...Philosophy of hip hop Student’s Name University Affiliation Report on Film ‘From Mambo to Hip Hop’ ‘From Mambo to Hip-Hop: A South Bronx Tale’ is an hour long documentary that narrates a story about the inventive life of the South Bronx, starting with the Puerto Rican immigration and the acceptance of Cuban rhythms to form the New York salsa resonance; enduring with the fires that damaged the neighborhood, but not the innovative spirit of its inhabitants; accounting the ascending of hip-hop from the ruins; and finishing with reflections on the influence of the neighborhood’s songs to make sure that the endurance of a number of generations of its people, and, in the course, take the world’s pop customs by storm. ‘From Mambo to Hip-Hop’ dances all the way through the account of a region that took care of two musical movements: the mambo that developed into salsa and the hip-hop that cropped up from the most distressed days of the South Bronx. Created by Steve Zeitlin and Elena Martinez , who are principals in the New York ‘folklore group City Lore’, and directed by Henry Chalfant, who is a longtime speaker of the South Bronx who worked together on a documentary from the early 1980’s “Style Wars,” “From Mambo” dashes by, driven by tempo that varies through the decades. Mambo and hip-hop are the type of dissolving pot experience that New York stirs and heats. Their ancestry is African, refracted through the Caribbean and the town. In their early stages...
Words: 947 - Pages: 4
...movement. For the music genre, see Hip hop music. For other uses, see Hip hop (disambiguation). Graffiti of "hip hop" in Eugene, Oregon Hip hop is a form of musical expression and artistic subculture that originated in African-American and Hispanic-American communities during the 1970s in New York City, specifically the Bronx.[1][2][3] DJ Afrika Bambaataa outlined the four pillars of hip hop culture: MCing, DJing, B-boying and graffiti writing.[4][5][6][7] [8] Since its emergence in the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world.[9] Hip hop music first emerged with disc jockeys creating rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, more commonly referred to as sampling. This was later accompanied by "rap", a rhythmic style of chanting or poetry presented in 16 bar measures or time frames, and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJ's. An original form of dancing and particular styles of dress arose among fans of this new music. These elements experienced considerable refinement and development over the course of the history of the culture. The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a...
Words: 8353 - Pages: 34
...ip hop (stylized as Hip-Hop) is a broad conglomerate of artistic forms that originated within a marginalized subculture in the South Bronx and quickly spread through other parts of New York City such as Harlem among African American and Latino American youth during the late 1970s.[2][3][4][5] It is characterized by four distinct elements, all of which represent the different manifestations of the culture: rap music (oral), turntablism or "DJing" (aural), breaking (physical) and graffiti art (visual). Even while it continues in contemporary history to develop globally in a flourishing myriad of diverse styles, these foundational elements provide stability and coherence to the culture.[2] The term is frequently used mistakenly to refer in a confining fashion to the mere practice of rap music.[citation needed] The origin of the hip hop subculture stems from the block parties of the Ghetto Brothers, when they plugged the amps for their instruments and speakers into the lampposts on 163rd Street and Prospect Avenue and used music to breakdown racial barriers, and from DJ Kool Herc at 1520 Sedgwick Avenue, where Herc mixed samples of existing records with his own shouts to the crowd and dancers. Kool Herc is credited as the "father" of hip hop. DJ Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, to which he coined the terms: MCing or "Emceein", DJing or "Deejayin", B-boying and graffiti writing or "Aerosol Writin".[6][7][8][9][10] ...
Words: 469 - Pages: 2
...affect people. I will then describe three events that occurred in The United States that had a significant impact on how music changes during periods of trauma. I will first inform you about the construction of the Cross Bronx Expressway and how it created Hip Hop culture. I will then look at what ideologies were promoted within country music after 9/11. Lastly, I will look at how Hip Hop artists utilized Hurricane Katrina to point out social injustices that remain in our country. What is Trauma? My definition of trauma is that it is a painful event that creates a lasting effect on someone. It can be physical, mental or emotional. The painful event can be either man-made or natural. An example of a man-made traumatic event would be the attack on 9/11 which killed thousands of people. An example of a natural, traumatic event would be Hurricane Katrina, which also killed many people and displaced thousands from their homes. Even though not all traumatic experiences result in death, death seems to be a consistent outcome from both man-made and natural traumatic events. Trauma and death can affect people differently. The difference can occur on a cultural level, community level, family level, individual level, even a generational level. Many cultures will deal with death differently. Western societies will usually try to distance itself from death. These societies also work really hard to shield their children from death because of the fear that they will be traumatized...
