...spoken works. It uses beautiful, meaningful and expressive language. Literature is an expression of thoughts, feelings and imagination through language. It represents the art of one person’s mind through various abstracts and concretive ideas translated to beautiful language that produces different representations and meanings according to the developer and his readers. Readers and listeners of this literary works may interpret the author’s ideas into them and applying them into their lives. It is also the process of encoding one’s beautiful ideas and decoding by interpreter’s imaginative mind. Events or subjects shown in these works are that of the author’s experiences, environment, culture or just a pure imagination. 2. State the classification of prose. Prose is a continual narration and written in common sentence trend. It is the most typical form of written language that uses basic and ordinary grammatical structure with natural flow of sentences or speech. There are different classifications of a prose. Myth is a story or narrative about the origin of the universe, beliefs about the gods and goddesses, stories about man and mystical and mysterious beings. Legend is a narrative or tale of human actions that orally resurfaced version of ordinary source of things. An anecdote is a short and amusing or interesting story about a real incident or person. Essay is written piece that often come from author’s personal point of view. Biography is a narrative about the life of a...
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...Growing up I have always enjoyed writing. I have always been an emotional writer. I liked writing on how I feel. Even though I considered my writing “good” I was just never the one for presenting. I had friends and teachers to tell me my writing was great. I considered my writings personal reflections. I like writing and reflecting on them to see how I have grown as a person. Though I didn’t like sharing, my English teacher of my freshman year help change that. We were assigned to pick a theme song. The theme was our life. When we were first assigned I was pleased but when she said we were presenting I became apprehensive. Now that I have actually did it I consider that assignment the door to a new experience. I walked into my English class...
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...centralize my paper on is race and/or ethnicity. I will compare and contrast two poems: “Child of The Americas” by Aurora Levins Morales and “What It’s Like to Be a Black Girl (For Those of You Who Aren’t) by Patricia Smith. Morales is a woman if mixed race; Puerto Rican and Jewish, while Smith is African-American. We all want to think that someone’s race or color of their skin wouldn’t determine how they are treated or how they are perceived, but this is not the case. When talking amongst friends about someone they do not know we often describe them by using their skin color. And when meeting someone new one of the first questions we ask is “what race are you?” or the harsher “what are you?” Both of these poems give the reader a look into the mind of two young women of different races, one being mixed and the other being an African American, and how each girl views herself. The poem, “Child of The Americas” by Aurora Levins Morales, the reader looks into the consciousness of a young multi-racial woman. Morales herself is a multiracial woman “Puerto Rican-born and Jewish American Aurora Levins Morales is a poet, essayist, historian, and activist” (Fiandt, 2006). Morales’ poem talks about finding ones identity. Morales starts her poem off by stating that she is an American “she does not claim any single identity beyond “American” and this “American” includes the multiple races and nationalities that have entered the Western hemisphere” (Bost, 2000). The next lines go into more detail...
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...Wildlife Refuge: Seasons of Life and Land, A Photographic Journey, Carter advocates for the preservation of the Arctic Refuge, “a symbol of our national heritage.” He aspires to prevent it from getting marred “by a web of roads and pipelines, drilling rigs and industrial facilities.” To successfully convey his argument, Carter implements tactical reasoning and appeals to the ethical side of the readers. Through sharing his own “fortunate opportunity to camp and hike in these regions of the Arctic Refuge,” Carter efficiently and promptly appeals to the ethical and emotional side of the readers. Starting with a personal narrative and his experience is powerful, since it immediately begins to depict a beautiful image of the Arctic Refuge to the readers, For those individual who have not had the chance to visit the Arctic Refuge, the image that they have in their minds is that of Carter’s, which is one of “brilliant mosaic wildflowers” and the “tundra flood[ing] with animals.” Similarly, through phrases like “a timeless quality” and “once-in-a-lifetime wildlife spectacle,” Carter, a man of great stature, creates a sense of curiosity in the reader, which adds to their magical...
