...HENRY JAMES ( 1843 - 1916 ) Henry James was born an American and Joseph Conrad a Pole. Each chose to settle in England to become a British subject and for each, the collision of different cultures was an important themes. The relation of America to Europe is a central concern in James’ fiction : in major novels such as “ The Portrait Of A Lady “(1881), “ The Wings Of The Dove” ( 1902 ),or “ Daisy Miller” (1879) the moral consequences of the meeting of American innocence and enthusiasm with a sophisticated but corrupt European culture are explored by means of irony , a sustained attention to the nuances of individual CONSCIOUSNESS , and a prose style of increasing subtlety and complexity . But in their technique James and Conrad are most revolutionary .Modernist novelists sought radical redefinition of the REAL. Since the individual always perceives reality through his or her own consciousness , the contents and structure of consciousness represent the only accessible reality .A number of philosophical influences are relevant here : William James ‘ Henry James’ brother ‘ a psychologist and philosopher elaborated the notion of “pure experience”, all reality being described in terms of SUBJECTIVE HUMAN EXPERIENCE ( and he also named the new trend “ stream of consciousness”). Sigmund Freud (1856- 1939) had had an enormous influence upon modern literature as a result of his idea that “ all mental phenomena have meaning...
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...ambiguity. The pictorial method and the realism, the scenic structuring of the plot combined with the subjective reconstruction of the intelligent observer; the dramatic form combined with the field of consciousness. CHARACTERISTICS: the referential ambiguity in pronouns; the end-linking, which shows the insecurity of someone who never considers anything finished (but nothing is ever finished in Jame’s world, there’s always some word, some idea at the end of the period to repeat. James revised his works again and again after serial publication, for new editions… He is one of the most autobiographical of the great fiction writers, and when he makes his characters projections of himself, the result is ambiguity. He doesn’t use the actual events of his life in his writings but his mental life, his thoughts, conflicts and emotions, since James’s style is personal and subjective. This is clear and precise in his earlier fiction and more intricate and elaborate in his later work. James progressed from a traditional language to a highly personal one. The content in his prose is concerned with understanding and with emotional appreciation derived from experience. At times the objective world almost seems to have disappeared from his later novels. He wished to represent that truth...
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...The Innocents, a film directed by Jack Clayton, adapted from Henry James’ short novel The Turn of the Screw by John Mortimer, William Archibald and Truman Capote, can be argued to have subject matter of either a supernatural or psychological nature. The same can be said for Henry James’ original, but having digested both texts it is made clear to me that there are some very noticeable differences between the two, that both hinder and enhance our understanding of the stories. In both the film and the novella, the principal story is narrated, somewhat unreliably, by Miss Giddens, the governess appointed to care for the two children by their uncle. In Henry James’ version however, the story is framed in the prologue by an unknown character, Douglas, who introduces the story to a few friends at a house party. In the film, we see Miss Giddens crying with her hands together as if praying, emotionally exclaiming: “All I want to do is save the children, not destroy them. More than anything I love children. More than anything.” It then fades into the interview scene with the uncle, soft focus, to suggest a flashback. Both these openings elicit an anachronistic or nostalgic feel, and with The Innocents, this sensation is strengthened by the black and white cinematography. The cameraman, Freddie Francis, used a special filter which darkened the edges of the frame similar to the ‘vignette’ effect. This had practical uses for characters walking of screen but it also gave the impression that...
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...Florian Uffer Dr. Van Ness ENGL 203-05 11/25/2014 Randolph: Small in Age, but Great in Meaning Throughout James' “Daisy Miller: A Study” I have neither given nor received help on this work, nor am I aware of any infraction of the Honor Code. ------------------------------------------------- Date: Signature: Critics of Henry James' “Daisy Miller: A Study” largely focus on main characters, such as Daisy, Winterbourne, or Mrs. Walker. In his preface to the novel, James exemplifies how Daisy defies society's objective to confine women in a rigid sphere, describing her as “... a child of nature and of freedom...” (James 267). In her critic, Dunbar demonstrates how James' international theme comes in effect as Mrs. Walker turns her back to Daisy, declaring, “Mrs. Walker, whose cutting of Daisy seals the young girl's social doom, is in the revision given symbolic value by references to her as ʻthe voice of civilized societyʼ...” (Dunbar, 314). In another critic, Kennedy elucidates Winterbourne's willingness to classify Daisy, stating, “But why is Winterbourne so obsessively determined to categorize Daisy in the first place when his interest clearly extends beyond what would be aroused by an anomaly in his mental filing cabinet?” (Kennedy). Those critics however, omit Randolph Miller, whose meaning in the novel cannot be overlooked. Introduced early in the novel, Randolph Miller's meaning for the whole plot seems limited. However, him requesting lumps of sugar enables...
