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Mcmurphy In One Flew Over The Cuckoo's Nest

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Moreover, as Kesey introduces him as “not a regular visitor”, highlights the importance of McMurphy, and the central role in which he comes the Jesus of the institute. However, essentially there are two McMurphys. The one who has conned his way into the institute, and describes himself as being “in and out” of institutions his whole life, knowing how to play the system, is directly contrasting with the typical American man of the 1950s. Which is a clear representation of God’s role diminishing, as the heathenish McMurphy is presented as a rapist categorising him as a sinner, and against god. This view of McMurphy agrees with the question, as men like McMurphy are lacking in influence from God, due to the secularisation of himself, and refusal of religion infers that God had died within McMurphy, henceforth characterising McMurphy as a sexist and a rapist, and a non-conformist. …show more content…
Which represents God’s role as “omniscient” in the novel. As the main character is presented as a prophet and a healer, thereby challenging the view aforementioned due to the split presentation of McMurphy, possibly due to Kesey’s style of writing from the perspective of schizophrenic Bromden. Bromden’s role as a narrator has to be questioned, due to his mental illness and the style in which he presents the asylum. Did he escape the asylum and get caught? Or was the entire ordeal made up? This deliberate ambiguity used by Kesey embodies God’s death in literature, as the plot is unknown, and remains shrouded in mystery. In addition, this is an inherent example of God’s death in postwar American

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