...1. A great figure in German opera, Richard Wagner was an influential composer and producer of many musical operas during the 19th century. Born in Leipzig, Wagner began working early as a conductor in provincial theaters, and at 23 he began to produce his own operas, in which he wrote his own librettos. Although he found much success with his first productions, he was forced to escape to Switzerland after a failed revolution in Dresden; it was in Switzerland where he experimented with completely integrating music and theater, which would be known as music drama. He eventually elicited the interest of monarch Ludwig II, who commissioned him to finish the Ring of the Nibelung, a cycle of four music dramas, and also helped him build a theater where his works could be presented. When The Ring was completed, Wagner received critical acclaim from all across Europe, and his gospel spread as a new art-religion. 2....
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...claims is how people frame their words and represent their works as national. Specifically, in this paper I will focus on how German nationalism is perceived by comparing and contrasting two short excerpts, one from Richard Wagner, the other from Eduard Hanslick. I will proceed by relating some analysis based on more recent folklorists and musicologists, such as Philip Bohlman, Regina Bendix, Richard Taruskin, and Sanna Pederson, to further conceptualize the idea of nationalism inherent in German values or vice versa. In 1821 Weber’s opera Der Freischutz achieved great success both at home and abroad. It was deemed as the first model of German national opera because of its focus on folks. However, as argued by Taruskin, the opera’s national significance was in part due to its premiere as inaugural musical offering at the newly rebuilt Nationaltheater in Berlin. Thus, it was “the role of reception, alongside or even before the composer's intentions, as a determinant of nationalist significance. It was the nation, not the composer, who made Der Freischutz a national opera” (8). The reception at Nationaltheater presupposed national character of Der Freischutz with or without the composer’s intention of associating it with German nationalism. This prior acceptance by the nation created a supportive environment for more aggressive nationalists to fill the opera with national values....
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...The Italian and German opera was the most influential of the nineteenth century. The Italian opera was grounded in the traditional and commercialism. The German opera was grounded in modernizations. The nineteenth –century Italian opera began in the early nineteenth century. Italian opera is the highest manifestation of art of song. Its primary purpose is to delight and move the hearer with music that is tuneful unsentimental spontaneous an in every sense word popular. This opera style is called Bel canto. Which means beautiful song and by extension beautiful voice. (Greenberg, 2014) There were vital three composer of the Bel canto which is the following Gaetano Donizetti he was born in the year of (1797) and died in (1848). He composed seventy operas, one hundred songs as well as various oratorios, cantata and chamber works. Vincenzo Bellini was born in (1801) and died in (1835) he was the most modest of the three. “He only composes ten sierra opera compared to Donizetti”. The first one is called Adelson e Salvini in (1825). (Greenberg, 2014) Gioacchino Rossini was born (1792) and died in (1868). He wrote his first his first opera when he was 18 years old. His most famous opera is The Barber of Seville. He suffered from some type of mental disease other than depression, had bouts of gonorrhea and was a hypochondriac. He was known to have been the most quotable composer of all times. The last opera he wrote was William Tell in (1829) that was at age thirty-seven and...
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...The Life of Richard Wagner Wilhelm Richard Wagner (pronounced Vagner) was born on May 22, 1813 in Leipzig, Germany. He was the ninth child of Carl Friedrich Wagner, who was a Leipzig police clerk, and Johanna Rosine, who was the daughter of a baker. Wagner’s father Carl died six months after Richard was born. After Carl’s death, his mother Johanna began living with Ludwig Geyer, who was an actor and a playwright and also Carl’s friend. In 1814, Johanna married Geyer and the new family moved to Dresden. Until Richard was fourteen, he was known as Wilhelm Richard Geyer and most certainly thought that Geyer was his biological father. Geyer’s love of the theater was shared by his step-son Richard. Richard took part in his step-father’s performances, remembering once playing the part of an angel. In 1820, Wagner was enrolled at Pastor Wetzel’s school at Possendorf, near Dresden, where Wagner took some piano instruction from one of his teachers. Wagner struggled to play a scale on the keyboard, and preferred playing overtures by ear. In 1827, following the sudden death of Geyer, Wagner and his family had returned to Leipzig. As a young boy, Wagner always had an interest in music, though he had not received any serious training. As soon as he started school at the Nicolaischule, he became increasingly absorbed in the music of his time. His obsession with composing music was powered by the performances of Carl Maria von Weber, Ludwig van Beethoven, Giocomo Meyerbeer...