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...DESCRIPTION is one of four rhetorical modes (also known as modes of discourse), along with exposition, argumentation, and narration. Each of the rhetorical modes is present in a variety of forms and each has its own purpose and conventions. Description is also the fiction-writing mode for transmitting a mental image of the particulars of a story. Description as a fiction-writing mode Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions. Agent and author Evan Marshall (agent) identifies five fiction-writing modes: action, summary, dialogue, feelings/thoughts, and background (Marshall 1988, pp. 143–165). Author and writing-instructor Jessica Page Morrell lists six delivery modes for fiction-writing: action, exposition, description, dialogue, summary, and transition (Morrell 2006, p. 127). Author Peter Selgin refers to methods, including action, dialogue, thoughts, summary, scene, and description (Selgin 2007, p. 38). Currently, there is no consensus within the writing community regarding the number and composition of fiction-writing modes and their uses. Description is the fiction-writing mode for transmitting a mental image of the particulars of a story. Together with dialogue, narration, exposition, and summarization, description is one of the most widely recognized of the fiction-writing modes. As stated in Writing from A to Z, edited by Kirk...
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...Jose Luis Herrera Castillo. Foun 101. Aly Covington. Personal Narrative. 22nd October 2015. “Every day we are one step closer to filmmaking being as easy as taking out the brush and oils for a painting” (Veneruso, 1998). I was born in Barquisimeto, Venezuela on June 21, 1994. I grew up believing in self-expression, showing yourself and never hiding who you really are from others, part of my envelopment as a child and a teenager has been surrounded by political issues, involving my country into sad and hard situations, destroying our culture, education and economy, forcing and scaring the people who decided to trust into a different opinion against the government, those ones will be recognized as “Traitors” and “Enemies of the nation” at least that was the way they used to call them. The visual arts means to me as a way to escape from reality and open our minds to others, to make them understand that there’s a another world outside complete different as the one who we live in now. At the age of seven, my father took me into a Father-son trip to the beach, where he gave me my first camera, an Instant water proof Kodak, one of the most beautiful gifts that i’m still appreciating from hem. Since then I have been feeling a passion for the Films and Photography a passion who becomes an intuitive path that guides me through life. For me films are about romance, adventures, tears, laughs and smiles, more than recording with a video camera, doing a film involves...
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...a distinctive presence in front of the camera amid the “make-up, hairstyling, and clothing being documented” (Koda and Kohle), is particularly fascinating in it’s ability to create additional layers of depth both within the assembled image and the ever-evolving idea of feminine beauty. Accordingly, photographers and designers have been able to portray their artistic visions within the framework of a model’s physical and mental intricacies, which, in practice, renders the model a muse. This title asserts the model as more than just a pretty face, and instead advances her as a creative influence, “the embodiment of fashion” (Cosgrave), and an individual image mindfully absorbed into a photograph, waiting to be disseminated to the eyes and minds of the public....
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...Africa through Theatre This paper sets out to explore how processes of theatre making employed by The Mothertongue project, provide spaces for women to remap their personal narratives. Mothertongue works from the premise that the development and subsequent performance of stories in theatrical processes affords women the opportunity to re-write and remap their personal narratives and in so doing insert their voices into the landscape of South African Theatre. In an attempt to redress the gender imbalances and androcentricism prevalent in post-apartheid theatre, this paper speaks to the relationship between theatre, liminality and communitas. I am interested in unpacking how collaborative processes of theatre-making provide spaces for women to remap their personal narratives. Remapping in this instance refers to processes of transforming lived experience through story. I address how, through engaging in ritual activities that are central to the stories performed, actors, audiences and the owners of the source stories are invited to physically participate in remapping and transforming lived experience. Linked to this is the choice of form(s) and how this affects or impacts on the performed stories as well as on the construction of performed rituals and ultimately on the processes of remapping personal narratives. I focus specifically on Mothertongue’s 2004 production, Uhambo: pieces of a dream. The production was an integration of theatre and visual art in the form of performances...
