...custom then for women and children not to attend funerals, which were considered a male province, but at the last minute Clara managed to slip into the cortège to accompany her sister Rosa…” (Allende 30). This shows that even from an early age, Clara always believed in going against the favored traditions and practices that were just simply unfair towards women. By far, Clara’s best display of women’s liberation comes from her marriage with the wealthy and powerful Esteban Garcia....
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...The book begins with the De Valle family attending church. Nviea is the mother of 15 children and only 11 survived and the father is Severo who is a politician in the Liberal Party. The book take place in Chile and it focuses on the lives of the De Valle family though multiple generations. Clara is one of the main characters who can see the future and later marries her sister Rose’s fiancé. The family is struck with tragedy as the inhumanly beautiful daughter Rose is poised by accident by an attempt on the life of Severo. Esteban Trueba is filled with grief and rage after receiving the news of the death of rose. He has been working in the mine for two years in order to become rich and marry her. The tragedy marks a turning point in the family...
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...Inside the Mind of Giselle Esteban Giselle Esteban, 27 has been accused of murdering Michelle Le, 26. Le went missing on May 27, 2011 and was found in a shallow grave in the Sunol-Pleasanton wilderness on September 17, 2011. Esteban was indicted on December 14, 2011 and entered a plea of not guilty. In November of 2011, Giselle gave birth to her 2nd child. Her trial date is set for September 17, 2012. (Kurhi, 2011). Using a bio-psychosocial approach, we are trying to understand why she thought, acted and felt the way that she did. One can consider, what was the biology of her mind, the psychology of her motivation, and the social aspect of her memories? Here we consider the possibilities of what causes a person to terminate another human’s life? Esteban 3 Giselle and Michelle were friends at Mt. Carmel high school in San Diego. Eventually, they relocated to the bay area. Giselle lived in an apartment in Union City. She was involved with a man named Scott Marasigan and their relationship resulted in a daughter who is now about five years old. Scott was awarded custody of their daughter and a restraining order, to prevent Giselle from having access to either Scott or their daughter, on May 24, 2011, just 3 days before Michelle disappeared. Giselle has accused Michelle and Scott of having an affair. Michelle was a nursing student at Samuel Merritt University Kaiser in Oakland, California and worked for Kaiser Permanente Medical...
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...Pauline Ford 18 July, 2017 Art Appreciation- Professor Richard White 1pm Bartolomé Esteban Murillo Bartolomé Esteban Murillo was the most popular Baroque religious painter of 17th-century Spain. Murillo was the first and only Spanish painter to be extensively well known throughout Europe in his era. Murillo studied under a relative of his where he discovered his passion towards realism. Later on Murillo was exposed to the Flemish and the Venetian style of Baroque art. His art went from the more contemporary naturalistic style to the more grand style of Baroque art. . Murillo's softly modeled forms, rich colors, and broad brushwork of his later paintings was influenced by 16-century Flemish painters. Murillo's worldly pictures mainly reflect...
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...” (1). The women believe the drowned man is so incredible that “they secretly compared him to their own men,” (1). The women start to doubt their own men. The drowned man makes the women think “that for all their lives theirs [men] were incapable of doing what he [drowned man] could do in one night,” (2) and they end up “dismissing them deep in their hearts as the weakest, meanest, and most useless creators on earth,” (2). While the women were “wandering through that maze of fantasy,” (2) the oldest woman looked at the drown man “with more compassion than passion” deciding that the magnificent drowned man “‘has the face of someone called Esteban,’” (2). Shortly after, the women understood “how unhappy he must have been with his huge body since it bothered him after death,” (2). Later the women covered his face with a handkerchief and Esteban “looked so forever dead, so defenseless,” (2) that the women went form from sighs, to wails, and the more they sobbed the more they felt like weeping,” (2). The women’s emotions toward the drowned man kept...
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...male characters are caught in romantic conflicts which create and continue the lives of these as well as the life of other characters, therefore, positioning these characters in a level of importance more significant than many of the other involving characters. In Like Water for Chocolate the character of Pedro Muzquiz is of extreme relevance to the novel of Laura Esquivel. Pedro is initially presented to the readers as a man who is madly in love with Tita, the youngest daughter of Mama Elena, who due to family tradition is unable to marry Pedro because she now has to dedicate her life to taking care of her mother until her respective death. In a similar way, Esteban Trueba in The House of Spirits is the male protagonist, whose life is analyzed throughout the duration of the novel, ending after his death. Esteban, in a similar way to Pedro, is forbidden to marry his loved one Rosa, who due to political motives, is accidentally murdered after drinking venom that is initially meant for her father. Both these characters have strong feelings towards their loved ones and at a certain point in the novel are at a significant physical distance. In Esteban’s case, Rosa is at the del Valle’s house while he is working in the mines “and trusting that someday he would strike a marvelous seam of gold that would allow him to become a rich man overnight and return to lead Rosa by the arm to the altar”, saving all his money so that one day he will be able to support his matrimonial life with...
