...In the play, Antigone, written by Sophocles, Antigone embodies the tragic hero because she achieves recognition of the will of the gods, she displays better character traits and morals than the other characters, and she has a desire to do good for her family. Throughout the play, Antigone achieves recognition of the will of the gods regarding the death and burial of her brother, Polyneices. Antigone strongly believes that the fulfillment of the will of the gods is much more important than obeying an order from Creon, a mortal king. For example, Antigone retorts to Creon, “Nor did I think your orders were so strong that you, a mortal man, could over-run the gods’ unwritten and unfailing laws” (Sophocles 14). Antigone explicitly states that she will not obey Creon’s orders since they infringe on her duty to the gods. This statement reveals Antigone’s tenacity and passion for fulfilling this duty. When Antigone states “unwritten and unfailing laws” it shows how she believes...
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...the play Antigone, Antigone is a woman who did anything to honor her deceased brother. Even though she knew the severe consequence she would face for refusing Creon's proclamation toward the burial of her brother.The theme of this is that both characters have different views with their situation causing controversy between the two.In the play Antigone,Creon is shown to be a tragic hero through his interactions with Antigone. This develops the theme of the play .By these tragic flaws such as Rude ,Serious, and Unfair. One of Creon's trait that develops the theme of the play is that Creon is ignorant. For example in the play Antigone, Creon said to in line (654)”I...
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...their government or social rules that are acceptable within their circle of friends or society. And maybe, some people feel that they have power in this world, and, therefore, have the ability to create their own rules or think that rules don’t apply to them. A great example of determining right vs. wrong would be in the play, “Antigone,”...
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...Many people believe that one of the strongest drives humans possess is their desire for power. Whether it’s power by wealth, power in a position at work, or even power in a relationship, humans strive to always be on top. Everyone wants it in one form or another, and they will sometimes resort to drastic measures to get it. In Antigone, power both corrupts and blinds some of the characters. The clearest example of power is by far King Creon of Thebes, who is arrogant, insensitive, and just plain cruel to the individuals around him. Another example of power, which is more of a struggle for power, is Antigone, the main character in the play. She is a young girl who rises up alone against the state power. In Sophocles great tragedy, Antigone, power is an eminent theme that fatally affects the lives of both Antigone and Creon, each with their own struggle to defy power. During the course of the play, Creon becomes so engulfed in his own power that he begins to rule with an iron fist. The central concern of the play is Antigone’s fateful struggle against Creon’s cruel edict. Creon holds absolute power in themes, which he abuses throughout the play. Creon made a decree that prohibited anyone from burying Polyneices’ body, and he was proud of it. When the decree was broken by Antigone, Creon felt a threat to his power, and therefore sentenced her to death. Creon’s son, Haimon, tried to persuade his father to take away Antigone’s death sentence, but Creon refused without saying why...
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...Antigone Acting the role of: Antigone ‘Antigone’ is a Greek tragedy written by the playwright Sophocles, about a girl named Antigone who defies the law to bury her brother who was considered a traitor, who died at war fighting her other brother, who was given a proper burial. I played the character of Antigone, and I thought I used my vocal skills, facial expressions and body language to portray her as a brave, strong-willed and fearless woman. At the very beginning of the scene where Creon, the king, is confronting Antigone for the crime she has committed, I say the line ‘I admit it; I deny nothing.’ As we used levels for this scene with Creon standing on the podium to illustrate the power and authority he holds, I wanted to show the audience that he did not scare me. I used my vocal skills to portray this to the audience; I spoke calmly and put extra emphasis on the word ‘nothing’ to show that Creon does not intimidate Antigone, and she doesn’t care about the punishment waiting for her. I stared Creon straight in the eyes with a blank expression and didn’t break eye-contact whilst saying the line, to portray Antigone’s fearless nature to the audience and to illustrate that she is not ashamed of what she has done. I stood with my arms by my side and good posture, to reveal that Antigone has respect for Creon as she should rightfully have as he is the king. However, I did not hunch over or close myself inwards as this would’ve portrayed Antigone as a cowardly person and...
