...Everyone has that one film that changed their life the first time they watched it. Someone might have seen Doctor Dolittle as a kid, and the personification of the animals in the film made an impact on them and from that point forward decided to grow up to become a veterinarian. In a documentary we watch and are told a (true) story, whereas with film we become a part of and involved in the story, we attach ourselves to the characters on their journey throughout the film and evolve alongside them. By exposing children to films that have a huge influence on a political or social level, they are aware from a young age that sometimes there are situations which are black and white, but that there is also grey in the world. Another key point brought up by Kidron is that “films provided communality across all manner of divide. And the stories they held provided a shared experience.” Movies have a way of connecting everyone watching them. When you go to the cinema to watch a movie, have you ever noticed that the entire audience seems to gasp, laugh, scream and hold their breath at the same moments? You probably don’t know anyone else in that room but somehow you are all connected to each other, that is the power a film...
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...Bicycle Thieves: The Unspoken Allure of Communism Bicycle Thieves is an exemplary demonstration of Italian neorealism that seeks to use non-professional actors to illustrate the struggle of average people surviving under a Fascist government. De Sica's use of film techniques such as close-ups heightens the effect of his neo-realist aesthetic, especially seen in his street-level depictions of Rome in the aftermath of World War II. The poverty and despair captured by De Sica's cinematography and narrative choices illustrates that capitalism has failed the Italian people, providing them only with grinding poverty and inward despair. By focusing on the mundane details of a simple man's life, rather than a narrative involving high drama, the film effectively captures the humiliating effects of class disparity while highlighting the role that communism could play in the improvement of life for the Italian people, if only a sense of community could be established. Director Vittorio De Sica uses Bicycle Thieves as a vehicle in which to stress the burdens faced by the individual in a heartless and uncaring society. He has stated that his aesthetic intention with the film was to "reintroduce the dramatic into quotidian situations, the marvellous in a little news item [...] considered by most people throwaway material" (Cheshire), and so too is his main character, Antonio, a throwaway person. As an unemployed person, he has no value to the larger society and no apparent worth...
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... Avant Garde Film What Constitutes a Diary Film, and Why Might it be Considered a Form of Avant-Garde or ‘Critical’ Film? In order to answer this question there are a few areas that require specific definition. The term Avant-Garde itself is something that often can differ in its exact meaning due to interpretation. This makes it an almost undesiferrable term for both historians and critics alike. Critic, Ian Christie claims that the term is, ‘always open to dispute and redefinition.’[1] This claim has very strong foundations. The very nature of Avant-Garde film requires it to be at the forefront of experimentation. As new techniques are explored and boundaries are broken down, what may have been at the forefront of experimentation in the Fifties for example, may be one of the most used techniques in Hollywood by the Seventies or now. This gives the impression that to remain innovative, Avant-Garde directors must change style to fit what is required of them during their particular time period. The mention of Hollywood hints at the relationship it has with the Avant-Garde. Murray Smith describes Avant-Garde as a ‘personal mode’, and goes on to say the films are made by, ‘filmmakers alone or in combination with private patronage and grants from arts institutions.’[2] It seems easy to glean that Avant-Garde cinema works outside the Hollywood community. This ‘personal mode’ gives filmmakers a chance to make films for reasons beyond money. To test...
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...Title Annually in the country once known as North America, the nation of Panem uses their dictatorship, they call the Capitol to rule over the twelve districts they have created. The Districts have all had major revolts, as a response to these rebellions the government of the Capitol has enacted a cruel intimidation tactic called The Hunger Games. It is a violent event televised nationally throughout all of the districts where a male and female from each district is picked as a Tribute. These Tributes must fight each other to the death and only one survivor will remain. The Hunger Games is the governments approach of displaying the amount of power they posses over the demoralized people of the twelve districts. The character of Katniss is rare todays society, a complex character with fearlessness, intelligence, and on a mission for survival. Different from the other Tributes, Katniss kills in means of self-defense. Katniss is not only fighting for survival but for fairness and justice as well within the social classes and political power. This character fights for what she believes is right in order to end the class struggle of the Districts and the Capitol. The Feminist views of Katniss make her unique because she is not portrayed as a sex object but as a tough action heroine who fights for what she believes in on her way to victory in an attempt to end the class struggle of the rich vs. poor in her society would also provoke a Marxist reading of the Hunger Games. The...
