...Hidden Figures is a movie that dealt the time when discrimination and prejudice were so rampant. Three women of color who were working in NASA during 1950’s and 1960’s as human computers who were making calculations and contributions that helped launch the manned spaceflight program. They serve as human computers doing complex mathematics and engineering task to help launched John Glenn into Orbit. The three women are Dorothy Vaughn, Mary Jackson, and Katherine Johnson. During this time the African Americans are still widely discriminated against particular segregationist Virginia. The film offers a realistic tension of the Civil Right era where there were segregations of bathroom, libraries, schools, and facilities. These three women...
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...Hidden Figures (2016) begins in Sulphur Springs, West Virginia in 1926. The main character Katherine was noticed as an advanced student and a genius at math. Katherine gets moved up a few grades and at this new school, she exceeds her teachers’ expectations and excels. The film then moves to Hampton, Virginia in 1961, Katherine is stuck on the side of the road which co-workers Dorothy Vaughan and Mary Jackson. A racist police officer stops and asks them for their identifications. They explain to him that they work at NASA and he changes his tone towards them. He is surprised that NASA hires black women, but he is impressed. Through talking with these women, he appears to know a lot about NASA. The police officer ends up giving the women an...
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...The ABC Murders - Summary and analysis Summary (Spoiler Alert): Hastings, Hercule Poirot's partner and assistant, returns to Britain, just as Poirot receives a sinister letter from an unknown person under the alias ABC. The letter says, that he should look out for Andover, on the 21st of the month. Just as stated in the letter, something happens on the 21st. A woman in Andover, named Alice Asher, turns up dead. On the crime scene an ABC railway guide is found, and Andover is marked. The police believes that this is just a coincidence, and that the letter and the murder are not connected. On the very same day, Poirot receives another letter. This time it tells Poirot, to look out for Bexhill on the 25th. On the 25th another woman is found dead. This time it is Elisabeth Bernard. Once again, an ABC railway guide is found on the body, and it is opened on Bexhill. The Police slowly starts believing that this is not just a coincidence. He receives the third letter three days late due to an error in the address, written on the letter. The next morning, a Sir Carmichael Clarke is found dead in his estate in Churston. The fourth and final killing happens in a cinema in Doncaster, where a guy named George Earlsfield is stabbed to death. ABC has erred, since Earlsfield does not start with a D. The police believes that the killer is a mad man, who has failed, and that the killings might be over. Poirot on the other hand, does not believe in coincidences. Therefore he believes, that...
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...FILM 3759G Dr. Christopher J Mitchell Chengdong Hu Analysis of Cultural Denotation and Humanity in Ang Lee’s Films Ang Lee’s film works, not only in the business, but in artistic level won the world audience recognition. He grew up in a traditional Chinese family and study in the United States. The differences between eastern and western culture took a sharp collision in his heart, and it revealed without hiding in his movie and finally become his own unique aesthetic features. This article try to read Lee’s creative thought and artistic style through analysis and research of Lee’s special culture background master’s creative ideas, and learn more about the human temperament of the director which is full glory of human nature. First, this article will introduce about Ang Lee’s growing environment and studying experiences, in order to analysis the formation of his Chinese and Western characteristics. Secondly, through multiple films, the article would analysis of the impact of the East-West cultural collision and merger. Furthermore, a comprehensive interpretation of Ang’s unique film elements and the traits would be expounded. Abstract Ang Lee, Taiwan filmmaker, however, doesn’t have the same characteristics with other Taiwan film makers. He is like a movie ranger, with no specific cultural identity, however, simultaneously, it could be find a certain kind of familiar cultural identity on him, especially in his...
