...Ada Deniz Tan Dr. Aslı Değirmenci IED 134 20 May 2015 Stereotypes of a Fantasy Novel Protagonist Fantasy novels are very popular between not only children and teenagers, but also people of all ages. There are so many fan of the fantasy novels, films and television series of them are produced and almost each other was in vogue usually at young population when they are released. As fantasy novels have gained a great population and so many example of them released in time, they have become obviously an extended part of world literature. Moreover, they have so many genres, subgenres, rules, aims and stereotypes like other types of literary works. In fantasy novels, it can be said that elements and genres are usually similar, however, characteristics of protagonists, which means main character, and other characters are sometime strictly differs between themselves. I read the book The Magicians by Lev Grossman, the first book of Magicians trilogy, one of New York Times Bestseller books, which is published in 2009. In this research paper, my aim is to analyze stereotypes of a fantasy novel protagonist with analyzing the characteristics of Quentin Coldwater from the novel The Magicians. Lev Grossman was born in 26 July 1969, in America. He graduated from Literature Department of Harvard University in 1991 and has worked as a journalist and a cult critic for Time Magazine, The New York Times, The Wall Street Journal, Entertainment Weekly and so many other newspapers...
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...The Familiar In this essay, “The Familiar” by Andre Norton will focused on the relationship between the main character, Fossi and Jeseca. The focus will be on, how it develops from a relation with the toy with trust, to become a relation based on friendship and I will examine the fantasy elements and why is makes this short story to a fantasy story. “I exerted the invisible bond, we shared and she hugged me tightly against her breast” The relationship between Fossi and Jeseca from the start based on trust because Jesaca do not know that Fossi is a real cat, only that he is a stuffed toy. The relationship changes fast to a friendship because Fossi is taking care of Jeseca “Jeseca gave a cry of pain and flung the hilt from her a though of had suddenly become too hot to hold”. In this quote make Fossi the knife too hot to hold because he do not want Jeseca to kill, but still he wants to see Jesaca used his power. . Fossi can control with Jeseca “As though controlled by the strings of a dance-doll, her right arm lifted until it pointed to blank barrier before us” and mental can Fossi also control with Jeseca “ My familiar had trown back the lid of the massive chest that stood on that corridor. Now she knelt and reached in, stripping away the layers of cloth stored until she came to the cloak that had been folded over me. A moment later she brought my forth. I could feel her surprise at this actions which I had directed; why should she place herself in peril to retrace...
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...are many different types of journeys in this film including physical, psychological and geographical journeys. One of Walter’s geographical journeys is traveling to Iceland and Greenland. The first journey to Iceland was his departure from his safe world. This means that he is taking his first steps into his journey to find the missing negative. Although he didn’t triumph he started to find his real self. You can see this as the camera loosens and the colors brighten as he skates down the hill towards a volcano this is a big turning point. This was because he used to be a skater; he was rediscovering is old self. This image encouraged by the green hills in the background and the happy music playing. In this scene he is not wearing a suit and tie as he was in the beginning of the film; he was wearing camo green pants and a long sleeved T-shirt. As the movie progresses his clothing becomes more colorful and rugged, so does his face, at the start of the movie he was freshly shaved but now he has a beard, this is a metaphor for the internal changes he is experiencing. Secondly another journey is to go from fear to confidence. He was helped to face his fears by Cheryl singing Major Tom as he is in the bar. Even though it was a fantasy it helped him get on the helicopter and go where he needed to go. From this point he faced his fears by jumping out of a helicopter into the ocean, getting attacked by a shark and running away from the volcano. All of...
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...Fantasy is a broad concept discussed for over many years. Many writers have tried to define fantasy according to different perspectives. Fantasy is something which takes you into imaginative and supernatural world and allows anything to happen (JoAnn 2005). Fantasy is a field involving and practiced in different media. It is greatly related to imagination and mythology ( Laetz & Johnston 2008). The genre of fantasy is most widely used in arts and entertainment world where writers and art related persons us this concept to gather public interest. The Harry potter series is a good example where writer has use fantasy genre and gained huge success. Fantasy is a process which shows the thinking capability of person that how far he/she can think beyond the actual world. Fantasies lead to creative idea generations. As successful in other walks of life, fantasy is widely used in business. Marketers usually use this concept of fantasy in their product promotions. The main motive is to seek maximum attention. The promotional campaigns and ads are designed in such a way that they take customer into an imaginative world. The customers impressed with promotional campaign tend to think that the product will give them ultimate comfort and is the best available solution to their needs. The fantasy campaigns go a step further and create artificial need by making a customer realize that his personality or surrounding will remain incomplete without this product. This particular ad is...
