...thought that those legacies would have a big effect on today's modern world. Ancient Greece is the birth place of Western civilization. There are many ways in which western civilization is like the ancient Greek civilization. According to Greco roman Legacy reading "Our democracies and our dictatorships alike go back to Greek exemplars" Greeks were the first to think of the idea of democracy. The way citizens could...
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...Greco-Roman Influence Cory Martin World Civilization 1 ABG1143A Lisa Burgin October 31, 2011 Greco-Roman Influence The cultural fundamentals of Greek philosophy helped shape the Roman Republic and the empire they ruled. Under both the Greeks and the Romans, the Mediterranean basin became much more tightly integrated than before as both societies organized commercial exchange and sponsored interaction throughout the region ( Bently, Ziegler & Street 2008). The Mediterranean basin, North Africa, parts of Asia and much of Europe was dominated by the Romans at the height of their rule. Five hundred years before B.C.E., until five hundred years after C.E., the Roman Empire was one of the most flourishing empires of its time and era. The Greeks and the Roman government differed greatly. One difference was that the Romans shared their citizenship and became alliances with conquered countries, which allowed them to trade with Rome, have roman spouses and even become citizens of Rome. They also allowed them to run their internal government without the Roman government taking over. These types of well-liked changes allowed Rome to become the most powerful influences of their time. The Roman government, the wars they fought and the religion they believed in, all had influences on their territories and the world as it is today. Shaping of Wars Wars have always been a part of shaping countries. Wars that the Greeks and the Romans ran throughout their empires and conquering...
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...“The Burial of Count Orgaz” analysis The Burial of Count Orgaz is a painting by famous renaissance artist El Greco. The painting is sixteen by eleven feet and was drawn with oil on canvas. The painting depicts a burial scene of Count Orgaz and a heaven scene with Christ above them. This painting is the most intriguing for El Greco’s use of two focal points. In El Greco’s career The Burial of Count Orgaz is widely accepted as his greatest work. In describing the painting itself it is divided into two sections, one being a burial scene of Count Orgaz in the lower half portion of the artwork, and a scene of heaven with Christ and the saints swirling overhead among thin silky clouds. The two distinct sections of this artwork give the painting two focal points, which the eyes are drawn towards. The section of the artwork depicting heaven has Christ as a focal point, he is centered at the very top of the painting with virtually every figure around him looking up with some motioning towards him. Christ is dressed in white robe, and the figures surrounding Christ vary from Saints to musicians, angles, multitudes of followers, and the Virgin Mary. The figures all seem to be swirling among silky clouds around Christ which gives each figure a distinct position and proportion in the painting, some closer up and distinctive, other more further away and faded. The burial scene directly below the heavens has the Count Orgaz as the focal point and he is positioned near the lowest part...
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...driving the Traders from the Temple (Matthew, XXI, 14: 'And the blind and the lame came to him in the temple; and he healed them'). Both subjects were treated by El Greco more than once in Italy. This is the smallest known painting on canvas by El Greco. The painting has been cut and the group on the right is incomplete. No large-scale works are known from his Italian period, and most are quite small. He does not appear to have received any important commissions before he moved to Spain. Three versions of this subject are known, all basically the same in composition, but differing in treatment. The earliest, an unsigned panel in Dresden, is looser in composition, smaller in conception, and introduces genre motifs of a dog, sack and pitcher in the foreground, eliminated in subsequent versions. The present painting, probably also painted in Venice, is more easily composed. The third and largest painting, now in the Metropolitan Museum in New York (possibly identical with the one in a Madrid collection at the time of Cossio's pioneer work on El Greco), with its comparative largeness of conception, belongs to his Roman period, after 1570. El Greco did not again take up the subject in Spain. The inspiration is from Venice. The dramatic use of recession behind the figures in the foreground is Tintoretto's invention. El Greco is still borrowing certain motifs, but the composition would seem to be original. The painting was among the Farnese possessions in the seventeenth century, and...
