...a product of society”. Children, adolescents and adults all learn gender roles through the environment they’re surrendered by. One of the many huge influencers that help shape gender roles is media. Although “there has been a lot of change over the years in terms of what is considered appropriate societal roles for men and women, this change is not reflected in contemporary film”. The ideology of mainstream media continues to focus on the males being the heads of society, which in result, shows an unequal representation of the females. From an early age, media puts an image into young minds, informing them how males and females should think, act, behave and appear. In many television shows and films, one can easily see the distinct difference between the role of a male and a female. Often films are enforcing stereotypical gender roles where the male is seen to holds more importance in society than the female. Amongst many film producing companies, Walt Disney Pictures for decades have been enforcing stereotypical gender roles in their princess films. Though it may not be outright obvious, Disney productions play a huge role in fostering gender roles through the 1930’s to now. Many child in developed countries have grown up watching Disney movies. At a young age they are exposed to beautiful princess depending on men to be their saviours, and handsome princes going through many obstacles to save them. Disney’s animation films are a prime example of how society’s traditional and...
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...Many people know of the fairy tales and nursery rhymes of their childhoods. Though when people think of these tales and rhymes, they don’t think about plagues, wars, sieges, or of walking on glass. But by shedding light on the hidden facts and meanings of these stories, people can be better educated of the stories and rhymes they thought they knew. An example to start with is Cinderella she had to pick beans and lentils out of the ashes to get her meals. With Miss Mary Mack it’s believed it was an African-American spiritual for children and in The Little Mermaid every step she takes it feels like walking on glass. So now people will know the true meanings and stories they thought they knew, and will never tell their kids again. First off is Cinderella and Snow White, these stories were both written by the Brothers Grimm and later published by...
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...Media is a powerful agent when it comes to entertaining children. It influences the youth in our society that they have to act gender appropriate, and act a way that the youth are socialized to learn. Media uses the gender socialization to their advantage just as how Disney production does. Movies like Cinderella, Snow White Disney movies target particularly the youth and their thinking as well as putting ideas into their head about what is to be proper man and proper women. Growing up, a lot of young children love to watch Disney movies, but they don’t realize that they are affecting them. Young girls look up to the different princesses hoping that one day when they grow up, they will meet their prince charming the way Cinderella met as...
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...After reading the book and watching the movie i analyzed both of them to see if they any similarities between them.Although Cinder and Cinderella have many similarities like, meeting the prince they have more differences. The difference between Cinder and Ella is that cinder gets along with one step-sister and Ella doesn't get along with none of the step-sisters. Another difference is that Cinder is a mechanic and fixes androids and Ella is a maid and cleans houses. Cinder is friends with an android and Ella is friends with mices.In Ella her godmother helped her with the dress and in cinder she wore peony’s dress. When cinder went to the ball she got called out and got caught by Adri. When Ella went to the ball she danced with the prince and...
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...Disney characters : the reflect of women's place in the society Walt Disney, under his real name Walt Elias Disney was born in 1901 in Chicago. He founded in 1923 the famous Walt Disney Company with his brother Roy as the Disney Brothers Studios. After three years, the studios take the name Walt Disney Company. Their first animated film came out in 1937 "Snow White" inspired by a famous children's story by the Brothers Grimm. Thereafter follow many animated films like Cinderella, Mulan, or Rebel. One of the most important question in recent years is : What image Disney returns with respect to the role of women and the role that women play in society in the twenty-first century? In fact, Disney is primarily a media and integrate media stereotypes and habits of society to which they belong in their history or animated movie. Disney is the reflects of the habit of society to which they belong in their history or their short films. Thus heroines like Snow White, Cinderella, Aurora are submitted to wish than others, especially men, have chosen for her. They are docile women who spend their time dreaming. They are always save by men from a evil spell and are submit to the will of men. Instead, the heroines of the late twentieth century are beginning to take their lives and rebel against the male authority . In the twenty-first century heroines are increasingly rebelling and advocate of feminist principles : women are the equals of men. This analysis allows us to see a marked increase...
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...Dave’s feigned Italian persona in Breaking Away is his own version of that filth. This is an assumption based on the harsh, degrading commentary towards his Italian persona made by his father. But while Cinderella’s filth was caused by the loss of her parents and the uptake of her cruel stepmother, Dave has no such visible reason for his uptake of the persona. However, that does not mean he is not his own version of Cinderella. Throughout Breaking Away, Dave’s relationship with his father is portrayed as strained and negligent. Through both Jacqueline Schectman’s article, ““Cinderella” and the Loss of Father-Love,” and Maria Tatar’s article, “An Introduction to Fairy Tales”, their father-son relationship and Dave’s Italian persona can be reevaluated to make sense of the connection between his father’s ill treatment towards him and his newly acquired personality that is overlooked in the film. A connection that reveals that there is a potential causation between his lack of fatherly love and his acquired persona, all tied together with the need to seek comfort in a figure. Even if that figure must be...
