...Marshalin Redwood ENGL207 16th December 2014 Final Essay: Revising & Relating to the World Literature Shakespearean Lingua As the world flourishes, the use of words changes. The English language originated from Anglo- Frisian dialect that was brought to Britain by Germanic marauders. Dialects are an opportunistic approach of understanding about the backdrop of the English language. Shakespeare gained the comprehensive knowledge and passion for the literature. Shakespeare was known to develop the Early Modern English language. He is the insightful genius of coined everyday phrases that is used in this generation. Shakespeare’s literary works used the world around him to disseminate the concepts of social class and human behavior. These concepts are demonstrated in The Tempest and Une Tempête. Une Tempête is a play by Aimé Césaire who shadowed Shakespeare’s, The Tempest. The problem is not Aimé Césaire’s version of Shakespeare’s play but it is the comprehension of Early Modern English. When students study the Early Modern English language, there is a debate of whether the use of SparkNotes embodies the understanding of what Shakespeare is exploiting. The use of SparkNotes only translates the plays in simplistic form; it does not give definitive historical facts about the words that Shakespeare uses. Shakespeare distinctively incorporated rhythmic patterns, play on words that exposed a character’s purpose in the play and his ideologies about society. Each play Shakespeare...
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...An Inspirational Thought Ten Commandments of Human Relations By Author Unknown 1. Speak to People. There is nothing as nice as a cheerful word of greeting. 2. Smile at People. It takes 72 muscles to frown, but only 14 to smile! 3. Call People by Name. The sweetest music to anyone's ear is the sound of his or her own name. 4. Be Friendly and Helpful. If you would have friends, be friendly. 5. Be Cordial. Speak and act as if everything you do were a real pleasure. 6. Be Genuinely Interested in People. You can like everyone if you try. 7. Be Generous with Praise, Cautious with Criticism. Praise will win out when it comes to gaining friends. 8. Be Considerate of the Feelings of Others. It will be appreciated. 9. Be Thoughtful of the Opinions of Others. People love their opinions as they do their own children, calling them ugly won't get you anything but anger. 10. Be Alert to Give Service. What counts most in life is what we do for others! "THE TRUE DECALOGUE" by Apolinario Mabini First. Thou shalt love God and thy honor above all things: God as the fountain of all truth, of all justice and of all activity; and thy honor, the only power which will oblige thee to be faithful, just and industrious. Second. Thou shalt worship God in the form which thy conscience may deem most righteous and worthy: for in thy conscience, which condemns thy evil deeds and praises thy good ones, speaks thy God. Third. Thou shalt cultivate the special gifts which God has granted...
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...EN5314 Roots and Development of English 2014-15 Coursework assignment 1 (Old English) This assignment is worth 25% of your overall mark for this module Please submit your answers electronically, as a PDF document, by the deadline: Thursday 11th December 2014, 12noon Instructions This work must be completed on your own. Working with others is not permitted. Please word process all of your answers and convert your document to a PDF. Your student assessment number (but not your name) must be included on your coursework. Carefully follow the instructions on how to present your answers. Lack of clarity in your answers may lead to deductions in marks. Answer ALL the questions. SECTION A 1) Transcribe sentences a) – d) below as they might have been pronounced in the Old English period, using the phonemic alphabet. A modern English transliteration has been provided for reference only. Remember that a macron (line above a letter) indicates a long vowel. NB: Please use http://ipa.typeit.org/full/ and http://icelandic.typeit.org/ for the relevant phonemic symbols which are not part of the standard keyboard. 2) Identify all the noun phrases in sentences a) to d) below and in each case rewrite them in Old English and label them according to whether they are in the nominative, accusative, genitive or dative case. You must label all and only those words which form part of each noun phrase. A modern English transliteration has been provided...
