...Research Project ‘Does Hip-Hop have a negative influence on young people?’ Introduction This research project will explore the impact that hip-hop culture has on young people in society today. From examining current literature and conducting a quantitative study the project will aim to answer the question ‘does hip hop have a negative influence on young people?’ There has been lots of controversy surrounding this subject in recent years. Some say hip-hop is responsible for the rise in youth violence whilst others say hip-hop is just an accurate representation of a violent society. This paper will give an insight into what young people in the Teesside area who live and breathe this popular culture think. Action Plan Project Management Plan Research Project | | Timeline | Start | Finish | Weeks Needed | Task number | Task detail | | 1 | Agree Topic with supervisor | On-going | 2 | Literature review | 15/01/2015 | 05/02/2015 | 3 weeks | 3 | Decide on research design | 20/01/2015 | 27/01/2015 | 1 week | 4 | Develop Data Collection Tools | 06/02/2015 | 20/02/2015 | 2 weeks | 5 | Distribute/Conduct Data Collection Tools | 23/02/2015 | 02/03/2015 | 2 weeks | 6 | Collect and Analyse Data | 02/03/2015 | 16/03/2015 | 2 weeks | 7 | Draw conclusions | 16/03/2015 | 30/03/2015 | 2 weeks | 8 | Write Report | 20/03/2015 | 15/04/2015 | 3 weeks | Sources Both primary and secondary sources of research will be undertaken throughout this project. The...
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...IS HIP HOP DEAD? Table of Contents INTRODUCTION ……………………………………………………………………………..2 1.FOOTSTEPS/ BRIEF HISTORY ……………………………………………………….3 2.THE HIP HOP GAME/ INDUSTRY ………………………………………………….7 3. UNDERGROUND ………………………………………………………………………..10 5. SAMPLING …………………………………………………………………………………11 6. CREATIVITY IN THE TWO WORLDS ……………………………………………..13 7.SALVATION …………………………………………………………………………………16 CONCLUSION …………………………………………………………………………………17 BIBLIOGRAPHY INTRODUCTION The phrase “Hip-Hop Is Dead” can be found everywhere around hip hop community discussions during the last years. Rapper “Nas” titled his eighth album in 2006 with this statement, and has caused a controversy among rap artists and listeners all over the world. But comparing today`s hip hop music with the roots of hip hop can we really claim that hip-hop is really dead? If so, what are the facts that lead in the death of hip hop? What does its demise mean for the average fan? How to bring it back? Does it mean the genre will go down in irrelevance like what happened in disco music? All these questions will be investigated during this paper, and to understand this complicate statement itself, we should figure out what the statement really means. Maybe it is the fact that most of the genre’s songs and music videos look exactly the same. Maybe it’s the mainstream hip-hop game’s emphasis in ridiculously shinning jewelry, the sexism and the focus on money and women. Better yet, according to Mickey Hess, “hip-hop’s...
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...Imagine living in a Puritan society 330 years ago. Religious zeal and devotion are the basis of the community. Ministers and pastors promote male supremacy and women are looked down upon. The fundamental rule in society is to follow God’s law and obey His commandments. Harsh, remorseless punishment is inflicted on those who stray from God’s laws. Now compare the Puritan society to today’s society. The American culture is ruled by momentary yet popular trends. Colored skinny jeans, snap-backs, unnecessary fashion glasses and neon clothing can be seen almost anywhere on the street (Lutz). Also modern culture has astronomically altered social norms. Women used to be the ideal caretaker of innocence and purity, but now women dress in revealing clothing and are preyed on by the indecent society. Proper mannerisms have vanished and young people have become straightforward and sometimes even rude. Respect for elders and wisdom has dwindled (The Revolution in Manners and Morals). What is the cause of this cultural shift? In Boston during 1684, a group of strict Puritan religious leaders wrote a letter to the community addressing the issue of dancing. Men could dance together and women could dance together, which was viewed as a natural expression of joy. Also children could dance with their parents’ permission. However if a male and female danced together it was seen as an inexcusable sin before God (An Arrow Against Profane and Promiscuous Dancing). Puritan religious leaders warned...