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...embodied life taking form of a typical carnival. It is essentially the way things can be obscured in life, or rather what is normal in life being turned inside out (Welsh, 152), which can easily be applied to Romeo and Juliet by William Shakespeare. Without the elements of Carnival, it is likely this love story would have never been possible. Due to the overwhelming amount of Carnivalism in this film, many perceive it as though the true nature of Shakespeare’s tragedy has been lost in its exuberant elements and that “the film’s spectacle constantly overpowers and overwhelms the poetry” (Welsh, 152). Despite this common belief, Luhrmann was brilliant to use Bakhtin’s ideas to enhance the hidden undertones that were present in Shakespeare’s play. Carnivalism makes “the world of this film perverse and confused... The lines are often right, but the context is most peculiar” (Welsh, 153) so that we are no longer able to...
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...Props Analysis and Procedural Essay The following items were used during the making of this Sweded Video production: • A Chainsaw (not turned on because it could possible injure someone) • A piece of liver • Red bell pepper • Red paint • A meat tenderizer(to represent an axe) • Black North Face jackets (all the devils needed to wear black) • Black boots • Ipod(to record the production) • Private property sign • An orange tube that makes a howling or wind like sound(forgot the name) Most of these items I already had, but some of them like the bell pepper, paint, and liver I did not have so I bought it from a store. Some of the other members in the group needed to help me with the ipod, private property sign, and a chainsaw. All of these items have a meaning to this video because they all play an important role in symbolizing or portraying the story The Devils and Tom Walker. The ipod is the most important item because its filming the entire production of the Sweded Video. Without the Ipod, there wouldn’t be a film to watch. The chainsaw is with Tom Walker as he goes through the woods and begins to cut down the trees. While walking he stumbles upon a sign that is planted deep in the ground of the woods. He picks the sign up and throws it away as if the words “private property” meant absolutely nothing to him. The private property sign is present in this film because it adds more of a curiousness toward the viewer since Tom did not care what that sign said....
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...On Screen In China Film, as a unique art form, has come to China nearly centuries. In 1920s, female images just can be seen as the tools in silent movies, which own not only very vague character, but also lack of adequate connotation of the times, not to mention women’s awareness of self-consciousness. However, after the establishment of People's Republic of China, government vigorously promotes that the "men and women are alike". Also with the influence of western feminist movement, the status of women began to turn upside down. Women are demanding equal status with men, and these demands also reflected in the films. Until now, women as a sign of beauty, some are gentle and virtuous, some are sweetie and pleasant, and some are full of unique personality but still attractive enough. In such a representation, it is hard to notice, even their own aesthetic values are deeply affected by the male views. Not so much a woman as a sign of beauty, as it is a sign to attract male attention. In many generations of Chinese directors, only one of the few is female director. In the Male-dominated film industry, obviously, female characters are created by them, reflecting men’s centralism’s view of women. This paper applies feminist film theory, by analyzing the feminine images in a famous Chinese director—Jiang Wen’s films, to reveal the hidden gender inequality as well as the phenomenon of “male gaze”. Through the criticism and introspection of these hidden and potential problems...
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...ratings in the Netflix Prize dataset. 1 Auxiliary Functions EM belongs to a general class1 of optimization algorithms using successive locally approximating auxiliary functions. For an objective function f : X → R, call g : X × X → R an auxiliary function if ∀x, x0 ∈ X : g(x, x0 ) ≥f (x) g(x, x) =f (x). ∞ Then for any x0 , define the sequence (xn )n=0 by xn+1 = arg min g(x, xn ) x 1 For example, the Newton Rhapson method can also be stated in terms of auxiliary functions. 1 This sequence has a non-increasing image under f . This is easy to prove: f (xn+1 ) ≤ g(xn+1 , xt ) ≤ g(xn , xn ) = f (xn ). This idea may be more clear graphically in figure (1). Each g(·, xt ) dominates f (·) but is equal at xt . It is easy to see why we might hope that the minimums of g would approach the minimum of f . Figure 1: An objective function f and the auxiliary function g on two iterations Assuming f is bounded below (and it really ought to be since we are trying to find its minimum value), then f (xn )∞ is also bounded below. We have already n=0 shown that (f (xn ))∞ is monotonically decreasing and so must converge. Hown=0 ever, without more information we cannot guarantee that (xn )∞ converges, n=0 let alone that it converges to a global minimizer. In specific applications–such as EM–we can say more about convergence. 2 2 Expectation Maximization EM uses a form of this auxiliary function idea. Specifically,...
