...century, wrote a framed story called The Canterbury Tales. This work is made up of a General Prologue, which is a description of all the individual pilgrims going on the pilgrimage, followed by several tales told by these pilgrims. He describes several knight’s in this work through a chivalric code of honor. Through his description of the Knight in the General Prologue of The Canterbury Tales, as well as the “Knight’s Tale” and the “Wife of Bath’s Tale,” Chaucer suggests that although chivalry...
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...Canterbury Tale Canterbury Tales are one of the most famous collections of the stories in Middle English written by English writer Geoffrey Chaucer who made big impact in Middle English literature. One of characters in this stories that impressed many people who read this stories is the Knight. From all characters in Canterbury Tales knight is the noblest of all of them. In “General Prologue: The Knight through the Man of Law” the author asserts that “the Knight is the noblest of the pilgrims, embodying military prowess, loyalty, honor, generosity, and good manners“(Classiclit.about). The Knight conducts himself in a polite and mild fashion, never saying an unkind word about anyone. Knight is motivated by pride and glory, he is brave and noble and he is not afraid of a challenge. In the the cantrebury tale: the knight's tale the author asserts that “ Chivalry is a big deal in "The Knight's Tale." Chivalry was a system of rituals, duties, and behaviors a knight was supposed to follow if he wished to behave with honor (Shmoop). In the tale the knight is presented as the chacarcter who brings glory and he is real example of how perfect knight sholud be. However the knight is described in terms of his commendable feats and his moderate dress and countenance, he possess moral values such as in first place honour, curtesie and fredom. The knight is described as the noble warrior who is always ready and prepared to serve to his lord, and with this serving to lord he traveled a...
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...Name English 101 09 Feb 2014 The Miller’s Tale Geoffrey Chaucer was a deeply religious person that was distressed about the level of corruption in his Church. Unable to come out and attack the erosion of morality and campaign against rampant corruption he put pen to paper. Chaucer used the Canterbury Tales as a way of attacking religious excess and argue that the Church should return to its pious roots. The Canterbury Tales were written from the prospective of a traveling Pilgrim coming across various people in his travels. These encounters are what lead to the tales. A prologue before each story lays out the purpose of the tale and what kind of tale it will be. The more rough and crude tales, such as The Miller’s Tale, are told in front of a raucous crowd that is usually in a pub or bar. These tales are often told to a loud and boisterous crowd and the pub owner often has to defuse tensions. Chaucer paired stories together as either a response to a previous story or an attack on a profession that would be refuted in the following story. The Miller’s Tale was the second tale and was the first story to quite or repay the story teller. It also should be noted that this tale followed a chivalrous and high society tale called The Knight’s Tale. Chaucer purposefully place The Miller’s Tale to occur after the The Knight’s Tale to provide comedic relief and contrast the previous tale. Further, the prologue to The Miller’s Tale sets the stage for the next story when an infuriated...
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...The Canterbury Tales Geoffrey Chaucer Key Facts full title · The Canterbury Tales author · Geoffrey Chaucer type of work · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale) genres · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau language · Middle English time and place written · Around 1386–1395, England date of first publication · Sometime in the early fifteenth century publisher · Originally circulated in hand-copied manuscripts narrator · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. point of view · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. tone · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. tense · Past setting (time) · The late fourteenth century, after 1381 setting (place) · The Tabard Inn; the road to Canterbury protagonists · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers...
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...The Franklin is a character of generosity, happiness, and epicureanism. To begin, the first symbol used to describe him are open hands, which will be his right hand. Open hands have been a symbol of generosity since biblical times and this symbol works well with the Franklin in view of him making his home and food open for anyone around who would partake. The open hands being drawn as the Franklin’s right hand is a suitable placement considering that the Franklin’s hands and life were always open to anyone who needed anything. In addition to the open hands, the next symbol would be a rainbow, which represents happiness. The Franklin is the epitome of happiness given to his description of being sanguine, a lover of pleasure, and a follower of Epicurus, a philosopher who believed happiness was the most important goal in life. Rainbows have always stood for happiness, as a stream of color...