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...Antigone, a Greek tragedy written by Sophocles and translated by Ruby Blondell, is a story in which the “hero” (Antigone) is easily praised and the “enemy” (Kreon) is easily hated. It is human nature to root for the underdog, or the one who is being wronged, and not give the other side a chance. The very opening scene of the play immediately shows us the thoughts and feelings of Antigone, and her hatred towards Kreon. This almost forces the audience to side with Antigone because we are given no insight to Kreon’s point of view until later on when it is almost too late. However, after a careful examination of the play, I developed more respect and sympathy for Kreon than I did Antigone, just by further studying their motives behind their actions....
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...Surname 3 Student's Name Professor's Name Course Date Antigone vs. Macbeth In attempting to discern the legitimate and analytical issues in the two plays, Antigone and Macbeth, it is important to take into account the two key characters that all actions revolve around (Antigone and Lady Macbeth). In both plays, the characters appear to have comparative destiny and fate intertwined deeply within their societies. (Powell et al. 12). Antigone stands harshly rebuked by the state whose rule she contradicts. Antigone's fierce deviance is fully displayed when she declares that she'll bury Polyneices in total disregard of Creon's law. It is this rebellious act and Antigone's innate loyalty to the memory of her brother that forms the spine of the play. On the other hand, Lady Macbeth stands denounced by the laws of God and man having so eagerly disregarded them for the purpose of affection and enthusiasm towards her husband. The inclination that destiny appears to have in setting up these sorts of plays is portrayed undeniably by Sophocles in his piece of work, as well as Shakespeare in his Macbeth. The authorial intent ( a tragedy in contemporary society) as developed by both plays is similar in context. This is mainly detectable while considering the way both playwrights depict the condition that has befallen a nation. Aristotle, an outstanding scholar, and craftsman described tragedy as a mimic of a movement that is morally right. He further came up with guidelines towards...
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...The use of force by those who are permitted to command power can be handled in ways that can either help or harm society as a whole. The ways in which force is dictated directly correlates to the problem of violence within society among the works of Sophocles’ Antigone, Plato’s Republic and Thucydides’ History of the Peloponnesian War. Creon from Sophocles’ Antigone, Thrasymachus from Plato’s Republic and the Melian Dialogue from Thucydides’ History of the Peloponnesian War all illustrate how force can be used for personal gain. The characters involved in these three works evidently reveal that those who are awarded with the utmost power may not always be the people who deserve the right to make decisions. Creon, from Sophocles’ Antigone, is a prime...
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...judgement and arrogant responses. Therefore, in “Antigone”, Creon is a prominent example of what a tragic is. He is full of pride, has a stubborn sense of character, and a large amount of power. One reason Crean is seen as a tragic hero is because of all his pride. For example. Creon said,” No woman shall be master while I live.”. However, his proud is what caused him to criminalize Polyneices, even though Creon’s lust for power is the same reason that caused Polyneices and Eteocles to fight. Creon is too prideful to allow a woman to persuade him, or even realize the hypocrisy of certain situations he’s involved in. Throughout the entire story, Creon showed an...
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...and who is wrong in Antigone between the two main characters, Creon and Antigone, is an issue that is directly dependant on the gods. In this case, it is Antigone who is right and Creon who is wrong in their decisions. Antigone's reasons were just and accepting of the gods' control when she accepted her fate, while Creon indirectly assumes control for himself by disregarding and disrespecting the gods which results in his unprepared outcome. It is important to understand the reasoning behind the characters' decision-making and how these decisions relate to the gods in order to understand the purpose of the story's outcome and it's sound chain of events. It is known that following the gods with respect is a sign of good fate and righteousness. Antigone is respectful of the gods throughout the story and even complies with her fate as she makes her final decision of whether to go through with her burial plans for Polynices. However, Creon is disrespectful many times towards the gods, in particular when he insults Zeus, when talking about Polynices' dead corpse, by saying " But you will never cover up that corpse, not if the very eagles tear their food from him, and leave it at the throne of Zeus." (Antigone, lines 1039-1041). Creon is wrong in disgracing Zeus' throne and presuming his own commands stand stronger than Zeus'. It is clear in the text that Creon has forgotten that the power that has been bestowed on him as a king would never amount the power of the gods in his own...