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...Fantasy Some people believe that fantasy is dangerous for children to read, and some people have a completely different opinion. According to Ursula Le Guin, fantasy is not just for children, but for adults too, “Tales of talking animals and fantastical adventure aren’t just for children, argues Ursula Le Guin – we can and should return to them throughout our lives” (Quote page 1 line 1-3). Right from the beginning you know that ULG is a fan of fantasy being a part of everyone’s lives. You can always use your child or grandchild as an excuse to read fantasy, if you don’t have the courage to do it by yourself. Fantasy has always been perceived as being for children only, and fantasy has been conflated with immaturity, which according to ULG is a rather sizeable error. Many of the texts are poetry and it contains different elements from different genres. Many fantasies which actually were published as for children, is often read by adults, “It begins with, say, George MacDonald’s At the Back of the North Wind and runs on through Alice in Wonderland and Through the Looking Glass, The Wind in the Willows, the Just So Stories and The Jungle Book, the Pooh books, Dr Dolittle, The Hobbit, The Once and Future King, Charlotte’s Web, to my first three Earthsea books and all the serious imaginative fiction that continues to be published “for children” but is often read by adults” (Quote page 2 line 48-52). Realistic fiction does not affect everyone, but only people in...
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...Feeding on Fantasy The article “Feeding on Fantasy”- by Lev Grossman, is about the peoples passion for fantasy, which, in his head, is taking over the world of science fiction. The way he’s writing is neither critical nor real passionate. I wouldn’t say Mr Grossman is a real fantasy lover he knows his stuff and is using a lot of facts, but I’m more sure that he doesn’t like science fiction and in that way fantasy isn’t that bad to him. He’s not really into the whole Blizzard1 world, but he still somehow finds it exciting in a mysterious way. He says, “The business of fantasy has become a multibillion-dollar reality, and science fiction is starting to feel, well, a little 20th century.” The “well” in the sentence is clearly a sarcastic way of harassing science fiction, which also clears my statement that he has nothing left for the “so last year” –fashioned genre. This text is referring to that people in these years are tired of the sci-fi (the feature) world, so we are starting to go back and living this vision we have about the past, and we add these incredible creatures to it, that doesn’t exist, so that we can dream about these wonderful landscapes where the sun is always shinning, this passion about this everlasting love between the marvellous man winning his dream girls heart after a rough, very long and extremely dangerous trip crossing the country to defeat the monster who’s keeping them from being together, and this huge gap between being rich and poor and how God always...
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...points of the two articles. “Game of Thrones” is a medieval fantasy TV-series that premiered on HBO back in 2011. It’s an adaption of the book-series “A Song of Ice and Fire” written by George R. R. Martin. Since it’s beginning it has gained a lot of attention, success and controversy all around the world. Its popularity has increased extremely throughout the years. The series has obtained a broad and active fan base, and many people became fans immediately after the first episode. From the start it quickly caused controversy due to its use of sexual explicit- and violent scenes. Some people claimed the show to be too dominated by men being the ‘strongest’ gender, and also the amount of explicit material. Claiming that it wasn’t really suitable nor appealing to women. Although the controversy, the series still received acclaim by critics and viewers. For this task I’ve dealt with two very different reviews. Reviewing the first episode of “Game of Thrones”, the two writers each has their own perception of the series and its content. First off we have a review from 2011 written by Ginia Bellafante. It’s called “A fantasy world of strange feuding kingdoms” , and was widely criticized back then. Her main point was that women only could watch a complex fantasy series, if it contained sexual explicit scenes like ‘Game of Thrones’. Sexual scenes should therefore be the only motivation for women to watch a fantasy series, according to Ginia. Her opinion was, as mentioned before...