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...In the Gilded Age, newly wealthy Americans began to compete for Europe’s extraordinary Old Master pictures, causing a major migration of art across the world. Old Masters, New World is a look at the cutthroat competition, financial aspect, intrigue, and double-dealing often involved in these paintings. It is also about the power of the amazing paintings that drove these collectors such as financier J. Pierpont Morgan, sugar king H. O. Havemeyer, Boston aesthete Isabella Stewart Gardner, and industrialist Henry Clay Frick. It is a great book about the arrival of the artwork of the Old Masters such as Raphael, Michelangelo, and El Greco in the United States. On one hand, it was definitely about the acquisition of Old Masters paintings from Europe by Americans. However, this book was not about artwork at all; instead, it was much more about the people who bought the art. The movement began when these extremely wealthy people bought very expensive and exquisite paintings. They bought these works of art for people to admire their wealth and taste. Old Masters New World is about the Americans of the late 19th century who found themselves interested in bringing the art of the Old Masters across the ocean. Saltzman does her best to give each of these people a voice and personality, to bring them to life for the reader. You will get to know each of these people and their histories. While there is definitely a discussion of art, the book is much more about the world of art dealing...
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...Tintoretto (Jacopo Robusti) (1518-94). Venetian painter. His nickname derives from his father's profession of dyer (tintore). Although after Titian's death, little is known of his life. He is said to have trained very briefly with Titian, but the style of his immature works suggests that he may also have studied with Schiavone, Paris Bordone, or Bonifazio. Almost all his life was spent in Venice and most of his work is still in the churches or other buildings for which it was painted. He appears to have been unpopular because he was unscrupulous in procuring commissions and ready to undercut his competitors. By 1539 he was sufficiently mature to be established independently, painting pictures composed in a traditional Venetian manner with the figures arranged parallel to the picture plane and unlinked by any strong movement or variation in the arrangement (The Adoration of the Golden Calf, Kunsthistorisches Museum, Vienna, c. 1545). His early masterpiece is the Miracle of the Slave (Accademia, Venice, 1548), in which many of the qualities of his maturity, particularly his love of foreshortening, begin to be distinguishable. To help him with the complex poses he favoured, Tintoretto used to make small wax models which he arranged on a stage and experimented on with spotlights for effects of light and shade and composition. This method of composing explains the frequent repetition in his works of the same figures seen from different angles. He was a formidable draughtsman and...
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...Pablo Picasso by Suzanne Blier Suzanne Preston Blier portrays Pablo Picasso’s work on African art and women as more than a simple interest, but a life goal and sort of obsession. It seems that to Picasso this scene of women and African art presented a mystery he sought to reveal. Through Picasso’s paintings of women, his interests in African masks and interaction with African art, Blier makes the point that Picasso’s engagement and interest in this field was led by the complexities it had to offer. The painting of Pablo Picasso’s Les Demoiselles d’Avignon (1907) reveals the complex nature Picasso saw in the women depicted. Suzanne Blier points out that the women in the image present a challenging expression, and emphasizes that the two women on the right wear masks. This attests to her argument that Picasso saw some intricacies in this subject. Because of the women’s expressions and the masks we can infer that Picasso saw in this scene something more than met the eye. The challenging expressions the women wear and the masks may symbolically represent something hidden to Picasso—something he could not yet uncover or understand. Picasso’s introduction to African art is another topic Suzanne Blier brings up to reveal the relationship he had to this field. Blier mentions Art in the Flesh, and an instance when Picasso was able to hold an article of Congo art. During this experience, Picasso tried to understand the artwork, leading to his way of presenting Africa, which involved...
