...Defining the Research Problem Analysis of Butch Lesbian Mothers in Pop Culture This research makes a contribution to the current scholarship within feminist, gender, and sexuality studies that have previously not been explored in detail. Scholarship on queer parenting is burgeoning, however, it exists in a silo alongside the current literature on pop culture representations and butch lesbian identity, which is largely dated or unexplored. Bridging these fields of study, this unique analysis discursively traces pop culture representations of butch lesbian parents. Specifically, I contribute to the current research in three ways. First, little feminist research has been carried out on motherhood in recent years. There are only a handful of studies...
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...Personally, I think it is evident that there is a real “mommy war” being played in the media. A “mommy war” the so-called war between stay at home mothers and working mothers that is represented in the media (Graff, 2007). “Mommy Wars” are being played in the media because there are several articles that say if a mother doesn’t work, they are having a financial conflict and aren’t supporting their child the right way (Graff, 2007). Other articles state that if a mother does work, their child’s well-being is at risk and that they aren’t a good parent (Graff, 2007). Not only do news outlets display the “mommy wars,” tv shows and book publishers also display this division between working mothers and stay at home mothers (Graff, 2007). Overall, “motherhood has been one of the biggest media fixations of the past two decades” (Douglas & Michaels,2009,p.4)....
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...the gradual erosion of traditional gender definitions is evident. The timeline showing the chronology of shifts in portrayal of women in media is crucial to demonstrate how traditional gender definitions are slowly deconstructed over time. Having made her first debut in the early 1960s, Barbie brought the message “Girls can be anything” to the age of a new generation of girls and women (Boomen, 2009). It is important to note that despite claims that she symbolizes the ‘cultural plastic’ phenomenon, Barbie has revolutionized girl’s doll playing (Boomen, 2009). Before the invention of Barbie, girls were still playing with baby dolls that aimed to foster domestic skills and to prepare them for stereotypical future roles as mothers (Boomen, 2009). Acting as a counter opposite to the former girls play, Barbie is not a doll for girls to simulate and practice motherhood on. In fact, Barbie acts as a platform for girls to freely create and project on her any identity they wish to take on, only to be limited by their creativity. In summary, Barbie is not confined to the traditional social expectations of women. Beneath her seemingly stereotypical idealistic exterior, she is an independent career woman with estimated eighty professions, ranging from a presidential candidate to a nurse (Boomen, 2009). Barbie does not engage in domestic duties and as stated by Lord, motherhood definitely wasn’t Barbie’s area of interest (Boomen, 2009). Subsequently in the late 1990s, Lara Croft emerged...
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...Imani Spence Dr. April McCray Enc 1102 09/27/2012 16 and pregnant false portrayal Suddenly teen pregnancy is cool? It seems that nowadays pregnancy "Is no longer a scary word," says Ottawa-based sex therapist Sue McGarvie, "It's been normalized." Teen pregnancy is up partly because there is less of a stigma associated with teen pregnancy since there is more of a “cultural permission” to be a younger mother. The rise is also partly due to the portrayal of celebrity teens and television shows such as “16 and Pregnant,” which give teens the idea that “having a baby is the new handbag.” As the rise of teen pregnancy shows rise, so do the teen pregnancies in America. It is saddening to watch the young women and men on these shows idolized and being made to be celebrities of our society. Though MTV holds to the fact that they are trying to expose the struggles of teenage sex, in reality, they are making these too young mother and fathers to be stars. When the victims of not practicing safe sex are plastered across the cover of People, for their "hardships," the reverse effect is given. These television shows give teenagers the idea that they could become famous for getting pregnant while glamorizing teen pregnancy, and it falsely portrays how teen pregnancy really is . 16 and pregnant is a show that airs on MTV every week. It shows the emotional journey of pregnant 16 year olds from the doctor’s appointments to fights with the baby’s daddies...
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...are laughing at her behind her back. She maps out her murderous plot to the chorus of Greek women by vowing, "I shall see my enemies punished as they deserve...I can endure the guilt, however horrible...The laughter of my enemies I shall not endure" (Euripides, p.41). Greek mothers who gave their husbands sons were respected for fulfilling their duties. From a Greek point of view, Medea is letting her need for revenge get...
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...attitudes towards cultural imperialism and consumerism. To depict these ideas, Dawe characterises a mother and son as America and a younger, developing nation. The poet imparts a concept of America’s consumerist society indoctrinating other nations with their western culture as an act of cultural imperialism. He also employs various other poetic techniques to assist him in campaigning the issues of cultural loss of another country such as, extended metaphor, rhetorical question, alliteration, irony, entrapment, foreshadowing, denotation, motifs and punctuation marks to further emphasise his points. The study of his poem allows us sight into the concerns of consumerism and cultural imperialism. ** there's no need to list techniques and repeat your ideas... America’s rise in cultural power has caused a raging concern from Bruce Dawe, to bring this about; he ( you mean Bruce ...expresses his emotions and opinions through his poem “Americanized”. He adopts a pun in the title to exemplify the expansion of American vocabulary into Australian literature. Not only does this pun emphasise his point on Australia being lost in America’s culture, but it also foreshadows the extended metaphor he utilises in the mother and son of the story. The mother is America and the son is a smaller, younger country, mostly likely Australia. Entrapment was a strong motif used in the story of the mother trapping her son in her house and arms long enough that he has changed and become just like her. Like...
