche. The Duchess seem to be like a beautiful canary that is held in a golden diamond filled cage, having access to every she needs on a materialistic level but is denied freedom in any form. Her brothers, Ferdinand and the Cardinal control her every move and make every decision for her “And fearfully equivocates, so we are forced to express our violent passions in riddles an in dream…”(Act 1 Scene 2 Lines 354-357). They as...
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