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...viewers. ✔ understand the relationship between viewers’ expectations and filmmakers’ decisions about the form and style of their movies. ✔ explain how shared belief systems contribute to hidden movie meaning. ✔ explain the difference between implicit and explicit meaning, and understand how the different levels of movie meaning contribute to interpretive analysis. medium. With so much experience, no one could blame you for wondering why you need a course or this book to tell you how to look at movies. After all, you might say, “It’s just a movie.” For most of us most of the time, movies are a break from our daily obligations—a form of escape, entertainment, and pleasure. Motion pictures had been popular for fifty years before even most filmmakers, much less scholars, considered movies worthy of serious study. But motion pictures are much more than entertainment. The movies we see shape the way we view the world around us and our place in that world. What’s more, a close analysis of any particular movie can tell us a great deal about the artist, society, or industry that created it. Surely any art form with that kind of influence and insight is worth understanding on the deepest possible level. ✔ understand the differences between formal analysis and the types of analysis that explore the relationship between culture and the movies. ✔ begin looking at movies more analytically and perceptively. Looking at Movies In just...
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...GUNG HO! CULTURAL ANALYSIS Michael Hamilton MKTG 3852 – Second Summer 2012 7/22/12 GUNG HO- CULTURAL ANALYSIS Cultural differences influence how business is conducted in today’s rapidly expanding global market. These cultural barriers affect human interactions through our perspective of one another, credibility, time frames, as well as through communication. The success of international business depends upon the ability to set aside our differences, unite and strengthen one another. Many of these challenges can be seen throughout the movie Gung Ho. The movie portrays the relationship between the Japanese and Americans in a lightly comically point of view through an auto factory. However, when comparing and contrasting the interactions of these two cultures, both in and out of the film, they’re dynamics of become more apparent. The connections and exchanges between the Japanese management team and the American workers throughout the film present examples for each of the five dimensions in Geert Hofstede’s cultural dynamics analysis: Individualism/Collectivism, Uncertainty Avoidance, Power Distance, Masculinity/Femininity, and the later added Long-term Orientation. I. Hofstede’s Cultural Dynamics The results from Hofstede’s analysis for the United States and Japan are in the following table. When comparing the two we see that the Americans have a highly individualistic, male reinforced, ambiguous, society with a slight hierarchy with a weak connection to tradition...
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...300 Jonathan Hewitt ENG 225 Cicely Denean-Cobb October 2, 2012 The film I have chosen to do my critique on is Zack Snyder’s 300. 300 is a film about King Leonidas, the King of Sparta, and his 300 Spartan warriors who all stood up against the God-king Xerxes and his massive Persian army from annihilation. After watching the film very closely for my critique I believe there is a serious underlying theme that everyone has the right to be free and sometimes you have to stand up and make sacrifices to keep your freedom. Standing up for freedom is never an easy task as shown in 300 but, everyone deserves to be free. In discussing the storytelling, acting, cinematography, editing, sound, style and directing, the impact of society on the film, genre, a formalist approach to analysis, and the overall textual theme of 300 I will attempt to back up my belief. Storytelling 300’s narrative structure is the first-person point of view of Dilios, a Spartan solider under the command of King Leonidas. The film is presented in chronological order and takes place in Sparta and Thermopylae, Greece. The major conflict in the film is that the Persian army has come to Sparta and requests their submission or will kill them and enslave their women and children. King Leonidas makes the decision to stand up to the Persians but; is not allowed to go to war with the Xerxes, the Persian God-king, because the Ephors deny him the right. The Ephors are later found out to be traitors. Unfortunately,...
