...DRAMA REACTION OF DEATH OF A SALESMAN ENG 125 DRAMA REACTION OF DEATH OF A SALESMAN Death of a salesman and Hamlet are both great stories and great dramas that over the age other than being taught in school has been left in the dust. The author of death of a salesman is Arthur Miller and his death of a salesman is known to be used in conveying social matter on the American society. Death of a salesman shows how the American dream can be harder to achieve than some people expect it to be. Arthur uses time to his advantage as he uses flashbacks to at one point have a conversation with his dead brother of a past conversation that he is showing other people as he is playing cards. They are used to show his brothers success to try and push him in the right direction for willies sake. His sons also go back to see their past and recollect. Gripping with a influence of the past is a theme that all literature has become in modern literature and of Death of a Salesman ("What Literary Devices Does Miller Use In "Death Of A Salesman"?", 2015). The American Dream The American dream in my eyes is for wealth and happiness and many people would have the same dream and thoughts of what the American dream is and how they would precede it. Willy is always looking for a way to fix his sons after their failures and he uses the aspect of foreshadowing to try and show that even with the best of wises there is not always a way to fix problems for people that do not want to be fixed or that cannot...
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...History of Early Greek Drama Typically all humans enjoy a good laugh. After all, “Laughter improves the function of blood vessels and increases blood flow, which can help protect you against a heart attack and other cardiovascular problems” (Smith). The attention of a human being is automatically grasped when it comes to dramatic and comedic situations. It is almost like the human brain has an on and off switched that is flipped on when drama is involved; or when something is funny. “Ancient greeks from the 5th century BC onwards were fascinated by the wuestion of the origins of tragedy and comedy” (Saskia). During the time origin of Athens greek theatre was still on the rise. Greek theater was in a way a celebration to honor the Greek Gods. “A Greek God, Dionysus, was honored with a festival called [by] ‘City Dionysia’” (Greece). At the Dionysus festival in athens there were three main people todirect and perform ech play. Usually the author of a play would be one of the cast members. There were three well known Greek tragedy play writers in the 5th century. A man by the name of Aeschylus was one of the manificent writers. “Aeschylus was the first of the 3 renowned prize-winning Greek writers of tragedy” (Gill). Because only three people were allowed to participate in a single play, Aeschylus acted in most of the plays he wrote. When Aeschylus died, it was allowed to replay his plays. The reason replying Aeshylus’s plays was because “…during the Classical perios, each tetralogy...
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...However, one-dimensional storylines allow for improvisation and lacks structure, thus enabling positive reactions from the audience. Homunculus skilfully employed one-dimensional storyline to create humour and exemplify the human vices evident in the traditional stock characters. Through the use of movement and improvisation Homunculus successfully communicated the hilarity of human vices thus establishing dramatic meaning. An example of when improvisation was managed to heighten the vice of a character in order to create humour was through the character, Arlechinno. At this point, Arlecchino selected an audience member and physically manipulated the audience member’s limbs and legs into a position that resembled a statue. She then left the audience member on stage and told them to remain in that position. It was clear that the audience member was...
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...Plays are all about what people say and do, especially when we encounter them on the page instead of on the stage. First, read "Elements of Drama," which starts on page 1178 of your text. Then read August Wilson's Fences, which starts on page 1187. Think about what we learn about Troy and his sons through hearing them talk. They come from different generations, and each of them has had a unique experience of how the world works. Part of that difference derives from the fact that Troy grew to adulthood at the height of legal segregation, while the younger guys are coming of age during the Civil Rights movement. How does Wilson use dialogue to convey those differences? How does the idea of "manhood" show up in this play? Do these three men...
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...When we hear the words tragedies and comedies we can reference them to death and jokes; however, there is more to these concepts than can come to one’s mind especially in drama. In tragedies there is often the downfall of a tragic hero whereas in comedies the unexpected rise of the comic protagonist is to be laughed at due to the wit and humor used. Tragedies end in catastrophe as seen in the death of Romeo and Juliet unlike in comedies where the conflicts are to be made fun of, for example in Sure Thing, Bill the comic protagonist, makes every possible mistake when trying to pick up a girl in a café, but somehow still ends up getting the girl after many attempts. Tragedies and comedies are mostly defined by the emotions they evoke in the public...
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...PHILIPPINE THEATER Theater in the Philippines is as varied as the cultural traditions and the historical influences that shaped it through the centuries. The dramatic forms that flourished and continue to flourish among the different peoples of the archipelago include: the indigenous theater, mainly Malay in character, which is seen in rituals, mimetic dances, and mimetic customs; the plays with Spanish influence, among which are the komedya, the sinakulo, the playlets, the sarswela, and the drama; and the theater with Anglo-American influence, which encompasses bodabil and the plays in English, and the modern or original plays by Fihpinos, which employ representational and presentational styles drawn from contemporary modern theater, or revitalize traditional forms from within or outside the country. The Indigenous Theater The rituals, dances, and customs which are still performed with urgency and vitality by the different cultural communities that comprise about five percent of the country’s population are held or performed, together or separately, on the occasions of a person’s birth, baptism, circumcision, initial menstruation, courtship, wedding, sickness, and death; or for the celebration of tribal activities, like hunting, fishing, rice planting and harvesting, and going to war. In most rituals, a native priest/priestess, variously called mandadawak, catalonan, bayok, or babalyan, goes into a trance as the spirit he/she is calling upon possesses him/her. While entranced...