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...history of the opera were born. Richard wagner and Verdi Giuseppe. Richard Wagner, was born in Leipzig, typifies the quintessence of German culture. Giuseppe Verdi, was born in Roncole, in Northern Italy. He turned into the cherished arranger who carried on the customs of the Italian musical drama. Both represented Romanticism and represented two powerful cultures, albeit from a different origin. The Italian had its roots in the traditions of Rome, the Catholic Church and the Renaissance. Wagner and Verdi had parallel lives dedicated to musical art but very different worldviews. For Wagner the orchestra is more important and the voice is part of it. In contrast, Verdi thinks in terms of vocal melody as the fundamental thing, according to the Italian tradition....
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...Music is a great way to share emotions. Wagner is a well known German composer. Wagner had a influencing childhood. Wagner was a self-trained composer with great talent. He wrote a four part 18-hour opera called the ring cycle. Wagner was a great songwriter. Richard Wagner’s childhood influenced his adulthood. Wilhelm Richard Wagner was born on May 22, 1813 in Leipzig Germany. When Wagner was young he went to school in Dresden,Germany. When he was a boy he didn’t improve much in music class. Wagner’s life as a boy helped him become a great composer. Wagner’s training was what gave him his talent.Young Richard Wagner was so determined to become a famous composer that some people thought he was crazy.When Wagner practiced playing the piano...
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...Influences Evident in Thomas Mann's Works Thomas Mann once said “Every reasonable human being should be a moderate Socialist.” This quote is the cumulative result of a life time of influences from the writers and culture that surrounded Mann. During the spread of eighty years, Mann was exposed to many influential writers: Friedrich Nietzsche, Arthur Schopenhauer, Richard Wagner, and Hermann Bahr. Aside from the writers that Mann was influenced by, Mann was influenced by the German culture that surrounded him growing up in Lübeck, Germany. Researching Mann and finding sources that were critical of Mann was difficult, especially when it came to finding print sources. This is perhaps due to Mann's life being rather unimportant when compared to how influential and philosophical his works are. His works have so much depth and hiding meaning and cause contained within their covers that critics would much rather criticize his works than Mann himself. Another reason quite possibly be, that to criticize Mann's work a critic does not have to know Mann's background because of how well and precise Mann conveys and illustrates the ideals and philosophies of those who influenced him while writing. Nietzsche, influences nearly all of Mann's short stories and novels, whether it be that Mann quoted him or built antitheses off Nietzsche ideals or even based an essay completely off of a writing of Nietzsche. Mann has been accounted stating that he was undoubtedly a Nietzschean (Robertson 27)...
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...All of his life, Adolf Hitler had been obsessed with the musical works of German composer Richard Wagner. As a teenager living in Austria, Hitler was deeply inspired by Wagner's operas and their pagan, mythical tales of struggles against hated enemies. One time, back in 1905, after seeing Wagner's opera Rienzi, young Hitler professed he would someday embark on a great mission, leading his people to freedom, similar to the opera's story. Now, some 40 years later, after failing in his mission as Führer of the German People and Reich, another of Wagner's operas hearkened, and it was Hitler's favorite – Der Ring des Nibelungen. It concerns a magic Ring granting its possessor the power to rule the world. In the last part of this opera, entitled Götterdämmerung, or 'Twilight of the gods," the hero Siegfried, betrayed by those around him, loses the Ring and winds up on a funeral pyre while the fortress of Valhalla burns and the kingdom of the gods is destroyed. The dream of Germania--capital of Greater Germany as envisioned by Hitler in his scale model of a postwar Berlin. Below: Reality--the muck and mire of bombed out Berlin in the spring of 1945. This essentially was the ending Hitler inflicted upon himself, his People and his Reich. Piece by piece, it all came together over the last ten days of his life, beginning on Friday, April 20, 1945. That day Hitler met for the last time with his top Nazis. The occasion was Hitler's 56th birthday, a dreary celebration inside...
