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Formal Analysis

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Submitted By dmags
Words 296
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Magno, Pacifico Andreo S.

TFA 150, Ma’am Lisa
2008-82788

FORMAL ANALYSIS

The artwork was made by combining various types of lines mainly: expressive, implied, hatching and crosshatching. This was done probably with pencil on paper with a conveyed roughness on the strokes with a rather pleasing softness to it. Expressive lines were used to create the outline of the artwork and to illustrate the overall shape. Implied lines were made to create the twirls on the piece mainly found on the head of the subject. Hatching and crosshatching was then used to create a sense of depth, focus and contrast on the subject. The lines that were illustrated are very biomorphic and seemingly art nouveau in nature, a very popular art style during 1890–1910. The piece itself is flowing and sinuous.
This is somehow a representation of hidden desire, a suppressed craving that probably wants to come out. The artwork is colorless and is completely dependent on shades of black and white, the face is somewhat dulled yet expressing a smile on the lips which looks like its daydreaming and yet, the whole image is somehow juxtaposed because of its lack of color and relaxed facial expression sided along powerful and curved lines full of energy. The lines itself seems erratic at first glance – but rather, it follows a direction. The expression of the whole piece resembles a description of William Hogarth’s book entitled: The Analysis of Beauty. Within that book he coined a theory called: The Line of Beauty. According to this theory, S-Shaped curved lines signify liveliness and activity and excite the attention of the viewer. In relation, the artwork probably suggests the concept similarly. It raises the question of what is true beauty and the desire to find it.

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