Words: 2336 - Pages: 10
...Hip-hop is a music genre consisting of a stylized rhythmic music. Stylized rhythmic music is music where the rhythm is altered to suit the genre. The culture of hip-hop evolved in the 1970’s and was a movement consisting of streetwise ingenuity. There are four elements of hip-hop; these include rapping, disc jockey (DJ), break dancing and graffiti writing/art. More specifically, rap can incorporate synthesizers (an electronic musical instrument), drum machines and live bands. Some subgenres of rap include alternative, gangsta, political, East Coast, West Coast, crunk and hyphy. The hip-hop movement originated in the 1970’s in South Bronx, New York. African American teenagers living in the South Bronx and Harlem could not afford admission...
Words: 944 - Pages: 4
...WHAT IS HIP HOP? By: Mohammed Al-Salem Hip Hop is a cultural movement that developed in New York in the 1970’s, primarily for the African-American and Latino population. Hip Hop consists of four elements; MCing, deejaying, graffiti art and breaking (b-boy/b-girl). The cultural pillars that Hip Hop is founded on are comedy, rivalry, nursery rhymes, storytelling, poetry, and rhyming tendencies in humans. Hip Hop was born in the South Bronx at a summer block party. The father of Hip Hop, DJ Clive “Kool Herc” Campbell is a Jamaican that built upon the Jamaican tradition of toasting. Toasting is rapping the impromptu poetry over music, with this tradition in mind DJ Kool Herc created the blueprint for Hip Hop music as he began to isolate the instrumental portion of the record, creating the break beat; an isolation of one particular section of a musical composition to have a vamp for an MC or b-boy/b-girl. He then added another turntable and bought two copies of the same record to elongate the break beat – this technique is the foundation of Hip Hop and eventually led to the deejaying styles of a pair of legendary deejays, Afrika Bambaataa and Grand Master Flash. Since the first rap record in 1979, “Rapper’s Delight” by Sugar Hill Gang, Hip Hop as a culture has grown immensely and is continuously spreading around the world influencing so many lives. However, before Hip Hop music even existed there were music genres like jazz, rhythm and blues, soul and funk that have...
Words: 1621 - Pages: 7
...that includes rhythmic poetry put over a musical background. The background consists of beats combined with digitally isolated sound bites from other recordings. The first recording of rap was made in 1979 and the genre began to take notice in the U.S. in the mid-1980s. Though the name rap is often used back and forth with hip hop. The name hip-hop comes from one of the earliest phrases used in rap on the song “Rapper’s Delight” by Sugarhill Gang. “I said a hip hop, hippie to the hippie, the hip, hip a hop, and you don't stop, a rock it to the bang bang boogie, say, up jump the boogie, to the rhythm of the boogie, the beat.”(Asante 109) In addition to rap music, the hip-hop subculture also formed other methods of expression like break dancing, graffiti art, a unique slang vocabulary, and fashion sense. Rap started in the mid-1970s in the South Bronx area of New York City. The birth of rap originated in the African American community and was first recorded by small, independent record labels and marketed towards, mostly to a black audience. Rap music was created out of the needs for people to express their inner most feelings and emotions. The rap culture emerged after the African American Civil Rights Movement at the end of the 1960s and in the early 1970s (Price 4). It was created out of the African American people’s need to further continue with their struggle to accomplish the goals of equality, fairness, and integration into American society. This new style soon attracted...