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...authors, or sub-creators, must develop secondary worlds with infinite possibilities. Tolkien suggests an effective secondary world, must contain circumstances that are realistic in the sense of the secondary world’s laws, altering the reader’s belief system. Also, sub-creators, developing these secondary worlds, must continue sustaining the reader’s disbelief by developing curiosities, encouraging the reader’s exploration. An author utilizing Tolkien's secondary world is J.K. Rowling, the author of Harry Potter and the Sorcerer’s Stone. This novel traces Harry’s journey of discovering his magical abilities, through a world of wizards. In her novel, Harry Potter and the Sorcerer's...
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...The Fantasy Appeal in the Hobbit Fantasy is a type of genre that allows the reader to experience a place or world unlike any they have before. Fantasy lifts all our ideas of reality, and allows us to be a part of experiences that we would otherwise have no chance of taking part in. One of the first genres to be used in literary fiction was romance and this genre embraced fantasy by creating princesses and princes fighting an epic battle and mythical creatures such as dragons, Vampires and Ghost. In this paper I will explain how J.R.R Tolkien “The Hobbit” fits the genre of fantasy. This is important because every writer has there own writing style and there favorite genre. The novel “The Hobbit” by J.R.R Tolkien fits the characteristics of the fantasy genre because it has everything a fantasy book would have such as mythical creatures, wizards and an epic hero. J.R.R Tolkien was a scholar of English language and was a professor at oxford. He Specialized in Anglo Saxon and medieval literature. Tolkien being writing fantasy novels in 1976 and has said “No other Genre can put you in such a magical state expect fantasy”(A Short History of fantasy pg.123). J.R.R Tolkien has explained that his love for fantasy goes back to his childhood and when he would read books and forget about everything and everyone around him. J.R.R Tolkien has used every aspect of fantasy in his book “The Hobbit”. The majority of fantasy is based in a medieval-type setting, a unique fantasy world...
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...The Influence of Animation on Modern Illustration Graphic Design 1102 Jiachen Chang Summary The animation elements can always interacts with modern illustration. This paper is going to start from the development of illustration, and it is going to analyze thoroughly the relevance of modern animation and illustration elements. Research shows the development level and orientation of modern animation and illustration by comparing Japanese animation with Chinese animation. Therefore, it asked people to make a choice between respecting for tradition and making a difference. Key words: vector pixel supernatural Chinoiserie Contents Contents Introduction: Present status of development of illustration 1 Vectors and Pixels – The Combination of Occasionality and Design 2 The Elements in Animation3 1) The Duality of Japanese Animation4 2) The Classical Chinese Ink and Wash Painting: Chinoiserie5 The Perfect Combination of Illustration and Animation6 The Influence of the Animation Elements on Modern Illustration Design Introduction Present status of development of illustration Illustration is actually an ancient way for design. Let’s talk about the last century-the birth of NYADC. With the development of printing technology, illustration entered into the “golden age”. As the development of photography, printing and computer technology, however, illustration began to decline at the same time. Nevertheless...
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...and seventh century, it carries many similarities to modern day society. The similarities can be seen in modern literature and pop culture, the comitatus, the various struggles that occur, and the qualities that make up a great leader. The poem epic has left a huge print on modern day writers and pop culture. Its influence can be seen in many modern fantasies from J. R. R. Tolkien’s epic trilogy “Lord of the Rings” and J.K. Rowling’s Harry Potter series. J. R. R. has been known to be one of the few scholars that have seriously contributed his works to Beowulf. In “Beowulf: The Monsters and the Critics” he states how Anglo-Saxon literature had a long-lasting effect on present thoughts. Similarities between the Anglo-Saxon themes and ideas can be found throughout the trilogy along with the Old English derivation of the character and location names. For example, the root word searu-, which means "treachery” or “cunning,” appears in the name Saruman – whom devoted Tolkien fans will recognize as a major antagonist in the fantasy novels; and the Old English word for earth, middan-geard, becomes Middle-earth, the aptly-named fantasy world of the novels (neh)....