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...Walter Benjamin (1936) The Work of Art in the Age of Mechanical Reproduction ________________________________________ Source: UCLA School of Theater, Film and Television; Transcribed: by Andy Blunden 1998; proofed and corrected Feb. 2005. ________________________________________ “Our fine arts were developed, their types and uses were established, in times very different from the present, by men whose power of action upon things was insignificant in comparison with ours. But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and habits they are creating, make it a certainty that profound changes are impending in the ancient craft of the Beautiful. In all the arts there is a physical component which can no longer be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power. For the last twenty years neither matter nor space nor time has been what it was from time immemorial. We must expect great innovations to transform the entire technique of the arts, thereby affecting artistic invention itself and perhaps even bringing about an amazing \change in our very notion of art.” Paul Valéry, Pièces sur L’Art, 1931 Le Conquete de l’ubiquite Preface When Marx undertook his critique of the capitalistic mode of production, this mode was in its infancy. Marx directed his efforts in such a way as to give them prognostic value. He went back to the basic conditions underlying capitalistic...
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...and truthful, a reliable source of information on the subject. However, the content of a documentary is generally chosen in order to make the message it wants to convey most convincing. The success of a documentary in conveying the message is determined by how credible it is perceived to be. According to Spence et al. in Crafting truth: Documentary form and meaning, ?Facts become evidence [in a documentary] in response to particular questions or as needed by a particular argument or mode of story telling.?[footnoteRef:2] [2: Spence, 2010, p. 42] Nichols in An Introduction to the Documentary defines six different documentary categories where two are applicable to food documentaries: expository mode, with a rhetorical or argumental frame, voice-of-God commentary and common sense and participatory mode, with the filmmaker as a social actor, and the filmmaker on scene with the interview as the most common forms of encounter.[footnoteRef:3] [3: Nichols, 2010, p. 105, 109, 116, 121. The six modes of documentary are: poetic, expository, participatory, observational, reflexive and performative] This paper will conduct a comparative analysis of two documentaries: GMO OMG (2013) and the Panorama feature GM Food - Cultivating Fear (2015). These two documentaries are challenging to investigate, because they represent two ends of the scope in the GM-debate: for and against. Analyzing controversial topics such as GM-foods, and how they are portrayed in documentaries allows us to examine...
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...involve a group or community in shaping and creating their own film. The idea behind this is that making a video is easy and accessible, and is a great way of bringing people together to explore issues, voice concerns or simply to be creative and tell stories. This process can be very empowering, enabling a group or community to take action to solve their own problems and also to communicate their needs and ideas to decision-makers and/or other groups and communities. As such, PV can be a highly effective tool to engage and mobilize marginalized people and to help them implement their own forms of sustainable development based on local needs. How does Participatory Video work? * Participants (men, women and youth) rapidly learn how to use video equipment through games and exercises. * Facilitators help groups to identify and analyse important issues in their community by adapting a range of Participatory Rural Apraisal (PRA)-type tools with participatory video techniques (for example, social mapping, action search, prioritising, etc. * Short videos and messages are directed and filmed by the participants. * Footage is shown to the wider community at daily screenings. · * A dynamic process of community-led learning, sharing and exchange is set in motion. * Completed films can be used to promote awareness and exchange between various different target groups. * Participatory video films or video messages can be used to strengthen both horizontal...