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...to really analyze and dig deeper into this story. People seem to take reading this story into a whole different perspective. Even though the story may show different negative sides to humans you have to really understand the story to say this. Shakespeare is a very influential poet he persuades and explains to the readers a lot of different things in his poems and short stories. Shakespeare is basically in this story telling humans to be aware of their surroundings because you never know when something my go bad. While on the other hand Macbeth’s themes and other literary elements usually talks about the disaster of something or just tragedy. In my opinion, his whole story would be considered as a tragedy. In this play it shows a lot of drama and gives off a fiery but attractive tome that draws the reader into the theme in the play. Shakespeare’s is known as the encyclopedia of humanities as they examine the most realistic and controversial issues of human nature. Shakespeare’s describes Macbeth’s inhumanity and human nature, which continually struggles against the evils in his soul. “To be or not to be” is about the choices we make in our everyday lives. I think Macbeth sometimes shows the negative side of the human nature. This play shows the character of people. A poet once said, “Macbeth is an example of how power destroys personality and ruins one’s life, where the pursuit of absolute power of King Macbeth ends with establishment of justice and his death.” In this play...
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...What is drama therapy? The central idea of drama therapy is the deliberate use of drama or the therapy process to help achieve therapeutic goals. This approach allows the child to tell their stories freely, it helps those set goals and solve problems and not forgetting, express their feelings in a creative manner. Theorist such as Peter Slade and Brian Way has laid the ground work of drama therapy. They helped shift the idea that creative drama is only meant for the classroom and moved it into other settings. These imaginative people began their works way before therapy of any sort was known. They ideas and theories have come a long way in the 21st century. Dealing with children is a very delicate task. The manner in which they are handled can either repair them or scar them forever. Although children seem to have similar face valued common trait, each child are not the same and they have to be handled differently. Being children, they have not yet experienced life therefore all of these emotions and feelings that they are going through are new to them and in most cases it becomes overwhelming that they do not know how to handle it all. Years ago, children who have suffered from things like child abuse or even neglect had only one option available to them and that was a direction interaction with a counselor or psychologist. This direct approach where though to help ‘heal’ the child by talking and explaining to them what, why and how to feel differently. However, times have...
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...Drama 2 - Semester 1 Study Guide and Review FORMAT OF TEST Section 1: Fundamentals & Acting (50 points) 20 questions (30 points) 3 short response (20 points) Section 2: Tragedy & Comedy (50 points) 20 questions (30 points) 3 short response (20 points) Section 3: Shakespeare (50 points) 20 questions (30 points) 3 short response (20 points) Section 4: Performance (50 points) Students will perform a monologue separately for Mr. Finley and be scored via the rubric below. 200 Points Total 90 points from 60 multiple choice / 60 points from 9 short response / 50 points from performance For each short response section, there are four questions offered, and you will choose three to answer, leaving one unanswered. You may choose to answer one additional question on the test for extra credit. FUNDAMENTALS & ACTING VIDEOS Personal Aesthetic Voice and Articulation Viewpoints for Movement Acting – Three Things NOTES Basic Voice Terminology Voice Terms Audible – able to be heard Articulate – to shape the sound in the mouth for clarity Inflection – variety of vocal pitch Pitch – the relative highness or lowness of the voice Project – to send the voice out to the audience Rate – speed at which one speaks Resonance – a rich, warm speaking quality Volume – the relative loudness of your voice Parts of the Instrument Articulators – the parts of the mouth which shape and define sound Diaphragm – the muscle below the...
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...A ‘Unit of Measurement' is important, whether in math, science or in acting. Plays are divided into acts, scenes and units. In theatre, a unit is the smallest actable portion in a script. A unit is the building block of conflict, and conflict is essential in drama. Scoring a script helps actors to clarify motivations, organize dramatic structure, and get specific with the nuances of the characters and the story. If scene partners score a script together, it can help get everyone on the same page. It is a tool to help actors focus their performances. There are many ways to score a script. Most modern American acting courses use a method that breaks scripts into "beats and units" and describes a character's arc in terms of "objectives, tactics and...