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...Pink for girls; Blue for boys? Nowadays if we walk into a department store we can be sure that we will find pink and some blue clothes, toys and little other objects for children such as books, bikes, lunchboxes, board games, toy cookers, cash registers, even games consoles. If we look at these objects there is no wonder everybody knows that pink is specified for girls and blue for boys. But how did this become a common thought? Since when do we use colors to make a difference between genders? And why exactly did we choose pink and blue to fulfill this role? In the 1800s most infants were dressed in white and both boys and girls wore dresses or short skirts until the age of five or six. Although, there was a few small difference between boy and girl clothing. For example girls wore dresses which were buttoned up in the back while boys’ dresses were buttoned up in the front. So gender difference wasn’t highlighted just in a little scale. Why wasn’t this important in that age of time? One theory is that distinguishing boys from girls was less important than distinguishing kids from adults. Childhood was a time of innocence while adulthood typically meant working hard. By the 1850s other colors than white had started to appear in baby clothing, but gender-based distinctions were slow to emerge. For example a Times fashion report from 1880 says that boys and girls were dressed alike in shades of blue, pink, white or violet; another report from 1892 says young girls were wearing...
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...Aladdin is one of the tales in the book One Thousand and One Arabian Nights. There are several moral lessons in the story. The main moral lesson on Aladdin is that its best to be yourself. Greatness and strength comes from within, not from without. Its not whats on the outside that' count; what is important is what's on the inside. The moral of the original Middle-Eastern tale 'Arabian Nights' is that greatness and strength comes from within, not from without. This is demonstrated by Aladdin's bravery and intelligence despite his humble upbringing. In Disney's animated musical version of the story, the writers updated this theme to a single phrase, calling Aladdin a 'diamond in the rough'. There are many differences between the movie and the original tale of Aladdin, because the filmmakers believed that the original had an inappropriate moral message. And I have to agree with this for at least two reasons. First, Aladdin never tells the princess who he really is; he becomes a prince thanks to the jinni, but he never considers telling his wife about who he was before that. The original story doesn’t even mention this. Lying and pretending to be someone else is, indeed, something that should not be promoted in a children’s movie.Then, in the original story I really couldn’t stand the princess, Badr al-Budur. She is naïve, has no personality and no opinion, she does what she is told to, and never asks questions. She is so easily tricked, that she almost gets Aladdin killed...
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...Disney and the American Princess: The Americanization of European Fairy Tales [pic] Marina Alexandrova Student number 3021874 MA Thesis, American Studies Program Utrecht University Course code 200401064 23943 words 12 August 2009 Contents Title page………………………………………………………………1 Contents……………………………………………………………….2 Introduction……………………………………………………………3 Chapter 1: European Fairy Tales and Values about Gender and Class………………………………………10 Chapter 2: Disney Animation and American Culture…………………24 Chapter 3: Disney Animation and (Gender) Commodification…………………………………………..55 Conclusion…………………………………………………………...73 Bibliography…………………………………………………………78 Introduction Among the various aspects which define contemporary life, popular culture – and in particular, American popular culture – is undoubtedly one of the most ubiquitous and long-lasting. Throughout the twentieth century, people around the world have enjoyed film, music, animation, and written works by various authors and artists. One of the most famous and significant American entertainers of the lot has been Walt Disney, introducing millions of children and adults to his world of limitless (or so is widely believed) imagination and magic, from the earliest short cartoons produced in the 1920s, to full-length feature animations such as Snow White and the Seven...
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...We began our project by deciding which tales we wanted to focus on. As a group we narrowed it down to Hansel and Gretel, Cinderella and Snow White. We really wanted Hansel and Gretel as we believed we had more ideas and could have a lot of fun with that tale. In the end, after turning in our three choices, you, Professor Cordova, informed us there was no overlap with choices and we were able to do Hansel and Gretel. While discussing in class what we were going to do was easy, talking outside of class was more difficult. Everyone in our group has a very busy and complicated schedule. I commute an hour and a half to campus, Lacie works as a 24-hour caregiver, Melanie has a little girl at home and Donielle and Caitlyn have very busy work and school...