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...In Tillie Olson’s, I Stand Here Ironing, a mother is contemplating what type of life she had given to her nineteen year-old daughter, Emily. From the time Emily was born, and especially after her father had left them, Emily’s mother did what she could to provide for her daughter. She even had to go to the extent of sending her away to Emily’s father’s home so she could remain home and make money. The story was heralded by the emerging women's movement of the early 1960s as an example of the difficulty of some women's lives and as a portrayal of the self-doubt many mothers suffer when they know their children are not receiving all the attention they deserve. Also, the Great Depression hit many families hard; a lot of them were splitting up in the hopes to make things more affordable. Although our nation is not going another depression, families are still being split up to ease the financial burden. Sometimes, families go their separate ways to escape their financial problems. The iron was a significant piece of the story. The irons of that time were said to be heavy and not like the ones we use today. The iron represents the effort that the mother put into providing a quality lifestyle for her daughter. The process of ironing reflects the actual lifestyle that Emily and her mother had lived. When “pressing” clothes, one must first sure the iron is hot enough. Since the irons back then probably were not electric, they had to be heated on something that was already hot, like a...
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...Megan Cardenas Mr. Chae Christian Scriptures TR 3:30 06 October 2015 Feminist Hermeneutics and Biblical Studies The article “Feminist Hermeneutics and Biblical Studies,” written by Phyllis Trible, is a tribute to the different ways feminists have approached and interpreted the portrayal of women in the Bible. The first approach talks about the Bible making it seem like women are men’s property, the second approach focuses on challenging traditional culture and reinterpreting certain biblical verses to find a divine woman identity, and the third approach retells biblical stories that highlight the sympathy felt for abused women. Each approach connects to the other through the main idea that traditional interpretations of the Bible neglect females and therefore affects the way human beings behave towards them. Trible takes different approaches to question the longstanding belief no one speaks about: the association of Scripture with sexism and the dehumanization of women. Trible questions this belief that the traditional Bible is sexist by providing textual examples to support his arguments. For example, the first approach documents the case against women. He uses several examples from scripture to support this approach, including how a daughter is less desirable than son, how a father chooses his daughter’s husband, how daughters always had to submit to abuse, and how the Levite from Ephraim and other males betrayed, raped, murdered, and dismembered their own concubine...
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...Ironing” Tillie Olsen’s “I Stand Here Ironing” focuses on a mother who receives a phone call while ironing, about her eldest child Emily. The call comes from a school guidance counselor asking her to make time to see her so they could discuss helping Emily. While listening, the mother partakes in a mental or interior monologue of her first born child’s life, and how being a single teen mother facing poverty shaped her daughter into who she is to today; a stiff, awkward ,and isolated young woman. Although there are various angles in which to analyze this text, the prominent angle is how society, especially in the 1930’s, view of women and motherhood have affected the narrator in her way of raising Emily. A sociological critique of I Stand Here Ironing by Tillie Olsen examines a wide range of social and feminist issues throughout the short story. Theses social ills have left the narrator with a strained psyche and have her questioning her parenting. I “Stand Here Ironing” is a short story in which the reader gets a mental image of the way it was for the narrator to raise her child alone. The narrator was a single mother at the age of nineteen, living during the latter years of the Depression. As a single mother during the depths of the Great Depression it was an especially hard time. The narrator describes the world in which her first child, Emily was born into. “It was the pre-WPA world of the depression” (290). Emily’s mother struggled to find a job to support her child, and eventually...
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...the case historically that there exists a female godhead in nearly every type of culture, all around the globe. Within the dogma of these cultures, the Goddess is worshipped as a Great Mother; she is nurturing and maternal, promotes fertility in both humans and the earth, and also like the earth, has a dark side which can destroy. It is this concept of the Great Mother, a figure who gives life, creates all, the explanation to the unexplainable; that despite the often forced conversion to Western religions, is still flourishing in many areas of the world. Women are the bearers of life and because of this our identity is inexorably entwined with the identity of Mother. Those who choose to not become mothers sometimes struggle with this aversion to the social and oftentimes spiritual norm, and are looked down upon in society as selfish or strange. Women who are unable to bear children also grapple with the inability to fulfill this deeply ingrained natural role. The identity of Mother is a personal, religious, and societal one; once a woman becomes a mother she embodies that identity within her, but is also held to a different standard in society. Within religion, the sanctity of the feminine has endured millennia and only its face has been altered. Regardless of which face the Great Mother wears, the concept remains, and always will remain, that our identity is that of...