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...Romeo and Juliet Paper Imagine this; a Shakespeare movie, set in a modern day, run-down city. The city seems to have absolutely no shortage of gangs and mobs that are running the streets. Hotrod cars along with pistols and assault rifles make their presence ever so evident. With a wrong slip of the tongue, gun fire erupts in the streets of Verona. This was the context for one of my favorite movies, Romeo + Juliet directed by Baz Luhrmann back in 1996. William Shakespeare has written poetry and play-scripts that will continue to inspire people for centuries to come. Whether it be on a stage in your local high school or in the Broadway/Hollywood spot light on the big screen. William Shakespeare is known as possibly the greatest writer of the English language and deservingly so. Unfortunately Shakespeare’s plays have been subject to change and scrutiny throughout the years. When the play was first being performed the representations were different than they are today as males played both parts of Romeo & Juliet. The plays representation was changed when women were finally allowed on stage after some changes to the culture and society. Even Hollywood filmmakers have done a remake of Romeo & Juliet in which the movie isn’t even set in old English times but rather in modern day. William Shakespeare’s play Romeo & Juliet has remained the same as its message transcends time, yet its representation has changed as English society has changed. The play Romeo & Juliet...
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...This user manual includes detailed usage instructions for your camera. Please read this manual thoroughly. Click a topic Basic troubleshooting Quick reference User Manual ST6500 Contents Basic functions Extended functions Shooting options Playback/Editing Settings Appendixes Index Health and safety information Always comply with the following precautions and usage tips to avoid dangerous situations and ensure peak performance of your camera. Warning—situations that could cause injury to yourself or others Do not disassemble or attempt to repair your camera. This may result in electric shock or damage to the camera. Do not use your camera near flammable or explosive gases and liquids. This may cause a fire or explosion. Do not insert flammable materials into the camera or store these materials near the camera. This may cause a fire or electric shock. Do not handle your camera with wet hands. This may result in electric shock. Prevent damage to subjects’ eyesight. Do not use the flash in close proximity (closer than 1 m/3 ft) to people or animals. If you use the flash too close to your subject’s eyes, this can cause temporary or permanent eyesight damage. Keep your camera away from small children and pets. Keep your camera and all accessories out of the reach of small children and animals. Small parts may cause choking or serious injury if swallowed. Moving parts and accessories may present physical dangers as well. Do not expose the camera to direct sunlight or high temperatures...
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...to health. Teenagers prefer to spend free time in front of a computer rather than to walk, play football or go to a swimming pool. Moreover, games transfer them into the world which doesn’t exist. It is very exciting for the youth. They meet with friends in such places as McDonalds. Teens eat there unhealthy food. They eat too much fast food. Every teenager needs a balanced diet, appropriate personal hygiene and physical activities in the fresh air, for example, playing a ball, going running, swimming, driving on the bicycle, playing in tennis or walking. This should be for them more interesting than sitting for hours in front of a computer or TV because such a mode of life leads to the improvement of mood, health and physical shape.. Young people choose less healthy kinds of entertainment than sport, putting away bicycles in the corner. They eat too much fast, unhealthy food, which is very fatty and drink too many sugary drinks. This leads to obesity. However, nowadays young people, especially girls, allow themselves to grow fat, or torture themselves with diets, which leads to various diseases with physical basis like anorexia and bulimia. Young people must not give up food, especially breakfasts because skipping breakfast is a frequent cause of fainting which can cause frequent complications and even leads to death. It...
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...Cultural Context The cultural context refers to the type of society in which a text is set-it’s structures, values and day-to-day rituals. Comparing the texts I have studied under Cultural Context mode involves entering the world of each text and comparing the ways in which the lives of the central characters are influenced by the worlds in which they live. The three texts I have studied are Lies of Silence (LS) by Brian Moore, Plough and the Stars (PS) playwrite by Sean O’Casey and Il Postino (IP) directed by Micheal Radford. These novelists, dramatists and film directors obviously employ their own distinctive narrative techniques. I was interested in studying a significant range of similarities in the way LS, PS and IP deliver their respective tales. The setting is easily comparable in all texts. IP was set in a small island off the coast of Italy around the 1950’s. Communism was the main political headline in this text, where a famous Italian poet, Pablo Neruda, was exiled from his own country and forced to live elsewhere for a short while due to the fact he was a communist. During this time also, Europe was struggling to cope from World War II. PS was set in Dublin, 1916. The Easter Rising was at stake. We receive an insight into the lives of the Irish people during The Troubles. There was also a feud between Socialism and Republicanism. LS is set in Belfast in the 1950’s when the Northern Troubles were at its climax. The setting in this text is dominated by the deep-rooted...