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...The Middle Ages After the collapse of the Roman Empire in the 5th century AD, Western Europe entered a time known as "The Dark Ages" — a period when invading hordes of Vandals, Huns, and Visigoths overran Europe. These years were marked by constant warfare, the absence of a Holy Roman Emperor, and the virtual disappearance of urban life. Over the next next nine centuries, the newly emerging Christian Church came to dominate Europe, administering justice, instigating "Holy" Crusades against the East, establishing Universities, and generally dictating the destiny of music, art, and literature. It was during this time that Pope Gregory I is generally believed to have collected and codified the music known as Gregorian Chant, which was the approved music of the Church. Much later, the University at Notre Dame in Paris saw the creation of a new kind of music called organum. Secular music was performed throughout Europe by the troubadours and trouvères of France. And it was during these "Middle Ages" that Western culture saw the appearance of the first great name in music, Guillaume de Machaut. The Last Supper by Tintoretto The Renaissance Generally considered to be from ca.1420 to 1600, the Renaissance (which literally means "rebirth") was a time of great cultural awakening and a flowering of the arts, letters, and sciences throughout Europe. With the rise of humanism, sacred music began for the first time to break free of the confines of the Church, and a school of...
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...Moldenhauer Archives at the Library of Congress | Table of Contents Music History from Primary Sources An Introductory Essay Alfred Mann A vellum leaf, 22 by 17 cm., from a prayer book. The letter forms of early Gothic script suggest the twelfth century, or a period even earlier. Neumes (marked in red) are placed above the first four lines of the Latin text. The entire page is richly illuminated in black, red, and blue, with a heavy gold layer decorating the initial A for the phrase beginning "Adoro te." The leaf was obtained for the Moldenhauer Archives from the music dealer and publishing firm Schneider, Tutzing. The Art of Musical Notation In its primary sources, music merges with the representational arts. Oral tradition has played a fundamental role in all ages, but in its formal sense, history--and the history of music--begins with the visual record. Musical notation, having emerged on a wide scale in all civilizations, produced in itself a highly individual record of artistic endeavor. The medieval monks who compiled the missals and other liturgical books for the service of worship rose from their function as scribes to artists in their own right; among the greatest documents of Baroque art are the holographs by Bach; and an entirely novel phase in artistic musical score design was initiated in the twentieth century. The primary sources of music reproduced in this volume rely on various aspects of the graphic arts, but foremost among them stands the representation...
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...also known as Ritter von Gluck, was a German opera composer that lived during the early classical period. He was best known for the operas Orfeo ed Euridice, Alceste, Iphigénie en Aulide, and Iphigénie en Tauride, with Iphigenie en Tauride being his most famous composition. He was specialized in Italian, French, and German operas. He was also known for making major reforms to the opera. As Gluck was a composer in the time period between Baroque and Classical Periods, he was a major composer in transforming Baroque style opera into Classical opera. Gluck’s operas have proven successful, as they had received good reviews by the concert-goers and have been performed many times around the world. His work inspired...
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...composer, works of Wagner, Hector Berlioz, and Liszt were the ultimate source of his inspiration that helped to sharpen his own technique and imagination. By not following the traditional form, his style became identifiable as the grand, bravura, flexible, post-Romantic panoply that dominated audiences in the late 19th and early 20th centuries however his musical evolution was pursued in isolation, untouched by the progression and experiments going on around him. He spent the last 38 years of his life refining and polishing his style. The Mozartean sense was apparent in his later years. The opera Capriccio and other late works achieved a perfect fusion of the late German Romantic and the Neoclassical approach. DON JUAN; OP. 20: In 1889 a successful performance of Don Juan made 24 year old Richard Strauss a superstar in Weimar. This work redefined the parameters of musical possibility by illustrating orchestral dynamism with such colourful boldness. He began his career composing music indebted to some of literature’s greatest characters so this work was influenced by an incomplete play by the Austrian poet Nikolaus Lenau. It is believed that the seeds for Strauss’s Don Juan were planted as early as 1885, when he attended a performance: Don Juans Ende by Paul Heyse. He...
