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Grey Art Gallery

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Rena Heras 3/24/14 Writing Workshop II Grey Art Gallery While some may argue that replications are a blight to the world of artistic craft, many have a greater appreciation of the reproduction of artwork paintings. Imagine if the Mona Lisa was only ever viewed upon by Leonardo Da Vinci, or within its locality. Centuries later, its true beauty would still be a secret to the rest of the world. It is hard to imagine that the most famous painting in the world would have been nothing more than a local favorite. Replication of fine paintings allows those who may never have an opportunity to own a masterpiece to feel like they do. Even while these alternates are not the real thing, with some, they may still have a hefty price tag. While others may have a more affordable and favorable price tag. Determining its worth requires a lot of attention to detail. The art of replication itself is very in depth. A great deal of skill and talent is required to master another's masterpiece. While some may tout it as otherwise, it is not a simple task try and match the brilliance of an original piece. To reproduce a painting doesn’t mean it’s merely a copy, but it is a new take, or interpretation of what the original artist was trying to capture. The replications of old images can often enhance the original image and make a masterpiece accessible to the world. The Grey Art Gallery of New York University is a complete mix of modern art, classic art, and replications. Exhibitions organized by the Grey Art Gallery encompass aspects of all the visual arts: painting, sculpture, drawing and printmaking, photography, architecture and decorative arts, video, film, and performance {www.nyu.edu}. When entering the gallery there is an array of colors and abstractness. Modern, abstract art is

clearly dominant at the Greyson Art Gallery. In Supper at Emmaus, Rubens harnessed the power of

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