...Nervousness and excitement clutched me as I walked through the chipped white door of my small dance studio and moved onto the worn wooden floors. As I walked across the floor to the barre, I watched my reflection in the mirrors that stretched the length of an entire wall. I recalled that for weeks after my then best friend received her pointe shoes, I asked my instructor every lesson if I was ready as well. The answer was always, “Your ankles aren’t strong enough yet.” In the looking glass, I could see myself as I practiced walking on the balls of my feet to strengthen my ankles and dreamed of dancing gracefully on pointe shoes. I looked into my green eyes reflected back by the mirror and thought to myself resolutely, “Today I will finally receive my pointe shoes.” At the end of the lesson, with hope in my eyes, I approached my instructor and received devastating news. My ankles still weren’t strong enough....
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...Name: Aunso, Jemimah Lea, S. Course and year: BSED 1st 1.What is dance? Dance is a performance art form consisting of purposefully selected sequences of human movement. This movement has aesthetic and symbolicvalue, and is acknowledged as dance by performers and observers within a particular culture.[nb 1] Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period orplace of origin. An important distinction is to be drawn between the contexts of theatrical andparticipatory dance,[4] although these two categories are not always completely separate; both may have special functions, whether social,ceremonial, competitive, erotic, martial, or sacred/liturgical. Others disciplines of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, figure skating, synchronized swimming and many other forms of athletics. 2. What are the types/kinds of dances? Types of Dance - Categories Here are some of the most popular dance categories and types: Ballroom Dances These dances started appearing first in Italy, during the early years of Renaissance. Popularity of this kind of entertainment quickly swept over the Europe, United States and the World. Although many other simpler and more easily preformed types of dances caused the ballroom dances to lose some of their influence, modern worldwide dancing audience started resurrecting these immortal dances in ever increasing pace...
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...The Representation of Gender in Virginia Woolf’s Orlando and Jeffrey Eugenides’s Middlesex by Marte Rognstad A Thesis Presented to The Department of Literature, Area Studies and European Languages University of Oslo In Partial Fulfilment of the Requirements for the MA Degree Spring Term 2012 Marte Rognstad The Representation of Gender in Virginia Woolf’s Orlando and Jeffrey Eugenides’s Middlesex Marte Rognstad http://www.duo.uio.no Trykk: Reprosentralen, Universitetet i Oslo Abstract This thesis presents an exploration of the representation of gender in Virginia Woolf’s Orlando and Jeffrey Eugenides’s Middlesex mainly in light of the theories of Judith Butler. The focus will be on how the two novels challenge the traditional concept of gender and gender categories, and in what ways the novels can give us new perspectives on the concept of gender. The theoretical focus will be on Judith Butler, more precisely her idea of gender as performance, and her deconstructionist approach to identity categories. I will present Butler’s proposal for a “new feminist genealogy,” and through my investigation of the representation of gender in Orlando and Middlesex I will show how both novels take on a “Butlerian” understanding of the concept of gender. By looking at various issues related to gender explored in the two novels, and pointing to similarities and differences between the two works, I hope to show how the protagonists, Orlando and Cal/lie, break down and transcend the fraught...
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...Illumine by !Super Cat Book One: Rio Book Two: Paris Book Three: Miami A Vampire Chronicles trilogy. Illumine Book One: Rio by supacat Armand has gone into the sun, which means that I have a story to tell. You may blame Lestat. If you have not read the preceding Vampire Chronicles: experto credite. Armand's first words to me were, "I suppose you too are going to write a novel." My name is David Talbot. I was seventy four years old when I became a vampire, but circumstances, Lestat and a psychic accident deposited me into the body of a much younger man. As a result, I am six feet two inches tall and look approximately twenty six years of age. I am also the former Superior General of the Talamasca, though my current situation has reduced that fact to little more than trivia. I have never been able to discover the identity of the man whose body I inhabit. Oddly, however, it is not a mystery that bothers me. Occasionally I look into a mirror and wonder, but that is all. Once, at the beginning of this whole adventure, I told Lestat that I was grateful for the Dark Gift. "It took you two hundred years to learn that you wanted it," I said to him. "I knew the moment I woke out of the stupor. I knew with every breath I took and with every new colour and shape I saw." I was looking with vampire eyes, as he calls it. I was enamoured with the night, and excited by the prospect of eternal life. I am learning that these emotions are not easily sustained. Not after killing a mortal every...
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...AVIATION TERRORISM Thwarting High-Impact Low-Probability Attacks TERRORISME AÉRIEN Contrecarrer des attaques improbables à impacts élevés A Thesis Submitted to the Division of Graduate Studies of the Royal Military College of Canada by Jacques Duchesneau, C.M., C.Q., C.D. In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy April 2015 ©Jacques Duchesneau © This thesis may be used within the Department of National Defence but copyright for open publication remains the property of the author. ROYAL MILITARY COLLEGE OF CANADA COLLÈGE MILITAIRE ROYAL DU CANADA DIVISION OF GRADUATE STUDIES AND RESEARCH DIVISION DES ÉTUDES SUPÉRIEURES ET DE LA RECHERCHE This is to certify that the thesis prepared by / Ceci certifie que la thèse rédigée par JACQUES DUCHESNEAU, C.M., C.Q., C.D. AVIATION TERRORISM Thwarting High-Impact Low-Probability Attacks complies with the Royal Military College of Canada regulations and that it meets the accepted standards of the Graduate School with respect to quality, and, in the case of a doctoral thesis, originality, / satisfait aux règlements du Collège militaire royal du Canada et qu'elle respecte les normes acceptées par la Faculté des études supérieures quant à la qualité et, dans le cas d'une thèse de doctorat, l'originalité, for the degree of / pour le diplôme de PHILOSOPHIÆ DOCTOR IN WAR STUDIES Signed by the final examining committee: / Signé par les membres du comité examinateur...
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