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...Hip-hop is a music genre consisting of a stylized rhythmic music. Stylized rhythmic music is music where the rhythm is altered to suit the genre. The culture of hip-hop evolved in the 1970’s and was a movement consisting of streetwise ingenuity. There are four elements of hip-hop; these include rapping, disc jockey (DJ), break dancing and graffiti writing/art. More specifically, rap can incorporate synthesizers (an electronic musical instrument), drum machines and live bands. Some subgenres of rap include alternative, gangsta, political, East Coast, West Coast, crunk and hyphy. The hip-hop movement originated in the 1970’s in South Bronx, New York. African American teenagers living in the South Bronx and Harlem could not afford admission...
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...South Bronx is recognized as the place where hip hop was born and where the expressive elements of hip hop were formed (DJing, breaking and graffiti) during 1970s. Neighborhoods near the Bronx also experimented in this “expressive phenomena” that later became as hip hop culture. Hip hop elements didn’t emerge or develop at the same time, but they share common antecedents. Puerto Ricans (the largest ethno-racial group) together with African Americans and Caribbean people formed the poorest population in the Bronx in 1970. As a result, hip hop is created by the poor-working class of youths and later it became “a ghetto phenomenon.” Hip hop was about the...
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...In her interview, Azealia Banks criticized Iggy Azalea, and ultimately the music industry for appropriating black culture. She mentions how the Grammys are supposed to be symbols of artistic excellence and that Iggy Azalea isn't excellent. She compares Macklemore's record to Drake's record stating that it was not nearly as artistically talented. And despite the radio show host's mentioning that Macklemore himself admitted that his record was not as good as Wiz Khalifa's, Azealia Banks still continued her tirade on the music industry and her perception of the industry as being racist. Although Azealia Banks is known for her controversial and offensive statements of other music artists, I do believe that there is historical context for what she is speaking to. In the post-Civil Rights era, White Americans left the cities to live in the...
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...“Architecture, as both a field of culture and a discipline of social science, has sustained a growing interest in confronting the underlying heteronormative rules that constrain much of its design.” (Ingram, Bouthilette, and Retter.) In architectures implementation of a heteronormative social construct I wish to explore the capacity for the residual space, public realm to push back. Architecture, as the design of human activity and not simply a function and form has been able to contribute to the creation of safe space and I will be attempting this exploration by looking into how it has underwritten ideas of masculinity in hip-hop culture. I am doing so through visuals to see if and how over the years, environments for expression have offered...
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...that includes rhythmic poetry put over a musical background. The background consists of beats combined with digitally isolated sound bites from other recordings. The first recording of rap was made in 1979 and the genre began to take notice in the U.S. in the mid-1980s. Though the name rap is often used back and forth with hip hop. The name hip-hop comes from one of the earliest phrases used in rap on the song “Rapper’s Delight” by Sugarhill Gang. “I said a hip hop, hippie to the hippie, the hip, hip a hop, and you don't stop, a rock it to the bang bang boogie, say, up jump the boogie, to the rhythm of the boogie, the beat.”(Asante 109) In addition to rap music, the hip-hop subculture also formed other methods of expression like break dancing, graffiti art, a unique slang vocabulary, and fashion sense. Rap started in the mid-1970s in the South Bronx area of New York City. The birth of rap originated in the African American community and was first recorded by small, independent record labels and marketed towards, mostly to a black audience. Rap music was created out of the needs for people to express their inner most feelings and emotions. The rap culture emerged after the African American Civil Rights Movement at the end of the 1960s and in the early 1970s (Price 4). It was created out of the African American people’s need to further continue with their struggle to accomplish the goals of equality, fairness, and integration into American society. This new style soon attracted...
