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Chronicle of a Death Foretold Essay
Reading Chronicle of a Death Foretold was quite an amazing story because the story is not really finished because you wonder what happened to the other characters in the end, but what I really want to get into is how the use of magic realism did for the narrative aspect of the whole book. First let’s introduce the characters of the story starting with the main four that I want to talk about today. First is Santiago Nasar, he is the one that everyone talks about being handsome and wealthy. Second is Angela Vicario she is the one responsible for Santiago’s demise. The next two are Pedro Vicario and Pablo Vicario, who are related Angela Vicario, even though they aren’t the main people of the story they still are part of my explanation to how does magic realism play a part in narration. Last is the mysterious narrator whose name is a mystery.

A perfect word to describe magic realism is make-up because it hides the truth. Make- up is a mask for women so that they can wear; it can make them feel good about themselves, but once the mask is off where is the real treasure at? Santiago Nasar is an Arab man supposable handsome and wealthy. Sure we read about him but his character never appeared in the first place. All the audience gets is to nibble on small information and never got to eat the big cheese. He is the make-up because we never got to physically know him and we only get our images about him through other people’s perspectives. For example, in the opening his mother is talking to the narrator and she tells him about her son’s crazy dreams. His dream was what foretold his death? I don’t think so because it seemed like it was just thrown in there, but at the same time it wasn’t. The dreams aren’t significant, but the point of it is. A dream can sometimes be real or at least we think so. The point of it is too ask yourself why he had those dreams. So this is where I move on to Angela Vicario.

Angela Vicario was a women who was about to get married to a man that she didn’t want to marry in the first place. After she gets married something horrible happened to her husband Bayardo San Roman; he found out that she wasn’t a virgin and that in their culture means you are a dishonoring and trifling daughter. So now this is where it gets interesting, when she does go home her brother asks her question because he is very upset with her, but before any of that could happen she says the most random thing to Pedro. “She only took the time necessary to say the name. She looked for it in the shadows, she found it at first sight among the many, many easily confused names from this world and the other, and she nailed it to the wall with her well-aimed dart, like a butterfly with no will whose sentence has always been written. 'Santiago Nasar,' she said.” So now this is the next part of the make-up and it is the truth. The truth is she is a liar and she had to conjure up his name because his name has status. Also it was to make it seem that it wasn;t just any ordinary guy she fornicated with and it makes their family look better if it really was Santiago who raped her. So the magic realism in this part is the details that you have to comprehend and understand. The butterfly isn’t just her it represents both of them because it is like killing to birds with one stone. The pinning needle also is both of them because once she mentioned his name it is time to find out who is lying and if she even did get raped, but the funny thing is that it never happened. What I mean by this is if you read the book then you understand that he never got the chance to explain himself and he just died. From then on the whole story shifts to the other character’s doom on a spiral going downward. So on to the last part what did magic realism do for this whole story?

Magic realism isn’t magic, but more of a real situation turned to its worst. To me I can compare this to surrealism because it is believable enough, but at the same time its fiction. It is like a dream just like in the beginning of the book it’s all an illusion because it makes you question it like an art piece. The only thing I can compare this to in chapter six is the revolutions itself. Like the fruit company act with Eisenhower and the Colonel Jacobo Árbenz Guzman. The CIA reminds me of Angela Vicario because they played mind games with Eisenhower seducing him to their level. CIA didn’t want to lose the banana island so they practically got into Eisenhower’s head and ordered him to kill Colonel Jacobo Árbenz Guzman.

So to wrap this up I learned that if you are writing magic realism in a narrative story you have to be a genius because to tie everything in the end is hard to do. Even though there are so many plot holes. For example the raping of Angela Vicario is an unsolved mystery and was it true that everything said about Santiago Nasar was true? Another thing I forgot to mention was who is the narrator because to me there is very little known detail about him. The narrator himself is only described in bits and pieces just like Santiago. So that is what kind of made me think that he could have been the rapist. So in the end magic realism is real, but at the same time its magic; to make the mind get worked up and to try to figure out the mystery of the story.

Cited Work
Gabriel Garcia Marquez, . N.p.. Web. 7 Jul 2013. <https://docs.google.com/viewer?a=v&pid=forums&srcid=MDg1NTQ0NDE4MTMzNjMwNjM2MzYBMTMzMDIyNzk3NzY5NDUwNTMwNDIBUDFucUtnVTRBQ1lKATIBAXYy>.
DOUGLAS, . "Cast of Characters in Chronicle of a Death Foretold." BROOKLYN BOOK TALK. N.p., 05 02 2008. Web. 7 Jul 2013. <http://brooklynbooktalk.blogspot.com/2008/02/cast-of-characters-in-chronicle-of.html>.

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