...Mise en scene is a French term that is defined as the overall point of view of a movie or the "placing on stage". In other words, it refers to the combined experience of what the viewers hear, see and think of when they watch a movie. The mise en scene of a movie catches the attention of the viewers’ moods as much as lighting, props sounds, and smells do. It alerts their emotional response system to a real-life setting, which is conveyed in the movie. Mise en scene has two significant visual components: design and composition. Design creates the look and overall feeling of the lighting, setting(s), decor, and actors. Composition refers to the structure, distribution, equilibrium, and the relationship between the actors and the matter around them and within their environment. The use of these elements within the movie frame provide the audience with the general meaning of the movie scene. Mise en scene also plays an important role in the viewers’ response to a movie. It affects the viewers’ experience of views, sounds, contrast and color. Some aspects of mise en scene can happen on a rare occasion; whether through an act of mother nature or by accident. For example: rain, snow, an actor improvising and ignoring the script, or an actor getting injured. Mise en scene happens in movies because the movie directors planned it before the shooting of the scenes of the movie. Mise en scene can and is sometimes used to distinguish a director’s movie...
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...MISE-EN-SCÈNE I. WHAT IS MISE-EN-SCÈNE? A. Mise-en-scène is a French term that refers to the overall outlook of a movie. That is, it refers to the sum of all that the audience hear, see and experience when viewing a movie. The mise-en-scène of a movie thus influences the viewers’ moods as much as the lighting, decor sounds and smells affect their emotional response to a real-life setting. II. COMPOSITION AND MISE-EN-SCÈNE A. Mise-en-scène has two major visual components: design and composition. Design determines the look of the settings, props, actors, and lighting. Composition refers to the organisation, allocation, balance and the relationship between the actors and the objects within space of each slot. The composition of these elements within the frame provide the general meaning to the scene or shot. B. Mise-en-scène also plays a part in the viewers’ reaction to a movie. It affects the viewers’ feel of sights, sounds, textures and surfaces. Mise-en-scène in this case find comparison with a rural person’s first experience in the city: their first impressions of the streets, the people and multitudes of sounds. C. Some aspects of mise-en-scène can happen by chance; whether through an act of nature, for example rain; or an actor veering off the script, and other accidents. Mise-en-scène happens in movies because the directors envisioned it prior to the shoot. D. Mise-en-scène is also used to distinguish one director’s work from another. Additionally, every director of...
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...The scene in the film Rear Window was about the community and the protagonist named L.B. Jefferies. The scene started with the window. Next appeared a cat walking in the alley, from that moment, the audience can see the whole set of the neighborhood early in the morning and L.B. Jefferies sleeping when he was sweaty. Next, the viewer can see the thermometer, the composer shaving his beard, the couple sleeping outside their balcony, the dancing woman in a pink undergarment, the dog’s leash tied to the lamppost, and the woman with a pet bird. Then back to the L.B. Jefferies. At that moment, the viewer can see him taking a nap in his pajamas, in a wheelchair, his leg in a cast with his name on it, his broken camera, his black and white pictures, and a magazine of a woman. Overall, Alfred Hitchcock filmed this scene to deliver the audience the idea of what the neighborhood looks like, who are the people in the neighborhood, and what they do in the everyday life. Some of the character names themselves gives the viewer background on that person. For example, Miss Lonleyheart tells the viewer that she has never been married and is not in a relationship. He also wants to show what kind of a person L.B. Jefferies is and why he is the protagonist of the story. In general, Alfred Hitchcock delivered his beautiful art of mise-en-scene and cinematography to covey this scene. In terms of mise-en-scene, the most noticeable elements observed in the scene were the production design...
