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Hybrid Music

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Submitted By anzaijaz
Words 776
Pages 4
13th Oct, 2014
Music 156

World Music

The type of music that I initially chose to write about for this assignment was Qawwali, which is a devotional music of Sufis; however, during my hunt to buy a CD, I came across a new genre called fusion where qawwali is blended with western music. This was totally new to me. I was instantly drawn to the music it had to offer and as a result I bought it right away. The name of the CD is Night Song and it came out in 1996. It is a collaboration of two artists: Nusrat Fateh Ali Khan from Pakistan and Michael Brook from Canada. Nusrat Fateh Ali Khan is famous for his intense and powerful voice in qawwali while Michael brook is famous for his talent in guitar and composing music scores. The CD contains 8 tracks which are composed together by both the artists except track 7 which is the sole effort of Khan. Most of the songs contain the voice of Khan, as these are all his original qawwalis just presented through a western music prism. What struck me the most is how they totally changed the music of the original tracks, yet the authenticity remains. My family members are a huge fan of Khan and listen to his Sufi music. I was never attracted to it personally because it sounded pretty dull due to the fact that it usually contains a tabla, harmonium and manipulation of high and low pitched voices. With the fusion of so many electronic instruments, the music has become so much more lively and ambient for me to listen to. I think one feature that has helped both the artist make the album so cohere is the use of keyboard and guitar according to the sound of harmonium and voice of khan himself. Every time I listen to the tracks, it’s so pleasing to listen to Khan’s voice being synchronized with the guitar riffs and keyboard sounds. The two tracks that I have heard to be polar opposite to each other are track 7 and track 5. The original version of track 5 is in fact one of my favorites by Khan and like our guest speaker Mr.Riad Ismat said, that the spirituality of a song cannot be interpreted the same by everyone, this song has a similar nature as it talks about the relation with God, yet one may confuse it with a love for a lover. On the other hand, track 7 is the only track in the entire CD that been written and composed by Khan only. This track reminds of classical Indian music. As one listens to it, you may realize that it has no lyrics and in fact barely uses any other instruments besides keyboard (minimum use of keyboard) and drone. Drone is basically a musical piece which is characterized by harmonic variations that keep going on in the background. This can be heard in track 7. It’s purely classical and can give you a hard time in articulating the strong and weak counts in the “meter”. As suggested in Wade textbook, it might be helpful using a “colotomic meter” in a situation like this because the notes provide a structure for the song to be built upon. Track 5 is totally opposite to this. It uses a variety of instruments to blend the qawwali with western music. At the very start of the song, one hears guitar riffs and this sort of gives you an ambient feeling and then all of a sudden Khan starts by “tere bin nai lagda dil mera dholna” which means I can’t live without you my loved one. As the song goes on, drums can be heard with bass, and guitar still in the background. In the halfway of the song, tablas and harmonium are introduced into the song and from there on there is literally a blend of every musical instrument which sounds so beautiful. Khan tries to fuse his high pitched voice with the electronic riffs of the guitar and drums and tries to capture the interest of western audience in my opinion. His voices make me feel shallow, yet energetic. In a nutshell, this is an amazing collaboration of two artists who are very different in their work, they play different instruments, think different and here they are trying to fuse the cultural elements of south East Asia; Pakistan in specific with western music. I think they did a fairly decent job in mixing the cultural components and as a reason this album was nominated for a Grammy award for best world music album in 1997.

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