...Innocence in To Kill a Mockingbird To Kill a Mockingbird by Harper Lee, published in 1960, is a novel about a little girl who experiences a trial. This novel takes place in Maycomb, Alabama during the Great Depression. In the book, a mockingbird is a symbol of innocence. Children have innocence and when the ¨kill¨ their own innocence, they grow up. Scout is a little white girl who doesn't quite understand the world yet. In the book, She keeps her innocence but is later attacked. Tom Robinson is an African American man who was convicted of rape. A crime he did not commit, which he was sentenced to death for and killed for running away. Boo Radley is a man who was said to be a monster but in reality saved scout and her brother Jem. In the book,...
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...nature. The main character Othello is often viewed as a tragic hero and is often compared to Aristotle’s concept of what a tragic hero ought to be. Othello experiences many avenues of tragedy, identity, jealousy, ethnicity, and deceit from an unlikely ally. William Shakespeare’s (1604) Othello, the Moor of Venice is an Aristotelian tragedy due to the protagonist who is of noble birth, who is standing on the highest peak of his life, and eventually taking his last breath of tragedy. In the play of Othello, the Moor of Venice, the main character is undeniably seen as a tragic hero, and is relative to Aristotle’s views of what a tragic hero is. According to Kennedy and Gioia, (2013), a tragic hero is someone who is “the hero or chief character of a tragedy, a person of ‘high estate’, or a member of a royal family” (p. 944). Although, there are many characters in numerous of books or plays one usually falls victim to being the tragedy of moral tyranny. In Othello, the Moor of Venice, Othello is the character who breathed his last breath not because of society, but for his own exiled. As mentioned above, the emphasis of tragedy explains the stature of the protagonist who “must fall from power and from happiness; his high estate gives him a place of dignity to fall from,” (Kennedy & Gioia, 2013, p. 945) and demonstrates a more humble nature to society of how the mighty can still fall. Aristotle’s definition of a tragic hero consists of someone who is of noble birth, display hamartia (tragic...
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...One example of this is how Ana’s mother gave up her promising career of being a pianist to care for her daughters at home and to remain in a loveless marriage due to her fear of failure. Additionally Ana’s father is said to have had “wandering hands,” meaning he gave physical affection to other women than his wife, like in the scene where he was touching the maid’s breasts through the window. Also, in the opening scene, it shows Ana watching as her father is gasping for his last breath and then cleans the glass on his bedside table. Later in the film it shows adult Ana expressing that she thought all of her mother’s pain was caused by her father, so she poisoned him (or so she was convinced). This shows that Ana had knew about their parents marital problems and that she grew up resenting her father for how he treated her...
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...talks about seeing a fly as she takes her final breath. By focusing on natural objects within the poems, both poets reveal the negative nature of their chosen symbols. In the poem “Design,” a spider symbolizes death; in “I heard a Fly Buzz When I Died,” a fly figures as the omen of death. In first stanza of “Design,” Frost describes a spider as “dimpled,” the flower like a “froth,” and the moth like “white satin.” However, in line 4, the spider, flower, and moth are also described as “assorted characters of death and blight.” Frost chooses his words carefully throughout the entire poem. Deirdre Fagan and Robert Seltzer state that “he intentionally contrasts the white innocence of the description of all three characters with the seemingly horrific actions they undertake. Even the spider, which is apparently the exterminator, is described in terms usually applied to infants (‘dimpled’ and ‘fat’)” (Fagan and Seltzer 49.) At this moment, it is difficult to understand how innocence could turn to death and evil. Frost describes the moth as being made of “satin cloth” and the spider as a “snow drop spider” (Frost 7). These reveal Frost’s appreciation of the beauty of the animals and plants within the poem. However, although Frost describes the spider as an innocent, the line “Like the ingredients of a witches’ broth” imply the story that is to unfold. In second stanza, Frost asks three questions after questioning how innocence could turn into evil. All three questions are concerned...
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...Adeia was a fabricated construction; manufactured and shaped by the inventive minds of herself and Eldric. They were the Romeo and Juliet of the early 1900s, accursed lovers without hope for a fortunate outcome in their relationship, although it was only Eldric’s family who despised Eliora for her tainted Jewish blood. At the tender age of sixteen, Eliora had met Eldric Veith – her paradoxical equal. Little did she know then, that her enraptured love would ultimately eventuate to the ruination and demise of her own sense of selfhood and an absolute loss of identity. Eldric stole Eliora's innocence, stripping her of her valued purity, of which she was more than content to allow him to pilfer. She was so naive. At the sweet young age of seventeen,...