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...and Adidas communicate their branding strategy differently and have set up the following hypothesis and questions: In Nike and Adidas commercials the organisations make use of complex multimodal choices in order to communicate their branding strategies. 1. Which multimodal choices do Nike and Adidas employ in order to communicate their branding strategies? 2. Which personality traits are similar and different in Nike and Adidas product and value commercials? Due to the complexity of our hypothesis, we will employ three frameworks: social semiotics, film theory, and branding. These frameworks will help us to analyse and make meaning of the four commercials: Nike’s “Master Accuracy. Hit The Target” and “Is talent all it takes?” and Adidas’ “The Spark” and “Chelsea FC – Every Team Needs The 12th Man”. In order to answer the first question, we will analyse the four commercials by applying multimodal concepts and film theory. The multimodal analysis derives from social semiotics and M.A.K. Halliday’s...
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...The first solid proof of lucid dreaming came in 1975; Dr Keith Hearne recorded pre-determined eye movements of a patient who was lucid dreaming. The signals would not come through if someone was dreaming regularly but because the subject was lucid dreaming he consciously made the decision to send them from his dream. Dr Hearne told the participant to send the signals if he realised he was dreaming before he went to sleep. A study conducted at the Neurological Laboratory in Frankfurt in 2009 detected the frequency of brainwaves. Lucid dreaming was found to be at 40Hz. Putting this into context, sleeping was found to be around 4-7Hz while being awake was 16-31Hz depending on what you were doing when awake. That’s remarkable. This means lucid dreams can allow you to reach higher states of consciousness than being awake. The study found higher activity in the areas of the brain which are involved with self-awareness and linguistic...
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...Texting and Driving Name Course November 11, 2015 Instructor Texting and Driving Introduction Texting is one of the most in demand means of communicating in the world today. One may see it as a simple way of communication but can also be a dangerous and even fatal form of communication. A proper description of texting while driving is the use of mobile phones to compose, send or read a message, to read an email while operating a vehicle (Sole, 2010). It’s very possible for a driver to take eyes off the road for a few seconds to read a message and suddenly a horrific accident occurs. Discussion Let me start by giving you a few statistics about this major problem on our roads today. Over 70 percent of young drivers maintain that it’s easy to drive and text but it’s not. You find that over 20 percent of the fatal accident have been caused by teen drivers who text while driving. Drivers in their early 20s make up to 27percent of all distracted drivers fatalities. As of December 2012 17.3 billion text messages were sent in the United States alone every month. The current estimate is that at any given time, approximately 660,000 drivers are using their cellphones or other electronic devices while still driving, which has been almost constant since 2010. These statistics are expected to grow by as much as 4 percent every year if we don’t get serious (Berenbaum, 2015). These numbers alone shows you how grave this plague has become, and something needs to be done and fast...
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...Texting and Driving Name Course November 11, 2015 Instructor Texting and Driving Introduction Texting is one of the most in demand means of communicating in the world today. One may see it as a simple way of communication but can also be a dangerous and even fatal form of communication. A proper description of texting while driving is the use of mobile phones to compose, send or read a message, to read an email while operating a vehicle (Sole, 2010). It’s very possible for a driver to take eyes off the road for a few seconds to read a message and suddenly a horrific accident occurs. Discussion Let me start by giving you a few statistics about this major problem on our roads today. Over 70 percent of young drivers maintain that it’s easy to drive and text but it’s not. You find that over 20 percent of the fatal accident have been caused by teen drivers who text while driving. Drivers in their early 20s make up to 27percent of all distracted drivers fatalities. As of December 2012 17.3 billion text messages were sent in the United States alone every month. The current estimate is that at any given time, approximately 660,000 drivers are using their cellphones or other electronic devices while still driving, which has been almost constant since 2010. These statistics are expected to grow by as much as 4 percent every year if we don’t get serious (Berenbaum, 2015). These numbers alone shows you how grave this plague has become, and something needs to be done and fast. ...
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