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...Film Analysis: Rear Window by Alfred Hitchcock The scene in the film Rear Window was about the community and the protagonist named L.B. Jefferies. The scene started with the window. Then came the cat walking in the alley. From that moment, the audience can see the whole set of the neighborhood early in the morning and L.B. Jefferies sleeping when he was sweaty. Next, the viewer can see the old fashioned thermometer, the composer shaving his beard, the couple sleeping outside their balcony, the dancing woman in a pink undergarment, the dog’s leash tied to the lamppost, and the woman with a pet bird. Then back to the L.B. Jefferies. At that moment, the viewer can see him taking a nap in his pajamas, in a wheelchair, his leg in a cast with his name on it, his broken camera, his black and white pictures, and a magazine of a woman. Overall, Alfred Hitchcock filmed this scene to deliver the audience the idea of what the neighborhood looks like, who are the people in the neighborhood, and what they do in their everyday life. Not only about the neighborhood but also the protagonist. He also wants to show what kind of a person L.B. Jefferies is and why is the protagonist of the story. In general, Alfred Hitchcock delivered his beautiful art of mise-en-scene and cinematography to convey this scene. In terms of mise-en-scene, the most noticeable elements observed in the scene were the production design and acting. For the production design, the 1950’s feel of the movie was effective...
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...Running head: MODULE 2 HOMEWORK Module 2 Homework Author Note This paper was prepared for Introduction to Film History, Module 2 Homework taught by Directions: Using word processing software to save and submit your work, please answer the following short answer questions. All responses to questions should be one to two paragraphs, composed of five to seven sentences, in length. Your responses should include examples from the reading assignments. 1. Perhaps the most important artistic trend of the early twentieth century was labeled modernism. Summarize some of the principal tenets of modernism, and specify how these ideas influenced the development of the French Impressionism (or German Expressionist [Ch. 5] or Soviet Montage [Ch. 6]) movement in film. It signaled a major shift in cultural attitudes that arose largely as a response to modern life, the late phases of the industrial revolution, especially the new modes of transportation and communication that were swiftly transforming people’s lives. Telephones, automobiles, and airplanes were considered great advances, yet they also seemed threatening, especially in their capacity to be used in warfare. 2. What created the problems confronting French film production between 1918 and 1928? Identify the three primary factors as identified in the text, and summarize the effects of each of these causes. One of the problems that was getting in the way of French film production...
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...The opening scene in Alfred Hitchcock’s Rear Window essentially acts as one long establishing shot — only rather than establishing just the location of a scene, it establishes the entire film in more ways than one. One particularly important shot in the scene, beginning 00:02:36 into the film, tells the audience much of what it will need to know about Rear Window’s setting, characters, and themes. The long take begins with an alarm clock waking up a couple, sleeping out on their balcony. As the camera moves from window to window around the courtyard, we see a few brief snippets of characters’ lives. And finally, the audience sees inside the apartment that has been its point of view all along. Mise-en-scene, framing, and cinematography all play a role in this shot. But while the first device reveals information about the film’s setting and some of its major characters, cinematography and framing are the dominant devices because they illustrate what truly lies at the center of Rear Window: its themes. An attentive viewer could gather troves of important information about the story and its characters from the mise-en-scene in this shot. In the audience’s brief tour around the courtyard, it sees a number of things that provide a set-up for the following narrative. The shot opens on a couple waking up to an alarm clock from a nap on their balcony. They are wearing sparse and light clothing, rubbing sweat off their foreheads, and have bright natural light from above shining on...
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...Running head: Mise-en-scène Elements of Design: Mise-en-scène I chose the movie Titanic, and the movie clip I choose was I’m Flying. Titanic is a 1997 American classic romantic tragedy film directed, written, co-produced, co-edited and partly financed by James Cameron. Of course you have the production designer who is Peter Lamont, and the art directors who are Martin Laing and Charles Lee. In this movie each artist had their own roles in the production of the film. I will explain each role. First there is the Director James Cameron and his role is the dynamic creative force in a film's production. His role acts as the critical link between the production, technical and creative teams. James Cameron was responsible for artistically translating the film's written script into real images and sounds on the screen. He had to visualize the style and structure of the film, and then act as both a narrator and team leader to bring his vision to reality. His main responsibility is script editing, casting, shot composition, shot selection and editing. Peter Lamont is the production designer and his responsibility is the whole Art Department. Mr. Lamont role in helping the director was also to achieve the film's visual requirements, and in providing producers with carefully designed schedules which offer feasible ways of making films within agreed budgets and specific periods of time. The look of a set or location is fundamental in drawing the audience into the story. This location...