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...CAROLYN L GASEFETE CHILD GUIDANCE HOPE FOUNTAIN MASTER GUIDE CLUB As parents we have the obligation of giving physical, mental and spiritual instruction. These 3 elements of a balanced character have been looked more in depth through the book Child Guidance, but this paper is just a sneak peak of what it entails. Physical - Health - What are we feeding our children? Is it food that will give them strength and a clear mind to fight their battles each day. "Our bodies are constructed from what we eat; and in order to make tissues of good quality, we must have the right kind of food, and it must be prepared with such skill as will best adapt it to the wants of the system. It is a religious duty for those who cook to learn how to prepare healthful food in a variety of ways, so that it may be both palatable and healthful." {CG 373.2} Exercise - "In the children and youth an ambition should be awakened to take their exercise in doing something that will be beneficial to themselves and helpful to others. The exercise that develops mind and character, that teaches the hands to be useful and trains the young to bear their share of life's burdens, is that which gives physical strength and quickens every faculty. And there is a reward in virtuous industry, in the cultivation of the habit of living to do good." {AH 506.2} Learning a trade - "Schools should be established that, in addition to the highest mental and moral culture, shall provide the best possible facilities...
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...SKILL AND IMPORATANCE TOOLS IN DECOVERING YOUR DESTINY Destiny mean the aspiration of your soul being whispered to you on a daily basis, more so destiny follow your purpose the one you were created for, doing that one thing that makes you sing to do it, that one thing make you believe in the greatness and joy that life has to offer. Following a destiny is the closest thing to living your truth as a human being “Gen 12:1” when God call Abram he aspect is destiny and he also follow God instruction. “Job 2:1” when Satan attack job health and everything job till stand and aspect is destiny, because destroy is the closest thing to live your truth as a human being. Destiny can frighten you, it challenges the soul and ask it to because something that seems impossible, this is when you know you are on the right track, Isaiah 41:10-11 “fear thou not, for I am with thee, be not dismayed, for I am thy God ,I will strengthen three-year, I will help thee yea, I will uphold thee the right hand of my righteousness. Behold, all they were incensed against thee shall be ashamed and confounded, they shall be as nothing, and they that strive with thee shall perish”. Destiny give you comfort when your world in upside down r falling apart, your destiny beg you to believe and believe even more in yourself. Destiny strengthen your character and helps you to stretch your already thinning faith to surrender more,this is when you know you have allowed your destiny to guide your life people will...
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...Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? Or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressèd brain? I see thee yet, in form as palpable As this which now I draw. Thou marshall’st me the way that I was going, And such an instrument I was to use. Mine eyes are made the fools o' th' other senses, Or else worth all the rest. I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before. There’s no such thing. It is the bloody business which informs thus to mine eyes. As he looked their seemed to be a dagger Hanging there. He closed his eyes and opened them again. It was still there the handle ready for him to grab. So he tried to grab it. His hand went right through it: it was there and yet he couldn't touch it. Was it his imagination, a phantom created in his sick mind? As he took out his own, dagger: the phantom dagger pointed to Duncan's room. He knew he was seeing things but it seemed real. When he looked again there was blood on it, which wasn’t there before. This was crazy. It couldn’t be real. He knew it was the violence from his mind that was manifesting in the form of the bloody dagger. As he stood there his mind was filled with murder and other horrible images and it scared him. Will all great Neptune’s ocean wash this blood Clean from my...
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...The text under analysis belongs to the tragedy genre of drama. I have chosen an abstract from the Shakespearean play “Romeo and Juliet”, especially the conversation between the protagonists. Key words of especially this abstract are “name” and “love”. They are repeated many times. And no wonder, we know, that one of the main themes of this play is unhappy love of the main characters. Concept of love is percepted by the reader in two meanings: something high and beautiful and dark, unlucky at the same time. The second word is name. Because the name is the only reason they can’t be together, they hate their names and would be happy to change them, if only they could: “ 'Tis but thy name that is my enemy” “By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself, Because it is an enemy to thee; Had I it written, I would tear the word”. As to the compositional structure, this abstract consists of dialogues, monologues and author’s remarks. It should be mentioned, that the role of author’s remarks is used to the description of the place, changing of the characters on stage. In this text remarks are almost absent: “Enter ROMEO”, “Nurse calls within”. The structure of dialogues isn’t homogeneous. Replicas of the characters are different in terms of length. It depends on the topic of conversation: when they discuss their feelings, replicas are rather long: “'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's...
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...Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up...
