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Digital Video

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Submitted By Innara
Words 1528
Pages 7
Video Digital

Canon HDSLR

60D
Sensibilidad ISO máxima Tamaño sensor Resolución sensor Montura óptica Máx. framerate Latitud Salidas vídeo 6400 APS-C 18 Mpix EF/EF-S 60 fps 8 stops miniHDMI

7D
6400 APS-C 18 Mpix EF/EF-S 60 fps 8 stops miniHDMI

6D
25600 Full Frame 20 Mpix EF 50 fps 8 stops miniHDMI

5D
25600 Full Frame 22 Mpix EF 50 fps 8 stops miniHDMI

1D
51200 Full Frame 18 Mpix EF 60 fps 12 stops miniHDMI Compuesto

Formato grabación

H.264

H.264

H.264

H.264

MJPEG H.264

Bitrate grabación Precio alquiler/hora

44Mbps 24€

45.7Mbps 55€

28 Mbps 59€

38 Mbps 150€

25 Mbps 295€

Canon C300, C500

C300
Sensibilidad ISO máxima Tamaño sensor Formato Imagen Captura Resolución sensor Montura óptica Latitud Salidas vídeo Salidas audio Entrada audio Formato grabación Bitrate grabación Precio alquiler/hora 20.000 Super 35mm 16:9 720p, 1080p 8 Mpix EF 12 stops HDSDI, SDI, HDMI Analógico 2ch 2x XLR-3 + Phantom MXF (MPEG-2) 50Mbps 215€

C500
20.000 Super 35mm 16:9 4K RAW, 2K RAW 8 Mpix EF 12 stops HDSDI, SDI, HDMI Analógico 2ch 2x XLR-3 + Phantom MXF (MPEG-2) 50Mbps 290€

Sony F65

Sensibilidad ISO máxima Tamaño sensor Formato Imagen Captura Max. Framerate Resolución sensor Montura óptica Latitud Salidas vídeo Formato grabación Bitrate grabación Precio alquiler/hora

800 Super 35mm 16:9 2K, 4K 120 fps 17,7 Mpix PL 14 stops HDSDI F65 RAW/SR Master 220-2400Mbps 890€

Arri Alexa

Sensibilidad ISO máxima Tamaño sensor Formato Imagen Captura Max. Framerate Resolución sensor Montura óptica Latitud Salidas vídeo Formato grabación Bitrate grabación Precio alquiler/hora

800 Super 35mm 4:3 2880x2160, 1080p 120 fps 6,2 Mpix PL 14 stops HDSDI Apple ProRes 38-315Mbps 1100€

Red Scarlet, Red One, Epic

Red Scarlet
Sensibilidad ISO máxima Tamaño sensor Max. Framerate Formato Imagen Captura Resolución sensor Montura óptica Latitud Salidas vídeo 800 Super 35mm 12 fps (5K) / 120 fps (1K) 16:9 4K, 2K 13 Mpix EF 14 stops HDSDI

Red One
800 Super 35mm 120 fps 1.78/1.85/2.35 4K, 3K, 2K 12 Mpix PL 14 stops Dual HDSDI, HDSDI, HDMI

Epic
800 Super 35mm 30 fps(5K)/300 fps(2K) 16:9 4K, 2K 13 Mpix PL 14 stops HDSDI, HDMI

Formato grabación Bitrate grabación Precio alquiler/hora

RedCode RAW 36-1300Mbps 425€

RedCode RAW 36-1300Mbps 350€

RedCode RAW 36-1300Mbps 600€

Blackmagic Cinema Camera

Sensibilidad ISO máxima Tamaño sensor Formato Imagen Captura

400 15 x 8,8 mm 16:10 2432 x 1366 RAW 1080p ProRes DNxHD

Max. Framerate Resolución sensor Montura óptica Latitud Salidas vídeo Formato grabación Bitrate grabación Precio alquiler/hora