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...wr09tuywe4oy w0rtuyei9ry6t94p 9guyoeir 9r8rtu oey riu 8ory 9eroiugjeuorg oerug eori 79eoeri r8tyg rtetym ryjhdfym m h ry uer y5 356 uy7 67 u rt y yt ui ertu tu7 er y er6uy t I bh gufy gtyd trdseyrw cvrbfuytdestf yugtrdrdtyhguh g6duytgiujhuioy yrytguijhiojuigut uhoijiujiytuv ugiojuioguyrfty oihuyfytghujoljm oguyguihoi jigijiop jtfuytfrt5 ertyf deree ws 5rgy u The Knight The Knight rides at the front of the procession described in the General Prologue, and his story is the first in the sequence. The Host clearly admires the Knight, as does the narrator. The narrator seems to remember four main qualities of the Knight. The first is the Knight’s love of ideals—“chivalrie” (prowess), “trouthe” (fidelity), “honour” (reputation), “fredom” (generosity), and “curteisie” (refinement) (General Prologue, 45–46). The second is the Knight’s impressive military career. The Knight has fought in the Crusades, wars in which Europeans traveled by sea to non-Christian lands and attempted to convert whole cultures by the force of their swords. By Chaucer’s time, the spirit for conducting these wars was dying out, and they were no longer undertaken as frequently. The Knight has battled the Muslims in Egypt, Spain, and Turkey, and the Russian Orthodox in Lithuania and Russia. He has also fought in formal duels. The third quality the narrator remembers about the Knight is his meek, gentle, manner. And the fourth is his “array,” or dress. The Knight wears a tunic made of coarse cloth, and his coat of...
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...The Chivalrous Ideal and Courtly love in Medieval England Dobrea Andrada-Cristina Anul III Engleză-Japoneză As contoured by the pages of time and history, each and every Era of our evolutionary process has offered the next one the privilege of witnessing a fascinating world, jewelled in magnificent ideals and a specific behaviour, beautiful even in its flaws. Among these, a haunting and mesmerizing Era captures the thought of literary critics – the Medieval Period. A period marked by powerful beliefs, conflict and self-knowledge, and inhabited by a spirit torn between Christianity and paganism, between virtue and sin, between light and utter darkness. An Era portraying a country trying to adapt to drastic changes brought on by the Norman Conquest of 1066, a country fighting to establish its own history in order to gain independence. A Period of knights and ladies, of valour and good faith, which gives life to some of the highest ideals mankind has ever known. It has introduced us to concepts such as chivalry and courtly love, pure expressions of spiritual essence. Of these ideals poets and authors wrote with lively passion, embroidering them in poems such as Sir Gawain and the Green Knight, or The Wife of Bath. Although its poet remains unknown, the story of Sir Gawain and the Green Knight remains instilled in our minds as one of the prime examples of chivalry, Gawain representing the chivalrous ideal of the period. His story begins at New Year, in a court filled...
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...TITLE · The Canterbury Tales AUTHOR · Geoffrey Chaucer TYPE OF WORK · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale) GENRES · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau LANGUAGE · Middle English TIME AND PLACE WRITTEN · Around 1386–1395, England DATE OF FIRST PUBLICATION · Sometime in the early fifteenth century PUBLISHER · Originally circulated in hand-copied manuscripts NARRATOR · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. POINT OF VIEW · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. TONE · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. TENSE · Past SETTING (TIME) · The late fourteenth century, after 1381 SETTING (PLACE) · The Tabard Inn; the road to Canterbury PROTAGONISTS · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers superior to others; it is an equal company. In the Knight’s Tale, the...
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...Introduction The Canterbury Tales Introduction Whan that Aprill, with his shoures soote The droghte of March hath perced to the roote And bathed every veyne in swich licour, Of which vertu engendred is the flour; Whan Zephirus eek with his sweete breeth Inspired hath in every holt and heeth The tendre croppes, and the yonge sonne Hath in the Ram his halfe cours yronne, And smale foweles maken melodye, That slepen al the nyght with open eye(So priketh hem Nature in hir corages); Thanne longen folk to goon on pilgrimages And palmeres for to seken straunge strondes To ferne halwes, kowthe in sondry londes; And specially from every shires ende Of Engelond, to Caunterbury they wende, The hooly blisful martir for to seke That hem hath holpen, whan that they were seeke. Bifil that in that seson, on a day, In Southwerk at the Tabard as I lay When in April the sweet showers fall That pierce March's drought to the root and all And bathed every vein in liquor that has power To generate therein and sire the flower; When Zephyr also has with his sweet breath, Filled again, in every holt and heath, The tender shoots and leaves, and the young sun His half-course in the sign of the Ram has run, And many little birds make melody That sleep through all the night with open eye (So Nature pricks them on to ramp and rage) Then folk do long to go on pilgrimage, And palmers to go seeking out strange strands, To distant shrines well known in distant lands. And specially from every shire's end...