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...From fairest creatures we desire increase, That thereby beauty's rose might never die, But as the riper should by time decease, His tender heir might bear his memory: But thou contracted to thine own bright eyes, Feed'st thy light's flame with self-substantial fuel, Making a famine where abundance lies, Thy self thy foe, to thy sweet self too cruel: Thou that art now the world's fresh ornament, And only herald to the gaudy spring, Within thine own bud buriest thy content, And, tender churl, mak'st waste in niggarding: Pity the world, or else this glutton be, To eat the world's due, by the grave and thee. As the opening sonnet of the sequence, this one obviously has especial importance. It appears to look both before and after, into the future and the past. It sets the tone for the following group of so called 'procreation' sonnets 1-17. In addition, many of the compelling ideas of the later sonnets are first sketched out here - the youth's beauty, his vulnerability in the face of time's cruel processes, his potential for harm, to the world, and to himself, (perhaps also to his lovers), nature's beauty, which is dull in comparison to his, the threat of disease and cankers, the folly of being miserly, the need to see the world in a larger sense than through one's own restricted vision. . From fairest creatures we desire increase, fairest creatures = all living things that are beautiful. increase = procreation, offspring. A reference also to the increase...
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...My Last Farewell 1 Farewell, dear Fatherland, clime of the sun caress'd, Pearl of the Orient seas, our Eden lost! Gladly now I go to give thee this faded life's best, And were it brighter, fresher, or more blest, Still would I give it thee, nor count the cost. 2 On the field of battle, 'mid the frenzy of fight, Others have given their lives, without doubt or heed; The place matters not--cypress or laurel or lily white, Scaffold of open plain, combat or martyrdom's plight, 'Tis ever the same, to serve our home and country's need. 3 I die just when I see the dawn break, Through the gloom of night, to herald the day; And if color is lacking my blood thou shalt take, Pour'd out at need for thy dear sake, To dye with its crimson the waking ray. 4 My dreams, when life first opened to me, My dreams, when the hopes of youth beat high, Were to see thy lov'd face, O gem of the Orient sea, From gloom and grief, from care and sorrow free; No blush on thy brow, no tear in thine eye 5 Dream of my life, my living and burning desire, All hail! cries the soul that is now to take flight; All hail! And sweet it is for thee to expire; To die for thy sake, that thou mayst aspire; And sleep in thy bosom eternity's long night. If over my grave some day thou seest grow, In the grassy sod, a humble flower, Draw it to thy lips and kiss my soul so, While I may feel on my brow in the cold tomb below The touch of thy tenderness, thy breath's warm power. Let the moon...
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...How is it that ye sought me? wist ye not that I must be about my Father's business? Suffer it to be so now: for thus it becometh us to fulfill all righteousness. It is written, Man shall not live by bread alone, but by every word that proceedeth out of the mouth of God. It is written again, Thou shalt not tempt the Lord thy God. Get thee behind me, Satan; get thee hence: for it is written, Thou shalt worship the Lord thy God, and him only shalt thou serve. What seek ye? Come and see. Thou art Simon the son of Jona: thou shalt be called Cephas. Follow me. Behold an Israelite indeed, in whom is no guile! Before that Philip called thee, when thou wart under the fig tree, I saw thee. Because I said unto thee, I saw thee under the fig tree, believest thou? thou shalt see greater things than these. Verily, verily, I say unto you, Hereafter ye shall see heaven open, and the angels of God ascending and descending upon the Son of man. Woman, what have I to do with thee? mine hour is not yet come. Fill the waterpots with water. Draw out now, and bear unto the governor of the feast. Take these things hence, make not my Father's house a house of merchandise. Destroy this temple, and in three days I will raise it up. † Verily, verily, I say unto thee, Except a man be born again, he cannot see the kingdom of God. Verily, verily, I say unto thee, Except a man be born of water and of the Spirit, he cannot enter into the kingdom of God. That which is born of the flesh is flesh:...