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...ENC 1102 02 December 2010 Ambiguity: Is The Turn of The Screw based on a true story or is it a tale of insanity? The ambiguous writing style used by Henry James in The Turn of The Screw leaves the story open to the interpretation of the individual reader. I will show how this ambiguous writing style does not lead the reader to any specific interpretation, but it is actually used by James to deliberately confuse the reader and foster an atmosphere of uncertainty. This purposeful lack of facts by James throughout the story makes the reader draw his own conclusions about what actually takes place. Many critics have analyzed The Turn of The Screw and most of them have come to the same conclusion; that the story is littered with ambiguity, but this is where the consensus ends. Nearly everything that takes place in the story can be interpreted in more than one way (Beidler 189). This novella penned by James has generated more than three hundred books, articles, and doctoral dissertations over the last forty years (Teahan 349). One critic, Edmund Wilson, wrote in his evaluation “There is a very good reason, however, in the fact that nowhere does James unequivocally give the thing away: everything from beginning to end can be taken equally well in either of two senses” (172). Just a few of the many unanswered questions that get asked are: Why did Miles really get sent home from school, is he as angelic as he is originally portrayed or is he a bad boy? Why does the uncle...
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...English 102 20 February 2014 Question 5: Question 5: Women at the End of the 19th Century Daisy Miller is the female main character in the short story by Henry James. Mr. Winterbourne describes her as a pretty American flirt, suggesting she is somewhat liberal and improper, as per the young man’s impression. Mr. Winterbourne is also a relatively young American man, about twenty-seven years old. He has spent a lot of time in Europe, becoming accustomed to a different world view from that of the American family and more specifically that of Daisy Miller. When the story begins, Winterbourne is seated at the garden of a hotel in Vevey when he meets Daisy’s younger brother Randolph, a pleasant little fellow, brave enough to ask a stranger for sugar, and justifying his request by saying that he is an American boy who misses candy from back home. When his sister Daisy appears and is introduced to Winterbourne, he expects her to be as proper and uptight as the women in Geneva. He even fears for his image, as he struggles to decide what would be proper for him to say to her, considering that he found her attractive. However, Winterbourne is put at ease when he finds Daisy more liberated than he had seen in a long time. When James describes her, as “…very charming; but how deucedly sociable” (12), he gives the impression that he had expected her to exercise some form of restraint upon their acquaintance, since they had just met. He did enjoy her company, but he certainly wasn’t entirely...
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...Sample Essays #2—“The Pupil” by Henry James Sample C In Henry James’ story, “The Pupil” James introduces three main characters, Mrs. Moreen, Morgan Moreen, and Pemberton. All three of these characters interact with each other and it is through this interaction that one can see the character of each. By closely examing “The Pupil” one can see that Henry James creates contrasting characters that work together to tell a story. By first comparing Pemberton to Mrs. Moreen, Henry James is able to compare different classes of society. Mrs. Moreen, who is very rich, as evident through the description of her “fat, jeweled hand” regards money in a offhand, careless way. One gets a sense of this carelessness through Pemberton’s opening thoughts regarding money. While he is focused on his salary, the reader gets the sense that money is of no concern for Mrs. Moreen since she never broaches the subject. Mrs. Moreen represents a class of high society, while Pemperton contrasts this by representing the lower society. Throughout the story, Pemberton’s main focus is about his salary. His worry about his salary represents his, and his societies, concern and appreciation for the value of money, contrast directly with that of Mrs. Moreen’s disregard and unconcerned attitude for money. Thus through these characters and the relationship between them, one gets an idea of the social structure of the time period. Henry James also contrasts Pemberton with Morgan Moreen. Pemberton...