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...and the churches were important elements in one’s life. Never to hate people who have mistreated you, but feel sorry for the people that discriminate against you because they are weaker. Simon had three daughters from his first marriage and later divorced and remarried to another woman that had three daughters with and is still married to now. His daughters were taught the importance of spirituality, values, principles, morality, and honesty. His education graduated from high school went to Indian Hills one year then went to University of Iowa to study several degrees then went to music then switched to the Julliard School of music to have more training in music. Then Professor Charles Kellis showed Simon what Operatic recordings and what opera is all about and Simon loved what was played. Simon made a break through when he won at the Moscow Tchaikovsky Competition, in which is how Simon went to the White House to perform for President Lyndon Johnson. Then Simon performed for several composers in Germany and in the United States and was the first African male that had a leading role at Bayreuth. Have many foundations to support seniors all over the world to go to college and for many health diseases and support against HIV/AIDS. Simon Estes: Achievements in Life Rising from humble beginning in the small town Centerville, Iowa, Simon Estes, grandson of a slave, son of father who struggled for his family, is an amazing African-American success. Had many family values...
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...they produced truly inspired Frederick. One could said that Frederick was a pioneer as white man learning and playing Delta Blues, a kind of music that would be performed by extraordinary musicians as Robert Johnson in the 1920’s. Then Frederick went to Germany to study music for a short period of time in 1886. He studied in the prestigious Leipzig Conservatorium from 1886-8. Now he is found in Paris engaged on a full-time career as a composer. Then he chose to live in Grez-sur-Loing in North Central France. He and his wife Jelka lived there for the rest of their lives, except when the First World War started and made the situation unbearable. Frederick started composing simple songs and instrumental and orchestral pieces to develop the operas Irmelin, The Magic Fountain, and Koanga. Some of these works were solo voices as Paa Videme, Sakuntala and Maud. In 1889 he finished the symphonic poem Life’s Dance and also the nocturne Paris. Needless to say that he was a prolific composer. A kind of sublime eclecticism can be felt in these works. He derived his inspiration from the literature of England, Norway, Denmark, Germany, France and the United States. A mixture of Scandinavian flavors and North American Indians and Negros shaped his music. His musical arrangements exude medieval romances and also the rhythm of the Breton Lais of Mary of...
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...Claudia Valentine MUS 110 ONLN 06/26/2015 Gabriel Fauré: Step Three The Life of Gabriel Fauré Gabriel Urbain Fauré (1845-1924) was an influential French composer of the late 19th and early 20th century. He was swept into the world of music very early on in life when in 1854 he was sent from his home in the South of France to study music in Paris. The Niedermeyer School of Classical and Religious music would become his home for the next 10 years. Here he received a rigorous education in music composition and organ and piano performance, in addition to what we would now call a liberal arts curriculum. During his years at school, he met his life-long mentor and friend Camille Saint-Saëns. (Phillips 3) Upon graduation from the Niedermeyer School, Fauré was a master of composition and keyboard. (Henderson 818) Fauré began his professional music career as a church organist throughout France. He played at the Church of Saint Saveur in Rennes, the Notre Dame de Clignacourt in Paris, and Saint-Sulpice in Paris. (Henderson 818) He spent over 20 years at Église de la Madeleine, first as choirmaster in 1877 and then as organiste titulaire. He also served as Chair of Composition and subsequently Director, from 1905 to 1920, at the Conservatoire de Paris. Fauré’s other occupations, all of which regrettably took time away from his music composition, included writing as a critic for Le Figaro, and private teaching. (Phillips 3, 4) As a teacher, Fauré influenced the success of multiple...
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