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...The story of El Cid is similar to that of Robin Hood, the hero of England but the story of Robin Hood is all but a legend. The story of El Cid, the Spanish Hero of Castile is true and cannot be made up. Similar to Robin Hood he was thought of by some as a traitor and criminal but to some he was somewhat worthy of canonization. People believed El Cid to be a Christian hero as well and that is a reason why he was worthy of canonization because he provided for them. Because of some people thinking he was a criminal they also wanted to think of him as a legend. The early life of El Cid consisted of his father being part of a minor nobility of Castile. He was said to be born in the 1040’s which was a good era where there were many resources and prosperity. He was raised in the court of King Ferdinand I and in the house of his son Sancho. When El Cid was 22 years old he was appointed commander of the Royal Armies by Sancho. El Cid had already won popularity from Sancho as a fine soldier and military leader. When Sancho was killed and Alfanso came into power, El Cid married the niece of Alfanso. With this marriage the both were allied and the couple had one son and two daughters. His son was killed in a battle against the Almoravids from North Africa. El Cid also known as El Campeador and was born in 1040 in Vivar, Spain. When Ferdinand I died he divided his empire among his children of who one of them was Sancho II who thought he should have gotten his father's entire kingdom...
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...Sev and Sing Bhujiya, among others, suit the tastes of a specific market. The company offers masala wafers to cater to the Gujarati palate, chaat masala for the Maharashtra market and a range of spicy snacks for Rajasthan. Here, it scores over Jagilram's, which too has flavours to cater to the North Indian palate, by a better understanding of the Gujarati consumer. Bajrangi's pampers the Gujarati's sweet tooth by keeping its khatta-meetha less spicy. Bajrangi‘s product mix is just right. Bajrangi’s share of the local potato and vegetable chips market grew to 13.7% from 9.5%, while LasyCo’s share fell from 69.7% to 56.8%. Bajrangi also dominates in the western market with a share of 70%. In its home state, it has a share of 90%. The Greco-Persian wars This case can be related to the Greeks mainly the Sparta who were able to win over the mighty Persians. Having raised a vast army operating on the limits of supply and command...
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...This second part of the ‘Sports Officiating’ class was very interesting. I learned about four other NCAA sports regulations. A few of the sports, I was not that familiar with, but was acquainted with the others. The first thing that I learned was how a basketball official needs to have a mental focus before and during a basketball game. The basketball official needs to anticipate difficult situations in order to maintain focus and keep his level of stress down. This will help with the official making correct calls. The referee should visualize the game. In order for the referee to have a good game, he or she must feel comfortable and not anxious. If a mistake or miscall happens, the official must accept it and move on. We are human and those things will happen. Talking about human error, the second thing that I learned was about one of the most controversial calls in Major League Baseball. In the summer of 2010, an unbelievable event took place when Detroit Tigers pitcher Armando Galarraga was denied a perfect game by a call of safe made by first base umpire Jim Joyce. After the replay, it was undoubtedly that he had it wrong. The uproar was startling! Jim Joyce and his family received death threats. He felt so bad about blowing that call. The next day Galarraga came out to meet with Joyce at home plate with the lineup card. It was like a peace making moment. Joyce was shedding tears and Galarraga was as if it was ok for making the mistake. The third thing that I learned was...
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...Weapons/Warfare of Ancient Greece Weapons/Warfare of Ancient Greece The Ancient Greeks went through their dark age in the ages leading up to the 8th century BC. After the 8th century BC until the 6th century AD this period can be categorized as the Ancient Greek period of history. This is a period of interesting wars and advances in warfare. I will take a deeper look in this paper into the different wars, leaders and weapons used. There were many great wars in this period. The Greek states often fought each other. Sparta and Athens fought a long war, called the Peloponnesian War, during the period from 431 to 404 BC. Sparta won. Only the threat of attack by a foreign enemy made the Greeks forget their quarrels and fight on the same side. Their main enemy was Persia. The conflicts against Persia lasted on and off from 490 to 449 BC. The Persian kings tried to defeat Greece and make it part of the Persian Empire. In the end, it was Greece which conquered Persia, when Alexander the Great conquered the Persian Kingdom in the 330s BC. The strength of the army was the hoplite. They were foot soldier, and the artilleries were a long spear and a sword. They also had a shield. Hoplites clashed in lines or ranks. Eight to ten ranks made a formation called the phalanx. Each soldier held his long spear underarm. Enemy fighters saw only a figure of spears and shields, that was tough to go through and tough to break once it started advancing forward. The Greeks had archers and cavalry...