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...Rahnuma Shabiba 2013-1-40-044 Eng 420 (1) - MAZ Response to the Character of Daisy Miller Daisy Miller is a novella written by Henry James where the story focuses on a young girl Daisy, who is full of life and innocent at the same time. This one particular aspect of the novella that focuses on this young girl has left the novella to analyze from a feminist point of view. Therefore we can say that Daisy Miller focuses on the nature of women, and Henry James portrayed the character of Daisy in order to do that. Daisy is introduced to Europe, and she deals and copes up with the society as well as she lives on her freewill. Unfortunately the consequence of her freewill does not prove to be a very good one. Perhaps this is how Henry wanted to depict the societal position of women. The response for this character Daisy can have a lot of dimensions. Many could easily call Daisy a flirt, many could be confused just like Winterbourne, and many could also support her freewill. Here we should also keep in our mind that although the narrator of the story is unreliable, unnamed and omniscient, yet every detail about Daisy as well as every other character is told from the point of view of Winterbourne. Many readers may get influenced by the comments that Winterbourne and Mrs. Costello makes regarding Daisy and her family. Here we should understand that Winterbourne himself is a confused person, and till the end of the story he is not able to understand what Daisy actually is. On the other...
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...The Character of Catherine Slooper in Washington Square Catherine Slooper, the protagonist of the novel Washington Square by Henry James, has been a highly controversial character. While many scholars argue that she is an ordinary woman others consider that she is an extraordinary heroine. In this essay I would like to demonstrate that she is both, an ordinary woman and an extraordinary heroine. To some extent it is true that Catherine is an ordinary woman. As Henry James points in the novel “she was not ugly; she had simply a plain, dull, gentle countenance”. She is not sociable either, in fact, she is very shy; she is not very ladylike, for example when her father comes home she just runs wildly towards him; her father is ashamed of her because she is not really skilful and, as consequence she is not self-confident. However, it is necessary to remember that Catherine has a huge variety of elements of strength which make her an extraordinary heroine. To start with, she shows us through two moments that she cares about love rather than about money. The first one is when she wants to marry Morris even though her father wants to disinherit her; and the second one is when at the end of the book, she does not promise her father that she is not going to marry Morris although she knows she is not going to do it, and even knowing that she is going to lose her fortune. This second act could be considered heroic in another way too: she does not say to her father what he wants...
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...EN1020: First Assessment – Secondary Sources Guy Davidson, "'Almost a sense of property': Henry James's The Turn of the Screw, Modernism, and commodity culture", Texas Studies in Literature and Language, 53.4 (2011), 455-78. In Davidson’s critical text, a relationship between a sense of belonging and property and the manifestations of the ghosts is presented. The way in which the Governess acts can be explained now through the idea of needing to find a sense of belonging on a world and home that isn’t hers. As a servant the Governess cannot feel at peace in a house, especially a house that has no male authoritative figure. Therefore it could be seen that the ghosts is her subconscious creating a Master to obey, i.e. through Peter Quint, and...
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...The American in Europe Daisy Miller is one of the first works to treat what became Henry James’s most famous theme: the international theme. James was interested in the problems that result when independent and free-spirited Americans are introduced into a European society older, more sophisticated, and more restrictive. On the one hand, James admired Europe’s centuries of tradition, its art, and its culture, and he deplored America’s rawness and vulgarity. On the other hand, he distrusted Europe as overly refined, perhaps corrupting, and he applauded American energy, optimism, and innocence. The theme of the American in Europe has many facets in Daisy Miller: the natural versus the artificial, innocence versus knowledge, age versus youth. The characters in the story offer many variations on the theme. Daisy is a young American visiting Europe for the first time, Winterbourne a young American raised on the continent, Mrs. Costello and Mrs. Walker older Americans who have been thoroughly Europeanized. Each of them reacts to Europe and to America in different and revealing ways. Appearance v. Reality James shows you that the gap between what people believe to be true and the actual truth can be large. To the Europeanized Americans of Vevey and Rome, Daisy’s independence makes her appear immoral. She agrees to an unchaperoned excursion to Chillon with Winterbourne, she treats her family’s courier like a friend. She travels around Rome with known fortune hunters, flaunts her affection...