Words: 804 - Pages: 4
...Hip Hop music is the most popular music that is out in today's world. Blacks, whites, and latinos listen to Hip Hop music that is being played. What the question is a lot of people would like to know and come to a complete agreement on is who does hip hop music belong to. Hip Hop music belongs to a cultural group, African Americans. African Americans are the ones who started it first. African Americans know how to make it come alive and they can relate more to it. Everyone wants to know the fact and truth on who does hip hop music belong to. Hip Hop music belongs to everyone but however, it belongs to African Americans. Some may say it's a racial standard and that it's not true are right to give a group all the credit for something they started, but it's true. Hip Hop started in 1970, in south Bronx in New York city, with the African American youth residing in the Bronx. First, Hip Hop artist was the Sugar Hill Gang. Hip Hop was inspired by the urban black community. Hip Hop music started in one area before...
Words: 752 - Pages: 4
...will do Hip hop, where it was originated and where it was from? And how it has evolved over the years? How it is nowadays? The term hip hop is a big thing nowadays and it was found in New York, among black and latino ghetto. The main components of Hip Hop are Rap, Break Dancing, Graffiti, In south Bronx 1967 came Clive Campbell. He is a well known hip hop founder and his name was a big thing in those years. The hip hop originated in 60th and 20th century and it still exists today. https://prezi.com/m/uwz8x4klgu2w/where-did-hip-hop-originate-and-who-were-its-founders/ The hip-hop culture began in the streets of New York City over twenty-five years ago and it has gone through very big changes through the years of the past. Hip-Hop consists of four element, rap, graffiti, break-dancing, and the disc jockey. In this paper, I intend to fully explain the evolution of rap music, from its fame to the giant industry it is today. I will complete a big paper of how hip hop has evolved and is eve loving in the modern day. http://employees.oneonta.edu/bealt/alexander.htm "Hip hop and rap have many important influences—R&B, funk, soul, jazz, rock and roll performers; poets, and writers like Iceberg Slim; and stylistic forebears like Muhammad Ali and Richard Pryor. Few of these can match the importance of the spoken-word artist, improvisational street-poet, and R&B performer Gil Scott-Heron. Born on 1 April 1949 in Chicago, Illinois, Scott-Heron grew up in Tennessee and the Bronx, New York...
Words: 457 - Pages: 2
...Hip-hop is a growing culture that was created in South Bronx, New York; designed to empower African-American youth who were suffering from the oppression of society. Hip-hop culture helped bring forward a new generation of youth that were given the confidence to change their lives for the better. As Mos Def said, “Hip-hop always challenges America’s notion of what they believe young, disenfranchised people to be.” (2002) To challenge this notion, African-American youth had to adopt a certain personality trait to try and get the attention they wanted. This personality trait is called, “black masculinity.” This trait was developed as a means to show that one had no weaknesses. Black masculinity is also what made hip-hop aspects so interesting...
Words: 251 - Pages: 2
...Hip-Hop and Its Impact on America Erick Acosta U.S History II Honors Period 4 Mr. Pannone May 4, 2009 Hip Hop and Its Impact on America Hip-Hop is one of the genres most criticized by America. Many people thought that Hip-Hop would fade away soon after it was introduced in the late 70s. These people were wrong because over 25 years have passed and Hip-Hop is now very popular in American culture. Hip-Hop has grown a great deal since its beginnings in south Bronx. Now Hip-Hop and rap music can be found anywhere from CDs, television shows, advertisements, and the internet. This shows how big of an impact it has on America and American music. A brief history shows Hip-Hop’s achievements and milestones. Hip-Hop is divided into two: the DJ and the MC. The DJ: Hip Hop began in South Bronx during the late 1970s. It arose when block parties were common in New York City. Deejays would use a technique to isolate the percussion breaks in songs. They did this because they knew that these percussion breaks would be easier to dance to (Hip-Hop music, par 5). This technique was very much seen in Jamaica and was brought to New York by DJ Kool Herc. DJ Kool Herc from Jamaica was known as the father of Hip-Hop. There were other Deejays that contributed to the expansion of Hip-Hop. These Deejays were DJ Hollywood, who invented the term Hip-Hop, and Grand Wizard Theodore, who invented scratching. Scratching is a technique used by deejays to produce distinctive sounds by moving a vinyl...