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...Gitanjali (Song offerings) by Rabindranath Tagore Formatted for Rocket eBook by: Kirby A. Heintzelman - June, 2000 Rabindranath Tagore(1861--1941), was the first non-White to receive Nobel prize (1913) for Literature. The event of course caused some furor at the time. New York Times in its prodigious generosity consoled its readers by alluding to the fact that after all Tagore was of Aryan Stock. It was first published in 1913 as a collection of prose translations made by the author from the original Bengali (a language of India) Poems. Evidence does indicate that the poet W.B. Yeats had a hand in editing and publishing it! GITANJALI 1 Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life. This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new. At the immortal touch of thy hands my little heart loses its limits in joy and gives birth to utterance ineffable. Thy infinite gifts come to me only on these very small hands of mine. Ages pass, and still thou pourest, and still there is room to fill. 2 When thou commandest me to sing it seems that my heart would break with pride; and I look to thy face, and tears come to my eyes. All that is harsh and dissonant in my life melts into one sweet harmony---and my adoration spreads wings like a glad bird on its flight across the sea. I know thou takest pleasure in my singing. I know that only...
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...For other uses, see Essay (disambiguation). Essays of Michel de Montaigne Essays are generally short pieces of writing written from an author's personal point of view, but the definition is vague, overlapping with those of an article, a pamphlet and a short story. Essays can consist of a number of elements, including: literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and reflections of the author. Almost all modern essays are written in prose, but works in verse have been dubbed essays (e.g. Alexander Pope's An Essay on Criticism and An Essay on Man). While brevity usually defines an essay, voluminous works like John Locke's An Essay Concerning Human Understanding and Thomas Malthus's An Essay on the Principle of Population are counterexamples. In some countries (e.g., the United States and Canada), essays have become a major part of formal education. Secondary students are taught structured essay formats to improve their writing skills, and admission essays are often used by universities in selecting applicants and, in the humanities and social sciences, as a way of assessing the performance of students during final exams. The concept of an "essay" has been extended to other mediums beyond writing. A film essay is a movie that often incorporates documentary film making styles and which focuses more on the evolution of a theme or an idea. A photographic essay is an attempt to cover a topic with a linked series of photographs;...
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...Essays are generally scholarly pieces of writing written from an author's personal point of view, but the definition is vague, overlapping with those of an article, a pamphlet and a short story. Essays can consist of a number of elements, including: literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and reflections of the author. Almost all modern essays are written in prose, but works in verse have been dubbed essays (e.g. Alexander Pope's An Essay on Criticism and An Essay on Man). While brevity usually defines an essay, voluminous works like John Locke's An Essay Concerning Human Understanding and Thomas Malthus's An Essay on the Principle of Population are counterexamples. In some countries (e.g., the United States and Canada), essays have become a major part of formal education. Secondary students are taught structured essay formats to improve their writing skills, and admission essays are often used by universities in selecting applicants and, in the humanities and social sciences, as a way of assessing the performance of students during final exams. The concept of an "essay" has been extended to other mediums beyond writing. A film essay is a movie that often incorporates documentary film making styles and which focuses more on the evolution of a theme or an idea. A photographic essay is an attempt to cover a topic with a linked series of photographs; it may or may not have an accompanying text or captions. Contents...
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...Introduction “Police history” predates the evolution of the “police” as a permanent occupational group within a bureaucratic institution, providing the primary state response to crime and disorder. That was primarily a development of the 19th century and a reaction to the rapid social change of the industrial revolution and rapid urbanization. Prior to 1800, governments maintained order by a variety of means, local and national. One of the key historical debates concerns the effectiveness of these approaches and the degree of continuity between the premodern and modern police models. Around 1800 a small number of distinctively different types of police institution emerged. The French, under Napoleon, instituted the Gendarmerie, a state military police model. It evolved from the “Marechaussee,” which had had a dual military and civil function since the 16th century. The model was exported across Europe by Napoleon. The British developed two models. The first, set up to answer similar challenges to the Gendarmerie in France, was the Royal Irish Constabulary model. It was close to the state military model, but distinctively styled as part of the civil power of the state and subordinated to the Magistracy. The Irish model was subsequently exported to Britain’s colonies and became the basis of forces such as the Indian Police Service. The Metropolitan Police was consciously created as a local force with a uniform that was deliberately different from the military and a mission that...
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