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...Goodman Brown to himself; and he glanced fearfully behind himself as he added, ‘what is the devil himself should be at my very elbow” (Hawthorne 624). Goodman Brown thought the devil was after him, no matter where he went. When he said there might be a devil behind every tree, this did nothing but made him go further into evil. Later as Goodman Brown Is going through the forest, he meets a man who gives him a form of weapon to represent evil. “ ‘Come Goodman Brown, ‘cried his fellow traveler. ‘This is a dull pace for the beginning of a journey. Take my staff, if you are so weary” (Hawthorne 625). This staff that the man gave Goodman Brown represented evil. He tells Goodman to use the staff to travel faster and when he does, he loses his innocence. The staff indicates that the old man is more devilish than human; therefore this does nothing but make Goodman Brown go further into his discovery of evil. Another place that Goodman Brown used to go further into his discovery of evil, was the cut through the woods. There was a voice that Goodman Brown heard when he was in the woods. This did nothing but made him go further into evil. “ ‘Faith! Faith!,’ as it bewildered wretches were...
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...from her seat and places Garp’s head in her lap. As he laid there in the arms of his wife, he thought to himself “If he could have talked, he would have told Helen not to be frightened of the Under Toad anymore. It surprised him to realize that the [it] was no stranger, was not even mysterious; [it] was very familiar… he had always known it…” (Irving 575). The under toad is the symbol of death throughout the book it was a joke from when Walt was young who thought that the undertow was a toad out to get him and not until Garp is at his last breath those he make peace with it. He realizes that there was always a probability of death, yet death will only strike once therefore a person should not fear it. As Helen holds her husband Garp looks around at the people around him reminiscing on how much he truly appreciates them. The last person he looks at as he takes his dying breath is his wife he looks her straight in the eyes trying to tell her one last message. Garp wants his wife to be at peace and to see that “if you have life …there is hope you'll have energy. And never forget, there is memory…” (Irving 576).As a writer, Garp knows that there is only one thing that truly never dies memory this is an important realization for a man who has been terrified of death this is the defining moment of Garp’s life. He realizes that his legacy will live on even if he is not there to live it himself. Garp took...
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...Innocence, purity and freshness of Tess rightly made Angel to describe her as, “What a fresh and virginal daughter of nature that milkmaid is”. True to Angel’s description, Nature acts in a parental way towards Tess, protecting her or reflecting her feelings, indistinguishable from nature. In ‘Tess’, nature serves as a living character as oneness between Tess and nature is established which is often expressed through her moods and instincts. She is all symbolic to nature as humans don’t find time to stop and cherish the beauty of nature, Tess too was over sighted by Angel but as whenever man gets time to refresh himself through the beauty of nature and goddess of beauty never disappoints him, Tess on her part was relative to nature as Angel named her after Greek goddess such as “Artemis or Demeter” that makes her seem coupled with supernatural side of nature. Like towards nature, for Tess too “Strangers grow momentarily fascinated by her freshness”. When they glance over her features, on her “large innocent eyes”, they seem so like equilibrate and affectionate glance of nature over humans, having no discrimination for any race thus as innocent as Tess’ eyes. Now in the life of Tess, most moving characters are Angel Claire and Alec; both are symbolic to their part. Being Tess’ lover, Angel is playing for a naturalist who loves, admires and cherishes nature and considers it most exquisite and flawless thing of the world. Such admiration is shown when it is narrated that Angel...
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...“You’re book wasn’t nearly as good as Sylvia Day’s,” Julie Iris’s gaze shifted into mid-air. She was drowning in embarrassment and regret in writing that novel. For a moment she released a heavy sigh and found the courage to look at her editor. Rose Parker’s eyes were identical to that of the devil. She followed Julie’s action by sighing then jumped on her chair. A stack of paperwork, which she was carrying, landed on the chair. All were reviews of the novel ‘Playing Romeo’s Game’ that she had written last year. It was an erotic retelling of Romeo and Juliette that she thought was ‘original’. She didn’t make it a contemporary tale, wanting to set her work apart from the hacked up pornography in the market. It was something she took pride in and something that made her smile almost every single...
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...The Snow Witch jerked open her eyes. Her eyelids felt heavy, crusted with something other than sleepy-dust, and when she puffed out a breath, powdery snow blew off her face and into the air. From where she lay on the ground, daylight filtered through the snow-laden clouds, although morning or afternoon she did not know because time meant nothing to her right now. The days, the hours and the minutes had all merged into a frozen dream. Propping up on an elbow, she slowly looked around with no idea of where she was. Then, feeling lightheaded, she staggered to her feet and brushed down the snow. A frigid wind tore into her face like a winters breath, and every now and then, her numbed hands shook violently as she tried to control her shivers....
