...that we all go through. Growing up is a very important part of life. Someday we’ll all become adults, and if you don’t develop yourself personally, you will remain having a childish personality and not have the skills life requires of you to live a life as a normal human being. Personal development is a theme that is very prominent in the short story “Indian Camp” written by Ernest Hemingway in 1921, where we meet the young boy Nick who’s on a mission with his father at an Indian camp. He gets introduced to the realities of birth and death in only one day, and when the day is over, he has got numerous of experiences and has obviously grown mentally. He has taken a little step further into becoming an adult. In my analysis I will make a brief summary, an analysis of the short story, where I will focus on Nick Adams development through the story and discuss which kind of initiation he goes through. Finally to sum up, I will make a conclusion. Nick is a young boy accompanying his father and his uncle George to an Indian camp on the other side of a lake. Nicks father is a doctor, and the reason why they are visiting this Indian camp, is because the father is summoned by the Indians to help a young woman who’s been in labor for 2 days, still unable to deliver her baby. When the father arrives, she is lying in a bottom bunk; her husband, who cut his foot badly with an axe three days before, is lying in the bunk bed above her. The doctor performs a cesarean on the woman with his jackknife...
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...Analysis of ”Indian Camp” by Ernest Hemingway, Oktober 24, 2011 Analysis of “Indian Camp” by Ernest Hemingway ”Indian camp” is a short story by Ernest Hemingway written in 1921. It’s about the young boy Nick who accompanies his father, who is a doctor, to an Indian camp where an Indian woman has been in labour for a few days. His uncle George is also going with them to the camp but in another boat. They arrive at the camp where Nick’s father is going help the woman have her baby. The woman is lying on a bunk inside one of the shanties. Her husband, who has hurt his foot, is lying in the upper bunk. Nick’s father has to do a caesarean and Nick watches while his father is preforming the operation. When the baby is born Nick’s father turns to the Indian woman’s husband to see how he’s doing but it turns out that the husband has committed suicide by cutting his throat whit a razor. Then Nick and his father sails back, while Nick is asking a lot of questions. Setting The story takes place in an Indian camp - and on a lake, a meadow and in a wood on the way to and from the camp in northern Michigan (I assume it’s in Michigan, because a nurse will come from St. Ignace (page 15, line 17), witch is a city in northern Michigan). It probably takes place around 1910 based on the fact that Hemingway himself was a child at that time and his own father also was a doctor, who also paid doctor’s calls among Indians in Michigan. Also what is going on in the short story corresponds...
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...Oral Evidence is evidence given orally by a witness. The crown may be able to rely on Nicks football coach or team members to testify that Nick turned to recreational drugs and binge drinking which led to him getting kicked off the football team. Also, the crown may use Nicks professors at the time and speak to them about his grades dropping for missing too many classes, which resulted in him dropping out. Real evidence is any tangible evidence put before the trier of fact. In this case, the Crown may use Nicks I-phone to see how many times Nick called and messaged Todd. The I-phone may also be used to show the pictures that were found on the I-phone of the electronic company directory at QuickSports computer to get Todd’s address. The...
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...One night, Dr. Adams is summoned to help an American Indian woman who has been in painful labor for two days. The doctor takes his young son, Nick, and his brother, George, to the American Indian camp on the other side of a northern Michigan lake. There, the doctor performs impromptu, improvised cesarean with a fishing knife, catgut, and no anesthetic to deliver the baby. Afterward, he discovers that the woman's husband, who was in the bunk above hers, silently cut his throat during the painful ordeal. Analysis This story is a good example of the "initiation story," a short story that centers around a main character who comes into contact with an idea, experience, ritual, or knowledge that he did not previously know. Hemingway wrote a number of initiation stories, or as they are sometimes referred to, "rite of passage" stories, and the main character in most of these stories is Nick Adams, a young man much like Hemingway himself. In this story, Nick Adams is a very young boy in the Michigan north woods, accompanying his father, Dr. Adams, and his uncle George to an American Indian camp on the other side of a lake. Hemingway's own father was a doctor, who spent much time with his son in the northern woods of Michigan (most critics read this story as somewhat autobiographical). Here, a very young Nick is initiated into concepts that remained of highest importance to Hemingway throughout his writing career: life and death; suffering, pain, and endurance; and suicide. Nick's father...
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...,July 21st 2009 ENC 1102 M,W, 7:45am Term Paper “The Theme of Human Struggle in the Works of Ernest Hemingway” In my research paper I will show how elements of life and death, folklore/fables, myths, and rites of passage support the theme of human struggle against nature in the stories "The Old Man and the Sea," "Indian Camp," "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro” by Ernest Hemingway. Through comparative analysis of these stories' underlying themes I will address the initiation experiences of his heroes. Human dignity, morality, and the formation of human individuality through mental strife and the struggle against nature are often themes of Hemingway. Humans cope with the complexity of the world by developing simple mental models based on opposite parts. Life and death are together, two extremes of one energy. Life is the active force and death is the inactive force, but they cannot be separated. Thus, they are two aspects of one reality. When people are reading about living beings and mythological beings or those who are dead, they view the word of the dead as a living world. The dead eat, sleep and move. In the book “The Hero in Hemingway's short stories”, J. DeFalco points out that: " in the Myth there are usually three dominant movements which are cyclic in pattern. They are the departure of the hero, the initiation, and the return from heroic adventure." (17). The movements of the hero to the world where...