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...2012 Creon’s Tragic Fall: A Look at Sophocles’ Antigone A tragic hero is defined by Aristotle’s Poetics as the protagonist in the story to whom something happens that elicits pity from the audience. For the most part, a tragic hero is a “virtuous” person whose life changes from being prosperous to being a life full of misfortune (Aristotle, Poetics). In other words, the tragic hero is someone of great social standing who begins the story at a very high point, but suffers their downfall because of a tragic flaw. In Sophocles’ Antigone the central theme of this play is the struggle between Antigone and her uncle Creon. The issue of burying Antigone’s brother Polynices is based on the ancient Greek philosophy of death, where any unburied body condemns its soul to torment. Basically, it was the duty of the family to bury their dead. Yet, this issue extended beyond family loyalty to a decree of piety by the gods. However, in the play, Creon goes against this celestial decree because he sees Polynices as a traitor for warring against him as a member of another army. As a means to set an example about the repercussions of disloyalty, Creon issues an edict to leave him unburied. As a man who starts the drama in as the respected king of Thebes, he gradually loses his family, his objectivity, and his power to his stubbornness and hubris that ultimately results in his downfall. Hence, Creon is a tragic hero in the Sophocles’ Antigone because his unbending pride results in tragic downfall...
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...Throughout the tragedy Antigone, Creon suffers from many tragic flaws that lead to his demise. His excessive pride and desire for power make Creon oblivious to the fact that others are trying to help him. Creon has a peripeteia when Tiresias informs him of his misdeeds. After many of his beloved family have taken their own lives, Creon finally realizes he has been irrational. Due to his hubris and need for absolute power, Creon is the true tragic hero of Antigone. One of Creon’s major flaws is his excessive pride. An example of this is when the Watchman tells Creon of Polyneices burial. The Watchman did not know who buried Polyneices as Creon responds to this by saying, “Yes, you did. And for money! You gave up your life”(l.322). Creon was...
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...Original Rivalry: Conflict in Antigone Antigone is a dramatic piece of literature written by Sophocles and translated by Robert Fagles to portray, but not limited to, one major conflict. The major conflict portrayed is Antigone against the state but as the story unfolds another conflict begins to become apparent. This conflict is the never-ending conflict of men against women. These conflicts quickly become apparent as the story begins. The conflicts become apparent as the drama’s main “villain,” Creon, is making it his priority to keep his control over Antigone and the state. In doing this he is also trying to retain his dominance over the female kind. After the death of her brothers, Antigone deliberately violates Creon’s law by burying her brother who was viewed as a traitor. Not only is she breaking state laws but also breaking the barriers of women in this time period. Women in this time period were required to be obedient, loyal, and viewed as feeble. However, Antigone shows acts of courage, which was unheard of for women of this era. When her sister, Ismene, worries for Antigone, she pledges that the king “has no right to keep me from my own” (58-59). Another prime example of the secondary conflict being expressed is when Ismene responds, “Remember we are women” (74). This reiterates their attitude towards how they are seen in the era they live in. She continues with, “we’re not born to contend with men” (75). Ismene, contrary to Antigone, serves as a comparison and represents...
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...The battle between natural law and human law is very present , a described in, A Letter From Birmingham Jail by Martin Luther King Jr., and Antigone by Sophocles. In both tales, two minorities fight to overcome the great power of human law in order to do right by the almighty power of natural law. As well as the struggle to enforce natural law, the feat to restore universal humanity to society is an immense focus point throughout both, A Letter From Birmingham Jail, and Antigone. Both are tales that live on for ages due to the great virtue represented within each. “We know through painful experience that freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed.” (Martin Luther King Jr., Letter From Birmingham...
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...Lily Bryden Kessler English II 23 May 2024 The Tragic King of Antigone Aristotle has a theory about a Tragic Hero, describing them as a character who is inherently good, but because of a serious mistake in judgment loses those they love, and usually their own life too. They have three major qualities: hamartia, peripeteia, and anagnosis. Pride, reversal of circumstances, and the recognition of the character’s flaw, usually too late to fix. In the play Antigone, King Creon displays all of these qualities, making him a tragic hero. In the play Antigone, pride is a major theme, being the reason that Polyneices isn’t buried, and the reason the conflict begins. One of the major characters in the play, King Creon, is an example of this extreme hamartia, or pride....
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