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...century (1832-48). Furthermore detailing how the change challenged traditions and ideologies of the then rather prominent English common law, and the normative principle’s that surrounded motherhood. The Critical sources that bear the utmost relevance to the challenging social content that the tenant demonstrated are Monica Hope Lee’s essay a mother outlaw vindicated: social critique in Ann Bronte’s the tenant of wildfell hall. Nineteenth century gender studies. (4.3), 1-12. And chapter 2 from, Macdonald, T (2015) the new man, masculinity and marriage in the Victorian novel. London: Routledge. Both critics, attempt to dichotomise the tenant of wildfell hall in order to get representative discourse that outlines the social changes in question, moreover they seek to disclose how Bronte summarises her own personal perception of gender ideals in the regency culture, and how she displays openness and vision, as opposed to becoming a shrinking wall flower hidden in the shadows of sporadic sunlight, with a masked existence, and blind endemic to the upper-class hierarchies of society. Furthermore they offer an insight in to how the shift in social position and hierarchical relations altered the female identity, focusing on the two most significant events to ensue in a woman’s life, marriage and motherhood. In the period that the tenant was inscribed, two separate spheres had...
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...A lot of people think that's the main downfall in females — you know, teen parenting. You know, they think that's one of the worst things besides drugs and violence … I hated a lot of people stereotyping single Black moms to be, you know, high school dropouts: "Their kids ain't gonna' be nothing, she'll end up on welfare," and things like that. I think that was the worst thing … I felt like they were kind of wrong to, you know, to stereotype everyone. (Maxine, 18-year-old mother) Teen mothers' unique perspectives on teen pregnancy can contribute much to our understanding of this issue, including family and individual experiences. In this article, teens' narratives provide insight into processes and contexts of family caregiving they received during their pregnancies as one type of resource they relied on to work toward a new and positive identity. Consistent with scholarship on identity construction, teenagers described their relationships with others as critical to this development, and attention to the processes of caregiving illuminates this connection. The stigmatized status of teen pregnancy, when viewed as a master narrative (such as that articulated by Maxine above), renders teenagers' own narratives a counter story that facilitates narrative repair. Analysis of teenagers' narratives illuminates how processes of identity transformation connect one to the care of others, empowering individuals to resist threats to a positive sense of self or a damaged identity...
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...deities, are assigned to the narrow role of mothers, sirens, or some combination of both. Mothers are persistent figures throughout, and are seen as the nurturers of concern and sorrow rather than being supportive of their husbands, fathers, and sons in terms of military or personal quests. In many of the depictions of mother figures in “The Odyssey”, these are women in need of support and guidance as they are considered weak and fragile. Without steady male hands to guide them, these ladies appear to be lost and despairing. As one scholar notes, “Telemachus first asserted his manhood by ordering Penelope from the public rooms of the palace, indicating to the suitors of his intention to assert his claim to his father’s throne. The dependence of mothers on their son’s devotion to them is made clear elsewhere in Homer, as in the case of Anticlea and her statement that she died not of illness but of longing for her son Odysseus” (Pomeroy 28). The procreators in this text show little function aside from grieving and urging their male counterparts to remain alive and well, which is an essential notion because much of the masculine sense of power was associated with attaining glory. In many ways, the value of gender roles on fathers and sons was far greater than the mothers or daughters. For Anticlea, Ulysses’ mother, she cannot even exist without her son, as she died after waiting for years for him to come home. For Anticlea and other mothers, the entire purpose for existence is to look...
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...to persue any type of career in an acceptable manner. With the men away at war, women were encouraged to find work outside the home due to a lack of factory workers who could produce war goods. Once the war ended, however, this propaganda not only stopped- it abruptly changed. Once the men were back in the states there was an excess of workers. Men came back form war to find that there were no jobs or that their wives were occupying them. With production plummeting after war time highs there were few jobs to offer the men returning home. This started a media blitz on women. Women were encouraged to return to the home and take care of their families. Women's magazines were overflowing with ideas on how to make a perfect wife and mother. It was obvious that if you weren't happy making your family your job, there was something wrong with you as a woman. The problem was that women were unhappy; President Kennedy commissioned a report on the he status of the American Woman due to the magnitude of this problem (Schneir 38-47). The report basically said that women were unhappy with the idea that they were...
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...I know Why the Caged Bird Sings is an autobiographical account of Maya Angelou that demonstrates how love for literature and having a strong character can play a significant role in overcoming racism and distress. In the course of the story, it is evident that Maya changes from being a casualty of racism to become a young woman with self-dignity and identity that helps her to overcome prejudice. The context of I Know Why the Caged Bird Sings focuses on the problems associated with racism that was prevalent in the southern states. Racist oppression is a common theme in the book that is portrayed by all the major characters; in fact, all the other themes in the book are closely related to racism, identity and segregation. In addition, the style and genre, and the structure of this literary work make significant contributions towards its thematic development, which focus on resistance to racism, the significance of the family, self-identity and definition and independence. Walker (95) argues that I Know Why the Cage Bird Sings is characterized by thematic unity, which is achieved using the structure adopted in the text that takes more of a thematic form rather than a chronological form. In addition, Angelou managed to emphasize on the universal ideas in her literary work irrespective of its periodic quality. In I Know Why the Caged Bird Sings, Maya Angelou used the major characters of the book to facilitate its thematic development identity, racism and literacy throughout the text...
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