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...Analysis and interpretation of Hemmingway’s:Indian Camp The story is about a boy, Nick, who goes to an Indian camp with his father who is a doctor and his uncle George. They go to the Indian camp to help a woman who, according to Nick’s father, “is very sick”; she has been in labor for two days. The main theme of the story is love; between father and son, and between husband and wife. A major theme in this story is racial differences and the whites’ alleged superiority and the contrast between light and dark is repeated throughout the story. The protagonist is a young boy named Nick who, contrary to the other characters, always stays positive and, throughout the story, keeps a feeling of hope – he is ignorant and because of his innocence, the reader may consider him quite naive. Nicks father is well educated; he is a doctor. He is very protective of him and it is obvious that there is great love and affection between him and Nick. This shows in the beginning of the story, when the Indians row them to the camp; the father has his arm around Nick as they lie in the rowing boat. He wants to avoid making Nick nervous about the trip, therefore he only tells him a few necessary things. He is very sensible and educational when he explains to his son what is happening with the woman in labor; “the baby wants to be born and she wants it to be born. All her muscles are trying to get the baby born. That is what is happening when she screams.” There is no physical description...
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...George * smoker * Nick Adams * maybe 10 years old * father * doctor? * volunteer? * Indian lady * pregnant * sick – trying to have her baby since 2 days (being in labour, Wehen haben) * husband * smokes a pipe * axe -> foot (3 days before) * Indians * bark peelers * work for a logging company Way to the Indian Camp * Nick, father and Uncle George * 2 Indians pick them up * row across the lake in two boats * Nick asking: Where are we going… father: to an Indian Camp because an India woman is very sick * boats arrive – walk through a meadow to the woods * follow a trail -> logging road (much lighter) * Shanties – the 2 men enter the one nearest the road @ camp – sick woman * Indian woman has been in labor for 2 days * lying on the bottom bunk of a bead * cries out in pain * father explains Nick: her muscles are trying to get the baby out of her body * Nick: anything against the pain? – no anesthetic * husband is on the top bunk with a cut foot * father prepares: boils some medical instruments, washes his hands carefully * explanations to Nick: babies are supposed to be born head first, but sometimes become turned around * may have to operate * several men must hold the woman down * she bites Uncle George * boy is born * father -> Nick: do you like being an intern? – lies: yes it’s fine * Nick refuses to watch his father...
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...The story opens as a father discovers that his 9-year-old boy, Schatz, has a fever. The father sends for the doctor and he diagnoses a mild case of influenza. As long as the fever doesn’t go above 104 degrees, the doctor says, the boy will be fine, and he leaves three different types of medication for the father to administer with instructions for each. Schatz’s temperature is determined to be 102 degrees. When the doctor leaves, the father reads to Schatz from a book about pirates, but the boy is not paying attention and is staring fixedly at the foot of the bed. His father suggests he try to get some sleep, but Schatz says he would rather be awake. He also says that his father needn’t stay in the room with him if he is bothered. His father says he isn’t bothered, and after giving him his 11 o’clock dose of medication, the father goes outside. It is a wintry day with sleet frozen onto the countryside, and the father takes the family’s Irish setter out hunting along a frozen creek bed. Both man and dog fall more than once on the ice before they find a covey of quail and kill two. The father, pleased with his exploits, returns to the house. Upon returning home, he finds that Schatz has refused to let anyone into his room because he doesn’t want anyone else to catch the flu. The father enters anyway and finds the boy still staring at the foot of the bed. He takes Schatz’s temperature and finds it 102, as before. He tells Schatz his temperature is fine, and not to worry. Schatz...
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...A DAYS WAIT A brief Analysis The fateful misunderstanding Obviously there is an invisible wall between father and his son. They talk about two different things, the father about the disease and the son about his death but they do not know that they misunderstand each other. This fateful misunderstanding appears in different scenes where the father and son talk about "it", meaning two different things. One example is when the father asks his son why he does not go to sleep. "You don´t have to stay in here with me, Papa, if it bothers you." The son is talking about his death but does not mention his fear. He must be shocked when the father answers "It doesn't bother me". Because the father does not know of the fear of his son there is no reason for him to explain that he won´t die. Instead he goes out to hunt. The boy must think that his father does not even care that he will die, but prefers going out to hunt. This fateful misunderstanding happens another time, again Hemingway uses the word "it" to describe two different things. Father: "It´s nothing to worry about." He means the fever. "Just take it easy." Since the son always thinks of death he assumes his father tells him to take dying easy so he answers: "I am taking it easy". The hunting scene In the story "A Day´s Wait" there is a story in a story. In this part of the story the father goes out to hunt for a while while his son is in bed thinking about death. In the passage there is a description of nature...