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...it fell through our hands. Beautiful people came from around the world to glimpse famous people visiting the island, or to get away from the hardship and stress of their everyday lives. As for me, I saw the poverty of Nassau, Bahamas. Desperate people crowded the straw market and stared across the bridge at Atlantis where vacationers slept in Mahogany furnished rooms with luxurious bedding. Why did the residents have to live the way they do, sleeping on dirt floors? Into the night, the brilliant lights of Atlantis became a world miles away, but out of grasp. We approached the market eager to do some local shopping. Hundreds of vendors brought everything they created to start their marketing line. We live in the U.S., where items are ready-made and disposable, and, if something breaks, we buy a new one. I began thinking about my Michael Kors sunglasses that I had broken on the boat and how I was going to order a new pair when I arrived home. This venue, this world I walked into, was a world that required thought and imagination, of taking the very least commodity they had and turning it into a marketable item to sell, not for the latest technological device or new shoes, but to put food on the table. It humbled me immensely. Louis 2 I approached an elderly man, who looked to be about eighty years old. He dressed in modest clothes, dirty and completely barefoot, took the dried corn shucks from his field and weave them tenderly into beautiful flowers and intricate baskets...
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...2000-12068 Poetry Analysis 1 March 2, 2016 Word Count: “Annabel Lee:” A Tragic Love Poem Analysis "Annabel Lee" by Edgar Allan Poe is a true love story ending with tragedy, and the author set the poem step-by-step with a logical sequence known as a narrative poem. He wrote this poem immediately after the death of his first wife Virginia Clemm. He married his thirteen year-old cousin, and he also faced financial difficulties. He writes down this romantic and tragic poem to remember his childhood love, and the poem tells us that Poe still has a very strong feeling in his heart for his dead wife. The young Poe is the speaker of this poem; he tells us about his true love with his sympathetic, heartbroken and sorrowful feeling. The poem "Annabel Lee" by Edgar Allan Poe tells us about his childhood love, the love ending with a painful tragedy. Poe uses imagery, symbolism, and repetition to tell us the memory of his love, the one he has lost, known as Annabel Lee. The narrator is the speaker in the poem "Annabel Lee;" he explains his true love using his imagination throughout the entire poem. He uses vivid imagery to tell us how he lost his beloved one, Annabel Lee. In the beginning of the poem, the speaker mentions his personal feeling and appreciation about his childhood love: "She loved me no other thought, / Than to love and be loved by me" (5-6). Additionally, the poem’s third and fourth stanzas show Poe uses his mental imagination to explain how he lost his lover and how...
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...treasure in which Japanese culture and wisdom is portray through. It is the victories, and failures of these heroes that teach the world of Japanese traditions and honor. However, these men were not created for the education of the world, but rather for the centuries of Japanese people whom these figures represent. Warrior tales of Minamoto no Tametomo, Minamoto no Yoshitomo, Minamoto no Yoshinaka, and Minamoto no Yoshitsune have a greater purpose than to provide entertainment to the people of Japan, these men provide a Japanese education on personality, values, morals, and Japanese customs. The three types of heroes that Varley examines in his book differ from each other slightly, but contribute greatly to the history of Japan in an exciting narrative of the honor and customs of the ancient Japanese warrior. The greatest loser-hero in Hōgen Monogatari is Minamoto no Tametomo (Varley, 56). A real life Japanese warrior, Minatomo was contributed with a number of attributes that are believed to have been not true in the effort to immortalize him as a warrior. Said to have stood two feet taller than the normal Japanese man, and endowed with a left arm six inches longer than the other – making his ability to shoot a bow an amazing and powerful feat – Tametomo was a grand character of Japanese imagination. His ability to wage battle made him an esteemed Japanese warrior, and this is important in regards to Japanese war customs in which many times the most elite warrior of each side would...
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...Lawrence Henderson Response to Willis Personal Narratives Photography – Prof. Boddie Spring 1 2015 / April 2, 2015 Essay Response to Deborah Willis – Picturing Us Deborah Willis’ essay, Picturing Us, tackles the issues of self-representation of African-Americans in pictures. In 1955 when Debra Willis first saw the photographs in the book, The Sweetfly Paper of Life, it left an “indelible mark” on her youthful mind. (Pg. 3). It was her first time seeing “colored” people that she could relate to. Through the narratives of the photos Willis was reminded of her family and the universal pride of other African-American families. From that point onward her sense of self was positively awaken, which promoted her to pursued books and photographs that honestly depicted stories of Black people through the eyes of other Black people. Year prior to Willis’ revelation, in 1882, Samuel Cornish and John Russwurm wanted to tell stories of Black people through Black people’s eyes and decided to start the First African-American newspaper, the Freedom's Journal. Russworm said “We were truly invisible unless we committed a crime.” Thus, in its inaugural issue, the paper clearly stated “We wish to plead our own cause. Too long have others spoken for us.” With the start of this newspaper, and many newspapers following, Black people developed a sense of self. Their images were positive and commonplace, a far cry from being displayed...