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...Mise en scène refers to anything that goes into a shot including the framing, movement of characters, lighting, set design and general space. In the movie “Lifted” featuring Uriah Shelton, there are several different scenes that have clear meaning to them. The scenes that stood out to me the most was when Henry was leaving his Grandpa’s house, when Henry was going to school, and at the Talent Contest. The scene that stood out the most was when Henry was leaving his Grandpa’s house. They captured the shot from above and Henry was leaning down kissing his mom on the forehead, while she and the neighbor where laying out in the chairs outside completely gone from doing drugs. In the image it also showed the houses that the Grandpa and neighbor...
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...solitary life, keeping the clocks up to date in the railway station, is changed once he encounters a shopkeeper with a remarkable past. While it is a fantastic story, the use of real places makes the mise-en-scene naturalistic; the story is mostly constructed in a Parisian train station. The challenge of setting the film in just a station is refreshing, reminding me the film “The Rope” by Hitchcock, and how innovative it was to create a whole plot line in one apartment. A train station can be viewed as an anonymous place where people like Hugo can live without being noticed. Besides, the people walking around the train station make great comedy with their interactions and thus enhancing the narrative. The characters such as the police officer, who makes every effort to send any parentless child in the station to the orphanage, the flowershop girland the old couple also enable the director to jump between story lines throughout the narrative, keeping the audience interested. Another subject that twists the narrative is the early film history, which takes us on a journey when Melies flashbacks to his time as a movie director. On the other hand, the mise-en-scene is constructed in a manner so that we as the audience can believe that the movie is set in Paris. The costuming of the every scene brings the viewers to the city of Paris; the hat that Isabelle wears can easily be associated with French artists. To convey the feeling of Paris, the train station is set up beautifully, with the...
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...culture is treated with sensitivity throughout the film, thus conveying a message of tolerance and acceptance of differences. When considered in light of the film’s context, this is a remarkably striking message for a film composed in the 1980s culture of hedonism and materialism. The differences between mainstream American society and the Amish community are conveyed to the audience through the interaction between the various elements of the film, its features and structure. This powerful combination of cinematic devices allows the key concerns of the film to successfully reach the audience. This means that, like all films, Witness employs a unique mise-en-scene to communicate its meaning and explore its central themes. Mise-en-scene is a French term used to describe the construction of a scene and everything within that scene which is visible to the audience. For example, the establishing shot of the film is a low angle full shot of gently swaying grass. We are positioned low in the grass, amidst it, in order to evoke a sense of being immersed in nature; an experience far removed from the daily existence of the film’s intended audience. This opening image works in tandem with the quiet majesty of the musical score to convey a tone of tranquillity. This assists in establishing the Amish as a peaceful community of people who live harmoniously until their tranquility is intruded upon by the outside world. Therefore,...
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...Assignment One – Film Analysis (Mise en scene, Hero) Hero (Zhang Yimou, 2002), is a Chinese martial art movie which was first released in China on 24th Oct 2002. Starring by Jet Li as the nameless protagonist, Tony Leung as Broken Sword and Maggie Cheung as Flying Snow. This film was based on the story of the attempt on assassination of the Qin emperor by Jing Ke. The scene that I chose to carry out my analysis would be the part from 45.07 minutes to 50.07 minutes where it started from Flying Snow’s effort to stop Broken Sword from appearing at the battle until her fight started with Nameless. In hero, from the scene 46.54 minutes until 47.02 minutes, the settings of the scene act as a metaphor. The location shows a wide compound overwhelming Flying Snow which emphasize that she is going to confront the battle with Nameless alone. It give us a feeling that she is tough and determined to face what is after her even she is aware that her enemy is much more powerful and stronger than she is. She firmly walks toward her horse also denote to us that Flying Snow is unafraid to die and is mentally prepared to face what is about to fall upon her. In addition, the scene 47.11 minutes to 47.16 minutes shows that Broken Sword is standing high up on the hill, portraying the feeling that they are growing further apart and have to leave one another’s life in the future. At the same time, the contradiction between their locations show that he was given the chance to stay alive contrasting...