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...Perhaps F. Scott Fitzgerald's greatest work, The Great Gatsby is not only a great story, but an insight into the flaws of real life during the "Roaring Twenties." His book has been considered by many a symbol for the "Jazz Age," a time of extraordinary wealth and promise, but Fitzgerald's novel is much more than that, presenting the truth behind the twenties and creating an atmosphere which has earned a permanent place in American literature. Fitzgerald's novel works on many different levels, giving us unforgettable characters and events on one, as well as referring to the problems of American wealth and spirituality on another. However, what is the main point of the book? And most importantly, what on earth is that mysterious green light? Those questions, as well as many others will be answered in this analysis, which will discuss the underlying meaning and symbolism behind The Great Gatsby. "I didn't call to him, for he gave a sudden intimation that he was content to be alone - he stretched out his arms towards the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward - and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock. When I looked once more for Gatsby he had vanished, and I was alone again in the unquiet darkness." (16) So ends the first chapter of The Great Gatsby and brings to our attention the first symbol in this book - that mysterious...
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...literature as intimately linked to social power, and thus their analysis of literature is linked to larger social questions. Since Marxism is a belief system which can be used to analyze society at the grandest or most detailed level, Marxist literary criticism is ultimately part of a much larger effort to uncover the inner workings of society 1. Title of the Book – The Great Gatsby: Gatsby became rich because, most probably Cody – the owner of the yatch, left him money but at the same time he is was committed to earning money at an early stage in his life. And the adjective Great added to the word noun, accounts for Fitzgerald reason why a man could be called a great that is he struggled hard to achieve the love of his life by trying to raise his stature. The word “Great” is added to emphasize the fact that he rose from rags to riches, and this fact should be respected and valued. Nick: “I suppose he'd had the name ready for a long time, even then. His parents were shiftless and unsuccessful farm people--his imagination had never really accepted them as his parents at all. The truth was that Jay Gatsby, of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God--a phrase which, if it means anything, means just that--and he must be about His Father's Business, the service of a vast, vulgar and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was...
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...theme of the novel involves a much larger, less romantic outlook. The 1920’s was an era of decayed social and moral values, which means that the idea of The American Dream was different to what it is now. When World War 1 ended in 1918, the generation of young Americans who fought the war became intensely disillusioned. The rise of the stock market in the aftermath of the war led to a sudden increase in the national wealth and a new found materialism, leading the younger generation to pursue a life of extravagance. The pursuit of the two illustrations of The American Dream, not only drives the characters forward trying to create a better life for themselves but also leads them to their deaths. Willy in the modern tragedy ‘Death of a Salesman’ refuses to acknowledge that he failed to achieve his dreams of becoming a “well-liked” salesman. ‘The Great Gatsby’ meanwhile focuses on the character of Jay...
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...Analysis of “Materialistic Perception” in F. Scot Fitzgerald Using Marxist Literary Criticism Chapter I 1.1 Introduction The Great Gatsby is a 1925 novel written by American author F. Scott Fitzgerald that follows a cast of characters living in the fictional town of West Egg on prosperous Long Island in the summer of 1922. The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion for the beautiful Daisy Buchanan. Considered to be Fitzgerald's magnum opus, The Great Gatsby explores themes of decadence, idealism, resistance to change, social upheaval, and excess, creating a portrait of the Jazz Age that has been described as a cautionary tale regarding the American Dream. 1.2 State of Problem The Great Gatsby provides a critical social history of America during the Roaring Twenties within its narrative. That era, known for unprecedented economic prosperity, the evolution of jazz music, flapper culture, and bootlegging and other economy struggle that was the result of the materialism and capitalism damaging on social behavior, led to the widespread social distress. 1.3 Theoretical Framework Using literary criticism to interpret what is the ideal life of America in 19th century and what is the dream of American people after World War I. as a Marxist interpretation of the novel makes especially clear, reveals its dark underbelly instead. Through its unflattering characterization of those at the top of the...
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...THEA 122 Close Analysis Lovelock’s Dream Run Perceptions about people’s identities are becoming an increasingly important part of society and are being challenged. Whether we like it or not, people make assumptions on each other based on clothing, the way we walk, the way we talk, our skin colour, and anything that the subconscious picks up. People are aware of this and so try to show themselves in a more desirable light, which can be very deceptive. In David Geary’s play Lovelock’s Dream Run assumptions are made throughout and there is constant thought as to how others are viewing each other. In scene 10, pages 41-43, Geary is making us see that people try so hard to show themselves in a different light that they might be very different from first thought. People make assumptions based on appearances, yet these appearances can often be misleading, thus it is difficult to distinguish the appearance from the reality of what truly lies underneath it all. Leni Riefenstahl was a famous German film director. She helped create many propaganda films for Hitler during his time in power. The films she created support Hitler’s regime and presented a biased view of Hitler’s “true Aryan” (Geary 27) race that he created (Hinton 80). During the scene, Leni is taking photographs of Jack Lovelock, the 1500m 1936 Berlin Olympic Champion, using him for his appearance (which is very Aryan) to help their cause. We know this because previously in the play Hitler was upset that Jack wasn’t a...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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