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...Music 407 23 June 2014 Hip-Hop Music This research paper will be discussing the origins and development of hip-hop music, some of the characteristics that define hip-hop as a musical genre, and the social significance of hip-hop from its creation up until current day. The purpose of this paper is to inform and enhance the understanding of hip-hop music, drawing connections between musical stylistic origins and social influence throughout history on hip-hop music to create an unbiased, accurate account of how hip-hop music came to be what it is today. The genre of hip-hop music formed in the 1970s amongst African American Groups in urban New York City, during a time when “block parties” and it’s associated music started to become extremely popular. Credited with founding hip-hop music, DJ Kool Herc, an immigrant from Jamaica, started to extend the percussive breaks in popular funk and soul music (Dyson). This new sound became so popular that DJs needed to start using two turntables to lengthen percussive breaks, effectively creating an entire new sound and new genre of music (Bekman). Hip-hop music is characterized by four main elements: rapping, scratching (DJing), break dancing, and graffiti (Chang). Because music is dynamic and constantly changing, hip-hop started to develop sub-genres within hip-hop, such as southern trap music or west coast gangsta rap. Hip-hop music in different regions started to develop their own unique style of hip-hop, and although all of these...
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...Levi Massine 1/31/14 English 10 Hip Hop Music And Culture Although rap music is stereotyped as being violent and a bad influence, it may surprise you that the album The Marshall Mathers LP by Eminem, was one of the fastest selling albums ever. It dropped in 2000 and sold 1.76 million albums in the first week. Rap , also called hip hop ( a term coined by Keith the Cowboy) is defined as not only being a type of music but also as being a culture or a way of life. As music its defined as talking in rhyme to the rhythm of the beat. As a culture hip hop is defined as “ A culture, a way of life for a society of people who identify, love, and cherish rap, breakdancing, DJing, and graffiti(The History of Rap, 1). Rappers are also called MC’s, which stands for master of ceremonies. The are four elements to rap music, rapping, Djing/scratching, sampling, and beatboxing. The last three more pertain to the beats and background music. Rap is very important to many people not only is it their way of life, but it is also one of their emotional outlets. Hip hop started to rise in popularity in the late 1960’s in the Bronx of New York. It was said to be started in clubs and at block parties when Dj’s started to break down and loop percussion breaks of popular disco songs, but they also used funk and souls songs. At this time rappers were predominantly African Americans and Puerto Ricans. One of the first Dj’s was Dj Kool Herc. Where he performed is sometimes called the birth place of...
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...“Walk This Way” to “The Show Goes On”: The Progression of Rap Compared to other genres of music, rap is considered to be pretty new. Rap, or hip-hop, is constantly evolving, as do other types of music. Rap is simply described as, “talking in rhyme to the rhythm of a beat” (Hip Hop). When rap was getting started, it only consisted of DJs mixing some beats together along with beat boxing and sampling other songs. As the years went on, people decided to rap over the beats and create a perfect rap song. Some rappers are lyrical geniuses, while others make music purely for a good party song. The radio does not do a good job of playing a variety of rap, now a days mainstream rap that is only good for dancing is being played on the radio. Mainstream rap, to some, would not be considered good music purely because the lyrics are extremely basic. Artists like Run-DMC first started the phenomena, Tupac and Biggie Smalls made rap extremely popular, and present day rappers like Lupe Fiasco keep advancing the music. Run-DMC was not the first rapper to start, but he is a big reason why rap is so popular today. Run-DMC was a hip-hop group located in Queens, New York, and is widely known to be the most influential acts in the history of the hip-hop culture. They were the first group in the genre to have a gold album, and to be nominated to the Grammy Awards. In 1982, Run-DMC released “Sucker MCs” which was a huge hit. Allison Smith illustrates, “This blast of rhythmic minimalism...
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...genre grew in popularity and became a global, the ‘hoodie’ was also becoming more and more popular as a result. The fashion eventually spread to Europe also; ‘In addition to Puma and other brands like Nike and Adidas, Dresden graffiti artist Simo explains, ‘”the hoodie, baseball cap, and leather sneakers were the three most important things” in hip-hop fashion’. The link between ‘hoodies’ and hip-hop predominantly arose in the US due to several artists wearing hoodies in their music videos. It is clear that hip-hop culture contributed to the rise in the popularity of hoodies during the 80’s and 90’s, after its early beginnings in the 70s. The following quote summarises hip-hop’s influence on the popularity of hoodies and why they became more frequent as a result; ‘As hip-hop culture spread in the 1980s, the hoodie became part of the look associated with street style. When hip-hop went mainstream, penetrating homes in white middle-class suburbia and beyond, hoodies remained a key part of hip-hop's global commercialized look, with rapper Eminem memorializing the hoodie's oversize style in the 2002 film "8 Mile."’ It is clear that hip-hop culture’s use of hoodies in mainstream fashion brought the items of clothing away from the ‘workers utility’ label, although hoodies are still used as a means of warmth outdoors, this was not the only way in which they were...
