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Kings Of Summer Film Analysis

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Discoveries that are evoked by careful planning are still oblivious to an unknown factor that is triggered by the individual’s context to make a more meaningful impact. Discovery is a process of unpredictable outcomes which is rarely deliberate or planned because there is a high level of uncalculated risk always involved. Making unexpected discoveries more significant as they are able to appeal to different emotions and values of individuals. Simon Nasht’s documentary ‘Frank Hurley the man who made history’ and Jordan Vogt-Roberts’ film ‘Kings of Summer’ explore discoveries through the natural world and individual self-discovery, explaining that discoveries triggered from an unknown factor are more prominent to the individual. Hence unexpected …show more content…
It can act as an escape or a struggle against the conformities of humanity. The materialistic world we live in has faded the beauty and serenity of the natural world, forcing people to rediscover this unknown element of the world in an unexpected process of discovery. The natural world is unfathomable and discovery from it can never be deliberate or planned because of the mysterious element of the world. Nasht shows the idea of the natural world being an escape from the materialistic world, which he exemplifies through the Mawson Expedition to Antarctica, where they suddenly stop at Macquire Island. Nasht layers this scene with the narrator saying “the city boy was stunned by the power of nature”, utilising diction of the words “city” and “nature” to juxtapose the modern materialistic world to the serene and beautiful natural world. Untouched by civilisation the natural scenery fades into old archival footage of what Hurley saw in an unexpected revelation of the natural world allowing him to escape from his harsher reality. Nasht shows that unexpected discoveries are more meaningful, as Hurley becomes unexpectedly influenced by the rediscovery of the beauty and serenity of nature “If I had sufficient film I could stay here forever” and never would have happened if they went by a differently planned route. In a similar exaggeration, Robert explores the need of escapism through his characters Joe and Patrick, two teenage boys who use the natural environment as an escape from their past confirmative life. Escaping from the police who just raided their beach party the boys get lost on their way home “Where are we? Someplace they won’t find you?” Roberts approaches this scene through a panning shot labelling unexpected curiosity to the notion of the natural world in the dialogue. The camera circles around the focused characters coming to the realisation of the beauty and serenity of

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