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...developed fury and pride in Esteban as he endeavors to compensate for them. In combination, the fury and pride engender a belligerent character to anyone associated to him as an adult. This passage is additionally narrated by Alba, who is narrating on behalf of Esteban in the future. The words Esteban use to describe his childhood develops sympathy in the reader for him, as if he wants you to forgive him for the violence he portrays on others. Esteban not only feels like he has a constricting childhood, but withal feels as if it was stolen from him by his father. Esteban...
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...Knowing Your Audience Paper and Communication On August 5, 2010 in Chili, a San Jose Mine collapsed. The Minera San Esteban Primera Company had their employees working during this collapse, which was fatal 33 miners were killed. They fell in hole that was 300 meters or 2,300 feet below. The 33 fatal employees consist of one Bolivian and 32 of them were Chileans. At this time there was chaos wondering if there were any survivors in the trapped hole. When the media came out and broadcasted the news, all of that was reported was havoc and chaos leaving the whole world wondering and assuming the worse for 17 days. The Minera San Esteban Primera Company next step was to coordinate a rescue, and how they were going to address the families of the 33 trapped workers. The Minera San Esteban Primera Company amazing impressed and inspired Chili with their rescue mission. The rescue that had the miners trapped for a few months in a narrow shaft that was a half of mile deep was successful. The rescue took almost a full day to accomplish once communication was established. Moreover, with the quick training and coordination of Luis Urzua is which helped the miners survived. Luis Urzua was the last member to come out of the hole. Chili has unstable mines, because of their frequent earthquakes. Therefore, with the impressive techniques and resources, Codelco, which is as state owned mining company, started drilling exploratory holes, eight to be exact. On the seventeenth day...
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...Individuals rely on fictional tales in order to access a deeper understanding of reality. However, since reality is too complex to explain in pragmatic terms, authors are sometimes forced to turn to other means of explanation. The House of the Spirits, by Isabel Allende, incorporates magical elements into a familiar atmosphere in order to explain one’s relationship with the world. Overall, through Clara’s magical abilities which show her inexorable love for her family, Allende demonstrates how a woman’s relationship with her loved ones changes the course of their lives. For example, Clara’s spiritual abilities allow her loved ones to preserve their dignity, particularly as death takes the best of them. While Clara and Ferula search for Nivea’s decapitated head, “guided by her instincts for seeing what [is] invisible,” Clara says to the driver, “’Go straight, I’ll tell you the route” (Allende 122). Through the author’s use of a paradox, as Clara is able to see what is invisible to others, the reader comprehends that finding Nivea’s head, which once sheltered her mind and thoughts, is significant to Clara particularly. Despite the rescuers’ search, Clara shows a firm mother-daughter relationship as she is able to use her dream and instincts to find Nivea’s head, and ensure that Nivea is able to genuinely rest in peace. Also, after Alba loses the courage to continue living in prison, she invokes her grandmother’s spirit a number of times to help her die. However, Clara “[appears]...
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...developed fury and pride in Esteban as he tries to make up for them. In combination, the fury and pride create a violent character to anyone associated to him as an adult. This passage is also narrated by Alba, who is narrating on behalf of Esteban in the future. The words Esteban uses to describe his childhood develops sympathy in the reader for him, as if he wants you to forgive him for the violence he portrays on others. Esteban not only feels like he has a harsh childhood, but also feels as if it was stolen from him by his father. Esteban states, “Trueba had simply been...
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...Paper 3 Comparison of A Very Old Man with Enormous Wings and The Handsomest Drowned Man The old man from the story A very old man with enormous wings and Esteban from the story The Handsomest drowned man in the world are opposites of each other, maybe the only similarity that they have is that they are both flat and static characters. First, they are different in terms on how they are portrayed. The old man who is an angel, was portrayed as an ugly old man who doesn’t even resemble an angel. We can see this in paragraph 2, “He was dressed like a rag picker. There were only a few faded hairs left on his bald skull and very few teeth in his mouth…” While Esteban who is a only a dead guy was portrayed as a good looking guy. We can see this in paragraph 4, “Not only was he the tallest and strongest, most virile, and best built man they had ever seen, but even though they were looking at him there was no room for him in their imagination”. They also have different effects on the story. The old man, has a positive effect on the story. Since he appeared in the story, Pelayo’s family got lucky. Several events can prove this, in paragraph 4, “the child woke up without a fever and with a desire to eat” and in paragraph 11, “with the money they saved they built a two-story mansion…” On the other hand, Esteban has quite a negative effect in the story. Since he appeared in the story, the women started comparing their husbands to him and because of this the women started to...