Words: 2436 - Pages: 10
...United States by African Americans, hip hop culture and music is now global in scope. Youth culture and opinion is meted out in both Israeli hip hop and Palestinian hip hop, while Canada, France, Germany, the U.K., Poland, Brazil, Japan, Africa, Australia and the Caribbean have long-established hip hop followings. According to the U.S. Department of State, hip hop is "now the center of a mega music and fashion industry around the world," that crosses social barriers and cuts across racial lines. National Geographic recognizes hip hop as "the world's favorite youth culture" in which "just about every country on the planet seems to have developed its own local rap scene." Through its international travels, hip hop is now considered a “global musical epidemic,” and has diverged from its ethnic roots by way of globalization and localization. Although some non-American rappers may still relate with young black Americans, hip hop now transcends its original culture, and is appealing because it is “custommade to combat the anomie that preys on adolescents wherever nobody knows their name.” Hip hop is attractive in its ability to give a voice to disenfranchised youth in any country, and as music with a message it is a form available to all societies worldwide. From its early spread to Europe and Japan to an almost worldwide acceptance through Asia and South American countries such as Brazil, the musical influence has been global. Hip hop sounds and styles differ from region...
Words: 2693 - Pages: 11
...Music 407 23 June 2014 Hip-Hop Music This research paper will be discussing the origins and development of hip-hop music, some of the characteristics that define hip-hop as a musical genre, and the social significance of hip-hop from its creation up until current day. The purpose of this paper is to inform and enhance the understanding of hip-hop music, drawing connections between musical stylistic origins and social influence throughout history on hip-hop music to create an unbiased, accurate account of how hip-hop music came to be what it is today. The genre of hip-hop music formed in the 1970s amongst African American Groups in urban New York City, during a time when “block parties” and it’s associated music started to become extremely popular. Credited with founding hip-hop music, DJ Kool Herc, an immigrant from Jamaica, started to extend the percussive breaks in popular funk and soul music (Dyson). This new sound became so popular that DJs needed to start using two turntables to lengthen percussive breaks, effectively creating an entire new sound and new genre of music (Bekman). Hip-hop music is characterized by four main elements: rapping, scratching (DJing), break dancing, and graffiti (Chang). Because music is dynamic and constantly changing, hip-hop started to develop sub-genres within hip-hop, such as southern trap music or west coast gangsta rap. Hip-hop music in different regions started to develop their own unique style of hip-hop, and although all of these...
Words: 2815 - Pages: 12
...development in which time dedicated to music and listening to music is at its peak and identity is hesitant, flexible, and shaped by multiple means of communication, as contemporary hip hop music. In this context, it is notable that contemporary hip hop is the favorite genre between adolescents at Omni Middle School. Adolescence is an important phase in the process of reaffirming personal identity, psychosocial identity and sexual identity. Identity is understood...
Words: 1143 - Pages: 5
...History of Rap Rap Music, a genre of R&B that includes rhythmic poetry put over a musical background. The background consists of beats combined with digitally isolated sound bites from other recordings. The first recording of rap was made in 1979 and the genre began to take notice in the U.S. in the mid-1980s. Though the name rap is often used back and forth with hip hop. The name hip-hop comes from one of the earliest phrases used in rap on the song “Rapper’s Delight” by Sugarhill Gang. “I said a hip hop, hippie to the hippie, the hip, hip a hop, and you don't stop, a rock it to the bang bang boogie, say, up jump the boogie, to the rhythm of the boogie, the beat.”. In addition to rap music, the hip-hop subculture also formed other methods of expression like break dancing, graffiti art, a unique slang vocabulary, and fashion sense. Rap started in the mid-1970s in the South Bronx area of New York City. The birth of rap is, in many ways, like the birth of rock and roll. Both originated in the African American community and both were first recorded by small, independent record labels and marketed towards, mostly to a black audience. And in both cases, the new style soon attracted white musicians that began performing it. For rock and roll it was a white American from Mississippi, Elvis Presley. For rap it was a young white group from New York, the Beastie Boys. Their release “(You Gotta) Fight for Your Right (To Party!)” (1986) was one of the first two rap records to reach...
Words: 1338 - Pages: 6