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...Prison Overcrowding Final Project Terence Ingram Professor Karina Arzumanova, Esq. March 17, 2013 Strayer University Prison Overcrowding Final Project Criminal Activity is on the rise. With prison populations growing at an all-time rate, the federal prison system has not been able to keep up. As a result, this is a serious problem which puts inmates and guards in danger and holds back efforts to rehabilitate convicts. (McLaughlin, 2012) Violence will be on the rise as more inmates are squeezed into small living quarters. Increased inmate misconduct is a direct result of prison overcrowding which negatively affects the safety and security of inmates and staff. If prisons don’t find a solution to this problem, it will create more tension and could potentially cause an inmate to snap and create a violent incident. With more prisoners confined in small spaces, prison officials are forced to cut back on inmate’s cafeteria time, time in the recreation yards, and television rooms. Multiple inmates are put in cells that were specifically created for one individual inmate. Common areas that were not meant to be used for inmates are being used for living arrangements even though it was not designed for that. Crowded cells and the loss of privacy increase the odds that inmates will lash out, threatening the guards keeping watch. ( McLaughlin, 2012) Policies have been put in place to make sure that inmates are not being violated. Some may say that overcrowding in prisons is inhumane...
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...Discovering other guests were in the presence, another of the three suggested: "May we speak to you in private, sir?" Macbeth had clearly remembered what sinful deed he sent them to do. He knew what the conversation was going to be regarded to, so he directed the men into the far room of the castle where no one could overhear. The facial expressions turned expectant when they were at last behind closed doors. "The deed has been done. Banquo, your former ally is dead" one says. "Very well. What about Fleance, his son?" Macbeth asks. The three of the men look to each other with concern. "He escaped." Macbeth's eyebrows narrow as he grows with great worry. He recalls what the three weird sisters had prophesized and it becomes unsettling to him knowing that Fleance could have the possibility of becoming king after Duncan. "You may now go, but each of you must remain vigilant. Hope for the best that this does not fall into the knowledge of even the slightest soul" Macbeth dismisses. As they take their leave, Macbeth searches for Lady Macbeth to inform her of this message. With much careful consideration, they decide to prepare for the changing circumstances when it becomes found that Banquo is dead. In...
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...Even though his work is ultimately fiction, Apuleius’ The Golden Ass clearly depicts many of the realities of Roman life during the Pax Romana. What one can gather from the different stories that play out during the adventures of Lucius is that the Roman Empire was far from a highly disciplined and law-abiding society. Instead, it was filled with a population that was reckless in its treatment of others, whether it is theft or a seemingly unquenchable desire for personal satisfaction. At the same time, the writing style of Apuleius makes the reader find the humor and comical relief in every situation. Even though life as a Roman provincial may have been filled with a careless attitude, bringing with that both the good and bad consequences, Apuleius makes it clear in the final chapters of his piece that there is a need for change. The piece by Apuleius illustrates society during this time as one that is ruled by unlawful and unethical actions throughout. Initially, one can see that Lucius himself is driven by a need to satisfy his own desires, regardless of the consequences. Whether it is to engage in sexual encounters, or fulfill his curiosity about the magic powers of women, Lucius focuses solely on himself. Lucius is a reflection of society as a whole, and once he is turned into an ass, he sees that society is filled with destructive people. In Books 3 and 4, the bandits present an example of exactly what is wrong with society. Even though all communities have theft, it is...
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...Paul’s character begins the war and the novel, Remarque’s All Quiet on the Western Front, as a child, barely out of school, and is sent into the most traumatizing event anyone during his time went through; The Great War, which stripped his innocence and turned him into a broken man. So, although his life was not doomed since the beginning, his mindset, personality, and purity were all doomed to be erased since the moment he entered battle. Throughout the war, he is subjected to the loss of his friends, the mind shattering effects of shells bursting mere meters from him, and the horrifying experience of not only killing men, but brutally maiming one and listening to his final breaths, torturing himself over the hours that he is trying to keep...
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...his sister, Dorothy, and an affinity for the world of nature, in which he spent much of his childhood. The happy memories of playing in and exploring the natural world inspired him throughout his life, and he maintained a close relationship with Dorothy. This feeling of family closeness, combined with his vision of children as creatures attuned to nature and untouched by the cares of adult life, is evident in “We Are Seven.” The poet begins by juxtaposing the attributes and promise of a child’s life with the specter of death: A simple Child, That lightly draws its breath, And feels its life in every limb, What should it know of death? (Wordsworth 1-4) Wordsworth presents the image of an innocent child, an eight-year-old girl that he, as the poem’s narrator, encounters on a walk through the countryside. By describing her as possessing “a rustic, woodland air” (9), he evokes a feeling of the unadulterated innocence of the natural world, unspoiled by the interference of civilized society. The narrator, who is evidently a practical-minded gentleman, questions the little girl about the size of her family, particularly the number of her siblings: “Sisters and brothers, little Maid, How many may you be?” “How many? Seven in all,” she said, And wondering looked at me. (13-16) Upon further questioning as to the disposition of her family members, the child replies that, of the seven children, “[T]wo of us at Conway dwell, / And two are gone to sea” (19-20). It is not until she elaborates...
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