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...encompasses the head of a Buddhist being that easily attained Buddhahood, but forgoes his Nirvana with the aim of aiding those in the world to walk in the Buddhist path. This Head was created in the Gandhara Ancient kingdom located in South West Asia. This Head was created using the Gandhara or Greco-Buddhist art that was highly influenced by Hellenistic Art. The Head of Alexander the Great encompasses an art created during the Hellenistic Civilization that spread after the Conquests of Alexander the Great. The fact that both The Head of Alexander the Great and The Head of Bodhisattva were created under Hellenistic and Greco-Buddhist art, cultural, religious and artistic connections can be identified between them. Cultural Connections Both Heads were created during the Hellenistic civilization whose major characteristic was the Hellenistic culture. This culture was however influenced by the indigenous cultures of the conquests culminating into the Greco Buddhist culture. During the creation of both heads the main language utilized in Alexandria where The Head of Alexander the Great was discovered and Gandhara where The Head of Bodhisattva was discovered was Greek. Essentially in the Greco-Buddhist culture under which The Head of Bodhisattva was produced and Hellenistic culture under which The Head of Alexander the Great was produced, the main type of literature utilized was the Greek literature. The major institutions...
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...Greco-Roman Architecture is still very strong among the modern world today. The architectural and design of the Union Station in Washington D.C. reflect very distinguishing influences from the Greco-Roman civilization. Embellishments of the Triumphal Arches, the Arch of Constantine Rome are two examples of designs in building that commemorate military triumphs and gave authentication to military power and Roman Emperors. The Union Station embodies imagery much like the Arch of Constantine, along with Ionic columns, chiseled inscriptions and allegorical sculptures. Considering many buildings such as the Union Station, The Smithsonian, The Eisenhower Executive Office, The Washington National Cathedral, and The Library of Congress, many monuments...
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...Greece was the strongest country during its Classical Period. Even though they struggled against other strong country and had a civil war, they were peace at the end of the Classical Period. War is undoubtedly callous, but Greeks were not scared of death, they were warriors. One of the first and most important war during 600BCE-200BCE is the Greco-Persian War. During 539BCE, the Persian tyrant Cyrus the Great who ruled Persia and most of the West Asia dilated their territory and captured Lydia and the coast of Anatolia. Cyrus increased the taxes among Ionians( Greek residents from Anatolia) and appointed Persian land lords to charge from Ionians. His son Cambyses supported Cyrus and captured even mot residential settlements from Greece and...
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...a false wrestling, in which the participants unnecessarily go to great lengths to make a show of a fair fight;this is of no interest. True wrestling, wrongly called amateur wrestling, is performed in second rate halls, where the public spontaneously attunes itself to the spectacular nature of the contest.” For those who don’t know the difference between amatur wrestling and WWE; let me break it down for you. WWE stands for World of Wrestling Entertainment and was created about 30 years ago. It mostly consists of people playing actor roles. They have dramas before matches, and even the wrestling moves are faked. While amatuer wrestling was a sport developed in ancient Greece and was in the first olympics. There’s three types of wrestling, Greco, Freestyle, and the most common one Folkstyle, that is used in high schools and college wrestling. In WWE is just a scripted act. According to bleacher report, WWE is a real sport because “the risk, injuries and fatigue that come with being a professional wrestler are all 100 percent real and genuine.” Unlike WWE wrestling, amatuer wrestling the moves are logically pursued and might not go as anticipated. In one move, there could be several different tasks to be done before the move is completed. If the arm doesn’t bend the way it should, or the body doesn’t topple over like in practice. Then it could result in devastating injury. Roland Barthes said “wrestling presents man’s suffering with all the amplifications of tragic masks. The wrestler...
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