30 fps 3,3 Mpix EF 13 stops HDSDI RAW, ProRes, DNxHD 36-184Mbps 180€

WORKFLOW

M AT E R I A L O R I G I N A L
.MOV (H.265)

Cámaras HDSLR H.264
Canon 60D, 7D, 6D, 5D, 1D

EDICIÓN

(FINAL CUT PRO)

ProRes 422HQ 1080p 25 fps

OFFLINE
.mp4 (H.265) Archivo comprimido y pequeño para enviar facilmente al cliente. 320 x 240 25 fps

POSTPRODUCCIÓN
.MOV (H.256) 1080p 25 fps

MASTER

( YO U T U B E )

MASTER

(BROADCAST)

.MOV (H.265) 720p 25 fps

DVC PRO HD (DV - PAL) 1080p 25 fps

WORKFLOW

M AT E R I A L O R I G I N A L
.XF (MXF, MPEG-2)

Cámaras MXF 1080p
Canon C300

EDICIÓN

(FINAL CUT PRO)

EDICIÓN

(PREMIERE PRO)

ProRes 422HQ 1080p 25 fps

.XF (Funciona nativamente) 1080p 25 fps

OFFLINE
.mp4 (H.265) Archivo comprimido y pequeño para enviar facilmente al cliente. 320 x 240 25 fps

POSTPRODUCCIÓN
.MOV (H.256) 1080p 25 fps

MASTER

( YO U T U B E )

MASTER

(BROADCAST)

.MOV (H.265) 720p 25 fps

DVC PRO HD (DV - PAL) 1080p 25 fps

WORKFLOW

GRABADORA

4K

Cámaras 4K
Canon C500, Sony F65, Red Scarlet, Red One, Epic.

>2TBytes, 1GByte/sec 4K data 16bpp lin Bayer/ 12bpp RGB Gamma

REVELADO
Software de revelado Cinema RAW

PRE VISUALIZ ACIÓN
4K RGB: 16bpp lin/12bpp Gamma 4K Color Grading 2K Real time playback Color Matrix/LUT

EDICIÓN
4K RGB: 16bpp lin/12bpp Gamma Full resolution and proxy editing Importar/Exportar EDL per AAF NLE en tiempo real

PA N TA L L A C O N G R A D I N G C A L I B R A D O
2k Cinema DLP 2K CRT Monitor 4K LCD Monitor

COMPOSICIÓN
4K RGB: 16bpp lin/12bpp Gamma Operaciones en tiempo no real Composiciones en varias capas Gra cos, Animaciones, SFX, Motion Tracking

MASTER
4K Laster Print-Film Master 2K DLP Master

WORKFLOW

GRABADORA
ARRIRAW uncompressed 12bit Bayer data 2880x2160 pix (4:3) 60 fps 2880 x 1620 pix (16:9) 48 fps

Cámara Arri Alexa

OFFLINE EDIT
ProRes422 / DNxHD Rec 709 Gamma / SxS output

EDICIÓN
ARRIRAW (software compatible) Gamma: Log C, Rec 709, DCI P3

CO LO R G R A D I N G
Gamma LogC (espacio de color gamut especi co de ALEXA): P3 Rec 709 Video 3D Lut

MASTER ( D I G I TA L PROJEC TOR)
XYZ 3D Lut

MASTER

(HDT V)

(FILM RECORDER)
MASTER
Film 3D Lut

Rec 709 3D Lut

WORKFLOW

M AT E R I A L O R I G I N A L
CinemaDNG DNxHD ProRes

Cámara Blackmagic Cinema

EDICIÓN

( D AV I N C I R E S O LV E )

EDICIÓN
ProRes 1080p 30 fps

(PREMIERE PRO)

CinemaDNG RAW (Funciona nativamente) 2432 x 1366 30 fps

OFFLINE
.mp4 (H.265) Archivo comprimido y pequeño para enviar facilmente al cliente. 320 x 240 30 fps