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...many ways the opposite of traditional literature; rather than cantering on the good versus evil paradigm in an outwardly focused narrative; the story in which there is a protagonist who is kind, honest, humble and sincere, and an antagonist who is cruel, dishonest, arrogant and deceitful. Current trends in fiction take a more internal focus; the demons are no longer caricatures that seek to maim and kill for evil reasons but personal thoughts and desires. The short story: “Save as Many as You Ruin”, written in 2007 by Simon Van Booy, explores these themes through the narrative of a father, lover, cheater, widower and liar by the name of Gerard. The story takes place in a snow-swept Manhattan in the middle of a snowstorm: “At the end of each block the sidewalk disappears under a pool of gray ice water.” The weather plays a significant part and is often commented on: “It’s a blizzard now” “Flakes like clumps of fur ripped from winter’s back” The weather serves as a reflection of the main characters dark and sombre thoughts. The main character is Gerard, and what is most identifiable about him is that for every positive trait he has he also has a negative; he is a handsome man: “Gerard is handsome”, but he is too emotionally vacant to find a serious relationship: “Most knew he would never love them, so they kept a distance […]” He finds a beautiful woman to fall in love with: “[…] in love with Laurel […]” but cheats on her: “[…] the desire to have sex with Issy […]” and when he...
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...1) I believe that although there is no dialogue or actors in this film, there is still a discernable narrative that guides the film. The first shots in the film are entirely of naturally occurring landscapes and phenomenon that occur on Earth. Although no dialogue is ever spoken, the music combined with the scenic nature shots create a sort of “build up” to the next element introduced to the film, humans. The narrative throughout Koyaanisqatsi, seems to be a reflection of the increasing impact that sentient life has on a planet. It is interesting, however, to observe which footage Reggio used to depict this mounting involvement of humans and technology into the plot. At first, I thought Reggio was attempting to make a statement about the harmful impact of environmental pollution caused by man. However, as the film progressed, the footage of technology and man seemed to play an indifferent role towards nature. The footage of factories and vivid time-lapse shots of city skylines at night are not portrayed in a negative light but instead in more of a chaotic one. In my interpretation, this chaos of the human impact on nature and the growing complexity of technology are depicted because that is simply how life has become for modern humans. Life is chaotic and the addition of increasingly intelligent beings trying to make order out of chaos will ultimately be futile. In other words, the very attempt at creating order out of chaos is chaotic in and of itself. The footage of nature...
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...Introduction How exciting it is to open the bible to the book of Exodus and read the narrative of the fulfillment of God’s promise in the rescue of the Israelites from captivity in Egypt—the call of Moses, the plagues, and the dramatic manifestation of God on Mt. Sinai. Though the book of Exodus is most famous for the revelation of the Ten Commandments contained in Chapter 20, it remains vague in terms of where the biblical account actually occurred, and yet we cannot begin to fully understand the Old Testament if we look at it as merely a piece of great literature, or as some have suggested nothing more than interesting legend, or the elaboration of superior ideals. … The Book of Exodus is a narrative of the sacred history of Israel from the sojourn in Egypt to the completion of the Tabernacle in the wilderness. The term Exodus comes from the Greek terminology and literally means “going out,” an appropriate title for the book that narrates how under the leadership of Moses, the Israelites escaped from Egyptian persecution and began their journey back to the Promised Land. To be certain, all human history is the scope of God’s sovereignty. God became especially involved in the lives of a relatively unknown people, culminating a historical event that changed biblical history and altered the course of their lives and culture. When we seek to understand the meaning of our individual life events, we don’t actually begin with birth or infancy, even though a biographical account...
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