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...also reciprocates to the villagers affecting them substantially. Márquez uses Esteban to catalyze the transformation of the village, “there was so much truth in his manner that even the most mistrustful men…shuddered in the marrow of their bones at Esteban's sincerity” (Márquez). However, it is the villagers which influence and choose the transformation of their little fishing village. The village prior to the Esteban’s arrival was “made up of...wooden houses that had stone courtyards with no flowers” (Márquez), a bleak and bland description for the villagers shows the insignificance that they hold; however, the crossing of paths between Esteban allows for a significant transformation within the villagers. They become aware of the “desolation of their streets, the dryness of their courtyards, the narrowness of their dreams” (Márquez), allowing their transformation to flourish. They begin to change the landscape of their village, the women bring more flowers and more women with flowers for their drowned man they change their attitudes and lifestyles as well, widening doors, raising...
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...In combination, the fury and pride engender a belligerent character to anyone associated with him. This passage is additionally narrated by Alba, who is recounting these events on behalf of Esteban in the future. The diction Alba uses to describe his childhood evokes sympathy in the reader, in such a way that he wants you to understand and agree with him on why he renders violence on others. Esteban not only feels like he has a constricting childhood, but withal feels as if it was stolen from him by his father. Esteban states, “Trueba had simply been a regrettable accident in the life of Dona Ester, who was destined to marry someone of her own class, but she had fallen in love with that good-for-nothing immigrant…[who] had squandered first her dowry and then her inheritance.” (Allende 45) Allende uses genealogy to effectively characterize Esteban through this line. The childhood he feels was robbed from him by his father’s surname, effects how he views passing on his own. Esteban belligerently rapes the fifteen year old girl named Pancha Garcia, who is the first of many women to be ravished by Esteban, and consequently becomes impregnated with his first son. Esteban kenned that him, as well as many other children of Tres Marias over the years were his, but never claimed one because he feels “the only ones that...
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...firsthand this would be difficult for anyone to imagine. This was the terrifying and exhausting reality for 33 Chilean gold miners August 5, 2010 through October 9, 2010. There are two difficult types of communication that the San Esteban Company faced. The Company had to address the families of the trapped miner’s and the rest of world. The considerations of roles the Company played when addressing the two different audiences will be discussed. And what actions were taken before and after the message was delivered to ensure that the messages were received as they were intended for each audience. Addressing the Audience Everyone experiences fear in their own way, but the thought of being trapped half a mile underground, 2600 feet, almost 900 meters is a terrifying thought for anyone. The miner’s from the San Esteban Mining Company lived through the fear of claustrophobia for 70 days in almost complete darkness. It took 17 days before the miners were discovered to be trapped and still alive. The miners made two days of food and water last 17 days. The miners were discovered through constant attempts from their Company digging trying to find the miners exact location. In August of 2010 this story has all of the world’s attention on Chile. The San Esteban Mining Company understands that any error could have further negative effects to the future of their business. The mining company must understand the audience with which they are dealing with. The company must address the...
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...objects with her mind. Although Rosa is not particularly spiritually inclined, she is born with the exquisite looks of a mermaid. The fact that she is born this way suggests that an otherworldly nature is ingrained in Rosa and therefore in the rest of her family. Even though the Trueba household is known as "the big house on the corner," we know from the title of the novel that it is really "The House of the Spirits." Spiritual creatures dominate the household despite Esteban Trueba's relentless materialism, and even seep into his own life after Clara's death, when visions of her comfort him. During her lifetime, Clara's disregard of the material world in favor of the spiritual world maddens Esteban. Even though Esteban thinks spirits to be a phony business, a part of him is jealous of Clara's connection to them: "He wanted far more than her body; he wanted control over that undefined and luminous material that lay within her and that escaped him even in those moments when she appeared to be dying of pleasure." Esteban realizes that Clara's spiritual connections are completely separate from him, meaning that he cannot control or be a part of them. He does, however, tolerate them. It is during Clara's heyday that "the big house on the corner" transforms into "The House of the Spirits," when guests of all kinds circulate through its doors. "Spirit" suggests otherworldliness, but also worldly pleasures (as in "good spirits"). Clara brings both spirituality and good cheer to the house...
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