Patronized Florentine arts during 15th Century Renaissance were approached with a more complexed angle of interpretation, connecting with the larger scale of social environments including economics and politics through the most influential figures at the time. Lorenzo Ghiberti’s St. John the Baptist reflected the prosperous stability and moral values of Florentine city-states through this quality art stimulated by the competitive climate of Renaissance. Promoted by the economic growth and all-around social progress, Florence peaked as the “wealthiest city in Italy, and probably Europe” as “Italian merchants had dominated the boom in European commerce of the twelfth and thirteenth centuries.” There was no doubt that the structure of Florentine