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...“Each generation must out of relative obscurity discover its mission, fulfill it, or betray it” - Frantz Fanon, The Wretched of the Earth In cultures all over the world, music can be seen encompassing many aspects of life for many individuals. It is a form of mass communication that speaks directly to society as a cultural form", and often reflects a collection and pattern of personal experiences. Hip-hop or rap, an art form and culture nearly thirty years old originating from The Bronx, New York, has provided a forum for Black and Latino youth to express their respective cultures and speak on a number of issues. Today, Hip-hop is a global phenomenon that appeals to almost all ethnicities and is synthesizing a new culture that goes beyond race, education, and income. Hip-hop has been under continual metamorphosis since its 1970’s inner-city inception. Some of the original artists like Kurtis Blow chose to lament everyday life in the ghettos. Others, Sugar Hill Gang among them, took a more dance inspired approach to the music. But for both these and other artists from the early years of rap through the late 1980’s including KRS-One, Public Enemy, Queen Latifah and LL Cool J, fast beats and socially relevant lyrics were among the primary components of the music. By the 1990’s a new face of rap music emerged. It began with Ice T and later gained popularity with artists such as NWA (Niggaz Wit Attitude) whose first album shocked and titillated the rap world with their...
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...Russell “Rush” Simmons began his trip to being hip hop’s main man in the late 1970’s. Through hard work, struggle and determination, he achieved things that a young entrepreneur only dreamed of. By promoting early hall of fame group Run DMC, in which one member of the group is Simmons’ brother Joseph “Run” Simmons. Throughout the years, Russell Simmons has taken Hip Hop to great lengths in our economy and in African American Business. Russell Simmons was born October 4, 1957 in Queens New York. He was an excellent student through grade school and made his was to CCNY-Harlem to study in sociology. This is where he found his passion for music. In the late 1978, Russell began using his spare time to promote some early hip hop block parties and club shows around Harlem and Queens. Often, he would promote these parties with his friend Curtis Walker, who later adopted the name Kurtis Blow, who is another Hip Hop icon. Russell later became his manager and co-wrote the 1979 single “Christmas Rappin’”. By this time Russell had dropped out of college and pursued artist management as a full-time gig. This is when Rush Productions was born. During this time the country was in over $700 billion dollars in debt and personal bankruptcies were constantly rising, Russell found a way to do what he loved and make an income doing it. In the beginning of the 1980s, Russell took his younger brother, Joseph Simmon’s, group as his clients and they then became Run-D.M.C. Over the next...
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...Masculinity in Hip Hop Introduction In their discourses on the same, Frith and McRobbie (1990) tackle the issue of sexuality in popular culture. As they tackle this issue, the authors focus specifically on the issue of masculinity as depicted in imagery, songs, videos, and concert tours. In the course of their work, Frith and McRobbie (1990: 374) observed a prevalent trend, which they referred to as ‘cock rock’ in their initial scholarly account. This was the reference to the dominant pattern of masculine chest-thumping as well as the aggressive and explicit portrayal of male sexuality. Later scholars also used the term hegemonic masculinity to sustain this viewpoint. Besides hegemonic masculinity, Frith and McRobbie (1990: 375) identify ‘the soft sentimentalist’ as another form of masculine sexuality, essentially a subtle evolution of the former. Sentimental masculinity appeals more to female vanity and the need for affection. The sentimentalist is charismatic and charming full of sensual flirtation aimed at luring the superficial audience. Critical observation indicates that both forms of masculine sexuality are still present in the world of Hip Hop today. In a detailed overview on the same, this paper tackles the issue of hegemonic and sentimental masculinity as evidenced in the world of Hip Hop today and the pervasive trend of aggression and sexuality in popular culture. Sexuality in Popular Culture The issue of sexuality continues to dominate the world of popular...
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