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...A Comparison of the tale of “Aladdin and the Enchanted Lamp” and the Disney Movie Aladdin: A Cultural Study According to N. J. Dawood, the translator of The Thousand and One Nights, “Aladdin has been retold or presented to so many different generations all over the world that it can perhaps be rightly described as the most renowned story invented by man”. Interestingly enough, “Aladdin and the Enchanted Lamp” was not part of the original collection of stories that composed The Arabian Nights. No one knows exactly when a given story is originated, but it is obvious that some stories circulated orally for centuries before they actually were collected or written down. The story of Aladdin appeared for the first time in Antoine Galland’s (1646-1715) translation of the Thousand and One Nights, the first major European version. Before Galland, there was no known Arabic version of Aladdin and his lamp. The first Arabic version showed up after Galland’s version and very well could have been translations of Galland’s French version. One of the more recent and most popular versions of “Aladdin” was an animated feature produced in 1992 by Walt Disney Pictures. Aladdin made over $217 million in revenue in the United States, and over $504 million worldwide. Even though the American film and the medieval Arabian tale share common elements and are both plotted around a young impoverished boy named Aladdin, the moral lessons they offer differ in ways that can be described through the values...
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...Headnote This two-part exploratory study utilized a social cognitive theory framework in documenting gender portrayals in teen movies and investigating the influence of exposure to these images on gender-based beliefs about friendships, social aggression, and roles of women in society. First, a content analysis of gender portrayals in teen movies was conducted, revealing that female characters are more likely to be portrayed as socially aggressive than male characters. Second, college students were surveyed about their teen movie-viewing habits, gender-related beliefs, and attitudes. Findings suggest that viewing teen movies is associated with negative stereotypes about female friendships and gender roles. Research examining the effects of media exposure demonstrates that media consumption has a measurable influence on people's perceptions of the real world, and, regardless of the accuracy of these perceptions, they are used to help guide subsequent attitudes, judgments, and actions. For example, these results have been yielded for viewing media representations of race,1 the mentally ill,2 and the elderly.3 Past research additionally indicates that watching televised gender portrayals has an effect on individuals' real-world gender-based attitudes, beliefs, and behaviors.4 Based on this research, and the tenets of social cognitive theory, it would be expected that consumption of teen movies would have an analogous influence on audience members' gender-based attitudes and beliefs...
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...“Behind the Fair Façade” Representations of Femininity in Three Walt Disney Animated Features Bachelor Thesis Bethany Schouten, 3278972 Media en Cultuurwetenschappen Genderstudies Supervisor: Domitilla Olivieri May 31st, 2011 “Behind the Fair Façade” Representations of Femininity in Three Walt Disney Animated Features Bachelor thesis by Bethany Schouten, 3278972 Index Introduction 3 Methodological and theoretical Framework 4 Corpus 9 The Research: SNOW WHITE AND THE SEVEN DWARFS 11 The Research: THE LITTLE MERMAID 18 The Research: THE PRINCESS AND THE FROG 24 Findings and Interpretation 31 Identity Formation 35 Conclusion 38 Literature 41 Media 43 Introduction The Walt Disney Company’s cultural products have been a great influence on popular culture since the 1930s and an inspiration for generations all over the world ever since. For many, including myself, the Princes, Princesses and fantastical creatures of Disney’s animated fairy tales have become symbols of their youth. Seeing the films gives rise to a feeling of nostalgia, they become a memento of one’s childhood world. But what kind of world is this? What kind of realities do Disney’s fantastical representations construct? In my thesis, I will analyze a specific element of Disney films: gender roles constructed through the representation of femininity in their animated...
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...school newspaper, drawing patriotic topics and focusing on World War I. Despite dropping out of high school at the age of sixteen to join the army, Disney was rejected for being underage. • After his rejection by the army, Walt and a friend decided to join the Red Cross. Soon after joining he was sent to France for a year, where he drove an ambulance, but only after the armistice was signed on November 11, 1918. SLIDE 8. • Hoping to find work outside the Chicago O-Zell factory, in 1919 Walt moved back to Kansas City to begin his artistic career. His brother Roy, then working in a local bank, got Walt a temporary job through a bank colleague at the Pesmen-Rubin Art Studio where he created advertisements for newspapers, magazines, and movie theaters. At Pesmen-Rubin he met cartoonist Ubbe Iwerks and when their time at the studio expired, they decided to start their own commercial company together. •...
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...............................................21 About the Author of this Guide .............................................................29 About the Editors of this Guide .............................................................29 Full List of Free Teacher's Guides...........................................................30 Click on a Classic ..................................................................................31 Copyright © 2007 by Penguin Group (USA) For additional teacher’s manuals, catalogs, or descriptive brochures, please email academic@penguin.com or write to: PENGUIN GROUP (USA) INC. Academic Marketing Department 375 Hudson Street New York, NY 10014-3657 www.penguin.com/academic In Canada, write to: PENGUIN BOOKS CANADA LTD. Academic Sales 90 Eglinton Ave. East, Ste. 700 Toronto, Ontario Canada M4P 2Y3 Printed in the United States of America A Teacher’s Guide to the Signet Classics Edition of George Bernard Shaw’s Pygmalion 3 AN...
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