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...When Henry James contacted Philadelphian publishers in an attempt to get his novella, Daisy Miller, printed, he was told the piece was an “outrage on American girlhood” and was promptly turned away (Isaacs 49). American publishers, quite frankly, were leery of the novella’s eponymous character, a young woman from New York who wreaks havoc on European high society. Unphased, James decided to send the piece to European publishers and in 1878 Daisy Miller made its literary debut in London’s Cornhill Magazine. Pirated copies of the piece quickly began to circulate among curious Americans and a great social divide took hold: “Daisy Millerites” versus “Anti-Daisy Millerites” (Werlock 163). To Daisy Millerites, the character upheld the fiery, independent, and bold spirit colonists had died for in the previous century....
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...Turn of the screw was published in 1898 and written by Henry James. It is a Gothic novella detailing the disturbing and ambiguous events that a young governess experiences during her time at Bly, the country house is which the children and their caretakers live. From the beginning of her stay at Bly and up until the end of the novella, the young Governess is plagued by visions of spectral figures (a man named Quint and a woman called Miss Jessel) that seem to take particular interest in the Governesses young charges( a boy named Miles and his younger sister named Flora). It is hinted, by the head of the house, that the spectral figures, which were previous caretakers of the children before their ambiguous deaths, engaged in illicit activities...
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...Shortly after dropping out of the Trotskyist movement in 1978, I embarked on a systematic reading project of the world?s greatest novels. Since I had made the decision to begin writing fiction myself, I wanted to learn the craft from the masters. Additionally, I wanted a change of pace from the hard-core Marxist literature I had been reading for 11 years. (Within two years, however, I had returned to radical politics, largely under the impetus of the Central American revolution.) I soon discovered that some of these masterpieces left me cold, including those written by Henry James, Joseph Conrad and especially Jane Austen. Although I would never deny that they were great writers, their words did not resonate with me. After reading 50 or so pages of ?Pride and Prejudice,? I found myself wondering what all the hype was about. I was left cold by an endless round of country balls, dinner parties and arch dialogue that always sounded self-conscious and somewhat artificial. To illustrate: Elizabeth Bennett, the major character who is based on Jane Austen herself, is in one of her frequent 'cutting' exercises with Fitzwilliam D?Arcy--reminiscent of an old Katherine Hepburn and Spencer Tracy movie. Like Hepburn and Tracy, these two spend most of their time hating each other until they finally discover that they really are in love. (I myself had a different take on the matter. In my experience, people generally start off in love and then discover that they really hate each other...
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...Ibn Baṭṭūṭah the greatest medieval Arab traveller and the author of one of the most famous travel books, the Riḥlah (Travels), which describes his extensive travels covering some 75,000 miles (more than 120,000 km) in trips to almost all the Muslim countries and as far as China and Sumatra. Henry James (American writer): Career—first phase ...of the novel Roderick Hudson, the story of an American sculptor’s struggle by the banks of the Tiber between his art and his passions; Transatlantic Sketches, his first collection of travel writings; and a collection of tales. With these three substantial books, he inaugurated a career that saw about 100 volumes through the press during the next 40 years. Samuel Johnson (English author): Journey to the Hebrides ...the inducement of having Boswell as his companion. He was propelled by a curiosity to see strange places and study modes of life unfamiliar to him. His book, a superb contribution to 18th-century travel literature, combines historical information with what would now be considered sociological and anthropological observations about the lives of common people. (Boswell’s complementary narrative... Marco Polo: Compilation of Il milione ...to write about his 25 years in Asia but possibly did not feel sufficiently comfortable in either Venetian or Franco-Italian; however, with Rustichello at hand, the traveler began dictating his tale. The language employed was Franco-Italian—a strange composite tongue fashionable during the 13th...
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