...-------------------------------------------------------------------------------- -------------------------------------------------------------------------------- Eat Your Heart Out | Paper Magazine Does a Super (Duper) Market Culture, Food By JANE HERMANJuly 13, 2012, 1:30 pm 2 Comments Paper Magazine's Super (Duper) Market Atisha Paulson Brucie Atisha Paulson Scribe Winery Atisha Paulson 123Loading “I’m crying. And dying,” Paper magazine’s Kim Hastreiter says halfway through the tour of her Super (Duper) Market, which will be open Friday through the weekend in Manhattan’s meatpacking district. She is completely elated and, more important, satiated, by what’s in store: “The best ice cream (Humphry Slocombe), the best cornbread (Red Rooster), the best olive oil (Sciabica’s),” she says. Here, at what is a smorgasbord of carefully procured and exquisitely packaged food stuff, all the stars of Hastreiter’s bicoastal culinary-craft world collide. The vendors hail mostly from Brooklyn (Empire Mayonnaise, Morris Kitchen, Mile End) and California’s Bay Area (Boulettes Larder, Modern Appealing Clothing, Tartine Bakery and Cafe). “I’m kind of a maven, and these are really my favorite things,” says Hastreiter pointing to the Tang Brothers noodle stand. “Those are, like, the best noodles.” Walk through the mart and you might sample homemade mozzarella on honey-drizzled toast from the Cobble Hill restaurant Brucie, buy a Sol LeWitt star bowl (Hastreiter’s pick) at...
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...Change of Heart Crime and Punishment is a powerful novel written by Fyodor Dostoyevsky that depicts the actions of the Raskolnikov after an axe murder that he commits. Throughout the novel, Fyodor Dostoyevsky displays masterful technique in controlling the audience’s emotions by bending how they feel about certain characters, such as Svidrigailov, Sonya, and Raskolnikov. Dostoyevsky initially portrayed Svidrigailov as a perverted old who is willing to cheat on his wife, but he is later portrayed as a man who is insecure and obsessive. Sonya is portrayed as a selfless young girl who is willing to do anything for her dysfunctional family. Raskolnikov is initially portrayed as an observant, desperate man who is easily swayed by his false sense of logic. Svidrigailov is initially portrayed as a perverted man who has a romantic interest in Raskolnikov’s younger sister, Dounia, “But at last he lost all control and had the face to make Dounia an open and shameful proposal, promising her all sorts of inducements and offering, besides, to throw up everything and take her to another estate of his, or even abroad” (Dostoyevsky 26). This quote shows that Svidrigailov was quite infatuated with Dounia, and that he wanted to leave his wife for her. This situation causes the reader to feel slightly disturbed by Svidrigailov’s behavior, as he is many years older than Dounia, and he shows that he has a pedophilic nature within himself. Svidrigailov’s behavior changes as Crime and Punishment...
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...the epic portrays the enduring resilience of the human spirit and the redemptive power of embracing vulnerability as a pathway to enlightenment. Through the intertwined narratives of Victor Frankenstein and his creation, Frankenstein portrays the complexities of human ambition, the consequences of scientific hubris, and the transformative power of redemption. After bringing life to the creature, Frankenstein says “now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 35). The moment of creation, initially seen as a triumph of scientific achievement, quickly devolves into a nightmare of horror and regret as Frankenstein is confronted with the consequences of his actions. His quote of "breathless horror and disgust" highlights the moral crisis that accompanies his reckless ambition as he fights with the implications of playing god and defying the natural order. In his last words before death, Frankenstein says “Farewell, Walton! Seek happiness in tranquility, and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries” (Shelley 162). In his final moments, Frankenstein acknowledges the faults in his own ambition and the tragic consequences of his actions, urging Walton to seek fulfillment in humility and contentment rather than the relentless pursuit of scientific achievement. Through Frankenstein's renunciation of ambition and his embrace of humility and tranquility...
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...there is a word that has even more loaded, and negative, connotations than anarchism it would be nihilism. This is particularly because the primary vehicle of our modern understanding of nihilism is through the fiction of Turgenev and Dostoevsky. Neither of these authors were particularly sympathetic to nihilism and provided nihilist characters primarily as a frame with which to drape their morality tales. The version of nihilism offered by these authors is then, primarily, a snapshot of the popular culture in which nihilism dwelt as much as it is a recollection of the trend. This time in Russian history is part of the story of nihilism and will be part of the story in bridging the gap between the mythological Bazarov, Verkhovensky, or Raskolnikov and figures like Nicholas Chernyshevsky, Dmitry Pisarev, and to some extent Sergey Nechayev. What then was nihilism? Nihilism was a youth movement, a philosophical tendency, and a revolutionary impulse. Nihilism was the valorization of the natural sciences. Nihilism was a specific fashion style. Nihilism was a new approach to aesthetics, criticism and ethics. Nihilism was the contradiction between a studied materialism and the desire to annihilate the social order. Nihilism was also a particularly Russian response to the conditions of Tsarist reform and repression. Nihilism has become much more than it originally would have been capable of because of the viral nature of its value-system, practice, and conclusions. Nihilism’s effect...