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...A, THE BRITISH ACADEMY SOMERSET HISTORICAL ESSAYS SOMERSET HISTORICAL ESSAYS By J. Armitage Robinson, D.D, Fellow of the British Academy Dean of Wells 1921 London: Published for the British Academy By Humphrey Milford, Oxford University Press Amen Corner, E.C. PRINTED IN ENGLAND AT THE OXFORD UNIVERSITY PRESS BY FREDERICK HALI, 76$ J 9 2/ PREFACE The writer of these pages makes no claim to be a historian, but he is concerned with the materials which go to the construction of true history. Occasionally he is led to revise the verdicts of historians on the ground of a renewed investigation of some isolated problem, or in the light of fuller information which has but lately become available. He hopes that he has done this with sufficient modesty. As a rule he has avoided direct controversy and has preferred a positive presentation of the revised position. He is well aware that when offered thus silently the corrections he desires to make are less likely to attract immediate attention than if he directly challenged fallacies which shelter under honoured names. But he writes from mere love of the subjects to which he has been drawn by the circumstances of his position and by local patriotism ; and he has experienced more than once the temporary blindness pro- duced by the dust of conflict. On the other hand he asks for criticism, ...
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...Christmas Christmas | A depiction of the Nativity with a Christmas tree backdrop. | Also called | Noel Nativity Yule Xmas | Observed by | Christians Many non-Christians[1] | Type | Christian, cultural | Significance | Traditional birthday of Jesus | Date | December 25 (alternatively, January 6, 7 or 19) | Observances | Church services, gift giving, family and other social gatherings, symbolic decorating | Related to | Christmastide, Christmas Eve, Advent, Annunciation, Epiphany, Baptism of the Lord, Yule | Christmas is an annual commemoration of the birth of Jesus Christ, celebrated generally on December 25 as a religious and cultural holiday by billions of people around the world. A feast central to the Christian liturgical year, it closes the Advent season and initiates the twelve days of Christmastide. Christmas is a civil holiday in many of the world's nations, is celebrated by an increasing number of non-Christians, and is an integral part of the Christmas and holiday season. The precise date of Jesus' birth, which some historians place between 7 and 2 BC, is unknown. By the early-to-mid 4th century, the Western Christian Church had placed Christmas on December 25, a date later adopted in the East. The date of Christmas may have initially been chosen to correspond with the day exactly nine months after early Christians believed Jesus to have been conceived, as well as the date of the southern solstice (i.e., the Roman winter solstice), with a...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...Essays Essays Part II. 2, 2.] Part II. 2, 2.] Essays The Project Gutenberg EBook of Essays, by Ralph Waldo Emerson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Essays Author: Ralph Waldo Emerson Editor: Edna H. L. Turpin Release Date: September 4, 2005 [EBook #16643] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ESSAYS *** 1 Essays Produced by Curtis A. Weyant , Sankar Viswanathan and the Online Distributed Proofreading Team at http://www.pgdp.net ESSAYS BY RALPH WALDO EMERSON Merrill's English Texts SELECTED AND EDITED, WITH INTRODUCTION AND NOTES, BY EDNA H.L. TURPIN, AUTHOR OF "STORIES FROM AMERICAN HISTORY," "CLASSIC FABLES," "FAMOUS PAINTERS," ETC. NEW YORK CHARLES E. MERRILL CO. 1907 CONTENTS INTRODUCTION LIFE OF EMERSON CRITICAL OPINIONS CHRONOLOGICAL LIST OF PRINCIPAL WORKS THE AMERICAN SCHOLAR COMPENSATION SELF RELIANCE FRIENDSHIP HEROISM MANNERS GIFTS NATURE SHAKESPEARE; OR, THE POET PRUDENCE CIRCLES NOTES PUBLISHERS' NOTE Merrill's English Texts 2 Essays 3 This series of books will include in complete editions those masterpieces of English Literature that are best adapted for the use of schools and colleges. The editors of the several volumes will...
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...книг выложен группой vk.com/create_your_english The Project Gutenberg EBook of Ivanhoe, by Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Ivanhoe A Romance Author: Walter Scott Release Date: June 25, 2008 [EBook #82] Last Updated: November 6, 2012 Language: English *** START OF THIS PROJECT GUTENBERG EBOOK IVANHOE *** Produced by John P. Roberts, Jr. and David Widger IVANHOE книг выложен группой vk.com/create_your_english A ROMANCE книг выложен группой vk.com/create_your_english By Sir Walter Scott Now fitted the halter, now traversed the cart, And often took leave,—but seemed loath to depart! 1 —Prior. CONTENTS INTRODUCTION TO IVANHOE. DEDICATORY EPISTLE IVANHOE. CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII. CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI ...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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