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Metaphor Use

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ENGL124 Literature Analysis

Nov.11 2014
The Reluctant Fundamentalist is a novel written by Mohsin Hamid, set in the year following 9/11, constructed through a conversation between a Pakistani named Changez and an unnamed American in a café in Lahore..
The Reluctant Fundamentalist uses a variety of narrative strategies that contribute to the novel’s atmospheric world. This essay is going to focus on the metaphorical and symbolic techniques used in the novel and analyze the connection between them. It will also elaborate how does the metaphor relate to the first-person narrative in the novel and how do these two methodologies work together to derive the deeper meaning of the author’s intension. After analyzing the use of metaphor in the book, we could see better the real meaning and power of metaphor used in literature.
The book is riddled with allegory and metaphor. Take names as the most significant example in the novel. First of all, let’s talk about the name “Changez”. While several reviewers have assumed that “Changez” is too obvious a name for a character in this situation, Hamid has pointed out that it doesn’t signify “change” but is instead “the Urdu name for Genghis, as in Genghis Khan.” He elaborates: It’s the name of a warrior, and the novel plays with the notion of a parallel between war and international finance, which is Changez’ occupation. But at the same time, the name cautions against a particular reading of the novel. Genghis attacked the Arab Muslim civilization of his time, so Changez would be an odd choice of name for a Muslim fundamentalist (Singh Harleen 149).
The name is ironically reflecting how Changez is torn by his identity. On one hand,
Hamid use the name to mock the stereotype of the bearded Muslim man as Islamic extremists – Changez is a pacifist instead of a violent person; On the other hand, Changez is somewhat like his namesake – after post 9/11 experiences, he is a solider, an anti-imperialist though peaceful in his methods – devotes his life to speak out against America’s international abuses.
Secondly, let’s take a look at the name “Erica”. As a metaphor of America, Erica shares a lot in common representing America: rich, selfish, flawed, self-absorbed, detached from reality. At the same time, Changez’s relationship with Erica mirrors his relationship with America: Changez is incompatible with Erica, just as his relationship with America becomes untenable due to America’s self serving foreign policies. Erica’s relationship with Chris also serves as an indication of the United Stated before and after 9/11. Erica tells Changez, “ I kind of miss home, too. Except my home was a guy with long skinny fingers.’’(Hamid 28) Comparing her grief to homesickness, Chris comes to symbolize for Erica: “a virtuous time and place in her life - the home and safety of childhood, a time when life was simple and innocent.” (Brandt Jenn 363-387) Erica is “disappearing” into the same “ powerful nostalgia” as America is. The nurse from the psychiatric facility tells Changez that “It’s difficult for Erica to be out in the world …when in her mind she was experiencing things that were stronger and more meaningful than the things she could experience with the rest with us. “(Hamid151) The death by drowning is symbolic – rivers representing journeys and drowning to be totally immersed, just as Erica totally immerses herself in the end in the “home” that Chris represents. (Waterman David 131) Thirdly, let’s take a look at the name “Underwood Sampson”, which itself serves a metaphor for the power of the United States. Changez’s position in Underwood Sampson reflects the global politics to which Changez has become increasingly resistant. On the surface, Underwood Sampson, like the United States, gives the appearance of diversity, acceptance, and equality. Closer inspection, however reveals the underlying parameters of acceptable multiculturalism. (Precup, Mihaela 368)
Changez recalls: “ Two of my five colleagues were women: Wainwright and I were non-white. We were marvelously diverse (…) and yet we were not : all of us , Sherman included, hailed from the same elite universities-Harvard, Princeton, Stanford, Yale; We all exuded a sense of confident self- satisfaction; and not one of us was either short or overweighed. (Hamid 38) While Underwood Sampson’s hiring process appears to be a model of affirmative action, Changez soon realizes the company’s outward show of diversity is in actuality a façade that makes an alarming homogeneity of privilege. Changez and his colleagues reflect the fact that despite changing demographics in America, there’s still a strong underlying class system in place. And Changez’s status ascendency in New York pre-9/11, coincides with the decline of his family’s wealth. In occupying these dual positions, Changez becomes a model for the class struggle brought to prominence by globalization, and give a body to the unequal progress of geographical development. As a symbol for both America and capitalism in the novel, Underwood Sampson
‘s motto “focus on fundamentalist” speaks to the degree in which everything -including bodies -can be seen as a commodity. Not surprisingly, Changez ‘s dissatisfaction with America corresponds with his decline in performance at Underwood Sampson, and Underwood Sampson ‘s valuation of companies resembles the way in which Changez sees the United States wrecking havoc and “legitimizing through its actions the invasion of weaker states by more powerful ones.” (Hamid 131) Furthermore, let’s talk about Juan Bautista, the only character in the novel whose full name is revealed. Juan’s name is symbolic, and it’s Spanish for John The Baptist, Jesus’s cousin who baptizes people in the river Jordan and first reveals Jesus as messiah. Changez is not meant to be a messiah figure but he does have an epiphany when he works on valuing the publishing company Bautista is in charge in Chile. Juan Batista tells Changez the stories of the janissaries-Christians boys captured by Muslims as children, brainwashed and then sent to fight against their own empires as adults. Bautista’s suggestions, is that Changez himself is a modern day janissary- but in reverse-“I was a modern day janissary, a servant of the American empire at a time when it was invading a country with a kinship to mine.” (Hamid 163) Symbolic of John the Baptist – baptizes Jesus Christ and cleansed him, Juan Bautista cleanses Changez, giving him an enlightened vision that Changez finally resign from Underwood Sampson and return to Pakistan. Metaphorically, the way he reveals to Changez his mission, just as john the Baptist revealed to the world the mission of Jesus. The whole novel is told from the first-person point of view. In discussing the narrative techniques of The Reluctant Fundamentalist, Hamid explains “ One reason for having this formal structure is that by creating half a conversation, a conversation of which you only hear one half, and where the other party of the conversation is only present as an echo, a space opens up in the novel, a vacuum that reader is invited to fill.” (Psychoanalysis and History 225-237) When the technique of metaphor is used in such one-side monologue, the reader becomes an active participant in the text. The results as Hamid notes, is “ When you read this book, you are at least partly reading yourself.” (Psychoanalysis and History 225-237) This reading of oneself is important, as metaphor plays into an understanding of not only events in the novel, but the reader’s own understanding is also a part of the interpretive process of the self. Since there is usually a problem with the reliability of the first-person narration, the readers must weigh and interpret the one-sided story given by the speaker. In effect, there are two stories, the one Changez tells about why he became an Islamic fundamentalist and the account of the interaction between Changez and his listener. Those two stories are intertwined throughout the novel. In a collaborative effort, Hamid packs his ideas by relying the metaphorical symbolism into one evening's conversation, and he sets up a tension between the past and the present, the dark and the light, the East and the West. By using metaphorical and symbolic techniques, the action is intensified and imbued with greater meaning and so sets the reader more on edge, gripping the readers to read and stimulating to think.