POSTPRODUCCIÓN
.MOV (H.256) 1080p 25 fps

MASTER

( YO U T U B E )

MASTER

(BROADCAST)

.MOV (H.265) 720p 25 fps

DVC PRO HD (DV - PAL) 1080p 25 fps

Conclusión
Como principal conclusión, destacar la increíble abundancia de cámaras en el mercado, y como los estándares y acuerdos entre fabricantes permiten una uni cación de los ujos de trabajo muy considerable dada la gran variedad existente, aunque resulta todo un reto conseguir información clara sobre cada ujo de trabajo. Asimismo, la abundancia de términos técnicos y abreviaciones resulta en una necesidad de consultar artículos de referencia una y otra vez para poder entender qué proceso cita el ujo. Aún y haber intentado comprenderlo, resulta imposible captarlo en su totalidad si no se és alguien entendido en la materia. Los precios y aplicaciones de las diferentes cámaras y modelos me parece lógico y razonable, asi como extremadamente adecuado. Podemos disponer de una cámara muy básica pero competente a un precio muy económico (HDSLR), pasando por cámaras de gama media con capturas superiores a los 1080p, alto rango dinámico y elevado framerate por 180 - 215€, así como algunas de gama mas elevada pero precio aún asequible, 280 - 600 €, que llegan a grabar en 4K y consiguen framerates de hasta 120fps, perfectas para producciones independientes que quieran realizar tomas a cámara lenta de alta calidad. Llegando a verdaderas maravillas profesionales referentes en calidad de imagen con precios de 1100 €. Creo que los precios asignados a las cámaras son eles a sus prestaciones, aunque mi capacidad crítica desciende en las cámaras de alta gama, donde ya no me es tan fácil diferenciar sus prestaciones individuales. Por ultimo, destacar el interés que me ha despertado la cámara Blackmagic Cinema Camera, la cual parece un novedoso intento de aproximarse a la industria cinematográ ca desde un nuevo ámbito mas simple y con una interfaz de usuario sencilla pero completa, un exquisito diseño de tanto los elementos grá cos de la UI como del exterior del producto, así como la incorporación de software propio y la alta compatibilidad de los formatos de grabación a varias plataformas ya existentes. Una apuesta arriesgada pero atractiva para el publico no profesional, la intención de la cual parece extender el nicho de mercado de la cinematografía, hacia usuarios independientes con conocimientos en la materia. Aunque sospecho que puede recibir cierto rechazo de la zona profesional por su diseño no convencional, creo que es una muy buena iniciativa para ampliar el mercado profesional desde un punto de vista alternativo a las HDSLR.

Fuentes de información:

DPreview: http://www.dpreview.com Ovide: http://www.ovide.com Art of the Story, Films Services Contact: http://goo.gl/7RWgA Vila Producciones: http://www.vilaproducciones.com Falco Films: http://www.falcofilms.com Chase Jarvis TECH, Complete Workflow for Photo and Video: http://goo.gl/kuzJY BH Photo and Video, Filmmakers Workflow: http://goo.gl/cV216 Mario Feil Films, My DSLR Workflow (Canon 5D/7D/T2i): http://goo.gl/FamxJ Wikipedia, Video Formats: http://goo.gl/zpEJM Wikipedia, DV: http://goo.gl/jgLmY Canon USA, Cinema EOS: http://goo.gl/4VfjS Canon USA, FAQ: http://goo.gl/3vR98 DALSA, 4K Digital Capture and Postproduction Workflow: http://goo.gl/GgbSu Abel Cine, How to import Footage in Avid, FCP X and Premiere: http://goo.gl/T350o Sony, Digital Motion Picture Cameras: http://goo.gl/NKFaI Arri, Workflow, Working with ARRIRAW: http://goo.gl/hbMSM Blackmagic Design, Blackmagic Cinema Camera: http://goo.gl/H2SZW Blackmagic Design, DaVinci Resolve: http://goo.gl/8vtex

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