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...Ezekiel Mascuilli Comp 1 Dr. Poznar November 25, 2014 Psycho If the title hasn’t given a sense of mystery, then maybe an analysis could help shed light on Alfred Hitchcock’s 1960 horror film Psycho. The movie had many characteristics that could be defined as classic horror. From the beginning of the first conflict that arose Marion it’s possible that the use of variety gave a feeling of mystery. The movies elements include Alfred’s use of plot change. However it can be a better argument to say that Alfred Hitchcock’s use of setting change has helped give an emotion that could horrify viewers. In the beginning of the movie we take a view at Marion’s first conflict. The setting of the movie changes from Marion’s work, giving the viewer an in depth look at her surroundings, to a scene of illegal fleeing. The problem arose when Marion’s stress caused rational thoughts over stealing personal cliental money. Marion has committed an illegal act which caused her to adapt to her choices and change locations. Alfred has caused a break in the conflict by having Marion stop at a small hotel called the Bates Motel. The transition from locations has helped Hitchcock with his depict of a feeling of alertness. The setting of the Bates Mansion is given a style that depicts an old Victorian view. From the staircase to the cellar, Hitchcock still gave unsure feelings when it came to safety inside the Bates house. The interior has a look that doesn’t give off too much emphasis. The idea...
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...Film Noir Lighting comparison with Ridley Scott's “Blade Runner”. Menelaos Pampoukidis 3. Choose a film, TV show, music video or advertisement and discuss how the directing OR editing OR lighting style and choices inform its narrative form, genre and theme(s). Consider the film or show in its entirety and demonstrate your understanding and awareness of directing OR editing qualities. How lightning style and choices inform Ridley Scott's “Blade Runner”(1982) narrative, genre and theme. In early 1940s, soon after the second World War, a new film genre started to develop. Almost, twenty years later Nino Frank, influenced by the France “Black Book”, gave it the name Film Noir. “Product of a multifaceted interaction between developments within particular genres – the gangster/crime film and the Gothic melodrama – fluctuating conditions of production and reception within the American industry, and more diffuse cultural movements.”1 The early Film Noir was profoundly influenced by the depression of the war. Hard boiled, dark, devious and cynical, it was originally based on German expressionism and later on Italian neorealism in order to create it's individual style and unique iconography. “As expressionists motifs supplied Noir's dark undercurrents, the Neo-Realist influence that appeared after war introduced a documentary flavour to American thrillers”2 As Film Noir kept progressing many elements were added to the prime features, expanding the range of the genre...
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... including policemen and secret servicemen, run towards the grassy knoll in hopes of catching a glimpse of the President’s killer? From evidence from the Zapruder film the first shot hits the President somewhere in the neck or upper chest region at about frame 226. In order for Oswald to be the lone gunman all of the shots would have had to come from the Texas School Book Depository. As shown the autopsy photos (e.g. see figures 2 and 3) there is clearly an entrance and exit wound, this would denounce the speculation of the bullet still being lodged in the President’s trachea. With this information the bullet either had to have gone into Governor John Connally’s back, which would support the single bullet theory, or landed somewhere on the road behind them, which would be the effects of a second shooter. But as seen in Zapruder, Connally was still facing forward from frames 226 to 237 (e.g. figures 4 and 5) during the period of the first shot and showed no signs of any reaction from the strike of a bullet. This would conclude that the first shot came from the front, not Oswald who was stationed in the Texas School Book Depository at the time. This also debunks the single bullet theory, which...
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... 1.-Introduction, aim and scope..........................................................................................3 2.-Literature review...........................................................................................................3 2.1.-Code-switching...............................................................................................3 2.2.-Spanish in the United States...........................................................................5 2.3.-Spanglish........................................................................................................6 3.-Data and methodology..................................................................................................8 4.-Analysis.........................................................................................................................9 5.-Conclusion...................................................................................................................13 6.-Transcription conventions...........................................................................................14 7.-Transcription...............................................................................................................15 8.-Bibliography................................................................................................................17 9.-Plagiarism declaration.........................................................................
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