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...Kellyn Lamore Professor Yates Film Appreciation 14 October 2015 Shawshank Redemption The Shawshank redemption is an American drama film that starred Tim Robbins and the amazing Morgan Freeman. The banker Andy was convicted for murdering his wife and her secret lover and was sentenced two consecutive life-sentences. When I watched this movie, I was speechless because I couldn’t believe how the prison guards treated these inmates. Yes, they did something bad, but the way those inmates were treated was so incredibly awful to see. The two major visual components of mise-en-scene are design and composition. Design is the process by which the look of the settings, props, lighting, and actors is determined (Looking at Movies). While composition is the organization, distribution, balance, and general relationships of actors and objects within the space of each shot (Looking at Movies). At first, there was a lot of design in The Shawshank Redemption. For example, the outside world from the prison seems nice lots of freedom. It seems as if at the beginning Andy was a pretty wealthy man by the way he dressed and his job title, a banker. Once he commits his crime, he has to take a scary looking bus into the prison, Shawshank Redemption. Shawshank redemption is a dark, unsafe prison that Andy ended up being placed in. The actors who acted as the prisoners did a good job “greeting” these new inmates by cheering and letting them know that this not the best place to live in. The actors...
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...Courtesy Everett Collection Section 4.1 The “Look” of a Scene CHAPTER 4 Chapter Objectives After reading this chapter, students should: • Have a working knowledge of the cinematographer’s job • Understand the difference between cinematography and mise en scène and recognize the importance of each • Understand the importance of color and lighting and how they affect the tone and feel of a film • Be familiar with different methods of photographing a film, and with terms such as panning, tilting, tracking shots, deep focus, and aspect ratios • Understand how different focal length lenses affect the look of a shot • Recognize what special effects can do for a movie—and what they can’t do 4.1 The “Look” of a Scene W hen we are first introduced to Don Vito Corleone in The Godfather, played by Marlon Brando, the Mafia boss is sitting in the study of his home. Along with his consigliore, or adviser, Tom Hagen (Robert Duvall), Corleone is listening to a line of people requesting favors on the day of his daughter’s wedding. Corleone is immensely powerful, as we learn by the scope of the favors he is asked to grant, which in one case includes the desire of a singer to be cast in a film to revive his musical career, and Corleone’s ability to grant them. However, it is not just what Corleone says in the scene, which introduces us to all that will follow, that makes us aware of his power. It is also how the scene looks, how it is shot, and how color and light are combined...
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...Football came out in 1966 and was made by a company called NFL Films. To this day they are still creating incredible pieces of sports work. In my opinion the overall goal of this film is to show the tensions, community, and reality of football. This film to me took us into the field very well by giving us great audio of the players and coaches as well as certain fans in the audience. By giving us a first-hand look at how coaches interact with referees and how the players interact with each other we get to see how much tension builds up, but how exciting it is for the viewers. We also get to see some behind the scenes looks into the announcing booths and how even if you aren’t sitting with the general population in the stands, the same feeling of happiness comes over you if your team does well. The argument that I feel is trying to be made is how great football is in general. The descriptions of the atmosphere and the players themselves almost make it seem, as they are royalty. I feel that the topic, sports, is the very tool that makes this argument. The goal is to get the public to see how great football has brought together people to one place to root for one team together. This creates the sense of community discussed above and shows how athletes are extremely talented people. This film in my opinion was very fast...
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...Design Elements: Set it Off ENG 225 Design Elements: Set it Off From the beginning films have helped pinpoint different elements of design. Through these elements, both film critics and viewers have been able to identify with what the director is trying to convey. According to this week’s assignment, we are to choose a scene from movieclips.com and in a three to five page paper, analyze the mise-en-scène through the elements of design. This leads me to my chosen film, Set it Off. This movie is formed around an extreme bank robbery in which reveals the dwells upon the lives of four women. This film takes place the streets of Southern California and helps give inside as to how these women do any and everything just to get by and make it on their own. Because tragedy and poverty strikes the women’s’ lives, they matters into their own hands and turn to robbing banks to make an escape from the city and lifestyle they have been surrounded by for years. The key actors in Set it Off are the following: Queen Latifah played as Cleopatra Sims (Cleo), Vivica Fox played as Francesca Sutton (Frankie), Jada Pinkett played as Lida Newsom (Stony), and Kimberly Elise played as Tisean Williams (T.T). These four childhood friends felt that the series of unfortunate events that have constantly occurred in their lives were just enough to push them over the edge and into the world of bank robbery (Polluck & Gray, 1996). This story is set to touch those who have been...
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