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...Mages (2008), drama is something that inherently possesses the characteristics and play in the television station. While for the drama practitioners, according to the Fox (1987), Heathcote (1984) McCaslin (1996) and O'Neill & Lambert(1982) its contend that drama promotes development and note that drama is particularly beneficial for fostering language development. Davis and Behm (1987) explain that the spectrum of activities involving children and the drama/theatre is established on the classic definitions of drama (a thing done) and theatre (to gaze on). The natural dramatic propensities of children, located at the far left on the continuum, are seen to be the bases of, and to infuse, all the forms of drama and theatre. Jyoti thottam says that, a typical telenovela which is an example of drama is that runs daily for months could require more than 100 episodes, in contrast to two dozen weekly episodes for a season of a prime-time network drama. CHAPTER 2: LITERATURE REVIEW 2.0 LITERATURE REVIEW Television Drama Television dramas will force networks and viewers to change their habits. Love, betrayal and cleavage all have starring roles in the plot of a typical of television drama which make people love to watch it. Jyoti Thottam(2006). Telenevola An Example Of Drama A typical telenovela that runs daily for months could require more than 100 episodes, in contrast to two dozen weekly episodes for a season of a prime-time network drama. Jyoti Thottam(2006)...
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...conflict in history. With the introduction, Branagh brings the play straight into an ominous atmosphere. The Blenheim Palace, where the movie was directed, was able to create a scene of dark impending dangers. The hours of night rather than daylight and a season of cold winter characterized the theme of death. Already the audience could observe Hamlet’s misery beginning to take place over his father’s end. The director succeeds to contrast the gloomy mood with the happy aristocrats living peacefully in the royal palace. Often, there were scenes of high-class men dressed in full uniform and women in jewels and evening dress gathering in the court in laughter or comfort. The sight is disconcerting to the viewer and helps reason why Hamlet’s reaction is impulsive and angry. Aside from the setting, Branagh continues to brighten the palace with vibrant colors such as, red and white. For example, the white and black tiles in the royal court depicted a figurative metaphor of peace and war. The mirrors on the side reflected the true versions of each character. What the character saw on the outside he could not see on the inside, because the...
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...The play kept everyone rolling and Trevor added sound/lighting operating mistakes that added to the laughter. It seemed real when the actors were being hurt, but I do not know, and the set falling apart was even funnier by their reactions and pain. I like how the writers set up the pace by eventually making characters freeze in a certain stance and taking the spotlight from them. It helped because I was looking at each character to see who’s next to do something ridiculous. Since this play is a comedy, I can’t describe who plays the good or bad guy, but the play within this play is something for you to find out. I did not mention the whole the cast because each one is a comedian to me and I would give too much away about the play. As for the writers in action, they killed it on the stage, and no more is need to be said about their acting besides the fact that it’d watch this show again. Overall, this is a show for all ages, old, young, it doesn’t matter, everyone that night...
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...“Australian theatre reflects the changing artistic, social, political and personal issues and concerns of our nation.” Theatre performance has existed in Australia for around 200 years and the subject of Drama has been taught since the 1970’s. This is with the exception of Aboriginal corroborees, a form of dance drama which have been around for around 40 000 years. Australian theatre began officially on June 4th, 1789 with the production of ‘The Recruiting Officer’ months after the first fleet Arrived in Australia. The production was comedy that had been very successful in England. In Australia it was performed in a mud hut by convicts and had an audience of around sixty people. In the intermission things such as wheat, rum, tobacco and fowls were sold, as this was all that the convicts could afford. Theatre performance gained a new perspective in Australia in 1796 when Robert Sidaway, a convict, opened the first theatre in Australia, which seated 120 people and had an admission of one shilling. This theatre was closed due to pickpocketing and burglary, however another one was opened by Sidaway in 1800 though it did not last very long either. The main focus of Australian theatre has been on bushrangers and convicts. For over a century stories of Michael Howe, who was shot and killed in Van Dieman’s land in 1818, have been the types of stories that Australian plays have been written about. The very first play in Australian theatre was written by David Burn and was entitled...
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...hopeless love triangles, and lack of healthy relationships between almost every single character; I personally enjoyed it. Don’t get me wrong, I felt the sadness and hopelessness of the characters and plot, however, it was almost the pure paradoxical mannerisms that allowed me to actually enjoy it. It was almost as if every single character set up or created their own happiness and in some alternate reality the sad ending of the play could have been avoided. This was my reaction from just reading it. Upon actually watching the play in class, all of my inhibitions and fear of being judged for my cruel sense of humor dissipated. Physically watching the play made my thoughts more apparent and clear. I really started to feel badly for Nina due to the fact that she was, in a sense, stripped of her innocence, whereas reading it made me dislike her naivety. Section 2 In Anton Chekov’s The Seagull, there can be many debate as to what the genre of the play falls into. Some argue it is pure tragedy, others argue drama, but there are others, including Chekov, that argue it is a comedy. While these are very matter of fact and binary answers, I argue that the genre is not so black and white. Due to the paradoxical characters and their tragic demise, the genre of The Seagull can be categorized as a, “tragicomedy.” The Seagull possesses many elements of tragedy such as: believable characters, realistic events, and unhappy or unfortunate outcomes. However there is still an undertone of...
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