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...notmyessay Wesleyan University WesScholar Division I Faculty Publications Arts and Humanities 1995 Anna Karenina: Tolstoy 's Polemic with Madame Bovary Priscilla Meyer Wesleyan University, pmeyer@wesleyan.edu Follow this and additional works at: http://wesscholar.wesleyan.edu/div1facpubs Part of the Arts and Humanities Commons This Article is brought to you for free and open access by the Arts and Humanities at WesScholar. It has been accepted for inclusion in Division I Faculty Publications by an authorized administrator of WesScholar. For more information, please contact dschnaidt@wesleyan.edu, ljohnson@wesleyan.edu. Recommended Citation Priscilla Meyer. "Anna Karenina: Tolstoy's Polemic with Madame Bovary" Russian Review 54.2 (1995): 243-259. Anna Karenina: Tolstoy's Polemic with Madame Bovary PRISCILLA MEYER D id Tolstoy intend a dialogue with Flaubert's Madame Bovary when he wrote Anna Karenina? Boris Eikhenbaum agrees with the French critics who found traces of Tolstoy's study of French literature in Anna Karenina, though he emphasizes the complexity of Tolstoy's struggle with the tradition of the "love" novel.' George Steiner long ago concluded that "all that can be said is that Anna Karenina was written in some awareness of its predecessor."2 But the evidence of that awareness is so abundant and suggestive that it is worth examining the possibility of a more detailed dialectic than Eikhenbaum and Steiner suppose.3 Tolstoy arrived in Paris on 21 February 1857. Less than...
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...Wesleyan University WesScholar Division I Faculty Publications Arts and Humanities 1-1-1995 Anna Karenina: Tolstoy's Polemic with Madame Bovary Priscilla Meyer Wesleyan University, pmeyer@wesleyan.edu Follow this and additional works at: http://wesscholar.wesleyan.edu/div1facpubs Part of the Arts and Humanities Commons Recommended Citation Priscilla Meyer. "Anna Karenina: Tolstoy's Polemic with Madame Bovary" Russian Review 54.2 (1995): 243-259. This Article is brought to you for free and open access by the Arts and Humanities at WesScholar. It has been accepted for inclusion in Division I Faculty Publications by an authorized administrator of WesScholar. For more information, please contact dschnaidt@wesleyan.edu, ljohnson@wesleyan.edu. Karenina: Anna Tolstoy's Polemic Madame Bovary PRISCILLA MEYER with id Tolstoy intend a dialogue with Flaubert's Madame Bovary when he wrote D Anna Karenina? Boris Eikhenbaum agrees with the French critics who found traces of Tolstoy's study of French literature in Anna Karenina, though he emphasizes the complexity of Tolstoy's struggle with the tradition of the "love" novel.' George Steiner long ago concluded that "all that can be said is that Anna Karenina was written in some awareness of its predecessor."2 But the evidence of that awareness is so abundant and suggestive that it is worth examining the possibility of a more detailed dialectic than Eikhenbaum and Steiner suppose.3 Tolstoy arrived in Paris on 21 February 1857. Less than...
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...The White Tiger Summary The entire novel is narrated through letters by Balram Halwai to the Premier of China, who will soon be visiting India. Balram is an Indian man from an impoverished background, born in the village of Laxmangarh. Early on, he describes his basic story: he transcended his humble beginnings to become a successful entrepreneur in Bangalore, largely through the murder Mr. Ashok, who had been his employer. Balram also makes clear that because of the murder, it is likely that his own family has been massacred in retribution. In Laxmangarh, Balram was raised in a large, poor family from the Halwai caste, a caste that indicates sweet-makers. The village is dominated and oppressed by the “Four Animals,” four landlords known as the Wild Boar, the Stork, the Buffalo, and the Raven. Balram's father is a struggling rickshaw driver, and his mother died when he is young. The alpha figure of his family was his pushy grandmother, Kusum. Balram was initially referred to simply as “Munna,” meaning “boy," since his family had not bothered to name him. He did not have another name until his schoolteacher dubbed him Balram. The boy proved himself intelligent and talented, and was praised one day as a rare “White Tiger” by a visiting school inspector. Unfortunately, Balram was removed from school after only a few years, to work in a tea shop with his brother, Kishan. There, he furthered his education by eavesdropping on the conversations of shop customers. Balram feels that...
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...> 168159 CD >m Gift of YALE UNIVERSITY With the aid of the ROCKEFELLER FOUNDATION 1949 OSMANIA UNIVERSITY LIBRARY Call No. Author %&V/S#/ 2-^ & Accession No. - . This bookihould be returned on or before the date last marked below. WHAT IS LITERATURE? JEAN-PAUL SARTRE Translated from the French by BERNARD FRECHTMAN PHILOSOPHICAL LIBRARY NEW YORK Copyright, 1949, by Philosophical Library, Inc. 15 EAST 40th Street, New York, N.Y. Printed in the United States of America TABLE OF CONTENTS Foreword I II What Why is Writing? Write? Whom Does One Write? 7 38 III For IV Situation of the Writer in 1947 161 Index 299 67 FOREWORD want to engage yourself," writes a young imbecile, "what are you waiting for? Join the Communist Party." A great writer who engaged himself often and disengaged himself still more often, but who has forgotten, said to me, "The worst artists are the most engaged. Look "If you at the Soviet painters" "You want tres is to murder An old critic gently complained, literature. spread out insolently all Contempt for belles-let- through your review." A petty mind calls me pigheaded, which for him is evidently the highest insult. An author who barely crawled from name sometimes awakens men accuses me of not being one war to the other and whose languishing memories in old concerned with immortality; he knows, thank God, any number of people whose chief hope it is. In the eyes of an American...
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