Works Cited
Darda, Joseph. “Precarious world: rethinking global fiction in Mohsin Hamid's The Reluctant Fundamentalist.” Mosaic (Winnipeg) Vol. 47 Issue 3 Sept 2014:107. Print.
Brandt, Jenn. "Gender And The Nostalgic Body In Post-9/11 Fiction: Claire Tristram's After And Mohsin Hamid's The Reluctant Fundamentalist." Mapping Generations of Traumatic Memory in American Narratives. 363-387. Newcastle upon Tyne, England: Cambridge Scholars, 2014. Web. 11 Nov. 2014.
Bush,Trudy. “The Reluctant Fundamentalist.” Christian Century Vol. 125 Issue 10
20 May 2008
Earl R. MacCormac. “Metaphor and Literature”. Journal of Aesthetic Education Vol. 6 No. 3 Jul.1972: 57-70. Print
Erskine, Thomas L. "The Reluctant Fundamentalist." Magill’S Literary Annual 2008 (2008): 1-3. Literary Reference Center. Web. 11 Nov. 2014.
Hamid, Mohsin. The Reluctant Fundamentalist. New York: Harvest, 2008. Print.
Perner, Claudia. "Tracing The Fundamentalist In Mohsin Hamid's: Moth Smoke And The Reluctant Fundamentalist." Ariel 3-4 (2010): 23. Literature Resource Center. Web. 11 Nov. 2014.
Precup, Mihaela, Roxana Oltean, and Dana Mihăilescu. Mapping Generations Of Traumatic Memory In American Narratives. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. eBook Collection (EBSCOhost). Web. 11 Nov. 2014.
Psychoanalysis and History. Volume 11 Issue 2 July 2009: 225-237. Print.
Roy, Bidhan Chandra. "The Tragic Mulatto Revisited: Post 9/11 Pakistani-American Identities In H. M Naqvi's Home Boy And Mohsin Hamid's The Reluctant Fundamentalist." Reconstruction: Studies In Contemporary Culture 11.2 (2011). Web. 11 Nov. 2014.
Singh, Harleen. "Insurgent Metaphors: Decentering 9/11 In Mohsin Hamid's The Reluctant Fundamentalist And Kamila Shamsie's Burnt Shadows (1)." Ariel 1 (2012): 23. Literature Resource Center. Web. 11 Nov. 2014.
Singh, Harleen. "Deconstructing Terror: Interview With Mohsin Hamid On The Reluctant Fundamentalist (2007) Conducted Via Telephone On November 12, 2010." Ariel 2 (2011): 149. Literature Resource Center. Web. 11 Nov. 2014.
"Interview with Mohsin Hamid." Interview. The Reluctant Fundamentalist. Web. 11 Nov. 2014. <http://www.harcourtbooks.com/Reluctant_Fundamentalist/interview.asp>
Waterman, David. “Focus on the Fundamentals: Personal and Political Identity in Mohsin Hamid’s The Reluctant Fundamentalist”. Web. 11 Nov.2014 <http://e-crit3224.univ-fcomte.fr/download/3224-ecrit/document/numero_1/j_article_waterman_2_121-36.pdf>
Wilson, Alice. "'The Reluctant Fundamentalist'." Idiom 49.2 (2013): 48. Informit Humanities & Social Sciences Collection. Web. 11 Nov. 2014.

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