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...Max Horner Laleman Lit 120 10 May 2015 Why The Hobbit is a Classic Novel What makes a novel a classic piece of literature is many times a hot topic in the world of literature. Many times being a great book, or an interesting read is just not enough for a book to be included in this great company. The Hobbit written by JRR Tolkien though, must be included in this conversation. Tolkien a writing style may not be the most exciting but it is important to remember "One of the most important things to remember is that "classic" does not necessarily translate to "favorite" or "bestselling". Literature is instead considered classic when it has stood the test of time" (gradesaver.com) Tolkien's book has most definitely stood the test of time in the literary world. When talking about the reasons The Hobbit is considered a classic there are three key points to discuss. One must look at J.R.R Tolkien’s rejection of the much more popular "god like" hero, and its replacement with an everyday hero and how it was crazy during that time. Also, one must look at its ability to stand the test of time, and its ability to influence other artists stretching across the fantasy field. In talking about Tolkien’s replacement of a "god like" hero with an everyday hero one must realize the trends of that time. Most novels with heroes leading up to this time were filled with great powerful men who possessed some sort of mystical weapon or power. In this story Tolkien decided to break the mold and introduce...
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...Fairly Real Tales Guillermo del Toro’s Pan’s Labyrinth is about the power of fairy tales. As del Toro discusses, for Ofelia, fantasy compensates for the horrors of reality. Throughout the film, she struggles to reconcile her two worlds: the real and the imaginary. Furthermore, her imaginary world can be seen as one in which she has the agency that she is denied in the real world. Ultimately, Ofelia’s fairy tale world offers her insight into the real world and salvation from the horrors of the real world. In an interview, Ethan Alter asked Guillermo del Toro whether Ofelia’s fantasy world is real or all in her mind. He answered that it’s true: “There’s a very clear instance in the movie where there is no other explanation” (Ethan 14). He says that “in my mind, the movie tries to say that if you don’t know where to look, you won’t see these creatures. Like Vidal—he’s unable to see them” (Ethan 14). However, he does say that other viewers may see the film in different ways: “there are two kinds of audiences for this movie: one that will believe it’s real and the other that will think it’s imaginary. For me, the movie is like a Rorschach test. It defines you as a glass-half-empty or glass-half-full person. Which is fine, I like the idea of that being your choice” (Ethan 14). Del Toro’s comments prove that Pan’s Labyrinth attempts to show a world in which fairy tales offer insight into reality and a means of saving oneself from its daily...
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...hobby of fictional stories which helped me write successful business plans, and I am here to tell you my approach of how I make one. Dreaming a business plan You think I've gone mad expressing that you should "dream" a business plan. But let me explain what I mean here. A business plan is like a story, a series of episodes in a fantasy realm. A fantasy story always has a hero, a villain, friends that join forces and battles across many fields. Think of all the strategy actions in a business as a fictional story, and that way the creative side and facts will spring up from the surface, showing the visible paths that you need to follow, as does a hero. Let's go through this one by one with the main sections of a business plan, to which then you can choose however you wish. The mission Every business has a mission. It is the absolute purpose of why that particular company was founded. Facebook, for example was founded to make sharing and connections between friends more accessible. Milkbuster's mission is to allow entrepreneurs to share stories to build bridges of ideas to help creativity. A hero has a mission which usually lies into the "save the world" category, but an important mission none the less. What is your business venture aiming to do, think of it like a hero. Market Analysis The hero now has a mission, but he needs to know were to go. There are many continents that our hero can travel, but which one does he take? Does he go to the north, the east? This is...
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...real, and indeed it is by the story’s end. Moreover, his description of the veldt also conveys an atmosphere of menace and hostility mirroring the psychological state of the Hadley family. In a similar fashion, Bradbury employs active verbs and personifications, describing the workings of the house’s mechanical devices in a way that suggests the living, human quality that the house is acquiring. When the devices are turned off, the house is a “mechanical cemetery,” reinforcing the idea that the house is a living thing. Characteristically, Bradbury’s poetic style transports the reader out of the everyday world and into a fantasy world, often reminiscent of the unchecked imagination of childhood. The world of “The Veldt” is one in which childhood fantasies are made concrete. Hence, the story has an air of unreality about it as if it were simply a child’s daydream of a world in which children have the power and competence given to adults and adults have the helplessness of children. This dreamlike quality is counterbalanced by the use of clichés and advertising language, which levels a satiric thrust against modern society. Phrases such as “nothing’s too good for our children” and “every home should have one” direct attention to the permissiveness, commercialism, and worship of material comforts that dominate American life. These serve to anchor the bizarre events of the story in an objective framework and give the...
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