...Old Yeller by Fred Gibson. Old Yeller is a hero because he saved Arliss, Travis, Mama and Lisbeth. He is a real hero because without him they could have all died. That would be bad so Old Yeller is very brave, strong and heroic this means he is a good dog and he is . Old Yeller saved little Arliss by tackling the she bear and biting it before it bit and probably killed little Arliss. Old Yeller did not let go eathire till Travis,Mama and Arliss was in the cabin, then he flead for the cabin and got in all safe and sound. I wonder still how Old Yeller could keep the she bear of Arliss that long and still survive that shows how strong and heroic Old Yeller really is. Old Yeller also saved Travis. Travis was marking the hogs when the sand slap...
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...Old Yeller Recently, my class and I read a book called Old Yeller written by Fred Gipson, and also watched the movie version produced by Disney. In it’s simplest description — Old Yeller is a story about a teenage boy and his new dog. To me, though the movie was somewhat different from the book, they were also alike in many ways. I’m going to tell you all about these differences and similarities. Now, when you make a movie based on a book, it should stick to the plot line for a great majority of the time. I could say that this is a necessity, but sometimes, the movie goes so far off from it’s book, that it seems like the screenplay writer just took the characters and wrote a new story, or in some cases, the movie is actually better than the book. Well, I think that the movie version of Old Yeller stuck to the plot line very well. They kept the setting (which I will get to in a few sentences), the kept the characters and they kept basically the whole theme. Which I think was good, because despite what some of my classmates thought — I enjoyed this book a lot. The setting of the book was pretty much dead on. It took place in Salt Licks, Texas, during the time period of the late 1860's. it also kept Birdsong Creek, the name of the place the Coates live. The house still has hills around it, it still has the pastures where the cows, pigs and old Jumper, the family’s mule, live. Though it was not what I had thought of when I read the book, it was a perfect setting. The...
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...4.1: Old Yeller Lisa Hannigan The Chicago School of Professional Psychology Abstract When people think of the book or the movie, Old Yeller is a great book (and movie) that is often thought of as a story about the bond a boy and his dog, a common topic in many TV shows and books, like Lassie. However, Old Yeller, as it turns out, proves to be much more than that; it is a true coming-of-age story. At 14 years old, Travis Coates lives with his mother and little brother, Arliss, in the hill country of Texas during the 1860s when his father must leave home to work on a cattle drive. He leaves Travis to “act a man’s part” and take care of the family. While working in a cornfield one day, Travis come across Old Yeller and tries to drive him away, but his younger brother, Arliss likes Old Yeller and stands up for him to Travis. When Old Yeller saves Arliss from a black bear, he wins the affection of the family, especially Travis with whom he forms a strong bond. Later on, the family notices signs of rabies in their cow, Spot. As a precaution, Old Yeller must be put in a pen as a precaution in case he develops any signs of rabies. By this time, the reader (or moviegoer) has formed such a strong bond with Old Yeller, that, when Old Yeller does get rabies, Travis is forced to shoot him to end his suffering and learns firsthand one of the most difficult virtues of true manhood-- sacrifice. Keywords: bond, manhood, family, love, sacrifice. Most people remember Old Yeller as a...
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...For me, reading has never been a thing I've necessarily wanted to do. Sure when I was little it was a good way to keep me entertained but as time has gone on and technology has grown, reading has become more of a chore. When I was younger I thought of reading as an okay thing. It wasn't terrible and it wasn't something I dreaded doing. As I’ve gotten older, I’ve become less and less fond of books. There's a good chance that my liking of literature has decreased because when you get older the books you're supposed to read have more words, bigger words, and less pictures. Maybe if it were acceptable for me to read the books I read as a kid I would enjoy reading more. The books of my childhood were the best. My six year old self thought Dr. Seuss was an artist with words. The B Book was a work of pure genius. Without a doubt that...
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...Moneyball: The Art of Winning an Unfair Game Michael Lewis For Billy Fitzgerald I can still hear him shouting at me Lately in a wreck of a Californian ship, one of the passengers fastened a belt about him with two hundred pounds of gold in it, with which he was found afterwards at the bottom. Now, as he was sinking-had he the gold? or the gold him? —John Ruskin, Unto This Last Preface I wrote this book because I fell in love with a story. The story concerned a small group of undervalued professional baseball players and executives, many of whom had been rejected as unfit for the big leagues, who had turned themselves into one of the most successful franchises in Major League Baseball. But the idea for the book came well before I had good reason to write it—before I had a story to fall in love with. It began, really, with an innocent question: how did one of the poorest teams in baseball, the Oakland Athletics, win so many games? For more than a decade the people who run professional baseball have argued that the game was ceasing to be an athletic competition and becoming a financial one. The gap between rich and poor in baseball was far greater than in any other professional sport, and widening rapidly. At the opening of the 2002 season, the richest team, the New York Yankees, had a payroll of $126 million while the two poorest teams, the Oakland A's and the Tampa Bay Devil Rays, had payrolls of less than a third of that, about $40 million. A decade before, the highest payroll...
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...Vance Packard With an Introduction by Mark Crispin Miller PUBLISHING Brooklyn, New York Copyright © 1957, 1980 by Vance Packard Originally published by Pocket Books, a division of Simon & Schuster, Inc. Introduction Copyright 2007© by Mark Crispin Miller All rights reserved. Printed in Canada Reissue Edition 10 9 8 7 6 5 4 3 2 No part of this book may be used or reproduced in any manner without written permission of the publisher. Please direct inquiries to: Ig Publishing 178 Clinton Avenue Brooklyn, NY 11205 www.igpub.com Library of Congress Cataloging-in-Publication Data Packard, Vance Oakley, 1914The hidden persuaders / Vance Packard ; [new] introduction by Mark Crispin Miller. p. cm. Originally published in 1957 by McKay and reissued in 1980 by Pocket Books with a new afterword. ISBN-13: 978-0-9788431-0-6 ISBN-10: 0-9788431-0-X 1. Advertising--Psychological aspects. 2. Consumers--Psychology. 3. Advertising, Political. 4. Propaganda. 5. Control (Psychology) I. Title. HF5822.P3 2007 659.101'9--dc22 2007027043 To Virginia CONTENTS Introduction by Mark Crispin Miller 1. The Depth Approach PERSUADING US AS CONSUMERS Z. The Trouble With People 3. So Ad Men become Depth Men 4. ....And The Hooks Are Lowered 5. Self-Images for Everybody 6. RX for Our Secret Distresses 1. Marketing Eight Hidden Needs 8. The Built-In Sexual Overtone 9. Back to the Breast, and Beyond 10. Babes In Consumerland 11. Class and Caste in the Salesroom 12. Selling Symbols...
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...University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2009 Peeking Out: A Textual Analysis of Heteronormative Images in Prime-Time Television D. Renee Smith University of Tennessee - Knoxville, drsmith@utk.edu Recommended Citation Smith, D. Renee, "Peeking Out: A Textual Analysis of Heteronormative Images in Prime-Time Television. " PhD diss., University of Tennessee, 2009. http://trace.tennessee.edu/utk_graddiss/10 This Dissertation is brought to you for free and open access by the Graduate School at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact trace@utk.edu. To the Graduate Council: I am submitting herewith a dissertation written by D. Renee Smith entitled "Peeking Out: A Textual Analysis of Heteronormative Images in Prime-Time Television." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Communication and Information. Catherine A. Luther, Major Professor We have read this dissertation and recommend its acceptance: Michelle T. Violanti, Suzanne Kurth, Benjamin J. Bates Accepted for the Council: Carolyn R. Hodges Vice...
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